“Going dark” in theatre speak means a show is closed down whereas it is “lit” when the production is up and running. Some things manage to be both lit and embrace the dark at the same time (Kerli’s recent confident electro-spooky wub wubbing “Where The Dark Things Are” track from the awesome as hell Shadow Works album comes to mind). Tribulation, one of the most darkly theatrical and grandiose yet no nonsense musical bands in any era of metal, certainly also could count as both “lit” and very dark, indeed. You might even call them creatures of the night.
Now Tribulation are unveiling their first official live album, the marvelous new Alive & Dead at Södra Teatern. This is a major moment for this acclaimed band from Sweden who have wowed so many with their deep dives into the inner fears of humanity. Invited by ex-Nirvana 2002 vocalist and curator Orvar Säfström, who served as master of ceremonies, Tribulation’s first-ever Södra Teatern (Southern Theatre) main hall gig was a very special night of black celebration.
Founding member Adam Zaars took the time to speak to me through mists of swirling terror (actually through email) to attempt to illumine what the chemistry, moment and import of this release means to the frighteningly talented band behind it. Read MORE below.Add to My Radar