Search Results for "Southern Lord Records"

Mist (photo by Lara Zitko)

Sorry about the title of this article, Y’all. I wanted something spooky and am obsessed with King Diamond’s Abigail (think the black horsemen) and Sleepy Hollow was just on as well. Plus, who remembers the Nightmare horse from the Dungeons & Dragons cartoon? Anyone? Exhibit A:

#mood

Anyway, super rainy and dismal day here in Upstate, NY and I am fairly exhausted from my day jobs. If you re ordered the band names in the article title I could be a miserable pelican in the mist of today’s rainy doldrums. Been a crazy week already gearing up for the O+ festival hitting my city of Kingston this week but I am actually in pretty ok spirits. Need to put on some more coffee and get to blogging. I got some weird European Maple coffee from Aldi’s cuz they are way cheaper but still pretty good quality stuff than most more mainstream shitty American grocery stores.

First off, thanks to all the readers and metalheads who tweeted support to Twitter after my personal account was suspended! It is such BS and as of now I still don’t have it back. Pretty absurd since the last thing I tweeted was me kissing my mom on the head who has dementia and not anything remotely hateful.

My personal Twitter @morganyevans was suspended either from my band name Walking Bombs alarming their violence rule (even though it is about depression not terrorism) or me tweeting at Best Coast that my girlfriend Elizabeth (aka Globelamp) “alleges” she was punched in the face by the singer of Foxygen and that I wished Best Coast and her just could talk and ease tensions between them because my gf Globelamp is mad she was blocked by Bethany when she feels she tried to ask her for help getting awareness of what happened to her.

So when Globelamp hears Best Coast tweeting to believe survivors during the Kavanaugh trial or other people who she tried to reach out to about her story in the industry who ignored her about being hit she triggers hard. It makes me very sad and I wish they could squash it somehow. That’s not meant as a personal attack on the sincerity of anyone on my end. I think it would be healing and helpful for them both if they could ease tensions between them.

Globelamp also thought Best Coast also seemingly likes Kim Kardashian, who my gf super despises for lying about and trying to bring down her idol Taylor Swift (who Best Coast doesn’t seem to like anymore) as well as enabling Kanye horribly and selling pro anorexic weight loss lollipops to girls. I guess Best Coast spoke out about the pro anorexia stuff? That’s good. I am not against plastic surgery or body modification but there is a manipulative and cold capitalistic ego driven horror show to the Kimye and general Kardashian family trainwreck that needs to be stopped. And don’t get me started on the Jenner’s exploiting black lives matter in that Pepsi commercial. Globelamp also thinks that Taylor didn’t talk about the Nazi stuff because she is obviously pro LGBTQ and diversity and didn’t want to platform Nazis all over the tabloids and thinks Best Coast tried to bring her down, which made her mad at Bethany awhile ago.

Anyway, there’s a difference between, say, having body dysmorphia and mass marketing patriarchal beauty standards. Nothing against femmes but Kim to me seems different and motivated by very cold brand of capitalism. More interested in any clicks like Kanye than if they are harming society or not and distracting from real work that needs to be done. Here I am talking about them but it is because they have become a huge problem. The fact is Kim participated in a lot of gaslighting on a national level then still plays dumb when she wants democratic accolades for optics. And you can’t blame a woman for her shitty partner’s antics but she and Kanye are working together on most of it like the Taylor snapchat splice job frame. Swift never agreed to let a man call her bitch or claim agency for her career and had already outsold Ye many times over before he jumped on stage with her at fan voted VMAS when she was 19 and he was 30 something. That matters and is super sexist. Kimye are basically chaos agents. Swift is a huge altruist.

It seemed suspicious to me Kim did the photo op with Trump for clemency for one person (instead of pushing him to stop prison for profit and Maga policies that super hurt minorities- Watch 13th) right when Ye needed good press by association when his worst album yet Ye dropped and everyone was saying he abandoned mom’s charity and exploited Whitney Houston’s addiction with Pusha. Hard to say you care about addicts when you have elsewhere said you were inspired by Pablo’s ability to move product, fam.

So yeah, Twitter then told me the other day I was suspended for being primarily used to promote hate even though almost all I tweet is support for non binary people like myself, dementia awareness for my mom, Metal news, anti-MAGA stuff for women’s and minority rights. So I don’t know if reclaiming the phrase “walking bomb” from people who called me that as an insult or using the word “punch” or tweeting to the GOP to not take away abortion rights or complaining about Kanye and Kim on Twitter did it but something made Twitter think I am as bad as Alex Jones.

This is what happens when gaslighting is the new national past-time and we pretend false equivalencies are real and morons need to be coddled. That is not punk rock. Eff that. Kanye wants to pretend he is saying to “love” everyone but really like Trump he is just putting the foot on the gas(lighting). It is like the ‘debate me’ incels and MRAs and libertarian or Gamergate types and trolls or Nazi black metal apologists who are perpetuating the sewer water culture that Milo or Jordan Peterson or Kanye and friends are so eager to splash in like it is the fountain of youth. “Nothing matters, weee! Who cares who is harmed!”

When we fall in the pit we pick one another up (ideally). We can’t always pick up those fallen to hate in metal/punk or music, sadly. Sometimes it’s too much unhealthy emotional labor and bad faith actors or people are so brainwashed and think they aren’t doing harm when they really, really are. We CAN hold fast to principles so MAYBE people can see the light. PMA/hold fast.\m/

So enter a half waking collision of my strung together Social Justice and Swiftie thoughts such as ,“It’s absurd Kanye equates being critiqued for wearing a Maga hat on SNL and ranting gibberish with being bullied. The kkk support Maga. Asking people to be considerate and not boost a hate message is not bullying” and “I can’t wait to see Taylor Swift to sing ‘I Did Something Bad’ on the AMAs and sing ‘if a man talks shit then I owe him nothing’ and for the ratings to soar and make the VMA flop look like morons.” 

But I digress…Onward to some music news more befitting of this site’s gloomy genres.

Slovenian doom metal band Mist have announced some shows in Austria and Denmark. First they will support Canadian heavy metal masters Cauldron this Friday in Linz and for December they have confirmed shows in Graz, Klagenfurt and Vienna. By the end of October they will also play their first show ever in Denmark. I had never heard this traditional doom band today and was impressed with a lot of the material on their recent full length Free Me Of The Sun. They kind of remind me of my friend Pam’s old band Grande mixed with The Skull or something. While the kind of choppy and rudimentary guitar leads in the solo sections are the weakest element, the doomy portions, songwriting and extra powerful melodic vocals from Nina Spruk totally slay. Hope to hear a lot more from this group!

 

Mist Live dates:
05.10. KAPU, Linz (Austria) w/ Cauldron (CAN), Eisenhand (AT)
20.10. Train, Aarhus (Denmark) w/ Corpsessed (FIN), Balmog (E), Woebegone Obscured (DK), Beneath The Silence (DK)
06.12. Orto Bar, Ljubljana (Slovenia) w/ Deep Down Bellow (SLO), Mutism (SLO)
14.12. Music-House, Graz (Austria) w/ Dark Nativity (AT), Deumus (AT)
15.12. Kwadrat, Klagenfurt (Austria) w/ Vu Garde (AT), Dusk (AT), The Stolen Goose Project (AT)
16.12. Weberknecht, Vienna (Austria)

 

King Woman took our album of the year honor of 2017 (which we still stand by 100 fucking percent) for Created In The Image of Suffering but as it turns out front person Kristina Esfandiari can’t stop making relevant art. Her other band Miserable (we stan) have a new record out collecting two EPS called Loverboy via my faves Sargent House on October 26th. Seriously, thank God for that label. Anyway, after the first version of this record caught fire on a hard drive Esfandiari nonetheless got it done anyway anew and today has premiered the title track at Bust Magazine HERE.

 

An excerpt:  ‘I wrote “Loverboy” as a healing anthem for myself & hopefully other womxn who have experienced confusion or a sense of inadequacy due to gaslighting and objectification. I don’t exist for someone else’s pleasure or entertainment and that’s essentially what I’m singing in “Loverboy.” So many of us are made to feel less than human. The Loverboy album as a whole is meant to be reflective on past experiences when I feel I muted my voice.’

 

Miserable — On Tour:
October 20 Los Angeles, CA @ Resident
December 12 Los Angeles, CA @ Union *
December 13 San Diego, CA @ Che Café ** w/ THOU

 

Lastly, Pelican seem to have entered Steve Albini’s studio! I don’t know what they are planning as far as new album news but I super love that band and CANNOT WAIT! Assume it is probably for Southern Lord?

 

Until we all meet again, hang in there, lovebirds.
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Jesus Piece to release ‘Only Self’ in August

Posted by longhairedpoet on Sunday, June 3, 2018 at 3:17 PM (PST)

Philadelphia hardcore metallers Jesus Piece are preparing to release their debut LP Only Self via Southern Lord Recordings.

Only Self is due out August 24.

Only Self was recorded in Chicago at Bricktop Recording Studio with Andy Nelson (Weekend Nachos, Like Rats, Lord Mantis) mastered by Brad Boatright at Audiosiege (Integrity, Nails, Full Of Hell), and completed with artwork by Dom Pabon.

Check out the first single off the album “Curse of the Serpent” as well as the tracklist here.

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I am speechless at how rad this Weedeater tour is. Shout out to Bask. Damn. This is rad as fuck.

Dates Below.

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Hello friends.
Lot to be stoked about for 2018 already from new Clutch album being started to Watain to American Nightmare returning to Judas Priest and new stuff from Agrimonia. I have been dealing with psycho land lord bullshit and my parent’s house facing foreclosure as well as helping Globelamp make her witchy new emo folk album Romantic Cancer (out in early 2018, deets announced soon). It has been an interesting ‘press break’ after the holidays, but we are indeed back. Anyway, throwing up a press release today as am pressed for time but want to get you all stoked on a sick pairing of the APMD homies and fucking Baptists! Killer energy to start the year with charged up and on fire! Let’s do this.
Press Release:

 

In support of their monstrous 2017-released Hostage Animal, ALL PIGS MUST DIE has announced a string of West Coast shows in support of the album. These shows follow the band’s East Coast record release mini-tour which closed out the year, and mark their anticipated return to the West Coast in five years. With Vancouver-based labelmates Baptists on the lineup as well, this will be a tour not to miss. Tickets go on sale Monday, January 8th at 10am in each respective market; see the full routing below.

 

 
ALL PIGS MUST DIE, now a five-piece with the addition of Brian Izzi (Trap Them) on guitar, is comprised of some of the most well-seasoned musicians on the eastern seaboard – Kevin Baker (The Hope Conspiracy), Ben Koller (Converge), Matt Woods, and Adam Wentworth (both of Bloodhorse).Hostage Animal is their most dynamic collection of work thus far and is an aural representation of the band as a whole; concise, intense, aggressive, and carrying a bleak world view. Available now from Southern Lord, Hostage Animal showcases that ALL PIGS MUST DIE is far more than the sum of their parts, and their fusion of crust punk, hardcore, and metal is more ferocious than ever before.

More BELOW.

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Some notable late October heavy releases

Posted by Morgan Ywain Evans on Tuesday, October 17, 2017 at 5:55 PM (PST)

From the crunchy guitar and classic metal vocal power of Savage Messiah’s “Solar Corona” from Hands Of Fate to Bell Witch’s herculean Mirror Reaper to All Pigs Must Die’s latest audio attack to Gwar’s first record without Oderus, late October 2017 has some brilliant moments for the metal world to enjoy and argue over! Check out why we recommend this handful for you to purchase before November’s coming fire BELOW.

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Roadburn 2018 Festival Line Up Developing

Posted by Morgan Ywain Evans on Wednesday, October 11, 2017 at 6:38 PM (PST)

Art by Richey Beckett

Tickets go on sale October 19th for 2018’s Roadburn! The line-up is still developing but some amazing stuff has been announced so far, as usual for this esteemed fest. This year we are especially excited about Uniform, Cult of Luna with Julie Christmas, Weedeater and Maggot Heart but there is plenty for (almost) everyone who has tastes outside of the mainstream. Check it out HERE.

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BIG|BRAVE Streams Entire ‘Ardor’ LP at Bandcamp

Posted by Morgan Ywain Evans on Thursday, September 14, 2017 at 11:12 AM (PST)

It is always a good thing when you can hear new music from Canada’s Big|Brave.The three piece have a new record out Ardor via mighty Southern Lord this week and they remain one of the most enjoyable and reality changing bands out there, capable of scooping you right out of your banal existence and into your mind’s eye.

Stream BIG|BRAVE’s Ardor, featured at Bandcamp RIGHT HERE.

As with their previous release, Au De La, the new Ardor album was recorded at the Hotel2Tango, this time by Radwan Ghazi Moumneh (of Jerusalem In My Heart). Jessica Moss (Thee Silver Mt Zion Memorial Orchestra), who was a special guest on Au De La, played violin on all the three new tracks, and Thierry Amar (Godspeed You! Black Emperor) played contrabass on two of the tracks.

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Unsane “Sterilize” pre-orders from Southern Lord, new song.

Posted by Morgan Ywain Evans on Saturday, August 19, 2017 at 9:04 AM (PST)
The first audio insight into the new Sterilize album from legendary noise rock group UNSANE arrives today with the premiere of “Aberration.”

 

According to the band, “‘Aberration’ is classic UNSANE, raw and direct, it only took a couple of takes to lock it down. It’s essentially a ditty about the swirling thoughts that go through your head after being screwed over. I’m sure anyone can appropriate or relate it to their personal experiences.” 

 

Stream UNSANE’s “Aberration” HERE.

The track is taken from UNSANE‘s eighth studio album, and first for Southern Lord, Sterilize, set for release September 29th. UNSANE recently announced European tour dates in support of the album, taking place this October, and has just added a second hometown show at Brooklyn’s Saint Vitus Bar in November.
“Aberration” is now available at Spotify HERE, iTunes HERE, and Apple Music HERE,
 
Southern Lord will release UNSANE’s Sterilize on September 29th; find physical preorders and merch at Southern Lord’s web shop HERE.

 

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Photo by Pascha Marrow

Au De La, released in 2015, was my first exposure to Montreal based dynamic experimental band BIG|BRAVE. It truly blew my mind and I really hope I get to catch them live someday. Simple tags like post-rock and sludge fail miserably at confining or doing justice to the scopious sound of the group,  a massive force fit for the climax or vast overhead landscape shot of any epic film. And yet the band also have a certain dry core that calls to mind some of the paths tread by some of the classic Touch And Go Records bands.

If you want to really experience and digest music and not just have it force fed to you until you think you wanted it, this band is for you.

See a trailer for the new album Ardor below! Super thrilled for this release.

As with their previous release, Ardor was recorded a the Hotel2Tango, this time by Radwan Ghazi Moumneh (of Jerusalem In My Heart). Jessica Moss (Thee Silver Mt Zion Memorial Orchestra), who was a special guest on Au De La, played violin on all of the three new tracks and Thierry Amar (Godspeed You! Black Emperor) played contrabass on two of the tracks.

Look for Ardor to be released on September 15th via Southern Lord. Stand by for additional album and tour news in the weeks ahead.

Ardor Track Listing:
1. Sound
2. Lull
3. Borer

RIYL Boris, King Woman, Worm Ouroboros

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Southern Lord will release UNSANE‘s Sterilize on September 29th, 2017.  The cover art and track listing for the album have now been made public. This is def one of the releases we are most excited for this year and old school fans will be pleased to see that they didn’t exactly stray far conceptually for the new cover art, hahaha.

Song titles and tour dates BELOW.

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Photo by Dan Joeright

Nowadays you have a lot of caustic and rowdy bands from The Midnight Ghost Train to Couch Slut to Ken Mode, Chrome Waves, Fucked & Bound or Lord Dying to choose from, but was a time when Unsane stood nearly alone in the sludgy and anti-social face peeling department. Sure, bands like Today Is The Day, Helmet, Quicksand and Hammerhead held down the fort as well for mean and lean grooves with vocal bite, but Unsane were perhaps the most dangerous. You could smell the bum piss on a subway support beam and hear the screeching sound of failing brakes, the metallic taste of blood in your mouth and a fear spike of adrenaline amidst the careening guitar and rolling rhythms of Chris Spencer and his band. Matador certainly never put out anything close to as ugly as Total Destruction, a mandatory listen for any noise rock and extreme music fan as far as I’m concerned. I wore that tape out like a motherfucker.

Here’s the thing. Unsane STILL out rip most bands. By FAAARRRR. They make try too hard deathcore bands seem like a fucking joke to me because Unsane never had to work so hard to be intense and it comes off as a hell of a lot more authentic than a lot of heavy styles. Plus, that slide guitar and screaming telecaster! Totally pioneering shit. And seriously, what the FUCK was Hootie and The Blowfish thinking trying to name an album Scattered, Smothered & Covered?!! That shit is on lock. You might as well try to name your album Nevermind or It Takes A Nation Of Millions To Hold Us Back for how absurd it is to try and have the same record title as Unsane’s most famous masterpiece.

It has been five years since true to form stomper Wreck and awhile since I last saw the band with my friend Elodie from New Noise (France) fucking destroy Union Pool with the much missed Made Out Of Babies, easily one of the funnest shows I ever saw in my fucking life. I was just thinking YESTERDAY as the Comey revelations about Conald Dump heat up how I could really use some new Unsane to blow out my ears and vent out all the collected shit detritus and performative emotional labor of being part of society these days.

Dave Curran tracked the new album at Gatos Trail Studios in Yucca Valley, California, it was mixed by Andrew Schneider at Acre in New York City, and mastered by Carl Saff at Saff Mastering in Chicago. That’s a damn good team.

Southern Lord will release UNSANE’s Sterilize on September 29th, 2017 with cover art, track listing, audio samples, and more to be issued in the weeks ahead.

Advancing the release of Sterilize¸ UNSANE has announced a run of US tour dates from July 15th through August 3rd, booked around the band’s performance at AmRep Bash 17 in Minneapolis, with Fashion Week providing support for the trek. Additional tour dates through the release of the new LP are to be expected.

Dates BELOW.

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I feel like people that don’t like Sunn O))) have no real sense of the primal. Is it that much of a leap to combine Black Sabbath at half speed with an aboriginal worthy sense of humming disorientation? I’m a sucker for bands that are keen on having a unique aesthetic, from the retro ritual bluesy and dulcet tones of Jex Thoth to the weird as fuck French black metal noise of Spektr (who have a cool ass new song fittingly monikered “From The Terrifying To The Fascinating”).

Not all metal and hard rock needs to be coated in dark yet hooky polish or bounce at the mid tempo arena pace of a Disturbed or Korn or throttle you with the breakneck energy of Testament , Municipal Waste or the more lightning-side of Fear Factory. Sometimes the most glacial music can be a heavier, more world moving experience than the 18th millionth disco-tinged Rob Zombie solo record (all due respect to John 5 who is an awesome fucking guitarist, IMO).

Dømkirke is a less obtuse experience than some of the flagship Southern Lord acts output, a live ritual recorded at the Bergen Cathedral in Bergen, Norway during the Borealis Festival in 2007. The four-song double album was initially released in September 2008 and is available on vinyl only, with one track featuring on each side of the records.

This performance features intrinsic members of SUNN O)))’s mythology, including Attila Csihar (vocals), Tos Nieuwenhuizen (Moog), Lasse Marhaug (noise), Steve Moore (organ, trombone) with Greg Anderson (guitar) and Stephen O’Malley (guitar) vitally remaining at the center of the constellation.

 Dømkirke will be re-released on February 5th, 2016 on 2xLP only.

 

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Blood Mantra Across North America adds Black Effin’ Breath

Posted by Metal Riot on Thursday, December 10, 2015 at 11:04 AM (PST)

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Having mercilessly dropped their Slaves Beyond Death LP through Southern Lord at the end of September, BLACK BREATH now adds their impending participation in the Blood Mantra Across North America Tour with Decapitated and Theories to their upcoming live actions in support of the record.

First up, next week the BLACK BREATH horde will take on the Pacific Northwest on a mini-tour running from December 17th through the 20th, with shows in Seattle, Walla Walla, Spokane and Vancouver, joined by Skelator on all but the final show. December 30th sees the band close out the year with a one-off show in Bellingham supporting Red Fang.

More BELOW.

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Album Review: Sunn O))) – “Kannon”

Posted by Morgan Ywain Evans on Friday, November 20, 2015 at 8:51 AM (PST)

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Pre-order Sunn O)))‘s Kannon HERE.

Sunn O))) are a band where you show up for the experience. Be it live immersion ritual or the banquet of movements that tend to make up their diverse (to the keen ear) yet droning records, the band are purveyors of the finest sonic wines when it comes to the intermixture of textural arrangements. Listening to the band at times can be like travelling through some symphonic cave of feedback, strings, half heard voices and grasped for revelations. It’s very much a fight between the headiness of the music and being removed by the overall overwhelmng body impact of the tones.

New record Kannon is not as complicated in construction as the massive Monoliths & Dimensions, an admittedly towering achievement of a record. That said, Kannon‘s “goddess of mercy/perceiving the sounds or cries of the world” philosophical and spiritual facets are a refining of many elements that have been present in the group’s aesthetic for awhile yet, as the band admits in the press release, more figurative than their usually more subjective records. “Kannon 2” howls like “Boris” by the Melvins was slowed to a 4th of it’s already famously ponderous speed and no drums were involved, instead letting some of the biggest rung out riffage in the band’s recent years swallow the whole world before semi-Gregorian sounding chanting cements the vibe. It could have been an instrumental but you feel caught up in the presence of the whole.

The wonder of this record is that you don’t always have time to question if they could’ve added or taken away at times because you are too distracted feeling it. “Kannon 3” is 11:26 of ear ringing that shows this drone approach can still compete with the Prurient fans and noise/ industrial types for impact.  With Kannon it comes on like a fake didgeridoo of wall of guitar distortion, ringing out with a solitary,slight twang and natural control you might expect from Duane Denison, yet doomy as fuck. No member or collaborator overshadows.

Another album that runs welcome and counter to the brainwashing meme culture and prison-like pop format chatter of the general public’s limited scope of conceptual ideas.

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Stop what you’re doing and check out “Look At How The World Has Made A Change” from Canada’s newest amazing musical export   BIG|BRAVE.

Then when you are done you should read this interview we did on the band’s awesome new Southern Lord release Au De La HERE.

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