GOJIRA release “Another World” track

Posted by Morgan Y Evans - Walking Bombs on Thursday, August 6, 2020 at 5:53 AM (PST)

GOJIRA, arguably the best band in heavy music by a long shot, have released a new music video for stand alone track “Another World”. It has a classic Gojira blend of propulsive and relentless riffing patterns with hoarse melodies and a yearning for more in a big Universe. The animated video has a scientific theme and is an entertaining journey. Another grand slam from the masters.

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During Rage Against the Machine's breakup from 2000 to 2007, three out of four of the members were in the successful rock supergroup Audioslave, with Soundgarden's Chris Cornell replacing Rage Against the Machine frontman Zack de la Rocha.


Eyes premiere “Distance” video over at Decibel Magazine

Posted by longhairedpoet on Wednesday, August 5, 2020 at 1:35 PM (PST)

Danish metallic hardcore noisemakers Eyes have released a video for their song “Distance” over at Decibel Magazine!

“Distance” comes off the band’s upcoming debut album Underperformer due out September via Indisciplinarian.

Eyes is made up by five young veterans from the Danish metal and hardcore scene, and the new album Underperformer reflects a combo that does not worry one bit about what fans, the scene, or people in general might think. One senses an artistic kinship with bands such as Daughters, Pissed Jeans, and Converge, all bands who started out with a particular sound and have changed and developed their musical vision significantly; something Eyes aims for as well, and succeeds in.

Barely over two years since the band’s eponymous debut EP saw the light of day, Eyes delivers their Underperformer. The record was produced by Tobias Munk Tønder (Église, Drukner), mastered by Jacob Bredahl (Lifesick, I Am Bones) who also contributes guest vocals to several songs on the record, and completed with artwork by Jon Gotlev/No Heroes.

The new video for “Distance” was directed by Ausrine Kurgonaite and Chey Long-Andersen.

Eyes lead singer Victor Kaas states about the “Distance” single:

“‘Distance’ is the shortest and most aggressive track on the record, by a small margin, as the whole record is pretty fucking aggressive. It was also one of the first songs we wrote for the album and it ended up being the song that really shaped the sound of Underperformer. Lyrically, the song is about discovering when something isn’t as it should be in your life. The feeling of reaching out, only to be met with dismissal and misunderstanding. If you’re depressed; don’t stop reaching out. Not everyone will understand; someone will.”

Head over to Decibel Magazine to see the video for “Distance.”

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Brazilian Death Metallers The Troops of Doom have released a video for their track “Between The Devil and the Deep Blue Sea.”

The track comes off the band’s forthcoming EP The Rise of Heresy due out October 9 via Blood Blast Distribution.

The Troops of Doom is led by guitarist Jairo “Tormentor” Guedz from the band The Mist and former member of Sepultura’s original lineup. The band also includes bassist/vocalist Alex Kafer (Enterro, Explicit Hate, ex-Necromancer), drummer Alexandre Oliveira (Southern Blacklist, Raising Conviction), and guitarist Marcelo Vasco (Patria, Mysteriis, acclaimed graphic artist for legendary bands such as Slayer, Kreator, Machine Head, Soulfly, and Hatebreed among many others).

The Rise Of Heresy features four original songs and two cover versions of Sepultura classics, “Bestial Devastation” and “Troops Of Doom.” In advance of the EP’s release, The Troops of Doom are pleased to unleash a lyric video for first single “Between The Devil And The Deep Blue Sea.”

Check out the lyric video for “Between The Devil and The Deep Blue Sea” as well as the album art for The Rise of Heresy here.

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NAPOLI VIOLENTA

Hey everyone. So wow, I had a crazy week. I have been in the hospital for a week and finally emerged in a Twilight Zone-like calm to a glowing parking lot after a huge Isaias related storm had passed that I filmed out my hospital room window in Kingston, NY. I was super sick and didn’t know I had new onset diabetes. My A1C was like 14.3, so super shitty. Thankfully I don’t have COVID like I thought (though I was confused cuz I have been super careful). But yeah, I have almost never been sicker in my life and it feels beyond awesome to be back home with my cat, listening to Emma Ruth Rundle’s On Dark Horses and feeling the absolute luxury of a fan blowing on me in bed. Lol. It is the little things after a scare like that.

Basically, I kind of have to keep my cool and act like Obama now – as in, stay chill no matter what the hell is going on (does that mean I can drone people still though?) and really monitor my sugar levels. For someone with an insane history of not taking the best care of myself at points in my life, I should still count myself lucky. And I can still write to you all about head caving metal and punk. So let’s get on that.

First, some killer grind from Italy! “Jesuscrust Superscum” rocked my face off!

NAPOLI VIOLENTA was born in the Neapolitan hinterland in 2018. Four old exponents of the Neapolitan metal/HC punk scene whose identity remains unknown and shrouded in silence started collaborating to conjure up the most dangerous kind of extreme music. The intent was immediately to merge Poliziottesco – a subgenre of crime and action films that emerged in Italy in the late 1960s – and Grindcore, two worlds, two revolutions that at first sight couldn’t be any more distant, but both renowned for being cynical, infamous and violent.
The project therefore takes its name from the film of the same name directed by Umberto Lenzi in 1976, “Napoli Violenta”, the second chapter of the “Trilogia Commissario Betti”, starring Maurizio Merli and with a soundtrack by Franco Micalizzi. Musically, inspiration is clearly drawn by early Napalm Death, Terrorizer, Repulsion, Carcass, Extreme Noise Terror, Brutal Truth… the logo itself is a clear example of “pezzotto” (fugazi art), which represents a tribute to the genre.

NAPOLI VIOLENTA are proud to announce that they have signed a worldwide contract with Time To Kill Records, joining the label’s growing roster which includes some acts I love like 5Rand and Shockproof. I am gonna post the band’s nice tribute to John Saxon below, since I was super sick and didn’t get to post anything when he died. Anyway, stay tuned for more from this band cuz they absolutely destroy our collective asses.

Anyway, thank you everyone who loves this site and it is good to still be here. I spent days like on the edge of a potential coma and could barely move, so it feels amazing to be human again.

GHØSTKID sign to Century Media Records

Posted by longhairedpoet on Tuesday, August 4, 2020 at 9:32 AM (PST)

German noisemakers Ghostkid have signed to Century Media Records.

Ghostkid is comprised of Sebastian “Sushi” Biesler, Steve Joakim (drums) from Sweden, Danny Güldener (guitar), and Stanislaw Czywil (bass, former To The Rats And Wolves).

The band will release their first single, “Start A Fight” with accompanying video on August 7. “Start A Fight” comes from the forthcoming self-titled album, produced by renowned producer Sky van Hoff (Rammstein, Emigrate, etc.). The album is scheduled for a November 2020 release.

Concrete streaming ‘Free Us From Existence’

Posted by longhairedpoet on Tuesday, August 4, 2020 at 9:12 AM (PST)

New York hardcore metallers Concrete are streaming their latest full-length, Free Us From Existence over at No Echo. Free Us From Existence is due out this Friday, August 7.

From vocalist Lenny Fletcher: “This record is about having the strength to break the shackles and truly be free by any and all means necessary. You can either learn to turn your anger and sadness into fuel or kill yourself trying. Whatever it may be, we need to be freed from this existence.”

Head over to No Echo to check out Free Us From Existence.

 

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Upon A Burning Body release “Extermination”

Posted by longhairedpoet on Friday, July 31, 2020 at 9:42 AM (PST)

Texas metallers Upon A Burning Body have released a new track “Extermination.”

The track comes off the band’s newest EP Built From War.

Check out the video for “Extermination” here.

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Halestorm announce ‘Reimagined EP’

Posted by longhairedpoet on Friday, July 31, 2020 at 7:58 AM (PST)

Pennsylvania rockers Halestorm have announced their newest EP Reimagined to be released in August.

The EP features a song with Amy Lee of Evanescence and will also include a cover of Dolly Parton’s “I Will Always Love You.”

Check out “Break In (Feat. Amy Lee)” here.

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Corey Taylor announces solo album ‘CMFT’

Posted by longhairedpoet on Wednesday, July 29, 2020 at 9:17 AM (PST)

Slipknot and Stone Sour frontman Corey Taylor has announced a new solo album CMFT. The album is due out October 2 via Roadrunner Records.

Ahead of that release, Taylor has released the first two singles from the album: “CMFT Must Be Stopped (feat. Tech N9ne & Kid Bookie)” and “Black Eyes Blue.”

Check out the videos for the two singles here.

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Korn and Yelawolf cover Charlie Daniels

Posted by Morgan Y Evans - Walking Bombs on Tuesday, July 28, 2020 at 8:40 AM (PST)

I am very very sick and so not posting much this week. Charlie Daniels believed some super dumb conservative shit later in life but “The Devil Went Down To Georgia” will always remain a bop. Here is an insane new version of it from Korn and Yelawolf at Bandcamp. Props to Korn for continuing their tradition to do oddball covers, not just metal. Seems to be for a good cause with Awakening Youth. I am too tired to read more about it right now. Ok, legit time to go throw up and tremble in weak sickly horror again. My ass sounds as flappy as Fieldy’s bass tone right now. Y’all boogie down to this now and I will hopefully see you soon.

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Intronaut cover Creedence

Posted by Morgan Y Evans - Walking Bombs on Saturday, July 25, 2020 at 8:05 PM (PST)

Intronaut has released a new digital single, “Run Through the Jungle” – a cover version of the Creedence Clearwater Revival classic! Guitarist/vocalist Sacha Dunable comments: “Sometime during the writing process for ‘Fluid Existental Inversions’, I had the idea to cover this song, from one of my favorite bands and songwriters of all time. The relatively simple harmonic structure of the original recording made for a great blank canvas for us to ‘Intronaut’ the song up quite a bit. We tracked most of the song during the ‘FEI’ session but didn’t have time to finish until this spring.”

Intronaut released their sixth full-length, Fluid Existential Inversions, this past February via Metal Blade Records. Featuring some of the most dramatic and epic sounds of their career, Fluid Existential Inversions is a unique album that stands apart from their catalogue. “We pushed ourselves to be bigger and better, musically speaking, and to me that’s the essence of progressive music,” states guitarist/vocalist Sacha Dunable. “On this album, there are drums played in ways I’ve never heard before. There are synths used in contexts I’ve never heard before. Intronaut has the most unique bass player in all of heavy metal as far as I’m concerned, and I even practiced guitar to get myself out of my comfort zone. So I think we progressed and made the best album ever.”

To preview and purchase Fluid Existential Inversions, please visit: metalblade.com/intronaut

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Chelsea Grin release “Bleeding Sun” lyric video

Posted by longhairedpoet on Friday, July 24, 2020 at 2:30 PM (PST)

Salt Lake City deathcore metallers Chelsea Grin have released a lyric video for their song “Bleeding Sun.”

This is the band’s first new track since 2018’s Eternal Nightmare LP, which was released via Rise Records.

“Bleeding Sun” is a political track that hearkens to the best of deathcore. With imagery that reminds me of when I first started watching political punk and metal music videos, Chelsea Grin is out to make a statement.

Check out the lyric video here.

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Former Meowtain riot grrrl punk singer turned Psych Folk artist Globelamp (Elizabeth Gomez) has shared a series of IG posts showing receipts of Haley Dahl from Sloppy Jane seemingly threatening her with violence awhile ago for daring to make a public claim that Haley’s friend and Burger Records producer Joel Jerome sexually harassed Gomez during the recording of her album The Orange Glow. Gomez claims he would make tons of bad sexual comments, take pictures of her cleavage for a “spank bank” and say she had to have his baby, among other things.

In addition, Gomez has posted how she tried to warn Conor from Bright Eyes and Phoebe Bridgers from working with Secretly Group record labels because they helped Sam France from Foxygen. She posted tweets showing friendships between Sloppy Jane, Joel Jerome and Phoebe Bridgers and pointed out that if the dynamic between Ryan Adams and Phoebe mattered than why don’t the same folks care about what she says Joel did to her, with Phoebe’s best friend Haley even seeming to threaten her in a public manner and then Phoebe and Conor signing to Foxygen’s label and not caring about the multiple warnings Globelamp claims she tried to give through mutual former collaborator James Felice (who may not have bothered to ever say anything) and through multiple attempts at contacting Conor and Phoebe on social media through her verified platforms.

Phoebe today blocked Globelamp instead of accounting for any of this.

#sexualharassment #burgerrecords #sloppyjane #joeljerome #brighteyes #phoebebridgers #conoroberst #darvo #foxygen #jagjaguwar 

German-based progressive metal aliens Intercepting Pattern are proud to announce their upcoming debut album, The Encounter, which will be released on Friday, September 4th via Rising Nemesis Records. Cover artwork for The Encounter was handle by ex-Dark Tranquility guitarist Niklas Sundin known for his work with Arch Enemy, Dark Tranquility, In Flames, Green Carnation, and many others. The Encounter was produced, mixed, & mastered by Fountainhead (ex-Obscura, Pitts/Minnemann Project) at Fountainhead HQ in Germany.

Formed in 2016, the band is compromised of seasoned musicians known for their time in projects such as Defeated Sanity, Infecting the Swarm, and Cerebric Turmoil. Created and designed as one free-flowing 30-minute long genre-bending composition, The Encounter ebbs and flows between heavy syncopated grooves, jazz fusion flourishes, ethereal synth layered passages, and cybernetic death metal with seamless ease. Harkening back to the futuristic stylings of Frederik Thordendal’s Special Defects and Meshuggah, The Encounter draws from a deep well of progressive metal influences while forging a path all their own beyond mere imitation. For release purposes, The Encounter is split into 10 “song” sections although it is strongly suggested to listen to it in one session as it was intended when being created.

Intercepting Pattern – The Encounter will strongly appeal to fans of groups such as Meshuggah, Fredrik Thordendal’s Special Defects, Cynic, Exivious, Lye By Mistake, Vildhjarta, Coprofago, and Panzerballett.

More Below.

Actually being trans is more metal than pretending to be a cosmic blackened fuckboi

So as of now for the immeasurable future while I am running this site we will not be covering ANY artists on Agonia Records. We have heaped resounding praise on many of their artists before. Some of my legit favorite metal bands are on the label. Forgotten Tomb, Centinex, Varathron, Hail Spirit Noir…sorry, take it up with your label. In Mourning even made our top albums of 2019 last year. But I am not doing shit to help promote a label that signs a band who have been accused of unrepentant transphobia against a former band member, Vis Crom aka Melissa Moore. Now there is an attempted very slight rebranding going on, which one Facebook comment noted was akin to IHOP changing a letter.

Moore has issued a new and more detailed account of her firing from Absu and a screenshot of a phone call that appears to show Russ being a complete gaslighting piece of shit. It is so disgusting it makes me want to throw up.

Proscriptor aka Russ Givens and Ezezu aka Paul Williamson are transphobes who threw me out of Absu like a piece of trash because I’m trans. This is not the whole story, I’m just starting it here right now…it’s really hard and painful for me. I need to find a way to talk about this in more detail. If they just recorded a full new 12 song album that’s none of my business, but it’d be incredibly disappointing to learn that after kicking me out they still used my playing and songs. I hope that’s not the case. During our final tour in 2017 I told my bandmates that I’m trans. This was the moment everything changed between us. I didn’t ask them to call me a different name or use different pronouns. I just let them know I was trans, and that’s it. They started treating me like a pariah. Like, they didn’t even want to share a hotel room with me. I figured their obvious negativity would resolve itself once the realization had time to settle. Nothing was different about my performance in the band or my quality as a person. Shortly after that, Russ fired me in a text message (attached). When he references “your decision” he’s talking about my “decision” to transition. After receiving this text I called Russ back and told him he couldn’t use my playing or my songs on the album we just recorded. His response: “Uh, why?” I said, “First tell me why you fired me,” and his response was “You fired yourself…with your decision”.

You’re legacy, Russ? Friends don’t guilt other friends for being trans, asshole. How about the fact that it isn’t edgy or esoteric to be a transphobic cis dude? WTF is cool and magical about that? Literally nothing. It is incel reddit garbage.

ANYONE ought to find that offensive but as a Demiflux person I super find it offensive. Here is a great article for anyone reading this who might be inclined to write ,”science doesn’t care about your feelings.”

We are in no way obligated to platform bands that are unapologetic about messed up shit or labels who think it is cool to deflect looking at these concerns. There can be restorative justice in the world and scene but this sure as fuck aint it. And the label DELETING my comments about it on their IG post below SURE AS Hell didn’t make me less inclined to write this article, morons!

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Agonia Records today confirms the signing of the new, Texas-based “mythological occult metal” act Proscriptor McGovern’s Apsû (@officialabsu). The debut/self-titled album’s release date is to be announced in the latter portion of 2020. When drummer/vocalist Proscriptor (Russ R. Givens) dissolved Absu on January 27th 2020, his main intention was to splinter the 30-year old faction into a renewed songwriting concord. Proscriptor McGovern’s Apsû is the obvious by-product of that chemical breakdown and securing the ranks is continuing bassist/vocalist Ezezu and new guitar virtuoso Vaggreaz. #proscriptormcgovernsapsû #absu #apsû #apsu #occultmetal #mythologicalmetal #blackmetal #usblackmetal #zemial #rosstheboss #possessed #auranoir #vltimas #agressor #agatus #zbigniewbielak #jtlongoria #karldanielliden #thrashmetal #deathmetal #heavymetal #barathrumvitriol #TheSunofTiphareth #TheThirdStormofCythraul #Tara #InTheEyesOfIoldanach #Abzu #tracklisting #newalbum

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