John Schaffer from Iced Earth can get in the garbage, but it seems he is already there. The reptilian fearing,  delusional Confederate Flag apologist is cool with marching with Nazis and trying to overturn a valid election – the safest in history – to disenfranchise the black vote. Now the police are looking for him. Why hasn’t anyone done a wellness check on this dude on a regular basis for years now?

I regret every time I have ever supported this band in the past , including a cover story for New Noise. You’ll never be Maiden. Go crawl up Set’s mystical snake asshole. Sons Of Liberty is dumb as fuck. Sure you have a super nuanced view of social issues when your band’s best singer literally quit to be a cop. LMAO.

An almost even bigger fuck you to edge lord indie m*th connoisseur / revenge por* burn out Ariel Pink, who not only supports Trump now but also emotionally blackmailed my partner Globelamp once by telling her if she ever mentioned him in public for verbal abuse that he would go and publicly support accounts run by supporters of her abuser, despite knowing the sites are full of slander against her. Even stupider, he once gave her career advice and told her that you can’t go around saying whatever you want in life all the time and expect to be taken seriously (she has the screenshots)…then goes from mansplaining to supporting known civil conversationalist Donald Trump.

If you march with Nazis, you are condoning them. Period. Ariel is also Jewish, so it is extra fucking stupid.

If you are into telling people that the Dems were really behind slavery, I hope hundreds of years later you also are cool with showing people 13th and how in bed with prison for profit the GOP have been and remind everyone of the Southern Strategy, among so many other things. Also, calling out Biden for his racist policy history is fine, as it is with the Clintons. That doesn’t mean Biden hasn’t improved a lot on the issues compared to Donald FUCKING Trump (who literally tried to take credit for a black man’s economic gains and started the racist birther movement). The ‘tear gas the peaceful protestors for racial justice for my photo op’ guy.

There is no place in America where white, cis male entitlement is “the real victim”. BLM would never have gotten so far into the capital yesterday and with a MUCH more valid reason to be mad at institutions that have failed them.

Pink is claiming how he was there to ‘peacefully support the President’, as if supporting grifter mafia slimebag Trump in any way is acceptable at all?!!

Hope you both enjoy the Maga sewer, you fucking traitor loving flops. Shut the fuck up, pay some taxes for a social safety net and realize you are privileged lala land loving clowns.

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Korn's 1994 self-titled debut album is considered to be the first nu metal album.


Greg Puciato releases “Don’t Wanna Deal” video

Posted by Morgan Y Evans - Walking Bombs on Wednesday, January 6, 2021 at 9:50 AM (PST)

Greg Puciato, whose recent streaming event, “Fuck Content,” merged the worlds of recording and performance, has released a video for “Don’t Wanna Deal” (https://youtu.be/h9A1nVA-O5Q), a song whose creation was chronicled in the film.

Puciato said of the new track: “I ‘Don’t Wanna Deal’ with having to come up with something to say about this song or video clip so I’m not gonna.”

The 16-track Fuck Content album features five new songs not available on Puciato’s critically-acclaimed solo debut, Child Soldier: Creator of God, as well as live versions of ten of the album tracks. While all vinyl variants have now sold out, a collectible Blu-ray is currently available, as are limited-edition, Jesse Draxler-designed merch items (https://federalprisoner.shop/). Both the film and album are available digitally, with downloads available directly via the Federal Prisoner webstore, and album streams available across all major platforms.

Fuck Content is a reflection of where Puciato is in his post-The Dillinger Escape Plan life. He recently celebrated the release of Killer Be Killed’s sophomore album, Reluctant Hero, with the band landing on the covers of both Revolver and Kerrang!. The album also debuted atop the iTunes Rock and Metal charts. His solo debut, Child Soldier: Creator of God, arrived the previous month, with Consequence of Sound saying the 15-song album delivers “an experimental yet heavy sound that echoes Puciato’s versatility as an artist.” Puciato released four videos to accompany the release: “Do You Need Me to Remind You?” (https://youtu.be/d7Iaw_wjhaY), “A Pair of Questions” (https://youtu.be/VgCMGAvurl0), “Deep Set” (https://youtu.be/sJhPsE6K5t0), and “Fire For Water” (https://youtu.be/kcq8ooRTRpw). In addition to writing and recording two high profile releases, Puciato surprised fans at the end of last year by joining Alice in Chains’ Jerry Cantrell for a pair of special performances.

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Spanish technical death metal masters WORMED are now streaming a brand new play-through video for the song “Bionic Relic,” which is taken from 2019’s sci-fi EP, Metaportal. Check out the play-through HERE!

WORMED comment: “We’re not  fans of play-throughs, but since this world is changing and we haven’t played anywhere for a year (!!!) we thought you would like to enjoy a display of a ‘Metaportal’ track, ‘Bionic Relic’ with the full band. This was recorded on different planets. We live light years from each other and it’s quite hard to be all together for recording any footage. Become a ‘Bionic Relic’ with us!

Wormed might not be super keen on play-throughs but we sure are and they are great at them! Enjoy our collective race towards the singularity with this bop!

Metaportal was released on July 19, 2019 and can be streamed, downloaded, and ordered HERE.

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Devastating news today as I learned from Revocation’s Instagram of the sudden passing of the true rock n roll warrior Alexi Laiho. Hot on the heels of the news of another musical genius of another genre, the enigmatic rapper MF Doom, we now start 2021 saying goodbye to a hero of shred with the passing of Alexi.

I am so glad he had a keen work ethic and there are many CoB releases for us to treasure for years to come. I am so glad I got to see them live finally once when they toured with Clutch and Black Label Society. The metal scene weeps today. Some people may think shred virtuoso playing is “cheesy” or over the top but it is a bedrock foundational corner of thrash and heavy metal. When I hear Alexi play soaring solos that bordered on power metal at times but soaked in the grim blood of rock n’ roll infused thrash madness, it could lift me out of my daily pains and into a world of possibility and thankful escape. I am sure I am not alone in this.

Laiho was an Aries like me and just a year and a few days younger and it makes me really want to underscore to you readers to please, please treasure your loved ones, lives and moments. Don’t waste the opportunity to reach for your dreams!

A statement from his official Facebook team can be read below:

One of the most renowned guitarists in the world, Alexi Laiho, has passed away. The musician, most notably known as the front man of Children of Bodom, died in his home in Helsinki, Finland, last week. Laiho had suffered from long-term health issues during his last years.

Alexi Laiho and drummer Jaska Raatikainen founded Children of Bodom in 1993, and the band was one of the most internationally acclaimed metal acts in Finland up until their very last farewell concert in December of 2019. Last year Alexi Laiho put together Bodom After Midnight, who recorded three songs and shot one music video, which will be released later on posthumously.

Besides Children of Bodom, Laiho was known for acts such as Warmen, Sinergy, Kylähullut and The Local Band. Awarded with a Metal Hammer Golden Gods and several other international prizes, the guitarist was also the main star, leading a group of one hundred guitar players at Helsinki Festival in 2015 in “100 Guitars From Hel” – a massive concert piece he composed.

“We are crushed by the sudden passing of our dear friend and band member. Words cannot describe this shock and the profound sadness that we feel”, Daniel Freyberg, Mitja Toivonen and Waltteri Väyrynen from Bodom After Midnight state.

The talented guitarist and musician relished his roles as stepdad in his patchwork family, and as uncle and godfather. Especially during the last years, the important family ties brought a welcomed balance to his life and the active touring. Laiho was particularly close with his big sister, parents and his sister’s daughter. Laiho’s sister says:

“We are all absolutely shocked and devastated. We ask for privacy and understanding during these hard times. My little brother’s funeral will take place privately.”

Alexi Laiho will also be deeply missed by his family in Australia.
“Alexi was the most loving and magnificent husband and father. Our hearts are eternally broken”, Kelli Wright-Laiho says.

The remaining members of Bodom After Midnight do not give any interviews at this time.

Jouni Markkanen
Bodom After Midnight management

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Happy New Year From METAL RIOT. Bring On 2021.

Posted by Morgan Y Evans - Walking Bombs on Thursday, December 31, 2020 at 10:37 AM (PST)

The other night I was watching the mini documentary There Will Be Quiet about the straight edge hardcore band Judge’s lauded return to the stage from a few years ago and was moved by the story of Mike Judge dealing with social disconnect from growing up in a society that shames men for being emotional. The cult of toxic toughness is something that is well overdue for a change in the greater Universe, major Aquarian vibes are an important part of the coming future astrologically and we cannot sustain a society and world that is so machismo at the expense of the tender nuances that allow us, if we dare, to not live as compartmentalized shells or paranoid androids. I say that from a male perspective because for better (and usually worse) we still live under a conquering Sky God global patriachy paradigm.

It is remarkable how cool it is to see the change and growth of the dudes in this Judge documentary and made me super psyched for the power of hardcore and friendship to heal and uplift still in our underground!

Let’s take that kind of big energy into 2021. Watch that Judge doc if you have never seen it and let’s try to all channel our Anthony Civarelli this year – as in welcome and uplift one another and remember our shared victories as he does for Mike in the documentary’s powerful ending.

I have also been really enjoying Rituals Of Mine’s Hype Nostalgia, a record so musically chill and emotive yet full of real connection amidst the stylistic potency that it reminds me of when I first lost my mind at how good early Portishead is. It’s that awesome. I was moved by learning of how Terra Lopez navigated grief in the wake of the loss of a family member and other struggles and believe me when I say it is relatable to a lot of horrific trauma from my own life that feels sometimes like it would cripple me from moving forward forever. My heart goes out to Lopez for being brave enough also to make this super potent record and get in touch with a ‘pre-loss’ perspective.

As the record’s Bandcamp bio says: Lopez wanted to create a soundscape from a pre-loss perspective, revealing how the darkness she experienced was just microcosms of her being.

I feel like that is a great motivating energy to think about as we leave 2020 as well. Who were we from before this painful pandemic year and what have we learned? What can we carry forward together differently? I have had many comversations with my girlfriend Elizabeth, the psych folk musician Globelamp, about how happy she was as a DIY musician before she was manipulated, discarded for demanding fair pay and a victim of DARVO during a terrible time in her life as a member and immediately following her time in the fucked up band Foxygen (still remember how you thought starting a personal niche label called “Fascist Records” was cool under Trump or at all, Sam. Fucking psycho privileged idiot.)

My point is, how does tragedy define us? How can we retain the inner child and spark of enthusiasm we once had in the face of daunting challenges that swallow us whole? How do we embody what we have been through in a healthy way and move forward but remember our brightness inside? For better or worse- and it is also a privilege to pretend the USA was “ok” before MAGA and not built on white supremacist gaslighting, vulture capitalism protecting the 1% from equal taxation at the expense of the poor and also awash in nightmare factory farming bleak karma culture- we have all just shared in an abusive psychic relationship with Donald Trump. The scars may heal but are a symptom of a wider disease. And it also won’t just go away by spiritual bypassing and toxic positivity, though PMA is still super important!

One thing I know is, we can’t give up.

After nearly dying this year and just avoiding a diabetic coma, I am more eager than ever to seize the day and to heal with people, try to promote great bands and send empowering vibes out to you all. Let’s remember the heroes of the scene we lost this year from Riley to EVH to Frankie Banali and other folks who gave us their all to remind us that life can be an incredible place together. Let’s be inclusive and defy the odds. Let’s make our best songs yet to come and also honor where we have been. Let’s change the ugly paradigm we have been under the heel of and celebrate the best in us in 2021. And yes, that also means holding Dems accountable for not being progressive enough and not resting on laurels just cuz of a temporary illusory Blue win “respite”.

Love you all. Hails, horns and hopeful head walking on show crowds again in our future in 2021!

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Hear SONIC BLAST’s new song “Quest For Camelot”

Posted by Morgan Y Evans - Walking Bombs on Saturday, December 26, 2020 at 8:40 AM (PST)

Medieval Times is about to get lit!

Hope everyone had a good Christmas (or whatever you have or haven’t been celebrating) and is enjoying the post-holiday gluttony glow. A lot of people are broke af right now but smug, moronic American “economists” are still trying to tell us $2000 a citizen is dangerous. No. Letting Billionaires not contribute to social safety nets or all of us rotting and starving from class inequality is dangerous, fucko. Trickle down economics is the threat. Stop the gaslighting. We pretend to have abolished feudalism hundreds of years ago, but that is a lie.

Anyway, quick shout out to Mountain fans mourning Leslie West and also the great NYHC band Killing Time who are grieving Rich McLoughlin’s passing right now. Thank you so much to both of these powerful men for their contributions to music forever! I was very busy the last few days with the holiday and my overnight job cleaning a fucking gym so I didn’t have the energy to post anything until now.

Let’s get to some epic power metal to gallop us towards 2021 boldly, shall we? Today I share with you the new single from Greek metallers Sonic Blast! While the band name might remind you of the sound your ass makes when you have eaten too much Christmas dinner, hopefully you also remember the raw and explosive sound of true heavy metal or at least Sonic the Hedgehog gaining power as you progress on a quest!

Today’s quest however is more traditional…a “Quest For Camelot”! Shouldn’t this Greek band be singing about Odysseus or something? There is no rule that says they can’t also enjoy Arthurian lore! While the production feels a little clunky here and there, the song and the band’s passion (especially the vocals) lift you up and remind us to carry on through whatever trials we face! Turn it up, friends! And get me some chaos emerald shards!

The band was formed in Kozani,Greece (2015). Nick Dedes (Guitar) and Dimitris Gkatziaris (Guitar,Bass) were the founding members, while Thimios P. (Drums), Nick Vogiatzis (Keyboards) and Dimitris Vachtsevanos (Vocals) are the latest additions. The band has participated in local music festivals such as “Sourdstock” and “Kozani Four”. The first Album titled “Humanity Divided” is expected to be released soon.

Transcending Records is pleased to issue exclusive North American vinyl pressings of Wildhoney and A Deeper Kind Of Slumber from Stockholm, Sweden metal icons TIAMAT.

Initially released via Century Media Records in 1994, Wildhoney is TIAMAT‘s fourth studio album. Produced by Waldemar Sorychta, the record marked a strong shift in the style from the band’s early death/doom roots incorporating more progressive rock and psychedelic influences and themes centered around the occult, nature, and LSD. All Music Guide praised the album upon its release, referring to it as, “one of the classics of the genre.” Wrote Decibel in a TIAMAT Hall Of Fame piece on the record, “…nobody was prepared for Wildhoney… Leadoff track ‘Whatever That Hurts,’ ‘Gaia,’ ‘The Ar,’ and ‘Visionaire’ were wondrous examples of TIAMAT‘s flexibility, deft musicianship, and no-holds-barred vision. The term ‘atmospheric’ was used to describe TIAMAT before, but on Wildhoney, the subgenre was firmly created. What really shocked longhairs, however, were the unlikely end points in ‘Do You Dream Of Me?’ and ‘A Pocket Size Sun.’ At no point in death metal’s timeline were songs about girlfriends and bucolic drug use (we think) set to echoplexing guitar gymnastics and lullaby-like songwriting the epitome of cool. Suddenly, they were.”

Transcending’s limited vinyl edition of TIAMAT‘s Wildhoney will be released on March 12th, 2021 and comes available in three color variants: orange with yellow/black splatter (200), orange/yellow marble (200), and standard black (100) on heavyweight 180-gram vinyl in a gatefold sleeve with pull-out poster insert.

 

For Wildhoney preorders, go to THIS LOCATION.  

 

TIAMAT‘s fifth full-length, A Deeper Kind Of Slumber, was initially released in 1997 by Century Media Records. Featuring background vocals by Birgit Zacher (Moonspell, Angel Dust, Sentenced) and experimentation with a variety of influences, the album marked the group’s first complete withdrawal from both death metal and conventional heavy metal, following Wildhoney. It was also the first release after their relocation to Germany and was written almost entirely by founder/lead songwriter Johan Edlund. Much of the music contained within reflected on Edlund’s personal relationship with drugs, creative differences within the band as well as an interpersonal relationship. Wrote All Music Guide, “A Deeper Kind Of Slumber moves TIAMAT even farther away from traditional heavy metal, with synthesizers dominating the arrangements and Johan Edlund doing completely away with metal growling in favor of an unearthly croon. Although it’s not very metallic, the music is quite heavy in its own way, creating a numb, sleepy ambience that feels both introverted and resignedly pessimistic…”

 

Transcending’s limited vinyl edition of A Deeper Kind Of Slumber will be released on March 12th, 2021 and also come available in three color variants: orange with red/black splatter (200), white/red color-in-color (200), and 100 standard black (100) all on heavyweight 180-gram vinyl in a gatefold sleeve with insert. The record will also be released in cassette format limited to 100 copies.

 

For A Deeper Kind Of Slumber preorders, go to THIS LOCATION.
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Scene stalwarts RELAPSE RECORDS have gifted us with a fucking gigantic 30th Anniversary label sampler to smash the remainder of 2020 into the dust with. It’s a handy little survey course on the label’s celebrated history supporting the best of death, extreme, doom metal and whatever the heck else strikes their fancy. From titanic moments in scene history like Neurosis’ “Through Silver In Blood” or of course Mastodon’s “Blood And Thunder” to a huge range of tracks including Benumb, Don Caballero , The Dillinger Escape Plan, Black Tusk, Nothing, King Woman, Incantation, Morgion, Nux Vomica, Gism, Daylight Dies, Harvey Milk, Royal Thunder, Skinless, Iron Monkey, Mindrot and so many more…this is a deep dive into thrilling nostalgia and a love of the counter culture.

It must have taken them all year just to upload all these fucking songs to Bandcamp!

 

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The new release Void & Decay from WITHIN NOSTALGIA drops today, a well produced yet spirited blend of creative expression, oppressive musings and glimmers of hope. The five song effort is a cool late year addition to a 2020 that was stuffed with impressive material from many artists in the metal world, as worthy as anything else out there of your time and more so than many. The digital album is just $5 on Bandcamp and could appeal to fans of colder USBM or psych metal. I would kill to see them play a concert with Cardinal Wyrm, who also just released a super trippy and killer late 2020 effort.

There is a video for my favorite track from the release called “Desideratum” you can vibe with below.

Refusing to be restricted to a single sub-genre, Within Nostalgia flirts with a wide range of influences, including black, doom, and death. The band comments on the album:

“We’re very excited to put this release out. Not only for fans but for ourselves as well since we’ve really found our sound and direction. You can obviously tell there is a black metal influence but it’s so much more than that on this album. We’ve really embraced the strangeness of our sound and let go of any preconceived notation of what “metal” is to us.”

I am gonna be sure to crank this a bunch as I channel the weird energy building up to the important December 21st, 2020 Jupiter and Saturn conjunction, baby.

INNO reveal video for “The Last Sun”

Posted by Morgan Y Evans - Walking Bombs on Tuesday, December 8, 2020 at 8:52 AM (PST)

Italian dark metallers INNO – featuring current and former members of FLESHGOD APOCALYPSEHOUR OF PENANCETHE FORESHADOWING and NOVEMBRE – today reveal the official video for “The Last Sun”. The song comes from the band’s debut album, “The Rain Under”, now available on Time To Kill Records.

“The Rain Under” was produced by the band and mixed by Marco Mastrobuono and Giuseppe Orlando in Rome. Mastering was handled by renowned Danish producer Jacob Hansen (KATATONIA, VOLBEAT, EPICA). Last but not least, the cover artwork was created by Decline Design.

“The Rain Under” tracklist:

01. Suffocate
02. The Hangman
03. Pale Dead Sky
04. The Last Sun
05. Night Falls
06. To Go Astray
07. Goliath
08. Scorched
09. Misericordia
10. High Hopes (Pink Floyd cover)

Emerging out of the Roman metal scene in 2017, INNO was founded by four veterans with the aim to create something that would differ from their past experiences within the metal world.

After spending a few months exploring their dormant influences, INNO came to shape a dark, doomy, heavy and progressive sound akin to eclectic acts such as Katatonia and The Gathering.

Line-up:

Elisabetta Marchetti (ex Stormlord, ex Riti Occulti) – Vocals, Piano, Acoustic Guitar
Cristiano Trionfera (ex Fleshgod Apocalypse) – Rhythm and Lead Guitar
Marco Mastrobuono (Hour Of Penance, Coffin Birth) – Bass
Giuseppe Orlando (ex Novembre, The Foreshadowing, Airlines of Terror) – Drums and Percussion

Sludge legends and poetic vagrants of the psychic wounds of humanity, EYEHATEGOD are fucking underground blues metal punk pirates of the truest order. The band have set a March 12 release date for the band’s first new full-length album in seven years, A History of Nomadic Behavior.

Singer Mike IX Williams said of the songs on the album, “We’re not a political band, but it was hard not to be affected by the news from the past year. During this recording, I thought a lot about how stupid humanity has become and how America is now completely divided with these people who don’t believe in science and blindly follow liars and nonsensical ideologies. Some of those feelings may have found their way into these songs, but it is mostly subliminal.”

A History of Nomadic Behavior follows a period that saw the New Orleans based band on the road for three years, preceded by Williams suffering liver failure and a transplant. “We toured our asses off for three years and that’s where A History of Nomadic Behavior basically comes from,” adds Williams before touching on his health challenge: “Death is a part of life, it’s a roll of the dice. Sometimes you take life as it comes, other times you fight to stay alive.” The album was produced by Eyehategod, Sanford Parker (Yob, Voivod) and James Whitten (Thou, High on Fire), with mixing by Whitten. The band recorded at HighTower Recording and Hypercube studios.

Album pre-orders are available now (https://Eyehategod.lnk.to/AHistoryofNomadicBehaviorPR). Get on that shit now.

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Sweden’s SOILWORK have never gone along with trends and have always charted their own course. Sure, the band has elements of melodic and extreme metal as well as even progressive at times but they really dance to the beat of their own passionate drum and have for years regardless of who is involved. Order the group’s ‘most ambitious and pretentious’ new EP here.

Today marks a huge moment for the band creatively as they release a very lengthy epic song and quirky mythical fish out of water themed video for “A Whisp Of The Atlantic”. It is very cool to see the band taking some risks and detours and many passages of the song are simply brilliant. They have so much good material at this point it is almost impossible to fathom, but nonetheless we are still blessed with even more growth and power from these prolific metal staples.

Calgary, Canada’s progressive prog Red Cain have launched the pre-order for their new album Kindred: Act IIset for digital release on January 22, 2021. The CD physical release will be done by Sliptrick Records at a later date in the new year. The upcoming full length continues and ends the band’s storytelling of their Kindred saga.

Vocalist Evgeniy Zayarny adds:

“Here we go, friends – the pre-order for our next LP “Kindred: Act II” is LIVE! Thank you for your belief in our work. Ride on with us on the second half of the “Kindred” saga – this mad march toward the Sun. Experimental, aggressive, and recognizably Red Cain in its style, “Kindred: ACT II” picks up and expands on the events from our previous album, centralizing the story around the Aztec warrior Zalcoatl, ritually chosen to save his people, and trapped inside an alien pyramid to battle a hungry, unearthly Lovecraftian entity that plans to use him to be released into the world beyond its archaic prison.”

“Demons” is a driving and insistent banger that could appeal to fans of everything from symphonic metal to The 69 Eyes to perhaps even Rammstein. It has been out for a few months and bodes well for the full release! A very cool sound with a lot of groove as well and a playful side that nonetheless remembers to be rooted in respect for heavy metal. The song is a lustful and dramatic celebration. “Let the sun light you up like a cigarette”, indeed.

Along with the pre-order of Kindred: Act II”, Red Cain is giving fans seven custom pieces of digital art designed by the band along with an immediate download of their goth-rock headbanger”Demons”.

Album pre-order available at the following link: https://redcain.bandcamp.com/album/kindred-act-ii

Hear GLOBELAMP and Chris Cheveyo (ex- ROSE WINDOWS) cover PINK FLOYD today

Posted by Metal Riot on Friday, December 4, 2020 at 8:58 AM (PST)

A lot of big music news today, from a Tribulation line-up shake up to a new Greta Van Fleet album pre order and Gemini Syndrome fresh material, Terminal Bliss signing to Relapse in a promising pairing and so much more.  On this rainy day off I am listening to Moonspell’s melodic and shadowy “Incantatrix” from the brilliant and catchy yet even more underground and gothic Omega White material , a somewhat secret and cult release from Portugal’s finest gloom wolf poets.

That all mentioned, it is also the last Bandcamp Friday of 2020 and we wanted to bring attention to a special collab for all you fans of Pink Floyd out there. Yes, it is not metal. We know however that most metal heads have mad love for one of the most compelling and insanity navigating acts out there in classic rock history. Follow the link below for a compelling quarantine made DIY trippy cover of “Brain Damage” by psych folker Elizabeth Gomez aka GLOBELAMP. She has enlisted the very talented Chris Cheveyo of ROSE WINDOWS fame on guitar for some of the classic parts. It amounts to a thrilling pairing of masterful and darkly beautiful psych folk. The two know one another from the PNW music scene.

“I am a big fan of Syd Barrett and this song – often called “Lunatic” early on – alludes to the struggles he faced,” says Gomez.  “I am into wordplay and it is a clever way of drawing a connection between the moon and lunacy, using the cycles of the moon as a reference to feeling crazy. It is smart how the song was not called Dark Side Of The Moon, which you think might be the song title.”

Brain Damage | Globelamp (bandcamp.com)

 

KREATOR to release ‘UNDER THE GUILLOTINE’ deluxe set

Posted by Morgan Y Evans - Walking Bombs on Tuesday, December 1, 2020 at 8:47 AM (PST)

The story of Kreator’s meteoric rise to the global elite of thrash metal bands from their humble beginnings in Essen Germany, began under their first name of Tormentor in the early 80’s. It was their ‘Blitzkreig’ and ‘End Of The World’ demos changing hands in the era’s bustling underground tape-trading network that exposed them to the international metal community.  Positive word of mouth soon attracted the attention of Germany’s own metal start-up, Noise Records, which signed the newly re-christened Kreator to a deal.

Kreator’s tenure at the label spawned six studio albums and established them as one of the most influential on the thrash scene, one they dominate to this day.  1985 debut, Endless Pain was a savage debut; its crude thrashing quickly had the underground metal world abuzz with excitement. 1986’s Follow up, Pleasure To Kill is considered the band’s first “classic” album and raised the bar with more diversity of tempos, while losing nothing in terms of ferocity or speed. 1987’s Terrible Certainty further cemented the reputation that Kreator were one of the genre’s finest exponents.  In 1989 the band closed the decade with the thrash triumph of Extreme Aggression, their biggest seller to date.  1990’s huge magnum opus Coma Of Souls confirmed them in thrash history before they diversified their sound on the experimental, Renewal in 1992.

Under The Guillotine is a deluxe celebration of Kreator’s, Noise Records discography and is the definitive collection of their first decade of recorded work and contains :

Endless Pain – (Swirl vinyl with original artwork & inner sleeve)
Pleasure To Kill – (Splatter vinyl with original artwork & inner sleeve)
Terrible Certainty – (Splatter vinyl with original artwork & inner lyric sleeve) 
Extreme Aggression – (Half/half vinyl with original artwork & inner lyric sleeve)
Coma Of Souls – (Splatter vinyl with original artwork & inner lyric sleeve)
Renewal – (Swirl vinyl with original artwork & inner lyric sleeve)
Some Pain Will Last DVD – Containing ‘From The Vault’ mini documentary, plus two previously unreleased audio live concerts and an Andy Sneap remix of Live In East Berlin 1990
12” x 12”, 40 page hardback book of photography, quotes and lyrics from the first decade of the bands existence. Contains rare and previously unseen photos from the era.
Reproduction ‘End Of The World’ demo cassette 
‘Demon’ figurine USB drive containing MP3 audio of all the expanded editions of all the albums.
All encased in an executioners, guillotine box.
The first 250 orders from the Noise Records store will also receive a signed art card by Mille Petrozza.

Also available as an introduction piece is ‘Under The Guillotine – The Noise Anthology’ – an 18 track double-vinyl collection of Kreator’s Noise era classics, pressed on splatter vinyl, including rare and unseen photos. And for the non-vinyl collectors, there will also be a 30 track 2CD version, housed in a mediabook.  Both feature rare tracks and remixes from the bands discography.

 

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