Correction’s House return with sophomore album.

Posted by Metal Riot on Friday, August 28, 2015 at 3:22 PM (PST)
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“Who made Hell… Hell made Who…” – “I Was Never Good At Meth,” CORRECTIONS HOUSE

 

CORRECTIONS HOUSE will unleash their long-anticipated, sophomore full-length, Know How To Carry A Whip, this October via Neurot Recordings. Darker, denser, and more despairing than their 2013-issued Last City Zero predecessor, the nine-track, forty-five-minute audio apocalypse was captured by the band’s own Sanford Parker (Minsk) and recently institutionalized minister of propaganda, Seward Fairbury, in Vietnam. The record boasts a guest appearance by Negative Soldier and finds CORRECTIONS HOUSE – which features the fiery lineup of Parker, Fairbury, Scott Kelly (Neurosis), Bruce Lamont (Yakuza) and Mike IX Williams (Eyehategod) — at their most punishing, painting electronic mosaics of deviance and decadence with brushes made of bristles of the damned.

 

Immersed in experiences of longing and loneliness from the depths of their collectively decaying hearts, each movement contained within CORRECTIONS HOUSE’s Know How To Carry A Whip reveals a new, unsettling sentiment of danger, paranoia and looming defeat. An underlying theme of confinement and release bridges each track. Atmospheric and haunting; hypnotic and pulsing, songs writhe and wither, decay and peel. Distorted, doomed and oft static sodden, discordant and tribal, twined around Williams’ unassailable manic street preacher prose and intermittently juxtaposed by the smooth, cradling sounds of Lamont’s lingering saxophone, Know How To Carry A Whip is at once bleak, grey, glacially devastating and metaphysically cathartic. “The music is simultaneously suffocating and freeing,” expounds Kelly, “but it also has the energy of a whirling dervish.”

 

In a rare, lucid skype transmission from the mental facility in which he currently resides. Fairbury further elaborates of the production, “the songs typically originate from the loops and beats that are generated from Sanford, then the skeleton of riffs are built by Scott and Bruce. Mike IX adds his profound observations and I do the final production. These new songs are far more developed and fluid then the first record. There is a prevailing groove that dominates.”

 

(Fairbury, who was missing briefly last year, obsessed with seeking clarity and understanding beyond Who, What and Why we are to ultimately expose The Truth, continues his downward spiral towards madness and despair. Allegedly plotting an elaborate escape, Fairbury plans to rejoin CORRECTIONS HOUSE in their systematic propagation of auditory abuse later this year.)

 

More BELOW.

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Black Sabbath guitarist Toni Iommi lost the tips of his middle and ring finger in an industrial accident and plays with the aid of thimbles which extend his fingers.


Slayer and Machete inspire prisoners to flash mosh

Posted by Metal Riot on Friday, August 28, 2015 at 2:02 PM (PST)
Slayer "Repentless" Music Video Shoot

On Wednesday, in near 100-degree heat and high humidity, a riot broke out in the exercise yard of the Sybil Brand Institute, the women’s prison in East Los Angeles, where Slayer shot the music video for the new track “Repentless.” In fact, while Slayer performed the track under that punishing sun over an eight-hour period, the “prisoners” had to stage a riot for somewhere north of twelve takes before director BJ McDonnell finally called it a wrap. But that was all pretty much in keeping with McDonnell’s brutal vision for the clip, a vision that many in the veteran cast and crew referred to as “more like something for a feature film than a rock band’s music video.”

 

This is McDonnell’s first stint directing a music video. He directed the 2013 horror film “Hatchet III,” and his rich resume as a motion picture cameraman includes “Avengers: Age of Ultron,” “Ant-Man” and “The Interview.” For Slayer’s “Repentless,” he and the video’s producer Felissa Rose pulled together a gang of actors and crew who have been part of some of the most iconic horror films ever made: Derek Mears (“Predators,” “Friday the 13th”) Tyler Mane (“Halloween”) Jason Trost (“Hatchet III”), Danny Trejo (“Machete,” “From Dusk Till Dawn”), Tony Moran (“Halloween’s” Michael Myers, “American Poltergeist”), Sean Whalen (“Men In Black,” “Halloween II”), and Vernon Wells (“Mad Max 2,” “Commando,” “Weird Science”) all are featured inmates in the video. And if that wasn’t enough, McDonnell and Rose brought in stunt coordinator Nils Allen Stewart who is known for his work on films like “Planet of The Apes,” “Anger Management” and “Daredevil.”

 

Slayer’s prison yard performance is just one facet of what promises to be a grizzly video. While McDonnell and Rose are keeping full details about the video tightly under wraps until its premiere, it’s safe to say that there was a lot of blood spilled within those prison walls.

 

The date for the premiere of Slayer’s “Repentless” music video will be announced shortly. Repentless, Slayer’s 11th studio album, is due out 9/11/15 (Nuclear Blast), and is already receiving some pretty amazing press.

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Let the “Purple” reign begin @yourbaroness

Posted by morganyevans on Friday, August 28, 2015 at 12:48 PM (PST)

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“In spite of the Winter there’s ways to keep warm…”

via Baroness:

Our new album ‘Purple’ is out December 18
Deluxe – http://smarturl.it/dpurple
iTunes – http://smarturl.it/ipurple
Amazon – http://smarturl.it/apurple

If “Chlorine & Wine” doesn’t appeal to you on some level then you’ve never gotten this band. \m/ #aewstruck #sorad

 

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Motörhead honored by L.A. city council on 40th anniversary

Posted by morganyevans on Thursday, August 27, 2015 at 7:39 PM (PST)

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In case you missed it, Andrew Bansal at Metal Assault has a very cool article about our boys with bite being honored:

For a band with no members originating from the city, rock ‘n roll veterans Motörhead have established as much of a connection with Los Angeles as any hometown band. 

Read it HERE.

 

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SEAN YSEULT: RETROSPECTIVE at Sacred Gallery NYC Opens in November

Posted by morganyevans on Thursday, August 27, 2015 at 2:08 PM (PST)
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Sean Yseult – Retrospective
Opening Reception:
Saturday, November 7th – 8pm-11pm
424 Broadway Fl2, New York City
Sacred Gallery NYC
sacredgallerynyc.com
On Display:
November 7th – December 31st

New York, New York: Sean Yseult, best known as the bass player from the multi-platinum and twice Grammy-nominated band White Zombie, presents her first solo show in New York City. RETROSPECTIVE – a love letter to her long-time muse, New Orleans – is a collaboration of early work from 2004, SEX & DEATH & ROCKNROLL (2012), MISSISSIPPI MERMAIDS (2013) and her current show, still on partial view at the Scott Edwards Gallery through October 2015, SOIRÉE D’EVOLUTION: TABLEAUX VIVANTS ET NATURE MORTES.

This exhibition brings Yseult full-circle, having lived in New York City from 1982 – 1991, during which time she co-founded White Zombie while attending Parsons The New School for Design in Manhattan’s West Village, before moving to New Orleans in 1996 with nothing more than a single suitcase, a guitar, a banjo, and a Polaroid Land Camera.

More BELOW.

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Parkway Drive wont be “Crushed” in new video

Posted by morganyevans on Thursday, August 27, 2015 at 9:44 AM (PST)

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“Crushed” by Parkway Drive from the album IRE is the Aussie band’s brazen new video. The record is available September 25th and so fr every single has been even more massive than usual. One of the best in their field.

Pre-order on iTunes: http://found.ee/ParkwayDriveIre

“Welcome to the free world
Where nothing’s as it seems
Tell me, can you find a cure
When you can’t see, and you can’t feel the disease…”

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Memphis May Fire Partner with Guitar World On “Stay The Course” Contest

Posted by Metal Riot on Wednesday, August 26, 2015 at 4:01 PM (PST)

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Memphis May Fire has partnered with Guitar World on a playthrough video contest around the recent release of the band’s latest release, ‘Unconditional (Deluxe Edition)’.

To enter, watch the video of Kellen and Ant playing “Stay the Course” here, then film your own playthrough video and post a link to your video in the YouTube playthrough video’s comments. The band will watch ALL the submissions and pick a winner (the person who plays the song as accurately as possible). Note that you’ll also need to fill out the entry form below by September 18, 2015!

One grand-prize winner will win:

• A new ESP LTD EC-50 BLKS guitar (pictured above)
• A one-year Guitar World magazine subscription
• Memphis May Fire shirt from the Merchnow store (preference of winner)
• A signed copy of Unconditional (Deluxe Edition)
• Winner’s video featured on Memphis May Fire’s YouTube channel.

Here’s the official “Stay the Course” music video for extra inspiration!

CONTEST OPEN TO RESIDENTS OF U.S. AND CANADA. SEE THE VIDEO DESCRIPTION FOR CONTEST RULES AND PRIZES!

Guitarist Kellen McGregor says, “Stay the Course was a lot of fun to write and very rewarding to see it be received so well by our fans. We always get requests for play-throughs of our songs and felt this song in particular would be a perfect fit! We hope y’all have fun with the covers and we look forward to checking them out!”

Memphis May Fire recently played to record crowds as one of the headliners on this summer’s Vans Warped Tour and are set to follow that up with a tour of Australia, Europe and the UK this fall. The band is also confirmed to play Warped Tour UK on October 18 in London, alongside Black Veil Brides, Asking Alexandria, August Burns Red and many more.

Unconditional (Deluxe Edition) is available for purchase and/or streaming atiTunesSpotifyGoogle PlayMerchnowBest Buy and FYE.

For more about Memphis May Fire, follow them on FacebookTwitter,Instagram and Snapchat (mmfsnaps).

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Heavy gloom crew Twitching Tongues to release “Disharmony” LP

Posted by morganyevans on Wednesday, August 26, 2015 at 10:40 AM (PST)

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Twitching Tongues have been taking hardcore passion and the disdain of the grimiest metal to new heights/depths, banging out quality release after release. Hard to believe album number three is here already and on mighty Metal Blade! Great work pays off and this band have earned it with a sound that recalls a knife fight between Carnivore and newer styles with heavy, modern distortion. In Love There Is No Law was the next level from good but uneven break out Sleep Therapy .I am confident Disharmony will take it even further down the moonlit path of blessed misery for these guys. These dudes have always had a strong merch game so I rooted for them, haha (isn’t that odd how it can work now?)…but it’s great that through discipline and gig seasoned growth they are truly coming into themselves.

 

This record represents every single thing we have done and have worked towards these past 5 years…It is a new beginning for this band, and it feels incredible to finally share it with all of you.” – Colin Young

 

The record is due in early October and the band has also unleashed a new video, directed by Tyler Bradberry, for the record’s title track and launched a pre-order for the record today at metalblade.com/twitchingtongues. They’ve already been crushing this song live , so you might recognize it already.

 

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Weird Kids Table: 5 bands daring to mix genre and get cray

Posted by morganyevans on Tuesday, August 25, 2015 at 9:14 AM (PST)

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Sorry kids, but the buck doesn’t stop at Converge. As much as I am a HUGE fan
of J. Bannon and the gang, it didn’t even completely start there. Any early
Today IS The Day or Starkweather fans out there? Yes, Converge are for many
the go to band for a mix of some of the most extreme metal, hardcore and noise
with DIY heart out there. They have earned their stars as scene generals
through serious drive and are an example of “you reap what you sew” in a GOOD
way!

For me, it is thrilling to find bands who are unafraid to tread a bold path.
Myrkur comes to mind as a total “no fucks given” type who is making really
cool music out of combined aesthetics. I’ll even say I personally think the
latest Liturgy record is totally ingenius and you can call me a hipster while
I ignore you and really enjoy myself. It’s ok, I like Dissection’s records as
well (even as a bi sexual male…God, that was such a fucking shame).
Look, We’re all gonna die someday so make the art you want to. Have you HEARD
how rad the new Tribulation is? Seriously!

You really want all of mom and dad’s cash to go towards you being another mall
emo clone band or strictly “commercial” hard rock radio (in a pretty much post
radio age, lmao) sound? It’s pretty commercial to me that Fear Factory, Cattle
Decapitation and Lamb Of God are posting the best chart numbers of their
careers, even if it is easier to chart high these days by selling a few
thousand records in the day of music entitlement. I’m all for shared
experience and sampling and content trade and mix tape culture but also see
the music being given out on platforms artists never signed up to be on or
used to sell Youtube ads. Don’t pretend all your reasons for wanting free
music are pure. It fuckin’ makes it really hard on working creatives so cut
the shit.

That said, a punk rock non whiny spirit is also important and here are some
bands that don’t get discouraged easily and do their own thing SO FUCKING
WELL.

See the list BELOW.

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Don’t Break The Oath: Believe in music and it will save your life

Posted by morganyevans on Monday, August 24, 2015 at 3:08 PM (PST)
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yours truly not breaking the oath with my friend Katniss and our favorite albums to 2 kill 2

Sarabeth from the almost too excellent Tower posted a Judas Priest song on her babely Facebook page the other night and it got me thinking how even “bad” Priest is better than everything and how I love the video for “Turbo Lover” and don’t care. It made me think how much metal or good rock n roll or hip hop deserves a fighting chance, no matter what.

Some bands  settle for less than they deserve, a few beer tickets every few months at a local show or they never have any drive and want to jerk off alone with a slice of pizza as a glove because they have no fans.It’s easy to say that giving up on metal, noise, punk, rap etc is a (non gender specific) bitch move.That’s because,essentially, this is true. It’s criminal to betray an artform that gives back and nourishes the soul in so many deep ways, though in real world ways it can eat you alive.

Watching White Lung Saint Vitus Bar NYC footage today or recently listening to Give Up The Ghost/American Nightmare’s We’re Down Til We’re Underground, I was moved by the musical power enough to register on some level thanks for these examples of recently active performers who matter. Art can be limited to a time period and still have relevance.There are many short lived, amazing bands.Or time periods we love to mull over (early Metallica, Naked Raygun or Rollins Band albums hold a place in the hearts of various humans like Dave Mustaine, Steve Albini & Scott Ian, for example.)

I’ve been enjoying Dr. Dre’s Compton album (except for the murder fantasy skit as I know lots of people love to re-enact Wu Tang skit’s or whatever and just found it a distraction from brilliant flow of rest of record as well as distasteful, but it’s not unrealistic shitilly enough).There’s part of the record where the master producer Dre mentions how he doesn’t respect whiners, to paraphrase.Cuz it is tough out there, and I legitimately feel that.

The music industry is the same way.Let’s hear from members of bands like Candiria, He Whose Ox Is Gored, Circuitry, Atriarch and more on what’s kept them going. I even asked my rapper pal Mattrix what keeps him grindin’ and rhymin’ (this is a dude who has had way more first week video plays than some established rappers).

Read More BELOW.
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Album Review: Ramming Speed – “No Epitaphs”

Posted by morganyevans on Monday, August 24, 2015 at 11:27 AM (PST)

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East Coast smashers Ramming Speed are one of the more chaotic, thrashy bands
around, like their label mates Exmortus often sounding like one big evil as
fuck party. Ramming Speed have really dogged it out to get to album number
three and have a lot of cred in the crust punk scene as well. They just seem
like an awesome band and can really play a good, rough around the edges more
punky version of thrash.

Full review BELOW.

Ill Nino release “Blood Is Thicker Than Water” clip

Posted by Metal Riot on Monday, August 24, 2015 at 9:55 AM (PST)

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ILL NINO has released “Blood Is Thicker Than Water,” the third music video from the album Till Death, La Familia, available in stores and digitally everywhere.

 

Watch “Blood Is Thicker Than Water” on VEVO.

“’Blood is Thicker Than Water’ is more than just a piece of music to me,” confesses frontman Christian Machado.  “Writing the lyrics seemed to me, at that point in my life, to be a healing process than anything else.  Two years to that exact date, I held the hand of a beautiful human being and I watched her take her last breath.  After her death, I held her for an hour, I cried, I thanked her for all her beauty, her innocence, and her love.  I felt an incredible amount of regret, it was possibly the most painful moment I will ever go through in my life.  I cannot put into words the feeling.  I can say I attempted to put that emotion into the lyrics of ‘Blood is Thicker Than Water,’ but I know the depth of the words cannot bring to light the pain and suffering that she went through and also the mourning that followed.  When we perform the song live, I sometimes have to put all my power into not being succumbed by that emotion once again.  I hope the song can reach into the hearts of everyone who hears it. I hope it allows her beauty to live forever.”

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Song Of The Week: “Yesteryear” from NYC’s So Hideous

Posted by morganyevans on Saturday, August 22, 2015 at 12:13 PM (PST)

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A spacious, piano threaded intro evolves into a rolling drum track before a wall of sound hits and screams erupt amidst the cacophony like all the stuff you’ve needed to get out for years. The new So Hideous track is like a beautiful, extreme metal/punk version of a brave primal or Reichian Therapy but with no pillow to dampen the screams. The bands record Laurestine is one of our most anticipated of the year and another banger notch in the belt for tastemaking label Prosthetic‘s 2015 which also includes stellar shit from space advocates InAeona and party animals Ramming Speed that should also be on your radar, kids. Be awesome and like this song and the band So Hideous NOW.

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Slash and Axl pals again? This is good news.

Posted by morganyevans on Saturday, August 22, 2015 at 10:44 AM (PST)

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So I saw my buddy Tigman from 101.5 WPDH Poughkeepsie post on Facebook a Blabbermouth piece you should all see HERE.

I’m a die hard gunners fan (half of the new songs on my band GET OUT.’s pending hard rock/metal full length debut have high and low octave double tracked Axl influenced Appetite type vocal tricks utilized in the choruses). I also feel SLASH is one of the most entertaining books on rock n roll EVER written (along with Lemmy’s White Line Fever), just mandatory. And with all due respect to Myles Kennedy and Slash’s solo band or the recently departed from the Nu-Guns camp guys like Bumblefoot and Ashba, seeing Slash and Axl again someday would be amazing.

I’m not an Axl hater though I also understand why fans hate he is late for shows and wonder why for awhile there was a guy with a KFC bucket playing guitar. There was a reason why Against Me! classic Reinventing Axl Rose existed, but you also gotta remember that Axl EARNED his hubris. Dude went from a fucked up childhood to conquering the world… and I think it’s cool he stood up to the Hall of Fame and public pressure at the time for the Appetite line up to perform. While that would’ve been awesome and I understand why Adler was so disappointed, it also made sense in other ways for Rose to say “Hey, this is my band now.”  On the plus side, it appears Axl and Slash are friendly again.

I personally am bummed we didn’t get another record with Ashba but am thrilled Fortus and (honestly my fave Guns drummer besides Sorum) Frank Ferrer remain, as they play in The Compulsions (one of the best rock bands going) as well and just kick ass/have talent and vibe/class. I’d love to see Duff, Slash and the current line up meld or rotate Tommy Stinson and Duff or whatever like they have been doing. Maybe all of that is speculation but it’d be a cool way to bridge the old school and new school gap as older fans strictly hating on the Chinese Democracy-era band means missing out on some killer newer tunes like “I.R.S.” and one of Axl’s best ever songs “Street Of Dreams”. Even Slash said it was a good record when it came out.

Crack open some Night Train.

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When I was a huge teenage Dischord Records fan I’d go for weeks at a time Fugazi-binging. The Jesus Lizard were also a band like that for me. No one toe in the water or iTunes shuffle through one song before on to The Walkmen or Stevie Wonder or whatever (we didn’t have iTunes or The Walkmen – the band- then anyway). Nope. It was all of GOAT and a side of Liar on tape or nothing. And a full dose of Red Medicine. The much different famed power metal heroes Stratovarius are the same way for me. News of any impending release sends me dusting off cds of past records as a new song might make me yearn to hear all of Elements Pt. 1 or Elysium and then I’m hooked. I hear Rush fanatics are the same but I think they pretty much always just listen to Rush, which is awesome.

Anyhow, Timo Kotipelto’s expert tale weaving and the new guitar visions of Matias Kupiainan have resulted in bold strokes that have assuaged many critics doubts. Nemesis in particular made my top 5 albums of ALL of 2013 for this very site, in the company of Palms and some other more hip to like bands. But make no mistake, Stratovarius always have ruled and stil fucking rule.

Got this press release today: (!!!)

Stratovarius will release Eternal on September 18 via earMUSIC. The symphonic metal masters offer a guided and intimate tour of the album via this behind-the-scenes mini-documentary.

It’s 12 minutes long and allows fans and viewers to take a deep dive and to experience the birth of Eternal.

The mini-doc spotlights the band in the studio recording, along with interviews. It’s in-depth and intriguing.

Watch this keyhole view of Stratovarius while making Eternal here.

 

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