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Leaves’ Eyes show off album artwork for “Meredead,” singer Liv Kristine’s album insights

Posted by NichTheHair on Monday, January 17, 2011 at 12:35 PM (PST)

German goth metal outfit Leaves’ Eyes are in the final phase of releasing their newest recording, “Meredead.” Keyboardist/producer Alexander Krull is hammering out the final mix down at Mastersound Studio. Stefan Heilemann created the cover artwork. “Meredead” will be released April 22 on Napalm Records. This is their fourth full-length album.

Click here for a larger shot of the cover and to read comments about the album from singer Liv Kristine.

Singer Liv Kristine comments: “As we began composing the first song ideas for our fourth full-length album, all of us were very eager to take another step in strengthening both the individual sound and concept of Leaves’ Eyes, like we have done album by album. Along with the song-writing process, I made up my mind about the songs’ themes, and drowned myself in different sources of literature. Some songs clearly needed lyrics rooted in northern history and culture, as well as having mystical themes. Being an Old-English fan, I decided to write some of the lyrics in Old-English, which of course included further studies of grammatical and phonetic knowledge, which I really enjoyed doing. Next to modern English and Old-English, some songs are sung in traditional Norwegian, to keep their strong individuality and focus on certain themes from special genres in Norwegian traditional singing. The album is given the title “Meredead”, as one of the songs on the album. It is my own word-creation (at least I haven’t found it in a dictionary yet), and it may mean both “dead by/in the sea”, or “the mortal or killing sea”. In my lyrics you will find traditional themes from Viking literature and Norwegian song tradition, moreover, tales from the Irish isles, some from already existing sources, some made up myself. Sometimes you will hear about men going on adventures, some ending up drowing in the sea, their wives, evil witches, three-headed trolls, or spell-bound princesses, as well as marble halls and blood-thirsty creatures. I allowed myself more freedom for the concept of “Meredead”, telling a number of different stories, real, mystical or sometimes maybe even both.”

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