Search Results for "Translation Loss Records"

Hey pals. My rescue cat Lil Puff is meowing her ass off for food even though she already had lunch (don’t worry, she doesn’t have worms). Nonetheless, I am going to try to concentrate long enough to type out some metal news for you today. First up, Happy Michael Flynn day! Secondly, before we start I want to share this thread from Twitter that has been thankfully well received about what I will and will not cover these days. While this excludes a number of large bands as a result, I really don’t care and they are already centered on many a site or festival. To progress, you actually have to seem like you give a shit about being a better person.

Now to some rad tours, videos and yadda yadda.

Seattle death doom merchants UN, hot off of releasing one of the the coolest albums in recent times Sentiment, are now touring the release further. CHRCH are in tow for this one and each show promises to be a special meeting of minds!

Maggot Heart are one of the most compelling bands in the world at the moment. The project spearheaded by Linnéa Olsson is driving, timely and colorful even at the bleakest points. It’s a great post-punk sounding platter of sounds and the newest release Dusk To Dusk is great. It really seems like a lot of care went into these skillful tunes.

Some February dates have been announced:

FEBRUARY
8 MTS, OLDENBURG, DE
9 Grauzone Fest, DEN HAAG, NL
10 MTC, COLOGNE, DE
11 Slow Club, FREIBURG, DE
12 Black Label, LEIPZIG, DE
13 Alte Meierei, KIEL DE
14 Musikens Hus, GOTHENBURG SWE*
15 1000Fryd, AALBORD, DK*
16 Huset, COPENHAGEN, DK*
*w/ OKKULTOKRATI

 

Deadbird by Adam Peterson

Lastly today but not leastly, underground mainstays Deadbird kick total ass and have a music video out at mighty Kerrang! The long-running Arkansas psychedelic doom/sludge metal outfit – formed by current and former members of Rwake, Iron Tongue, Pallbearer, and more – released their first new album in a decade in October.

DEADBIRD’s first video comes in the form of “Heyday,” the longest track on III: The Forest Within The Tree. The video was directed and created by my homie David Brenner (Gridfailure) utilizing nature footage filmed by the band’s Alan Short and his wife Tera in Northwest Arkansas, and live footage of the band filmed by Frank Huang at Mr. Small’s Theatre in Pittsburgh during this year’s Migration Fest.

Alan Short offers, “My wife Tera and I shot all of the nature footage at the White Rock Wilderness Area and The Upper Buffalo National River, both in Northwest Arkansas. Our families have been seeking peace and refuge from the insanity and demands of city life in these areas for generations. Much of it has been protected from development, but we must stay vigilant. In fact, we just got news that the effort we have been involved in to deny industrial hog farming in the vicinity a permit that would have allowed them to continue polluting the river with run-off was successful! Permit denied!”
 
He adds, “I feel like the video is the perfect balance of elements for DEADBIRD; immersion in loud electric rock and roll and the contemplation of and within the natural world inform both our songwriting and our lives. Participating in music (both transmitting and receiving) is a powerful way to shed the static of the human world. Listening to a river’s water speak as it moves over rocks can remove the shadow from one’s heart. Putting these elements together shows not just who we are, but how we are.”

Check it out RIGHT HERE!

 

 

 

 

Add to My Radar   Add to My Radar

Jarboe releases “Karuna” single

Posted by Morgan Ywain Evans on Monday, November 26, 2018 at 5:50 PM (PST)

Jarboe releases the first single titled, “Karuna” from her spiritually enlightened new album due out on December 14th, “The Cut Of The Warrior”. “Karuna” is streaming now via PopMatters.

The song, a 7+ minute meditation, includes clanging metal percussion, gongs, chanting, and was recorded inside a meditation dome. “Karuna” was then mixed by Kris Force (Amber Asylum).

“The Cut Of The Warrior” is scheduled for release on December 14th via Translation Loss Records. Pre-order is available now.

Jarboe offers a spiritually enlightened work titled “The Cut of the Warrior”. Four gorgeous compositions that pull inspiration from Jarboe’s kinship to buddhism are meticulously crafted and presented. The album is armed with three alternative mixes/collaborations with Byla (featuring members of Gorguts, Dysrhythmia), End Christian and Kris Force (Amber Asylum) while being housed in a stunning layout by Dehn Sora.

“The Cut of the Warrior refers to the practice of Chöd by illustrating repeated attempts to cut through the ego”, explains Jarboe. “The Chöd practitioner seeks to tap the power of fear through activities such as rituals set in graveyards and visualizations of offering their bodies in a tantric feast in order to put their understanding of emptiness to the ultimate test.”

“The Cut of the Warrior” will be released on December 14, 2018.

Track Listing:
1. Wayfaring Stranger In The Bardo
2. GodGoddess
3. Feast
4. Karuna
5. Karuna (Byla mix)
6. Wayfaring Stranger In The Bardo (End Christian mix)
7. GodGoddess reprise (Kris Force mix)

Album credits:
Written, performed, recorded by Jarboe
Mastered by Kris Force

Album layout by Dehn Sora

Add to My Radar   Add to My Radar

Post Midterm Metal Mind Melt: SunStare, Gnaw News Items

Posted by Morgan Ywain Evans on Wednesday, November 7, 2018 at 1:27 PM (PST)

 

Hey gang. Midterms in the U-S-of-A have come and gone and progress is huge and mostly positive, though there is still much to be done. Even today Jim Acosta was accosted by buffoonish blubbering Trump and it seems like the are ditching Sessions as fast as possible to try and prepare some crooked bs in preparation for the Dems reclaiming the House in January. Hold fast.

If you are needing some musical release today, I can’t help you with “relaxation” after the manic energy swell of the election, but these bands can purge a large release of energy cathartically in a more robust way. SunStare from France are a convincingly passionate post-metal project with very cool guitar textures and a great bass tone in particular on new material. Please Pre Order their latest album Eroded (out this month) HERE. A lot of the best post metal or other sludgy forms I heard of came from talking with French extreme music fan friends and journos, and the scene over there has a lot of cool talent in various underground genres. SunStare have been active since 2013 and are certainly talented enough to capture your attention and pull you into their world quickly and for keeps.

Noise monsters Gnaw have released a new video for “Prowled Mary” from the Translation Loss release Cutting Pieces from last year. This record is a visceral experience and should be navigated at least a few times by anyone who cares about current relevant bands whether you become a big fan and keep coming back to it or not. This song in particular calls to mind the creepier side of Today Is The Day to me.

 

The “Prowled Mary” video was directed by Sean M. Sullivan and Adam Drawdy and edited by Sean M. Sullivan. GNAW vocalist Alan Dubin offers, “‘Prowled Mary’ is sort of the odd man out on the Cutting Pieces album. Even though it’s not ferocious noisy metal like most of the other songs, it’s probably the creepiest. It has some strange instrumentation including an actual chain-link fence and electric congas, but I think it’s the cello that really adds to the eerie vibe. The video was filmed and put together by the team of Sean M. Sullivan and Adam Drawdy whose experimental video work we’ve admired for a long time now.”

 

PopMatters writes with their premiere of the video, “Here, GNAW demonstrates that sometimes the most extreme place to go is down; the vocals are just at the level of whisper, the music itself a faint, disturbing phantom which lurks at the edge of audibility, asking the listener to imagine a darker, more disturbing rendition of Tom Waits’ ‘What’s He Building?’ Does the piece become more or less disturbing when one takes into account the visuals? Terror, as the saying goes, is in the eye of beholder but the ‘Prowled Mary’ clip doesn’t disappoint.”

 

See GNAW’s “Prowled Mary” video at PopMatters RIGHT HERE.
Add to My Radar   Add to My Radar

 

West Coast doom band UN have released their latest monument to moody brilliance, sophomore record Sentiment, on Translation Loss. While each track is over the ten minute mark as seems kinda hip these days, in the case of UN it is warranted and allows the full, glorious and dark sprawling landscape of each composition to be revealed like a vast panoramic slowly scrolling by. These guys really upped their game as well, a keener sense of melody infused into these potent prayers to both calm contemplation AND bleeding ears than ever before. Fret not that the heavy qualities have diminished in any way, but there is an even more clear sense of emotional impact and dynamics as the sounds within, particularly on one of the best songs I have heard all year “Pools of Reflection” , are completely stirring.

“While so many of our contemporaries choose to focus purely on the grim aspects of mortality, Sentiment is meant to serve as a token of gratitude in spite of the struggles of daily life”, guitarist/vocalist Monte McCleery comments. “It is a deeply personal and intimate thing to share your art with the world, and we hope that everyone who holds this album or hears these songs feels like it was written specifically for them.”

In support of “Sentiment”, UN will hit the road on November 3rd. The tour will take the band across the United States for 20 days starting in Seattle, WA and end in Boise, ID. The band will tour alongside Colorado blackened sludge duo, Oryx (No, if you are nearsighted like me that doesn’t say Onyx-sadly). In New Orleans,  UN will join forces with Georgia’s black death powerhouse, Withered for select dates.  Tour dates can be found below.

Add to My Radar   Add to My Radar

Hey friends. Trying to muster the energy to brew some Tulsi tea but distracted by lots of musical news to tell you about. I guess I will save the tea for relaxing afterwards, although I want to watch that Netflix series GHOUL, so I dunno how relaxed I will actually end up.

I have been dealing with a lot of family drama and working three jobs, so hope you know I still love y’all and aim to keep you abreast of cool stuff as often as possible. Thankfully readers of our site are pretty die hard when it comes to loving metal, punk or complex fringy stuff so I know you have been finding good music anyhow even if we had a light post number the last few weeks. Anyhow, here’s some stuff I want to make sure you don’t miss knowing about. Two heavy yet experimental albums and two non metal but emotionally compelling and complex works.

Suicide Wraith! The new Suicide Wraith song is really, really good. “Suicidal Obsession” almost sounds like if Venom made a post punk song for a minute and I love the descending, catchy bassline before the blackened beat explodes and some of the most mournful and howling vocals you’ll hear anywhere this year emerge like a tortured soul erupting from a mental cave of unfathomable horror. Really a well written tune that deserves your pre-order and I can’t wait to hear Cycle Of Grievance, the WHOLE ALBUM.

Josh Graham’s A Storm Of Light return with a new album in October! Anthroscene is the first new release from the project in awhile and really all the albums are worth many repeated plays. I’ve always liked his band’s work. The new song “Short Term Feedback” is one of the most intense the group has written yet and finds the dirgier post metal stuff colliding with some Killing Joke influences in a fucking rad manner. A near perfect Matt Bayles mix and imposing Chris Common drumming, incidentally! Graham recently told Decibel the album was influenced by how,”…For a while it seemed like we were moving down better path; progressing beyond racism, focusing on global community, the environment and well being of the people. Now, a lot of our politicians are sacrificing the poor and middle class to enrich themselves, and make as much money as possible. They fight science, and not only promote, isolationism, hate, fear and greed, but also profit from that exploitation. “

For My Crimes from songstress Marissa Nadler, one of the more compelling performers in the modern scene, may have shadowy cover art that could be out of an At The Gates video from the At War With Reality-era but it is not exactly melodic death metal. While I am certain any genre she touched would benefit from her talents (she has indeed covered Sabbath and Danzig and gigged with Ghost and Wreckmeister Harmonies), Nadler sings a very personal and stirring brand of balladry that could work as the soundtrack for basically any dramatic tv show, cold winter’s day solo listening session or moment of bittersweet truth ever. She has a knack for making a simple line sound like the deeper hidden butterfly effect behind monumental forces, set to deceptively simple yet extremely sophisticated songs. “Blue Vapor” and the title track of her new record are new but two of my favorite songs from her entirety of recorded works, though Lana fans may also want to check out the dramatic “I Can’t Listen to Gene Clark Anymore”. Support!

Disclaimer…the next artist is my girlfriend (of almost a year)  but she has a new album coming out in a few weeks on eclectic label Nefarious Industries and it is well worth your attention if you like moody, bewitching storytelling. While that record label has released a lot of mathy, freaky punk and metal infused stuff ranging from A Fucking Elephant to the ragingly brilliant new Bangladeafy record and even some emo prog Maid Myriad, Romantic Cancer  by Globelamp is likely the most emo, indie and psych freak folk pop rolled into one that they have ever gone near. I also perform on two songs (vocals and trombone). It is cathartic, intricate, delicate, moody and catchy rolled into one and at times even poppy, uplifting and hopeful. If your life is open to a variety of moods, I suggest you check it out. We’d appreciate it! She is also sassy and has gigged with punk acts numerous times, most recently in Nyack with Arthur Googy from The Misfits new band The Noise (who smoked her out and said he was down to play brushes the next time she records! haha, cool dude/legend), so you readers might like the attitude even if it is mellower than, say, Bad Religion.

You may know Globelamp (Elizabeth Le Fey) as a DIY touring artist and from her many YouTube covers or if you follow indie drama from her time in the Calabasas liar’s club for rich 60’s sexism emulating/ erratically behaved mamas boys Foxygen (who recently accused her of an ongoing murder plot on their official Twitter and then deleted it in a cowardly manner consistent with framing her, an abuse victim, in court and who she says wanted her to be an unpaid girlfriend in the band). She, on the other hand, is an open book, not evasive of hard questions. Anyway, suffice to say I was stoked when she, my friend for a few years before we dated, decided to come out here to where I live in Woodstock, NY and make a more spare third solo album with me for a great label run by cool people.

I was always into the Muddy Waters Woodstock Album, so I was stoked to get Elizabeth out East and away from the back stabbing scene artifice of L.A. she has experienced to a more rootsy environment where she could collab with some hoedown ride or die cool people. Jay Andersen of Surmiser recorded the record and James Felice of Felice Brothers/Conor Oberst fame (a big influence on Lizzie) plays brilliant accordion that reminds me of Astor Piazzolla at times. One of the bleaker songs “Black Tar” is streaming now on the Bandcamp page and I hope you love it. Please consider supporting as she always sticks up for herself and is tone policed by fake friends, stalkers, trolls and some pretty shitty character assassins fairly regularly, some of whom even recently trolled her viciously with mock accounts celebrating the death of her best friend. History loves silencing loud women by burning them at the stake. I can assure you she is a human being and a very good one at that, so please use some fucking critical thinking.

East Coast fans can also catch her live Oct. 5th as part of O + Festival sharing the festival bill with acts ranging from Shadow Witch and the Golden Grass to Evan Dando, Sun Voyager, Spliffs, Lorkin O’Reilly and many more. Lizzie will also be appearing soon on my collaborative Walking Bombs full length with Gridfailure called Suicide By Citizenship which features  Tad Doyle, Mike Score from All out War and others TBA very soon! Thanks and stay tuned.

May the shadows grant the worthy/good among you all safe passage and may lessons learned make you a stronger, vibrantly alive person until we meet again in better days.

 

Add to My Radar   Add to My Radar

Album Review: Sulaco – “The Prize”

Posted by Morgan Ywain Evans on Wednesday, August 1, 2018 at 3:16 PM (PST)

Rochester’s Sulaco have always kind of been underdogs, weathering the underground storms but never quite breaking huge yet always mattering and doing cool shit. Since the early 00’s the group has kept up blazing a trail with their unique blend of extreme metal sub genres, melding hardcore, grind and weird ass rhythmic shifts that Gorguts fans could enjoy into a fresh and kind of minimal style with maximum punch. Plus, my best friend and I smoked weed with them years ago at a Woodstock Tat Fest behind a Harley place and always thought they were cool after that, haha. The band also have ties to Nuclear Assault and Brutal Truth, among others. They just keep it real and stay relevant after most bands give it up, and that deserves lifer points.

The Prize will be released on August 17, 2018 with Translation Loss Records on compact disc, digital download, and two vinyl variants (white and the limited edition “Clear with Heavy Black and White Splatter” which is limited to 100 copies). The trippy cover art by J.R. Schulmerich is worth the purchase alone.

There is a lot of blurring drum roll madness (10/10 performance from Chris Golding, fuck dude), whirlwind guitar chug and tortured vocal styles on here, particularly powerful on “The Road”. The song marches forward then explodes into drama as much as any Cormac McCarthy post-apoc book, though I don’t know if they are related. There are some moments on here of borderline proggy-tech death as well and the band just sound incredibly precise and deadly. They are one of those bands who, like Gigan or Today Is The Day, have somehow managed to capture their vibrant and over the top live essence on a lot of their recordings. I am thrilled they are still at it. Mixed by Neil Kernon (Judas Priest, Nile, Cannibal Corpse), the new record has a furious and raw but tempered feel. It is not a polished turd, that is for sure. You feel every scream in your center like a branding iron.

When Matt Tuck from Bullet For My Valentine said metal has gotten ‘a bit stale’ recently, he prob hadn’t heard this beast.

Erik Burke and company should be proud. They have nothing to prove and if this makes a lot of money or otherwise the “prize” includes a well deserved place upon the wall of glory in the halls of respected extreme metal acts on Valhalla. Go fucking check out the anxiety inducing first intense song “Disguise” here and for God’s sakes pre order this shit for a measly $6.99 and don’t be a stick in the mud!

New York City avant/experimental outfit GNAW announces new live actions in support of their caustic third LP, Cutting Pieces, released in October through Translation Loss Records.

GNAW is confirmed to play at Austin Terror Fest in Austin, Texas on June 17th, performing with the likes of Acid King, Primitive Man, Krallice, He Whose Ox is Gored, Un, Wayfarer, and Desist. Later that month, GNAW will play Baltimore June 29th with Multicult, Curse, and Syringe At Metro, and Washington DC June 30th with Multicult, Radiator Greys, Birth Defects.

Already booking throughout the second half of the year, GNAW will play Into The Aether II in Portland, Maine on October 6th, which features an exclusive 2018 US performance by Skullflower, as well as Ariadne, Brain Famine, Sterile Garden, Frkse, and more to be announced. This will be preceeded by a European tour with Italian duo OvO in September. Can you say, “holy crap!!”

GNAW Tour Dates:

6/17/2018 The Lost Well – Austin, TX @ Austin Terror Fest w/ Acid King, Primitive Man, Krallice [info]
6/29/2018 Metro Gallery – Baltimore, MD w/ Multicult, Curse, Syringe At Metro [info]
6/30/2018 Atlas Brew Works – Washington, DC w/ Multicult, Radiator Greys, Birth Defects [info]
10/06/2018 Geno’s Rock Club – Portland, ME @ Into The Aether II w/ Skullflower, Ariadne, Brain Famine, more [info]

See GNAW’s incinerating “Fire” video RIGHT HERE and see a recent live video of “Wrong” HERE.

GNAW’s Cutting Pieces is available on LP, CD, and digital formats via Translation Loss; find merch bundle and order options HERE.

Another official video from Cutting Pieces will be issued shortly alongside more GNAW live updates.

Closing a four-year gap since their acclaimed second album, Horrible Chamber, GNAW’s Cutting Pieces dredges forth some of the outfit’s most unnerving audio assaults yet. In addition to the traditional four-piece rock format and string and wind instruments, GNAW utilizes found sound, homemade instruments, tweaked oscillators, synthesis, and manipulated recordings. Joining returning assassins Alan Dubin (Khanate, OLD), Brian Beatrice, Carter Thornton (Enos Slaughter), Eric Neuser, and Jun Mizumachi (Ike Yard), the lineup now includes Dana Schechter (Insect Ark, ex-Angels Of Light) on lap steel guitar.

Cutting Pieces was written and recorded over two years at various studios and locales across New York City, mixed by the band’s Brian Beatrice. and mastered by James Plotkin. The graphic and type design for the cover was done by returning French designer Sebastien Hayez. Cutting Pieces also features guest musicians Stefania Alos Pedretti of Italian noise rock act OvO contributing background vocals to the track “Septic,” and Swiss saxophone player and sound artist Antoine Chessex (ex-Monno) contributing saxophone and amplifier to “Triptych.”

Add to My Radar   Add to My Radar

GNAW stream full album at Invisible Oranges

Posted by Morgan Ywain Evans on Wednesday, October 25, 2017 at 1:58 PM (PST)
Interesting bands are more interesting than boring ones. What else can we say?!

 Let GNAW’s Cutting Pieces corrode your sanity; stream the entire LP at Invisible Oranges RIGHT HERE.

Translation Loss will release Cutting Pieces on LP, CD, and digital formats this Friday, October 27th; find merch bundle and preorder options HERE. So far we like the cacophonous and clangy intro section to “Wrong” the best!

GNAW has confirmed a record release show for Cutting Pieces at Brooklyn metallic booze vortex Saint Vitus Bar on October 29th, where they’ll be joined by the heroics of Couch Slut, Escuela, and Syndromes. Seems like a good night to completely lose your shit! \m/

GNAW Record Release Show:
10/29/2017 Saint Vitus Bar – Brooklyn, NY w/ Couch Slut, Escuela, Syndromes [info]

Add to My Radar   Add to My Radar

Giant Squid break up. FTW. I hate life now.

Posted by Morgan Ywain Evans on Tuesday, October 6, 2015 at 8:55 PM (PST)

a1622140128_16

West coast innovators Giant Squid have made several underground (underwater?) classics in recent years and sadly might be done for now.

Read the statement HERE.

The amount of disdain this fills me with for all the shitty bands I usually try to ignore who clog the arteries of the music world is palpable.

Damn it. Truly one of the best bands out there. But the records will remain for those lucky to find them. Some bands make a few albums and break up while copying trends along the way. GS made the ichthyologist . ‘Nuff said.

Add to My Radar   Add to My Radar

HouseOfLightning_cover

I think anytime is a good time for people to do what they want – Henry Wilson

Live photos by James Covington 

Henry from House Of Lighting took the time to answer my questions on the band’s supersonic riff ride Lightworker and what they have cooking for later this year and beyond. This band reminds me of the thrill I got from early ROIR Bad Brains/Soulside, Van Halen’s Fair Warning and the stuff released by Wilson’s acclaimed band Floor (though Wilson plays a different instrument in the two bands). It’s all  thrown in some kind of multi-dimensional rainbow blender like the Gargantua/black hole space Matthew McConaughey knocks books out of in Interstellar. It might not make you break out Goddess crystals (unless you are me) but the Lightworker name suits these bursts of pure energy and life just as well as seeking some inner peace and calm space through New Age music. Fans on Enya don’t get a lock on good vibes, haha! Check out “More Lights, More Trails” HERE.

The band’s music is sure to thrill fans of punk, technical metal, crazy innovative hard rock or fuzzed out stoner types who can handle really trippy kind of buried harmonies reflecting back at them from the center of some serious riffage. Get on board with  this Florida storm of electric vibes now! Everyone should be talking about this band a lot more.

Read the interview BELOW.

Add to My Radar   Add to My Radar

Giant Squid make “Sixty Foot Waves”

Posted by Morgan Ywain Evans on Friday, October 24, 2014 at 9:13 AM (PST)

a320d610-dd36-4ece-86ab-d2cac804cd32

San Francisco progressive doom-rock scientists, GIANT SQUID will release their anxiously-awaited fifth LP, Minoans, October 28 via Translation Loss Records. Recorded and mixed with engineer Tim Green (Earthless, Melvins) at Louder Studios in Grass Valley, CA. Every time the good ship Squid release something new I get a thrill like being tickled by lots of otherworldly happy rock n roll tentacles, in a good way.

In celebration of the impending release, Burning Ambulance rolls out the new GIANT SQUID song “Sixty Foot Waves“, the premiere including an extensive Q&A with the band’s Aaron John Gregory. Check out the multimedia sneak preview today at THIS location.

Add to My Radar   Add to My Radar

Giant Squid set to return with “Minoans”

Posted by Morgan Ywain Evans on Wednesday, September 24, 2014 at 10:06 AM (PST)

76bba1d7-1879-46df-b02a-bc2241a8d7a9

San Francisco progressive doom-rock scientists, GIANT SQUID will release their anxiously-awaited fifth LP Minoans October 28 via Translation Loss Records. Recorded and mixed with engineer Tim Green (Earthless, Melvins) at Louder Studios in Grass Valley, CA, the record sees the avant-garde band at their most refined, focused and vital as it fully embraces its Mediterranean leanings and lyrically excavates one of the earliest civilizations known to history; examining how the aquatic demise of the ancient proto-Greek people may foretell our own end. Minoans is the follow up to GIANT SQUID’s 2011 release Cenotes, an album that was hailed as “science sludge” by Pitchfork and “earthy, experimental doom metal à la Neurosis” by Revolver.

GIANT SQUID has been wielding palatial vocals and enormous waves of cello, keys, and exotic sludge riffs for over ten years, garnering universal critical acclaim. On Minoans, marine biology and natural history metaphorically collide with heartbreaking stories of historic human tragedy; resulting in some of the most emotional and sincere music being made today in any underground scene. Recorded this past June and tested live over the summer supporting like-minded peers YOB, Minoans is crushingly heavy, exotically beautiful, a musical; GIANT SQUID’s finest hour to date. Conceptual artwork created by guitarist / vocalist Aaron John Gregory adds to soaring scope of this ambitious album.

“Minoans is the record I’ve always known Giant Squid could make; ancient, exotic and other-worldly, while showing a new level of refined focus,” comments Gregory. “Lyrically, the album is a giant love letter to the Mediterranean and specifically Bronze-age Greece – a region, people, and time period that deeply fascinates me – and which I feel mirrors these heartbreakingly brutal, turbulent times we live in today.”

Check out an interactive art piece on the demise of the Minoans HERE.

Add to My Radar   Add to My Radar

East Of The Wall release music video

Posted by longhairedpoet on Thursday, November 21, 2013 at 4:22 PM (PST)

East Of The Wall

New Jersey metallers East of  The Wall have released a music video for their song “Obfuscator Dye” off of the recently released Redaction Artifacts (Translation Loss Records).

Check out the video as well as East Of The Wall live dates here.

Add to My Radar   Add to My Radar

Mouth of the Architect premiere “Sharpen Your Axes”

Posted by longhairedpoet on Thursday, June 20, 2013 at 3:34 PM (PST)

Mouth of the Architect Ohioan metallers Mouth of the Architect have premiered “Sharpen Your Axes”, the latest song off of their latest release, Dawning, which will drop on June 25 via Translation Loss Records.

Check out “Sharpen Your Axes” via MetalSucks.

Check out Mouth of the Architect tour dates here.

Add to My Radar   Add to My Radar

mouth-of-the-architect-dawningOhio extreme metallers Mouth Of The Architect are streaming their new song “How Will This End” off their upcoming 6-track album Dawning. The album is set to be released on June 25th via Translation Loss Records.

In support of the new album, the band will be touring this summer with Intronaut and Scale The Summit. The tour starts on June 5th in Seattle and runs through July 6th in Hollywood, California.

Click right here to check out the new song courtesy of Lambgoat. Click here to view the album’s tracklist and a complete list of tour dates, cities and venues.

Add to My Radar   Add to My Radar