“Tightly she holds the blade
With which the rapist will be raped .
Castration Of the rapist! Emasculation.”
Talk about a reply to any number of songs from Cannibal Corpse’s discography! Having discovered these ladies last year, right before their demo was released, I was ecstatic to finally hear Castrator‘s 4-track EP released in early May under the Horror Pain Gore Death Productions label. These five ladies hail from all over the map (Sweden, Colombia & Norway to name a few countries), marking this group as both ethnically diverse and fem-tastic! Shrouded in a bit of mystery, the ladies are credited as M.S. (vocals), M. Akesson (rhythm guitar), R. M. (bass), C. Perez (drums) and P. Serrano (lead and vocals). You might already be familiar with many of the ladies from their other bands, which with time, I’m sure you’ll all figure out.
It’s sort of a supergroup in the making. Castrator’s EP has brushed off the dust to reinvigorate traditional death metal, and, in fact, does so with a healthy dose of feminism. And for you males out there who shy away from the f-word – put simply, it’s about leveling the field.
Read more BELOW.
No need to cry misandry; these ladies are playing within a genre that’s definitely seen its fill of violent lyrics towards the female body. So in a lot of ways, though traditional, their lyrical content and approach has definitely revived and made for a refreshing and innovative change for the scene. The ep’s success lies in its ability to make your ears bleed with death that harkens to a time when classic death metal was still a driving force to be reckoned with. On first play, one might just think it’s all blood and gore with a little bit of fun inserted for shits and giggles, but really, throughout you get the added dose of subversion of content.
Opening with their song titled, “Honor Killing”, you’re made immediately aware that the narrative will speak of women’s injustice, but accompanied by growled vocals, driving guitars and rapid blast beats; the rhythms oscillate between intense drumming and savage guitar riffs, incurring some very vicious melodies. My favorite song is “The Emasculator”- Not unlike many death acts from the early 90’s, it opens with a gory clip from the movie Hostel 2. You hear a man calling a woman, “a f**** c***”, (wrong move!) as she proceeds to go Lorena Bobbitt on him.
What makes this a successful interpretation of what could easily be called a “man-hating” song based on its intro is its political confrontation of rape culture through its lyrics. It’s a transition from women being victimized to being empowered. And of course, this is most evident from the EP’s self-titled and title track, No Victim.
Overall, the EP is traditional death composed of melodic grooves and interspersed with guitar solos and growled death vocals. I felt that by the end, it made for a compelling reversal in which feminist politics serve to undermine the typical stances of a genre almost always aligned with patriarchy. Fans of early death would appreciate this project and probably be left like me, waiting for more, as Castrator continue “Unleashing her plague upon the earth”.
Full Track Listing:
1. Honor Killing (3:14)
2. Brood (3:09)
3. The Emasculator (4:06)
4. No Victim (3:24)
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