Brendon Small of Metalocalypse fame releases the first sigle from upcoming side project called Galaktikon

Posted by SeanB on Tuesday, March 27, 2012 at 7:21 AM (PST)

Alright, I hope you’re ready for this.  Brendon Small, the man who has given us the amazing cartoons Home Movies and of course Metalocalypse, has released the first single from his upcoming album with his side project Galaktikon.  To listen to the song, called “On My Way”, click here.

Galaktikon is the same musicians that are in Dethklok, so you can definitely hear some similarities, but it’s way different.

The album is coming out in April along with the premier of Metalocalypse and Small has been very adament that this is not a replacement for a new Dethalbum.  That will still come out in the future. The whole concept of Galaktikon sounds pretty cool and the song is catchy as hell.  Small had this to say about “On My Way”:

“I’m thrilled to finally give people a taste of what I’ve been blabbing about doing for months.  ‘On My Way’ is the last track on the record, where our hero confronts the villain and saves the girl, while complaining the whole time!

“This album should be thought of as an audio comic book, an over acted chamber drama, a ridiculous premise that takes itself way too seriously all the way to the end.”

To read more of what Brendon Small has to say about the album as a whole and why they actually made an album out of it click here.

Brendon Small has been quoted in Revolver magazine as saying the following about Galaktikon:

“There was a time when I didn’t know if I was going to do the second Dethklok album,” he said. “I had the studio lined up, and the players lined up, and the engineer and co-producer, and all that shit, and unfortunately, the guy we were negotiating with went on vacation and left things kind of dead. So I said, ‘OK, fuck this — I’m going to spend my own money and get these guys doing something.”

“I love melody and I love melodic vocals in metal, not just the guttural stuff — though obviously it works with Dethklok, and I wouldn’t want to change a thing. I long for melody in the vocal.”

“When I was developing the Dethklok sound, some of the things I was writing weren’t heavy enough for Dethklok, but I still liked them. So I was like, I’m going to make this into something, so I’m going to get Gene [Hoglan] and I’m going to get Bryan Beller, and we’re going to make this project, and I’m going to figure out what it is. Then the negotiations got all cleared up, and we went right back into the same studio and did the second Dethklok album.”

“I had all these songs where there were elements of Queen, but also elements of Foo Fighters and Smashing Pumpkins, with some DIO elements as well. My kind of rule for the record was, it’s going to be whatever it ends up being, and I’m going to tell a story through the whole thing. Once I started putting the pieces together, I found the story, and I realized that, OK, this is a high-stakes, intergalactic, extreme rock album. And if I do this right, it’s going to be like an audio comic book. It’s turned out to be something that I’m really happy to have done because I flexed a different muscles while making it — but if you’re one of the kids who liked Dethklok, you’re going to be able to tell that it’s the same dude playing guitar, and Gene Hoglan on drums and Bryan Beller on bass. Dethklok has to be a certain kind of sound, but this other thing is whatever it needs to be. I got to pull out a vocoder and do ELO-style things here and there, and there’s an instrumental on there that’s a total tribute to Vai and Satriani and Yngwie and Steve Morse.”

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