All That Remains Bio:
With a desire to continually evolve, yet retain the trademark heavy and technically-skilled sound that All That Remains has established with the band’s breakthrough album, 2004’s This Darkened Heart, Labonte and company have done just that with The Fall of Ideals. Where the last record found the band intertwining heavy music, virtuoso solos, and unmatchable melody, All That Remains’ current collective goal is to build on elements that the last album only hinted at. “Everything we did on This Darkened Heart, we are turning up a notch,” Labonte says. “This disc will have some of the most aggressive, and some of the most friendly, pieces of music All That Remains has ever written.”
After initially forming in 1998 as a side project for Labonte and guitarist Oli Herbert, the band left a stamp on the underground metal scene with its debut album, 2002’s Behind Silence and Solitude. After bringing in guitarist Mike Martin and releasing This Darkened Heart to rave reviews in 2004, All That Remains landed high-profile tours and shows alongside the likes of Gwar, The Crown, Arch Enemy, Darkest Hour, Shadows Fall, Lamb of God, and Slipknot and toured virtually non-stop, only taking a break in late 2005 to write new material.
The Fall of Ideals is the culmination of the original ideals, ideas, and elements that All That Remains was initially founded upon. Combining the grinding riffs and unrelenting rhythms of death metal legends and the tandem fluidity of Martin and Herbert’s shredding, alongside Labonte’s ever-expanding vocal repertoire of soaring notes and guttural growls, the band has now become everything it has been striving for since its inception.
“We’re now at the point where we're the band I always wanted to us to be," Labonte says. “Musically, we’re capable of doing what I originally wanted to do. As musicians, we can all live up to that goal.”
With producer Adam Dutkiewicz (Killswitch Engage) and engineer Peter Wichers (ex-Soilwork) in tow, and artwork by Travis Smith (Iced Earth, Opeth, Soilwork), All That Remains doesn’t simply possess flashy production, engaging artwork, or memorable songs. Instead, All That Remains has all three integral elements wrapped up in an undeniably heavy and aggressive, yet irrefutably memorable, package.
Taking that package on the road, All That Remains has an already busy 2006 with appearances on the European leg of the Sounds of the Underground tour and a stateside run on Ozzfest, as well as headlining duties in the fall. For the scores of fans they’ve already gained through constant hard work, The Fall of Ideals is the next logical step, taking the band precisely where they’ve always wanted to be.