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WALKING BOMBS releases “Tears We Should Have Shed” on 4/23, stream Anti QAnon song

Posted by Metal Riot on Tuesday, March 16, 2021 at 9:24 AM (PST)

Photo by Elizabeth Gomez (Globelamp)

Kingston, New York-based avant rock/punk outfit WALKING BOMBS presents its most infectious material to date, with the expansive new full-length release Tears We Should Have Shed. With the record now confirmed for independent digital release in April, the cover art, track listing, preorders, and track “Time To Go (Fuck Q)” have been posted.

The project of one Morgan Y. Evans, joined by a wide cast of collaborators, WALKING BOMBS here delivers a musical study in navigating regretful occurrences in humanity with Tears We Should Have Shed. It is a record steeped in sorrows and triumphs, delivered through a wide range of varied musical styles.

Recorded throughout 2020, engineered, mixed, and mastered by Sean Paul Pillsworth at Nada Recording Studio in Montgomery, New York (Senses Fail, Shai Hulud, My Chemical Romance), Tears We Should Have Shed sees Evans performing lead vocals as well as acoustic guitar, trombone, bass, guitar, and piano contributions across the album. Additionally, the record features contributions from Elizabeth “Le Fey” DaPena (Globelamp), Sean Paul Pillsworth (Nightmares For A Week, Jerk Magnet), David Brenner (Gridfailure), David Bodie (ex-Time Of Orchids, Divest, Kayo Dot), Taraka Larson (Taraka, ex-Prince Rama), Jack Manley (The Jenifer Shop), and Justin Zipperle (Shadow Witch).

“I’ve always enjoyed bands like Orange 9mm, Faith No More, or Swans where even though you knew it was them you might be surprised song to song or album to album by some big stylistic twists and turns.  My own work in bands since 1993 has also reflected that often,” Evans states. “This WALKING BOMBS album explores a lot of punk and hardcore and kind of Type O influences more than some of my other releases with this project that were more grunge or post punk heavy. There’s also a little bit of classic rock influence sprinkled here and there. But it all compliments the general themes of regret for human folly.”

Songs like “Brash Bandages” and “GeneralGrievousAngel” deal with self-reflection and sobriety, whereas elsewhere the harsh noise landscape of “Focus Shifting The Apocalypse” or the pop-punk-meets-Jawbreaker-influenced “Time To Go (Fuck Q)” examine the frenzied, cult-like impact of disinformation on a gullible society. The goth-toned title track and Bad Religion-influenced “I Will Miss You” look at the highs and lows of the life of an underground lifer musician. Other moments include examinations of Red Scare-era and modern sexism, healing, gaslighting, and trauma.

Evans delves, “This is not so much a record about trying styles and ‘seeing what sticks’ because I can’t live my life by that unhealthy metric. It’s very important to not take the ability to release a range of music while alive for granted. I almost went into a diabetic coma last year and have a year of sobriety again. Covid and a lot of intense events of 2020 really made me restless to channel some love and pain. If feels like a triumph that we safely made a record last year. It meant a lot to me to have everyone involved who played a role, but especially to finally make a full-length album deep in the woods at Nada Recording Studio with my dear friend Sean Paul Pillsworth after several decades in the scene together.”

Stream the title track to Tears We Should Have Shed’s closing punk ripper “Time To Go (Fuck Q)” RIGHT HERE.

WALKING BOMBS will release Tears We Should Have Shed digitally on April 23rd. Find preorders at Bandcamp HERE and watch for additional audio previews and more to be issued in the coming weeks.

 

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