Slipknot release “All Out Life”

Posted by Morgan Ywain Evans on Thursday, November 1, 2018 at 10:27 AM (PST)

In case you missed it somehow, Slipknot have released a new song. It’s pretty damn awesome and has a lot of vibes that remind me of the classic debut. Definitely got me rocking Halloween a little harder last night. Horns to the masked marauders.

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Shortly after signing their first record deal with Shiver Records Finnish melodic death metal act Inearthed were offered a much better deal by the larger Spinefarm Records. In order to take it they were forced to change their band name. They chose Children Of Bodom.


Integrity cover Ozzy

Posted by Morgan Ywain Evans on Wednesday, October 31, 2018 at 1:05 PM (PST)

Integrity covering “Bark At The Moon” by Ozzy? Sign us the Hell up! Even if the candy has push pins in it, we are into this by the handful! Happy Halloween, headbangers.

 

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Released one year after the series’ origination on Samhain 2017, GRIDFAILURE issues When The Lights Go Out Vol. II. As with its predecessor, which focused on supernatural forces, dimensional vortex transitions, cadavers, paranoia, stalkers, and unexplained phenomena, the second volume expands further into such topics, with a slightly more spiritual undertone. An atmospheric album created for the harvest season , this album transitions the auras of nocturnal nature, apparitional screams, and supreme paranoia, into a place where no otherworldly forces will save you, the listener.

Recorded and created by GRIDFAILURE’s David Brenner, who provides vocals, keyboards, synth, guitars, bass, percussion, and more, When The Lights Go Out Vol. II. is strewn with guest contributions, including acoustic guitar and keyboards by Liz Ciavarella-Brenner, vocals from Faith Ciavarella, traveling preacher organ from Benjamin Levitt, vocals from Morgan Evans, recordings from David Rodgers, and more, spiraled into a vaporous envelopment of end-time dirge.

Harvest season only begins now. The lights go out again.

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Album Review: Clutch – “Book Of Bad Decisions”

Posted by Morgan Ywain Evans on Tuesday, October 30, 2018 at 1:20 PM (PST)

Not liking Clutch is kind of like not liking chocolate or beer. I mean, the second is fine if you are straight edge or in recovery or whatever but otherwise you pretty much just played yourself. To be fair, I firmly have never met a Clutch song whether angry or goofy that I did not love. They are incredibly consistent even when settling into the veteran stage of their hard won (in the truest, road dog sense) career. They have made an investment in their fans and given us gold time and time again. While you can critique any artist, when it comes to Clutch their is always very little to nothing to complain about. I mean, I don’t know them on a personal level but as a fan they are they most rewarding band I have ever followed for decades. What I am trying to say is, they may have had a lot of jager here and there but they certainly haven’t made that many bad decisions career wise.

Book Of Bad Decisions continues the band’s long winning streak. Some people thought it was a little more tame or a bit too long but to me that is kind of like having extra helpings of a good meal. You binge at first and then settle in for a slow extra course and a big grin digestion stupor. Whether slow or fast, aggro or jam focused, Clutch are only adding to their still super potent live range. “H.B. Is In Control” is probably their most knowing wink thrill ride Neil Fallon as madcap ringmaster tune since the underrated From Beale Street To Oblivion record. Hollered vocals, amazing blues and stoner influenced riffs and the impeccable distinctive drumming we know and love are all present.

“Gimme The Keys” is already a newfangled anthem with the band hitting hard. It is also rad to hear some Hammond on this record as well as brass. Some people think the Vance Powell production was a bit too big and clean but I didn’t hear that. It sounded great on big speakers and the band are too tasteful to ever have shitty tones or sub par material. It might not be worn into your fibers like the S/T classic songs but, like Black Sabbath, that doesn’t mean later day songs on 13 or Bad Decisions were somehow super terrible inherently. Any band that can hit the 12 album stretch and still write stuff as freedom loving and witty as “Weird Times” and awesome or sly as “How To Shake Hands” is probably made up of a group of miracle workers. It is incredible these guys have been at it so long and still are in such control of their sound and not pushed around by labels, still cranking out killer albums like Psychic Warfare or this new baby and still reminding us that rock n roll can rebirth us on a Quantum level.

 

Queensrÿche Announce New Album ‘The Verdict’

Posted by Morgan Ywain Evans on Monday, October 29, 2018 at 4:59 PM (PST)

Rock icons Queensrÿche have just announced their newest album The Verdict out March 1st via Century Media Records. The band’s forthcoming release was produced, mixed, and mastered by Zeuss (Rob Zombie, Iced Earth, Hatebreed) at Uberbeatz in Lynwood, WA, Planet-Z in Wilbraham, MA and Watershed Studio in Seattle, WA. Pre-orders and formats will be announced soon. In the meantime, the band has a Pledge pre-order campaign currently running HERE.

“I’m extremely proud of what we were able to accomplish on this record,” states Queensrÿche vocalist Todd La Torre about The Verdict. “The relentless dedication and hard work of everyone involved has been very rewarding. I am excited and looking forward to it no longer just belonging to us, but belonging to the world. We hope you all enjoy listening to it as much as we enjoyed making it!”

Michael “Whip” Wilton (guitar) adds, “The Verdict is the most metal and the most progressive record we have made in a long time. I couldn’t possibly be more excited for everyone to hear this.”

To support The Verdict, Queensrÿche have also announced their spring U.S. headline tour today with special guests Fates Warning. The Cringe will be joining both bands on select dates. The tour will kick off on March 2nd in Orlando, making stops in major markets such as New York, Atlanta, Chicago, and Los Angeles, and will wrap on April 3rd in Seattle. The band recently finished a run supporting SCORPIONS this past September. For more information on upcoming tour dates and to purchase tickets, visit the band’s website HERE.

The Verdict follows the bands most recent release, Condition Hüman, received rave reviews from outlets such as Loudwire, KNAC, About.com, and more. The 2014 release debuted on Billboard’s Top Rock Albums chart at #5 with over 14,000 units sold first week and 100,000 albums sold globally to date.

Queensrÿche Headline Tour Dates
March 2 – Orlando, FL – The Plaza Live
March 3 – Ft. Lauderdale, FL – Culture Room
March 5 – Atlanta, GA – Masquerade
March 7 – Baltimore – Sound Stage*
March 8 – Uncasville, CT – Mohegan Sun^
March 9 – New York, NY – Irving Plaza*
March 10 – Worcester, MA – Palladium*
March 12 – Cincinnati, OH – Bogarts
March 13 – Detroit, MI – Diesel
March 14 – Chicago, IL – Concord
March 15 – Milwaukee, WI – The Rave
March 16 – Medina, MN – Medina Entertainment Center
March 17 – Davenport, IA – Rhythm City Casino Resort^
March 20 – Dallas, TX – House of Blues
March 21 – Houston, TX – House of Blues
March 22 – San Antonio, TX – Aztec
March 23 – Albuquerque, NM – El Rey
March 26 – Tempe, AZ – The Marquee
March 27 – San Diego – Observatory
March 28 – Los Angeles, CA- Fonda
March 29 – San Francisco, CA – Slim’s
March 30 – Sacramento, CA – Ace of Spades
April 2 – Portland, OR – Crystal Ballroom
April 3 – Seattle, WA – Neptune
*w/ support from The Cringe
^Queensrÿche only
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RIP Todd Youth (Warzone, Murphy’s Law, Danzig, Fireburn etc.)

Posted by Morgan Ywain Evans on Saturday, October 27, 2018 at 3:54 PM (PST)

The hardcore and metal community are in shock and very sad from the breaking news that legendary NYHC guitarist Todd Youth has passed away. He leaves behind a legacy of creativity that saved countless people’s lives. Hardcore will never be the same.

Todd’s Fireburn bandmate Ras Israel Joseph I (also of Bad Brains Rise fame ) posted on Facebook:

On the passing of my friend, and my Brother Todd Youth
There are no words to express how sad I am at the passing of my brother Todd Youth. The music he made will forever be remembered, and I’m so thankful that I was able to work with him and that we created Fireburn together. Todd and I were living separate lives doing hardcore and reggae music. We met each other in 1992 and then never spoke again until 2017. We created Fireburn within two weeks of knowing each other and finished writing two of my favorite hardcore records that I ever worked on: “Don’t stop the youth”, and “Shine”. Closed casket records signed the band and we were on our way. We had great shows and lots of people showed up to them. We toured with gbh from England, hung out with the guys from Negative Approach, and got our blessings about our music and our records from the Bad Brains. I know that Todd is now resting in peace and I know that Krishna is taking his soul to a better place. He was a devout Hari Krishna and The Devout human being. Todd wherever you are I hope that we will make music again one day. Life is a circle and I know I’ll meet you again in that circle brother. We will meet again. Rest In Peace, Rest In Power, rest my brother. I am saddened that we cannot make music again together, but I am happy that you are finally going home to be with Krishna that Haile Selassie has finally giving you peace and comfort my brother. one day, I too will lay down and die. This body that I ware is temporary. I will probably be alone. They’re probably be no one around me. However I know that I will join you and all of our other friends in that good place and we’ll all see each other again. I’m sorry you died Todd. I’m sorry I can’t see you again. I’m sorry I wasn’t there to help you. You are my friend and my brother and I love you. Rest in peace my brother. May your visit to our Heavenly Home be full of peace, and comfort, and closeness to Krishna. Haribo. Haile Selassie I. FIREBURN.

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Love you always my friend. 📸: @ojcpics

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Hey friends. As a non binary trans person who struggles with PTSD and even keel mood regulation, the news is getting to me and I am taking a break for a few days to decompress and focus on working my day jobs, not despairing and spending time with my girlfriend (the singer Globelamp ) and our cat, Lil Puff. We played Albany last night (no cat involved) sharing a bill at Pauly’s Hotel with this upbeat melodic punk band Lame Brains from Germany (I know that name is kinda ableist but they were a fun kind of goofy punk band from Berlin and very cool guys) and I am still sleepy. I also might catch up on Man In The High Castle Season 3 but that also seems a little fatiguing with all the god damn Nazis out there right now in real life.

From the transphobic Absu news to Mina from Life Of Agony telling the depressing reasons Sal is really out of the band (I remember sadly defriending the guy after he complained on Facebook months back about anti-Trump protesters. Think I defriended Ross The Boss for pro Trump posts in the same god damn week, bummer) to Kat leaving Agoraphobic Nosebleed to these press attacks from the crook “president”, I am feeling wiped out but trying to hold fast. Sending so much love to you all who fight the good fight.

October came and flew by faster than a bat fleeing Ozzy or Dracula late to dinner. Yeah, I know those are both pretty candy, corny statements. Oh man, haha. I am so cool. Just kidding. Anyway, my top 4 of October are all major bangers. Before I list my top 4 I want to say PLEASE purchase the inspiring WOMAN 2 comp (love that Ghoul opener!!!), which only doesn’t make the list as I am listing top full length original albums for October, not compilations.

1.Super Unison – Stella was by far my favorite album this month. “I wanna be as strong as you, wind in your hair/free…” Phenomenal post hardcore record featuring  Meghan O’Neil (formerly of PUNCH) on bass and vocals, Kevin DeFranco on guitar, and Justin Renninger (formerly of Snowing) on drums.I will be covering this to a more in depth degree in the coming days. It is exceptional, raw and cathartic but very skilled. Steve Albini tracked it and it makes me feel about fifteen years younger, in a good way. This is so inspiring to hear a band play with so much heart and conviction in a time when it is so easy to want to go numb instead.

2. Glacial Tomb S/T: A complete monster. So much excitement in one album and perhaps the strongest debut of 2018 for metal. Interview with the band HERE. 

3. Daughters – You Won’t Get What You Want – A dynamic and poetic carnival, frenzied and insightful in the same breath. “The Flammable Man” and “Long Road, No Turns” zoom out from the speakers like hidden bee swarms while “The Reason They Hate Me” is lurching and menacing in a busy way that evokes chaotic times. This album is an incredible experience and one of the most unique of the year in terms of calamitous cacophony that doesn’t over clutter somehow, but you wouldn’t expect anything less. Comeback is an understatement. “Satan In The Wait” is one of the best songs this group of malcontents have ever conjured from their unlimited well of contradictions, a sad siren dirge for 2018.

4. Shining – Animal : I was chatting online with J. Munkeby from Shining the other day (disclaimer- we are friendly and he was on my last album Brave Hours on the opening cut) and he said how he feels like the new Shining album is kind of the most provocative thing they could do right now after so much time doing weird music. “It’s pretty much upside-down, and a bit surrealistic that making simpler or more commercial music is the best way to provoke,” he said. I am sure he won’t mind me including that here. Shining have managed to make a complex party rock record that doesn’t suck.

I always liked the sort of European piss taking element of even early Shining like the experimental stuff that was borderline Mr. Bungle at times, but this album kind of reminds me of how Boris subverts rock cliché on some of their most popular records (Pink comes to mind). While this sounds way more like mainstream industrial rock than the chaotic rock clamor of Boris, Shining are smart and cheeky and also the album tackles serious elements as well. It is always better in my opinion when a band with real underground ties like these guys, Audioslave, Monster Magnet or the aforementioned Life Of Agony can have a big rock crossover moment and flirt or conquer with the mainstream or any charts, because it can only help to hopefully make the bigger world out there a fraction smarter (always worth it). Some American critics are probably to “cool” to get some of this but it is their loss.

 

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By the time the thunderous intro to “Shackled To The Burning Earth” from Denver band Glacial Tomb‘s outrageously good self titled debut (Gilead Media) hammers home with a bigger scowl than Kirk Windstein stubbing his toe, listeners are coming into the home stretch feeling exceptionally rewarded. It is so cool that a handful of bands this year (Un and Forn come right to mind on the ‘extreme’ circuit of underground metal) have managed not only to create great works but to shatter limitations so well that you are too busy experiencing their records as powerful works of art and energy to notice they upended some genre lines. For Glacial Tomb, doom flirting sludge and Gorguts loving death blur into one perfect storm with clouds of melodic guitar cutting through these intense moods like pain-charged lightning gathering around a dark mind. This is an outstanding fucking record I already hold in very high esteem. It should be on everyone’s short list for must purchase in 2018.

More BELOW.

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Demonical premiere VHS style music video for “Sung To Possess”

Posted by Morgan Ywain Evans on Tuesday, October 23, 2018 at 2:45 PM (PST)

Swedish melodic, brutal death metal tyrants DEMONICAL, premiere an old-school, VHS style music video for the track “Sung To Possess”, taken from the band’s latest album “Chaos Manifesto”, out now on Agonia Records. Watch the video and catch the band live on tour with Lik this November. “Sung To Possess” music video is available on YouTube:

DEMONICAL commented: “We are very much looking forward to November and our return to mainland Europe under the “Carnage Manifesto” banner. As we will be joined by our Swedish brothers in LIK and OF FIRE this tour-package will be something special, a total slap of Stockholm-style old-school death metal and a wet dream for every worshipper of the buzzsaw HM-2 sound! Death metal darkness prevails… and then some!”.

DEMONICAL + LIK + OF FIRE – Carnage Manifesto tour 2018
06.11 PL Poznan, Klub U Bazyla
07.11 CZ Praha, Modra Vopice
08.11 DE Mannheim, MS Connexion Complex
09.11 DE Bitterfeld, Festung
10.11 DE Hamburg, Bambi Galore
11.11 DE Osnabrück, Bastard Club

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Man, Season 3 Episode 4 of Daredevil with the jail situation was stressssful af! Please stream that show so it does NOT get the axe like Iron Fist and Luke Cage did just as they were really hitting their groove! WTF they are just gonna sleep on Daughters of The Dragon now or Heroes For Hire? This is some bullshit, Marvel! Anyhow, here for some random metal items and to send some love out there to the LGBTQAI folk in the scene today who need support after a horrible 24 hours in this bad dream. Let’s get down to it.

Ozzy has been recovering from an infection but now we have the great news of a big New Year’s Eve Ozzfest Celebration for the big lunk. WE LOVE YOU OZZY!!! Body Count, Marilyn, Rob Zombie and Jonathan from Korn’s solo band along with the Ozz-meister himself are gonna make sure it is a night fans will remember for many years to come. I have a feeling this will be a historical concert in metal history as time passes. Info below!

I wish Ozzfest was still a huge full summer tour. I know it had some bands too “mainstream” for some cooler than thou types, but I for one think the scene benefits from bigger tentpole bands as it allows smaller bands to open for them. My friends Gizmachi played one year. I first saw Killswitch with Howard there. Lots of good memories. Plus, there are a lot of bands Ozzy has supported over the years big and small on the festival who I like still to this day from Mudvayne to Kittie to Neurosis. Who remembers Drain STH? Right on. Metal is a big enough tent for all kinds of bands (except Nazis).

Samsara from Catharsis is now on Bandcamp along with pretty much every Crimethinc release! This is awesome. Blasting “The Evolution of Dying” as we speak to celebrate.

Next up, I wanted to thank some trans folks and some allies in the scene (or really anyone who falls in that category during these times or ever). Trump is trying to erase trans people’s rights to exist as we KNEW he would. Well, most of us who aren’t super gullible at least.

Anyway, I made a little video today (below) and want to also suggest you read this thread and support the Equality Act! It will make this kind of bs much harder to do to marginalized communities. Please support artists and regular trans people in your communities (binary, enby or whatever) and educate yourself to defeat tired talking points with ease. And ASK how you can help? I am lucky and have several platforms as well as a very supportive community but these are also hard times with rights threatened and not everyone is in the same boat.

 

Now for today’s most important news item. Ghoul have a poll for World’s hottest Ghoul. This is harder than picking a favorite Spice Girl (for most people. I stan Melanie B).

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Cannabis Corpse December Tour News.

Posted by Morgan Ywain Evans on Friday, October 19, 2018 at 1:30 PM (PST)

CANNABIS CORPSE have announced a December tour. The band are still supporting the monstrous green death machine Left Hand Pass. The tour kicks off on December 8 in West Virginia, and continues throughout the month. This band rules so hard.

CANNABIS CORPSE have released a special video announcing the tour, which can be found below:

 

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Oli Herbert, Woman 2 first day sales, Castle, Chelsea Wolfe/APC news items

Posted by Metal Riot on Thursday, October 18, 2018 at 1:35 PM (PST)

Slew of music stories for you goblins today. First though, CW Supergirl is finally bringing Lex Luthor onto the show. Please write them and tell them to consider me for the role as I am bald enough (too many tats though).

The metal world was rocked by the sad news of Oli Herbert from All That Remains passing away unexpectedly, with many people expressing how nice he was and what a sad turn of events it is. I have definitely stopped being a fan of the band some time ago, but politics aside, this is a super sad situation for everyone involved and we wish them sincere condolences. Oli certainly was talented and was loved by a lot of people.

Some mourners below:

Definitely shitty. That said and politics NOT aside,  I waited a day to write that I ALSO wish sincere condolences to the families of children murdered in preventable gun nut school rampages almost daily which ARE mostly acted out by white supremacists who are all gassed up by toxic Info Wars who All That Remains’ singer Phil went on recently, so I hope if he doesn’t like death he reconsiders some of his horrible positions on poorly regulated gun access and shady outlets. It is genuinely sad that his friend died but I also don’t think helping Phil stay famous to spout whataboutisms, pretend “f-gg-t” isn’t a harmful word and other macho nonsense was the most awesome life choice for anyone in that band just because they got paid.

I have almost more dead friends than living at this point and so am by no means mocking the end of someone’s life, just hoping it will also cause the singer of this band to do some soul searching on the fleeting nature of time and how glorifying poor gun regulation and the NRA only brings more death to OTHER people’s family and friend groups. And how ANY right wing power leads to mental health care for depression and instability being put way on the backburner. Sorry if that’s “too soon” but that is the same thing Republicans say every time we ask for meaningful reform. I am beyond offended by anyone who is supporting or enabling their platforms in 2018 under Trump.

In other shitty news:

In WONDERFUL news, the WOMAN 2 Anti-Nazi comp had a super big first day:

 

CASTLE by Matt Haines

Castle, still prob the band we have covered most on this site, remain unstoppably rad and a pitch perfect heavy metal band. The West Coast road warriors have a new album Deal They Fate streaming HERE today! Matt and Liz are the coolest. Hails!! Castle has also announced U.S. tour dates in support of Deal Thy Fate. The band will launch a two week West Coast trek on November 23. The just-announced live dates are as follows:

Castle U.S. tour dates:

November 23   Dunsmuir, CA           Spirits
November 24   Portland, OR            Tonic Bar
November 25   Bellingham, WA       Shakedown
November 26   Salem, OR                The Space
November 27   Seattle, WA               Highline
November 28   Eugene, OR               Old Nick’s
November 29   Oakland, CA              Elbo Room
November 30   Sacramento, CA       Blue Lamp
December 1     San Jose, CA             Caravan
December 4     Phoenix, AZ                Yucca Tap
December 5     Los Angeles, CA        Resident
December 6     San Diego, CA           Tower Bar
December 7     Ventura, CA               The Garage

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Hey metal fam. Besides work I have been spending the day discussing with people or listening to people about who really invented metalcore and driving around enjoying the new Pig Destroyer. It was good to also have an excuse to listen to Starkweather at my morning job today, though you don’t really need an excuse to hear the Crossbearer / Into The Wire reissue. “Mainline” is so fucking sick.

As for the new Pig Destroyer (which I have finally been returning to and absorbing more), I can’t imagine why anyone would be unhappy with Head Cage. There is not a wasted note on the album (despite many of them), the tones are massive and beyond devastating, the performances are manic and yet super precise but organic and adrenalized. The band sound excited with the material. And the low end is frankly fucking unreal, it sounds so heavy and awesome.

I think some people just perpetuate the myth that higher end production means a band sucks now, but that is actually toxic to bands. Not that music is gonna always make you “a living” or that should be the prime reason for making all art but if you love an artist it isn’t fair that you demand their work be super raw or commercially barely viable to the average person. It’s already fucking Pig Destroyer, lol, not SZA (who I stan). I don’t have a problem with bands I love succeeding either. I mean, you should try and pay attention to what you are hitching your wagon too as far as big companies go, but it is cool to have good music out there in the world. Every weirder band that gets bigger helps just maybe make the most mainstream heavy bands a little less shitty, haha. Did I just do what I said I hate? Lol.

Anyway, “Terminal Itch” finds a relentless kinship between guitar and drum obscenity while “Circle River” reminds me of Pig Destroyer taking a crack at noise and Melvins influences within a framework of their usual punishing aesthetic touches. I fucking loved every minute of it. “Army Of Cops” is going to prove itself to be a big song within their body if work over time as well, I’d wager. This shit will be standing after whatever dust settles, one hundred percent. The riffs on this record are fucking brutes brootal brootiful. And you HAVE to love that two minute mark hardcore break in “Cops”. It spells M-O-S-H.

Blackened Death Records have released the second edition of the important anti-fascist metal comp W.O.M.A.N. today.

Worldwide Organization of Metalheads Against Nazis II deserves support and features a killer variety of acts from Ghoul (“Nazi Smasher”) to Redbait ( “Dick Punch” studio version!) to other awesome acts we love and have mentioned  in the past like Immortal Bird, Jucifer, Stormland and Suicide Wraith.

October’s Surpise (besides my Queen Taylor Swift helping register thousands to vote and endorsing a blue candidate before midterms, go girl!) was today’s This Will Destroy You second album of the year drop! Love the energy this record kicks off with, like the grandiosity of Muse channeled through something completely opposite and more underground like UOA or something, ha . Undeniable passion! Very cool! Check out the impressive New Others Part Two HERE!

Mercyful Fate (aka the band I kind of spend half the time thinking is the best metal band ever) have re-issued some of their lesser heralded yet of course worthy as heck efforts on 180g picture discs. Time in particular looks outstanding in that format. YES! Go! Purchase! Consume! And yes you can also get more well known albums like Melissa and Don’t Break The Oath in this killer format option HERE.

“You can spiral yourself into darkness with these classic Mercyful Fate albums, or you can exhibit them on your wall like I will. Either way, enjoy.” – King Diamond

 

Lastly, After nearly four years of absence, ENSIFERUM has announced a full North American headlining tour. Set to begin January 5th and run through January 29th, support will be provided by mighty Septicflesh as well as an additional opener still to be announced. My mouth is watering hoping it is someone really cool, especially since I missed that awesome Amorphis/Moonspell package coming through my area and wanted to cry.

Comments bassist Sami Hinkka, “It’s been way too many years since we rocked with our North American warrior brothers and sisters. So early 2019 we will set sails and head to your shores and we are not coming alone. We will join forces with a brilliant and ass kicking band, Septicflesh, and a special guest. What a way to start a new year! This tour will leave its mark on the history of metal so get your ticket in advance and get ready to mosh with us like there is no tomorrow. On this tour, we have no chance to play in every city that we would want to, so we are doing our best to return to North America for a second time in 2019. Stay tuned and see you soon!”

ENSIFERUM w/ Septicflesh, special guest TBA:
1/05/2019 Baltimore Soundstage – Baltimore, MD
1/06/2019 Irving Plaza – New York, NY
1/07/2019 Brighton Music Hall – Boston, MA
1/08/2019 Imperial Bell – Quebec City, QC
1/09/2019 Corona Theatre – Montreal, QC
1/01/2019 Opera House – Toronto, ON
1/11/2019 Harpo’s – Detroit, MI
1/12/2019 The Forge – Joliet, IL
1/13/2019 Skyway Theater – Minneapolis, MN
1/14/2019 The Riot Room – Kansas City, MO
1/15/2019 Oriental Theater – Denver, CO
1/17/2019 El Corazon – Seattle, WA
1/18/2019 Rickshaw Theatre – Vancouver, BC
1/19/2019 Hawthorne Theatre – Portland, OR
1/20/2019 Metro Opera House – Oakland, CA
1/21/2019 The Regent – Los Angeles, CA
1/22/2019 Club Red – Mesa, AZ
1/23/2019 Rockhouse Bar & Grill – El Paso, TX
1/24/2019 Gas Monkey Bar & Grill – Dallas, TX
1/25/2019 Come And Take It Live! – Austin, TX
1/26/2019 White Oak Music Hall – Houston, TX
1/28/2019 The Masquerade (Hell) – Atlanta, GA
1/29/2019 The Orpheum – Tampa, FL
1/31 – 2/04/2019 70,000 Tons Of Metal – Fort Lauderdale, FL

 

 

 

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Deathcore action heroes Signs Of The Swarm are hungry, and I don’t just mean that they look like they could use a big helping of lasagna each. The group have been working hard to leave an impression and slam an impact crater into the surface of the scene. I always think about how fired up Korn was when they toured with Danzig years ago and wonder what new bands will come out blazing with similar desire to make crowds go crazy nowadays. Well, Signs Of The Swarm aint slouchin’ live, that’s for sure!

Now the group have released pro shot live footage from their stint on this year’s Devastation on the Nation Tour, which saw them performing alongside Aborted, Psycroptic, Ingested, Disentomb, Arkaik, and Venom Prison. The set was filmed by Matti Way (From The North Films) at the tour’s stop in Mesa, Az date.

Watch the video HERE

Physical order bundles for SIGNS OF THE SWARM‘s Unique Leader debut The Disfigurement of Existence are available HERE.
Digital bundles are available HERE.

\m/

Good luck to this band. Let’s support new acts and help metal’s future stay strong.

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photo by Kyle Joinson

Metal trio, Spiritbox have released a music video for their new single titled, “Electric Cross“. The new single follows up on the group’s recent single, “Perennial”, which dropped last month.

Vocalist, Courtney LaPlante gave her thoughts on the new single, “This song makes me so uncomfortable because it’s about everything I do not want to acknowledge. Feeling like I have no autonomy over my own body. How much anger I have towards those who have wronged me, and the environment that allows bad things to happen. Knowing that something that feels so isolating is such a universal feeling.”

Having toured the world as members of the eccentric metal band iwrestledabearonce, vocalist Courtney LaPlante and guitarist Michael Stringer wanted to take their intensely personal and technical musical focus in a new creative and personal direction. Spiritbox was the result.

In 2017, the husband and wife duo sent their unreleased debut Self-Titled EP to Bill Crook of the Vancouver pop-punk band Living with Lions hoping only for constructive criticism. Instead, they found themselves with a new bandmate and best friend. Together, this Canadian trio has set out to bring a new and refreshing perspective to metal.

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