Search Results for ""

Deathcore action heroes Signs Of The Swarm are hungry, and I don’t just mean that they look like they could use a big helping of lasagna each. The group have been working hard to leave an impression and slam an impact crater into the surface of the scene. I always think about how fired up Korn was when they toured with Danzig years ago and wonder what new bands will come out blazing with similar desire to make crowds go crazy nowadays. Well, Signs Of The Swarm aint slouchin’ live, that’s for sure!

Now the group have released pro shot live footage from their stint on this year’s Devastation on the Nation Tour, which saw them performing alongside Aborted, Psycroptic, Ingested, Disentomb, Arkaik, and Venom Prison. The set was filmed by Matti Way (From The North Films) at the tour’s stop in Mesa, Az date.

Watch the video HERE

Physical order bundles for SIGNS OF THE SWARM‘s Unique Leader debut The Disfigurement of Existence are available HERE.
Digital bundles are available HERE.

\m/

Good luck to this band. Let’s support new acts and help metal’s future stay strong.

Add to My Radar   Add to My Radar

photo by Kyle Joinson

Metal trio, Spiritbox have released a music video for their new single titled, “Electric Cross“. The new single follows up on the group’s recent single, “Perennial”, which dropped last month.

Vocalist, Courtney LaPlante gave her thoughts on the new single, “This song makes me so uncomfortable because it’s about everything I do not want to acknowledge. Feeling like I have no autonomy over my own body. How much anger I have towards those who have wronged me, and the environment that allows bad things to happen. Knowing that something that feels so isolating is such a universal feeling.”

Having toured the world as members of the eccentric metal band iwrestledabearonce, vocalist Courtney LaPlante and guitarist Michael Stringer wanted to take their intensely personal and technical musical focus in a new creative and personal direction. Spiritbox was the result.

In 2017, the husband and wife duo sent their unreleased debut Self-Titled EP to Bill Crook of the Vancouver pop-punk band Living with Lions hoping only for constructive criticism. Instead, they found themselves with a new bandmate and best friend. Together, this Canadian trio has set out to bring a new and refreshing perspective to metal.

Add to My Radar   Add to My Radar

Ozzy cancels remainder of North American Tour

Posted by Morgan Ywain Evans on Thursday, October 11, 2018 at 8:59 PM (PST)

Ozzy Osbourne has now cancelled the remaining four shows on his North American “No More Tours 2.” Following additional evaluation from his doctors, Osbourne will likely require another surgery in the coming days to treat multiple infections in his right hand.

The four cancelled shows were originally scheduled as follows: Shoreline Amphitheatre in Mountain View, CA (October 6), Mattress Firm Amphitheatre in Chula Vista (October 9), the Hollywood Bowl in Los Angeles (October 11) and MGM Grand Garden Arena in Las Vegas (October 13). The three California shows had previously been rescheduled following his initial prognosis from doctors. All four shows will be rescheduled for 2019.

“I’m so fu**ing bummed about cancelling these shows,” Osbourne says. “The tour had been going great and we were really looking forward to these last few gigs. We’re hoping everyone will be patient and we’ll look forward to seeing them at the shows next year.”

Ticketholders for the four shows should hold on to their tickets, as they will be honored for the rescheduled dates. Refunds are also available at point of purchase.

 

Add to My Radar   Add to My Radar

Atreyu’s new album drops this weekend

Posted by Morgan Ywain Evans on Thursday, October 11, 2018 at 8:37 PM (PST)

Just a reminder that the new one In Our Wake from blood sucking metalcore bruisers Atreyu hits streets October 12th and it is a winner. Here is the title track “In Our Wake” in case ya missed it. Much higher production value video than the early days, lol. Brandon still grand slams those catchy cleans to the moon. We stan. Like Thrice, it is good they have embraced their grandest ambitions because the songs aren’t held back and the emotion can come through without being self-conscious.

Add to My Radar   Add to My Radar

I was listening to Epica’s The Quantum Enigma today kind of baked and driving in the intense gray rain, the passionate performances and unabashed soaring complexity of the material inspiring me as Upstate, NY’s dampened fall colors blurred by under a wet obfuscating temporary canopy of droplets. The song “Victims Of Contingency” hit me powerfully and re-centered my focus on the mantra that time is a special, fleeting yet permament construct. What we do in our limited moments become our choices and how we lived. It is so simple but we overlook this out of the familiarity of routine daily, even as we are constantly surrounded by so many miracles and options it is a wonder anyone ever decides to “BE” anything.

Anyhow, that said I love when people are decisive and make bold artistic statements and this year has been loaded with them, from the assuredly high constitution rolling persistence of Anicon’s ferocious and focused Entropy Mantra to the compositional and emotive brilliance of Oceans of Slumber’s The Banished Heart to the groove metal activism of Otep’s Kult 45. Whether the emotional performances/beauty in the branches between spare folk and acoustic black metal simplicity is your bag or being inspired to be the next Dimmu and you aim for extremely elaborate compositions, here is some respect for the artists out there. We toast you with a cup of my liberal tears (which only make me more Goth, eternal win. Take that, chumps).

Oh that reminds me, anyone want to start a cover band of pre-Born Again Dave era Megadeth called Magadeth and we cover just “Foreclosure Of A Dream” and early Metallica songs and make fun of Alex Jones and people who think Obama was behind False Flags instead of, y’know, rampant lack of rational gun control being a cause in rising and alarming gun violence trends and school/public shootings? Kanye was visiting Trumpy with Kid Rock today, so I guess racism is solved. Guess what, stooges? The only invisible wall (to quote Ye) is gonna be the one on the border we don’t allow to be built as vile stain on our nation’s alleged love of diversity.

Where was I? Cool metal stuff to tell you about today to underscore my point about this fertile scene of special decisive statement making artists! Actually most of us have anxiety but that doesn’t mean the albums always sound like it!

First up, speaking of Oceans Of Slumber (a serious album of the year contender at the moment), they are selling the ONLY backdrop from their Winter era at Big Cartel! This is a cool opportunity for a dedicated fan to have a major piece of the band’s history. I would snatch it up if I had the scratch for sure! \m/

In bummer news for them (and great news for Visceral Disgorge) Soreption have had to drop out of their slot on the Farewell Frank Suffocation Tour. Cattle Decap shared a tweet letting fans know that the tour line up had changed. I mean, I assume other bands shared that info also but I stan Cattle Decap the most so saw it there first, haha. Fucking Krisiun is on that tour as well. Christ, that is a bad ass line up even with a little switch-around. Let’s support!

Here for a little reminder that today is National Coming Out Day, a tweet on the subject from our account:

Huge high fives and horns to queer creators and fans out there. Sing Priest’s Turbo as loud as you can into a shower head today at some point. We love you all. Remind people that The Sex Pistols wouldn’t have had such a cultural impact if it weren’t for the UK Club scene and fashion attitudes, thanks! XO.

Lastly today, CHTHONIC have a new video out for “A Crimson Sky’s Command”!

With many tracks from CHTHONIC’s fresh Battlefields of Asura album being associated with different Taiwanese gods and goddesses, “A Crimson Sky’s Command” was inspired by the god of war “Te-ia-kong”, or “Xuantian Shangdi” in Mandarin. The lyrics naturally takes on warpath and aggressiveness, however, frontman Freddy Lim states that “on top of the imagery at the face value, it also represents the courage we need to face, confront and overcome our own weakness”.

Check it out below!

Add to My Radar   Add to My Radar

SAXON reveal 2019 US Tour Dates

Posted by Morgan Ywain Evans on Wednesday, October 10, 2018 at 2:21 PM (PST)

Since 1979 SAXON have shown their ability to take rock ‘n’ roll and give it an electrifying edge, which has since cemented their status as pioneers of the British heavy metal wave. With over twenty studio albums under their belt, SAXON has made their steadfast dedication to creating a dynamic body of a work a staple of their career. With no signs of letting up, the SAXON Juggernaut continues with the release earlier this year of their latest album THUNDERBOLT and an ongoing World Tour that’s going from strength to strength.

More below.

Add to My Radar   Add to My Radar

America’s greatest hard rockers Clutch are back with a new platter of joy, Book Of Bad Decisions (out now). One of the most consistently awesome bands in rock history with not a single bad album in their discography, Clutch are a shining beacon of real rock n roll straddling a sewer of Maroon 5’s floating down the stream to Hell.

All ticket links are available at www.pro-rock.com.

Thu/Dec-27 Baltimore, MD @ Rams Head Live!
Fri/Dec-28 Sayreville, NJ @ Starland Ballroom
Sat/Dec-29 Portland, ME @ Aura
Sun/Dec-30 Clifton Park, NY @ Upstate Concert Hall
Mon/Dec-31 Cleveland, OH @ Masonic Auditorium at Temple Live

Jean-Paul Gaster on the package said “We are very excited to have our friends Lionize, The Mike Dillon Band and The Messthetics be a part of this year’s Clutch Holiday Run. Each band brings something special to the bill and with so many great players in one place there’s bound to be some surprises. Come out early and celebrate with us!”

Add to My Radar   Add to My Radar

Gilby Clarke embarks on a string of headline dates

Posted by Morgan Ywain Evans on Wednesday, October 3, 2018 at 1:29 PM (PST)

 

Rockers! We got cool news, Gilby Clarke of GNR/MC5 association is heading out in a comet blaze on a short run of headliner tour dates. Clarke is one of the baddest mofos out there in the guitar wars trenches and we suggest you go.  The Gilby Clarke band is a well-oiled three-piece that comprises of Gilby Clarke (vocals/guitar), EJ Curse (bass) and Jimmy D’Anda (drums).

Clarke joined Guns in the early 90’s as the Use Your Illusion tour kicked off. He appeared on the bands Spaghetti Incident, Live Era ’88-’91 & Greatest Hits albums. Surviving the longest tour in history – Clarke went solo & came out swinging with PawnShop Guitars. A catalog of rock n roll purity: Tijuana Jail, Cure Me… Or Kill Me… & The Stone’s Dead Flowers put this record on many year-end top 10 lists.

http://www.gilbyclarke.com/

 

Add to My Radar   Add to My Radar

Scotland’s Bitter Lake is doing things right. The one man black metal project is slowly building up buzz, focusing on releasing cool music rather than hype and improving with each passing moment. I like the cold and methodical yet emotional nature of the project, like impending entropy captured in a burst of constrained, conflicted emotions.

This is an exciting time in metal as a lot of bands are shrugging off genre constraints and finding out who they are for themselves. The left wing black metal coming out is exciting and more than overdue to surpass the tired edgelord tropes of the genre that have always ben laughable if they weren’t so harmful.

Let’s get into the interview with Bitter Lake (who is also running a microphone raffle HERE) and talk about new song “Siberia”, Veganism and more BELOW.

Add to My Radar   Add to My Radar

Mist (photo by Lara Zitko)

Sorry about the title of this article, Y’all. I wanted something spooky and am obsessed with King Diamond’s Abigail (think the black horsemen) and Sleepy Hollow was just on as well. Plus, who remembers the Nightmare horse from the Dungeons & Dragons cartoon? Anyone? Exhibit A:

#mood

Anyway, super rainy and dismal day here in Upstate, NY and I am fairly exhausted from my day jobs. If you re ordered the band names in the article title I could be a miserable pelican in the mist of today’s rainy doldrums. Been a crazy week already gearing up for the O+ festival hitting my city of Kingston this week but I am actually in pretty ok spirits. Need to put on some more coffee and get to blogging. I got some weird European Maple coffee from Aldi’s cuz they are way cheaper but still pretty good quality stuff than most more mainstream shitty American grocery stores.

First off, thanks to all the readers and metalheads who tweeted support to Twitter after my personal account was suspended! It is such BS and as of now I still don’t have it back. Pretty absurd since the last thing I tweeted was me kissing my mom on the head who has dementia and not anything remotely hateful.

My personal Twitter @morganyevans was suspended either from my band name Walking Bombs alarming their violence rule (even though it is about depression not terrorism) or me tweeting at Best Coast that my girlfriend Elizabeth (aka Globelamp) “alleges” she was punched in the face by the singer of Foxygen and that I wished Best Coast and her just could talk and ease tensions between them because my gf Globelamp is mad she was blocked by Bethany when she feels she tried to ask her for help getting awareness of what happened to her.

So when Globelamp hears Best Coast tweeting to believe survivors during the Kavanaugh trial or other people who she tried to reach out to about her story in the industry who ignored her about being hit she triggers hard. It makes me very sad and I wish they could squash it somehow. That’s not meant as a personal attack on the sincerity of anyone on my end. I think it would be healing and helpful for them both if they could ease tensions between them.

Globelamp also thought Best Coast also seemingly likes Kim Kardashian, who my gf super despises for lying about and trying to bring down her idol Taylor Swift (who Best Coast doesn’t seem to like anymore) as well as enabling Kanye horribly and selling pro anorexic weight loss lollipops to girls. I guess Best Coast spoke out about the pro anorexia stuff? That’s good. I am not against plastic surgery or body modification but there is a manipulative and cold capitalistic ego driven horror show to the Kimye and general Kardashian family trainwreck that needs to be stopped. And don’t get me started on the Jenner’s exploiting black lives matter in that Pepsi commercial. Globelamp also thinks that Taylor didn’t talk about the Nazi stuff because she is obviously pro LGBTQ and diversity and didn’t want to platform Nazis all over the tabloids and thinks Best Coast tried to bring her down, which made her mad at Bethany awhile ago.

Anyway, there’s a difference between, say, having body dysmorphia and mass marketing patriarchal beauty standards. Nothing against femmes but Kim to me seems different and motivated by very cold brand of capitalism. More interested in any clicks like Kanye than if they are harming society or not and distracting from real work that needs to be done. Here I am talking about them but it is because they have become a huge problem. The fact is Kim participated in a lot of gaslighting on a national level then still plays dumb when she wants democratic accolades for optics. And you can’t blame a woman for her shitty partner’s antics but she and Kanye are working together on most of it like the Taylor snapchat splice job frame. Swift never agreed to let a man call her bitch or claim agency for her career and had already outsold Ye many times over before he jumped on stage with her at fan voted VMAS when she was 19 and he was 30 something. That matters and is super sexist. Kimye are basically chaos agents. Swift is a huge altruist.

It seemed suspicious to me Kim did the photo op with Trump for clemency for one person (instead of pushing him to stop prison for profit and Maga policies that super hurt minorities- Watch 13th) right when Ye needed good press by association when his worst album yet Ye dropped and everyone was saying he abandoned mom’s charity and exploited Whitney Houston’s addiction with Pusha. Hard to say you care about addicts when you have elsewhere said you were inspired by Pablo’s ability to move product, fam.

So yeah, Twitter then told me the other day I was suspended for being primarily used to promote hate even though almost all I tweet is support for non binary people like myself, dementia awareness for my mom, Metal news, anti-MAGA stuff for women’s and minority rights. So I don’t know if reclaiming the phrase “walking bomb” from people who called me that as an insult or using the word “punch” or tweeting to the GOP to not take away abortion rights or complaining about Kanye and Kim on Twitter did it but something made Twitter think I am as bad as Alex Jones.

This is what happens when gaslighting is the new national past-time and we pretend false equivalencies are real and morons need to be coddled. That is not punk rock. Eff that. Kanye wants to pretend he is saying to “love” everyone but really like Trump he is just putting the foot on the gas(lighting). It is like the ‘debate me’ incels and MRAs and libertarian or Gamergate types and trolls or Nazi black metal apologists who are perpetuating the sewer water culture that Milo or Jordan Peterson or Kanye and friends are so eager to splash in like it is the fountain of youth. “Nothing matters, weee! Who cares who is harmed!”

When we fall in the pit we pick one another up (ideally). We can’t always pick up those fallen to hate in metal/punk or music, sadly. Sometimes it’s too much unhealthy emotional labor and bad faith actors or people are so brainwashed and think they aren’t doing harm when they really, really are. We CAN hold fast to principles so MAYBE people can see the light. PMA/hold fast.\m/

So enter a half waking collision of my strung together Social Justice and Swiftie thoughts such as ,“It’s absurd Kanye equates being critiqued for wearing a Maga hat on SNL and ranting gibberish with being bullied. The kkk support Maga. Asking people to be considerate and not boost a hate message is not bullying” and “I can’t wait to see Taylor Swift to sing ‘I Did Something Bad’ on the AMAs and sing ‘if a man talks shit then I owe him nothing’ and for the ratings to soar and make the VMA flop look like morons.” 

But I digress…Onward to some music news more befitting of this site’s gloomy genres.

Slovenian doom metal band Mist have announced some shows in Austria and Denmark. First they will support Canadian heavy metal masters Cauldron this Friday in Linz and for December they have confirmed shows in Graz, Klagenfurt and Vienna. By the end of October they will also play their first show ever in Denmark. I had never heard this traditional doom band today and was impressed with a lot of the material on their recent full length Free Me Of The Sun. They kind of remind me of my friend Pam’s old band Grande mixed with The Skull or something. While the kind of choppy and rudimentary guitar leads in the solo sections are the weakest element, the doomy portions, songwriting and extra powerful melodic vocals from Nina Spruk totally slay. Hope to hear a lot more from this group!

 

Mist Live dates:
05.10. KAPU, Linz (Austria) w/ Cauldron (CAN), Eisenhand (AT)
20.10. Train, Aarhus (Denmark) w/ Corpsessed (FIN), Balmog (E), Woebegone Obscured (DK), Beneath The Silence (DK)
06.12. Orto Bar, Ljubljana (Slovenia) w/ Deep Down Bellow (SLO), Mutism (SLO)
14.12. Music-House, Graz (Austria) w/ Dark Nativity (AT), Deumus (AT)
15.12. Kwadrat, Klagenfurt (Austria) w/ Vu Garde (AT), Dusk (AT), The Stolen Goose Project (AT)
16.12. Weberknecht, Vienna (Austria)

 

King Woman took our album of the year honor of 2017 (which we still stand by 100 fucking percent) for Created In The Image of Suffering but as it turns out front person Kristina Esfandiari can’t stop making relevant art. Her other band Miserable (we stan) have a new record out collecting two EPS called Loverboy via my faves Sargent House on October 26th. Seriously, thank God for that label. Anyway, after the first version of this record caught fire on a hard drive Esfandiari nonetheless got it done anyway anew and today has premiered the title track at Bust Magazine HERE.

 

An excerpt:  ‘I wrote “Loverboy” as a healing anthem for myself & hopefully other womxn who have experienced confusion or a sense of inadequacy due to gaslighting and objectification. I don’t exist for someone else’s pleasure or entertainment and that’s essentially what I’m singing in “Loverboy.” So many of us are made to feel less than human. The Loverboy album as a whole is meant to be reflective on past experiences when I feel I muted my voice.’

 

Miserable — On Tour:
October 20 Los Angeles, CA @ Resident
December 12 Los Angeles, CA @ Union *
December 13 San Diego, CA @ Che Café ** w/ THOU

 

Lastly, Pelican seem to have entered Steve Albini’s studio! I don’t know what they are planning as far as new album news but I super love that band and CANNOT WAIT! Assume it is probably for Southern Lord?

 

Until we all meet again, hang in there, lovebirds.
Add to My Radar   Add to My Radar

Greta Van Fleet‘s anticipated debut opens with a number that reminds me of Jethro Tull meets Muse, a dramatic blend of classixc rock and proggy influences before the more patented blues rock side of the band’s sound carries “Age of Man” forward. While the record could have charged forth with reckless abandon it makes sense in a way that the group, often compared to Led Zep, wanted to drop you notice that you are in for the long haul and this is an album lovers album. The mid paced majestic march of the song is very well done and shows the band’s hype is now bearing more tangible long term fruit. Still, for all the albums merits I can’t help but wonder how a new band doing more of an original sound would fare if they had the same financial support and marketing push as these guys.

Anthem Of The Peaceful Army indeed has a GREAT mix and the group manage to capture their soulful and youthful energy to a terrific degree. It sounds amazing even on my shitty cheap computer speakers, like you are hearing something IMPORTANT. Everyone did a great job and fans of the band are going to be thrilled. It sucks that a friend of mine wasn’t able to see them recently because bots purchased all the tickets in seconds and marked them up for Stub Hub, but the potential of having a live experience is different than what we are talking about today…the album itself. The Plant and Page mimicry finally comes on thick in second track “The Cold Wind” and if you are gonna hang with this band you are just gonna have to decide if you can deal with it or not. Cuz yeah, they don’t only capture youthful energy but tend to try to “clone the dinosaurs”, so to speak. And I love Zep and dinosaurs, so that is not meant as an insult. Even the Zep guys would admit they are aging rock royalty (and we love them, of course). That said, they made a video for my least favorite song “When The Curtain Falls”. Just felt too distracting even for my open mind on that one, though I still am torn because God knows how many bands copied, say, Green Day or The RAMONES.

Like new Alice In Chains, for some people it seems a little too much like trying to recreate something classic, but for many others (in GVF and new AIC cases) it is thrilling. The difference is that some of the real Alice are still IN Alice and I am afraid that makes a big fucking difference. I am not so crazy about direct “Ooh yeah” Plant style vocal lifts, but the rest of the time it doesn’t bother me sooo much that the GVF band are obviously doing an homage to their influences rather than pretending they personally invented the wheel themselves, but other times I change my mind and get distracted and cringe here and there. I still know an even split between “wow, rad” reactions and “fuck this sacrilege shit” responses (much like the DIO hologram) when people discover GVF amongst my peer group. Well, there are more harmful things in life, like the big rap releases of this week Wayne and Con-Perrier-Ye both having XXXTentacion post death cameos like it is no big deal he gay bashed a guy and brutalized a woman with nary any real convincing show of tangible remorse (despite what “he was gonna change” apologists keep saying and despite death still being tragic). At least these guys seem to be real chill dudes and I loved interviewing them awhile ago and wish them the best. I am certain they will get better and better.

Anyway, back to GVF…”Watching Over” is a cool, crawling song that mentions “water rising” (heard that somewhere before, haha), but again it is somehow intriguing rather than so derivative you feel like they are pouring it on too thick. I mean, the songs are just so damn good that it feels like either a young Zep somehow started with ZOSO or that somewhere in rock history we overlooked some classic rock gems and then the vocals were remixed with a little modern polish. “Mountain of the Sun” is a little more Houses Of The Holy, twangy guitar and summery vocals aiming to kiss the sun. All in all the band remain very much a topic of conversation and semi-controversy. You can’t deny their talent and songwriting, but it would be nice on the next one to see them move a bit more into their own territory rather than reshaping the clay of the past.

Add to My Radar   Add to My Radar

Fall brings the cool embrace of a life worth living

Posted by longhairedpoet on Sunday, September 30, 2018 at 5:46 PM (PST)

Photo Credit: Spinesplitter

In the eleventh hour, I bring you my September wrap-up. Holy fucking shit September was one hell of a month. Fortunately, the new music has been good inside and outside of metal. Whether you’ve been trying to avoid Supreme Court-Senate-Nomination-Bullshit, or you’ve been raising all the hell about it you can, whether you’ve been working with survivors in an emotional time of need, or doing your best to survive on your own, whether you’ve been writing to cope, or just playing your show to get through – September was rough as shit.

I’m glad to come back at the end of every month, especially on months that this is the only post I write for Metal Riot, and share with y’all what I thought was really cool throughout the month.

Check out the four albums I enjoy the most this month here.

Add to My Radar   Add to My Radar

 

West Coast doom band UN have released their latest monument to moody brilliance, sophomore record Sentiment, on Translation Loss. While each track is over the ten minute mark as seems kinda hip these days, in the case of UN it is warranted and allows the full, glorious and dark sprawling landscape of each composition to be revealed like a vast panoramic slowly scrolling by. These guys really upped their game as well, a keener sense of melody infused into these potent prayers to both calm contemplation AND bleeding ears than ever before. Fret not that the heavy qualities have diminished in any way, but there is an even more clear sense of emotional impact and dynamics as the sounds within, particularly on one of the best songs I have heard all year “Pools of Reflection” , are completely stirring.

“While so many of our contemporaries choose to focus purely on the grim aspects of mortality, Sentiment is meant to serve as a token of gratitude in spite of the struggles of daily life”, guitarist/vocalist Monte McCleery comments. “It is a deeply personal and intimate thing to share your art with the world, and we hope that everyone who holds this album or hears these songs feels like it was written specifically for them.”

In support of “Sentiment”, UN will hit the road on November 3rd. The tour will take the band across the United States for 20 days starting in Seattle, WA and end in Boise, ID. The band will tour alongside Colorado blackened sludge duo, Oryx (No, if you are nearsighted like me that doesn’t say Onyx-sadly). In New Orleans,  UN will join forces with Georgia’s black death powerhouse, Withered for select dates.  Tour dates can be found below.

Add to My Radar   Add to My Radar

Chicago hardcore unit HARM’S WAY will join Terror on their North American headlining tour beginning tomorrow, September 28th in San Diego, California. The trek will run through October 16th in Philadelphia, Pennsylvania with additional support to be provided by Backtrack, Year Of The Knife, and Candy. From there, HARM’S WAY will take a short break before joining Cannibal Corpse and Hate Eternal for a US tour that will stretch from November 2nd through December 6th. See all confirmed dates below.

Band photo by Sarah Dunn

 

Add to My Radar   Add to My Radar

September Savagery: Sinsaenum, Zardonic, Rising news items

Posted by Morgan Ywain Evans on Thursday, September 27, 2018 at 9:10 AM (PST)

Rising photo by Naya Buch

Epic metal quintet RISING recently announced its fourth album, Sword And Scythe, for release on October 26th via Indisciplinarian. Today, the band releases a brand-new music video for the album’s first single, Salted Earth, created by the band’s visual mastermind, vocalist Morten Grønnegaard.

 

“Salted Earth” features guest musicians Anders Hjort Straarup on trombone and renowned Danish rock musician Tim Christensen (Dizzy Mizz Lizzy, Tim Christensen) overseeing the grandiose mellotron parts, and backup vocals from Simon Stenbæk of labelmates Piss Vortex. “Salted Earth” will see its single release on digital platforms tomorrow Friday September 28th.

 

See RISING’s video for “Salted Earth” HERE

 

“Salted Earth” comes off the forthcoming RISING record Sword And Scythe – a concept album which examines the progression and recession of mankind throughout the movements of history. As the sword and the scythe can be tools for fighting evil oppression and feeding hungry mouths, they are equal symbols of destruction and the greedy exploitation of our planet’s resources. Since the dawn of man, the strive for power, wealth and growth has pushed many overambitious civilizations over the brink into the endless oblivion of forgotten history.

 

RISING vocalist Morten Grønnegård comments on the song, “The main riff for what became ‘Salted Earth’ was the first thing we wrote for the new album. We wanted to write a concept album as a poetic comment to the miserable state of affairs, and this song really sets the tone for the whole album. Conceptually, ‘Salted Earth’ is about the end of the world. To salt the earth is the ancient custom of purifying or consecrating a destroyed city with salt and cursing anyone who dare to rebuild it.  It is he cleansing of the old, making space for something new, once the salt has decayed. With our present technology at hand, the question is, if there will be anything to rebuilt for us, once we’re done tearing down.”
Zardonic have released a video for “Revelation.” I can personally hang with the over the top fun Deathstroke the Terminator meets Venezuelan Nu metal dub thrash vibes. From the press release:

 

Internationally renown Electronic Music Producer ZARDONIC has released the official music video for “Revelation,” the third reveal from his newest LP, Become, out 9/28/2018 on Entertainment One. The Venezuelan born producer once again showcases his unique mastery of bass heavy electronic production infused with heavy rock and metal, and brings the experience to life with a darkly aggressive music video for “Revelation”.

 

“Revelation” is a personal statement inspired by the people who took stances both in favor and against Zardonic, both as myself and as my music project. It’s a celebration of the best revenge anyone can have against backstabbers, bad-mouthers, copycats and hypocrites: your own success. – ZARDONIC

Sinsaenum (Dragonforce, Ex-Slipknot) have released a video for a cover of the Melvins classic “Hooch” from Houdini. Much like the recent Burn The Priest cover of “Honey Bucket” from the same Melvins-era, the band modernize and do it in their style but it still doesn’t hold a candle to the unfuckwithable nature of the original. Which is not to say it or the Burn The Priest covers are bad just that you can’t improve on grunge perfection. I would have liked to hear something faster like the mighty “Buck Owens” from Stag with Joey’s drumming, maybe (though that song has an insanely hard to replicate bad ass Mark D. bass line). Still, it is awesome to see heavy bands doing tributes to the greatest mofos and I am sure it would be fun to headbang along with live amidst the group’s raging originals. The guitar squeals are cool and the deathier vocals are cool enough, I guess. Mostly into the guitars. Drumming does not touch Dale Crover original in terms of how hard the hitting is but admirable attempt all around.

Add to My Radar   Add to My Radar