Enforcer are back with a sturdy classic heavy metal by the books record. The debate is always raging if this style is mroe pure or if people are just retreading the past. Whatever you think, Enforcer have written a great metal record that could have come out in 1986. The band claim they don’t limit the type of music they write but this album is all clearly under the classic heavy metal sound genre. Ripping solos, soaring/shriekd vocals and mostly breakneck tempos to start up a thrashing intense time. “One With Fire” or any of the tracks really all have something to offer and could each be singles in their own right, though again this is for a certain type of fan with a retro bent. Hints of early Metallica and also nspired by eastern European metal bands from the late 80s and early 90s, such as CREDO, MAGNIT, POKOLGEP and KAT, this record is unabashed heavy metal pride. Proto-ballad “Below The Slumber” features a sick melodic, piercing vocal from very talented singer Olof Wikstrand. If it was the 80’s this dude would be a metal god, for sure. The arrangements are rewarding if traditional and you’ll be undeoubtedly banging your head or making a “this is cool” face, furrowing your brow and nodding along, tapping your foot to these “anti-existential” leaning songs as the dual guitars carry you along/aloft.
The recording is the perfect blend of old and new production for the Enforcer sound and, like Amulet’s recent record, is one of my favorite things about the release. The band seem to have known exactly what sound would suit their charging compositions best. “From Beyond”, the title track, has a very Maiden-esque or kind of old Horror movie soundtrack vibe, a wise choice for the “focus” track. The chorus/repeated phrase of the title and the guitars above the very Steve Harris bass attack of this number ensure it sticks in your head. Also a standout is the quite NWOBHM take no prisoners number “The Banshee” which just explodes out the gate with liquid fire leads and then kicks in with purpose to blow the doors off any venue. It’s got delicious high shrieks and fun lyrics, definitely my favorite track. While this album isn’t creating a new path for metal, it’s a great addition to any collection and sure to liven up any keg party. And if anything, the cover art just screams “cool back patch.” \m/
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