Search Results for "Punk"

Total Abuse release “Chew On The Cage”

Posted by longhairedpoet on Wednesday, October 21, 2015 at 11:27 AM (PST)

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Austin, Texas based hardcore noise rockers Total Abuse have released the track “Chew On The Cage” off of their upcoming album Excluded.

Excluded will drop on November 20 and will be the band’s fourth album.

Check out “Chew On The Cage” plus a couple of other Total Abuse tracks here.

Spotify pulls Victory Records music, refuses to pay royalties?

Posted by Morgan Ywain Evans on Tuesday, October 20, 2015 at 10:48 AM (PST)

 

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This from our friends at Victory Records. Granted, Victory has a history of disputing with some artists that blew up via the label and then argued over contract issues, but whatever side you take on those instances this Spotify situation is unrelated and seems pretty fucked up. People say things like “no one has to agree to sign up for Spotify” but that’s minimizing the point that it has become an expected outlet for public consumption and that they clearly don’t really care about paying artists well. I’ll side with Intronaut over Metalsucks Sergeant D (a tech dude) on this one any-fuckin-day. Sorry. Spotify blows goats for artists.

You might notice that we try and generally focus on pushing bands and helping careers over here (not dissing other blogs by saying that) rather than ripping bands down (unless they truly suck or have done some really questionable shit like…let fans bully my sister Cambria through continued lies or post transphobic tweets or beat women, etc.). It’s a hard fucking time for bands these days and true believers should be supported in a gross millennial world of Youtube counts determining the value of art. Shut the fuck up and try and be in a real band these days.

“Chicago, October 20, 2015 – Victory Records’ catalog of music was pulled from Spotify last night as a result of Spotify not properly paying publishing revenues due to Victory Records’ artists in blatant violation of US Copyright laws. Spotify also pulled down a very large number of albums that Victory is not the publisher for proving that their internal systems are inadequate. We asked that our catalog not be pulled, that we would amicably work with Spotify, and they haphazardly removed our content regardless. 53,000,000 streams, as per Spotify’s statements, were identified with no publishing royalties being paid by Spotify.

Late yesterday, Spotify sent over a document giving them mechanical clearance to use our music. We could not sign said document for a variety of reasons, most importantly, that it would put us in direct violation of our agreement with Audiam (www.audiam.com). Spotify knows we are in business with Audiam and were essentially asking us to breach/ignore that agreement. The issue of nonpayment for songwriters and composers is a widespread problem and not exclusive to Victory Records’ artists. We understand your frustration with not being able to listen to the music you enjoy (and most pay for via subscription).

The bottom line is that artists and songwriters are not being paid and fans of Victory’s artists cannot listen to the music.

Thank you for your support and we remain hopeful that Spotify will do the right thing.”

Punk rock pals The Red Owls stream “Do You Feel Any Better?”

Posted by Morgan Ywain Evans on Friday, October 9, 2015 at 1:36 PM (PST)

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https://theredowls.bandcamp.com/releases is where you need to head for some quality, powerful pop punk with hard rock attack for your weekend. I dare any metal drummer to not be impressed with the precise attack of drummer Justin Meyer, even if you aren’t into punk bands. This is a great record.

Formed in early 2015 by ex-members and members of The Ataris, Nightmares for a Week, and Anadivine. The Red Owls came together to record “Do You Feel Any Better?. This EP marks the beginning of their creative pursuit to capture the sounds that their collective influences left ringing in their ears while adding a healthy dose of new life to this nostalgic genre.

credits

released October 9, 2015Guitar: John Collura
Bass and Vocals: Sean-Paul Pillsworth
Drums: Justin MeyerDrums and Vocals tracked at Nada Recording Studio by John Naclerio.

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A Chokehold stage rant becomes big news

Posted by longhairedpoet on Wednesday, July 22, 2015 at 6:25 AM (PST)

I was minding my own business on Tumblr, when I came across a cross-post from record label A389’s Instagram onto their Tumblr.

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I was only half-interested but I couldn’t help but to be interested when I read the words ‘transgender’, ‘transphobe’ and ‘black lives matter’ amongst others.

The first thing I did was to email the band. I found out first of all that despite Absolute Punk’s initial reporting, the band member in question was Jeff Beckman and not Chris Logan.

I followed up by asking Chris a few questions: “Did Jeff know that the audience member was a woman when he called her a ‘dude’ and ‘him’. And doesn’t it seem ironic, when talking about excessive violence and force to threaten to ‘fucking kill’ someone?”

Chris’s response was short and to the point: “No of course he didn’t know it was a woman.  I guess it could go two ways since the song is about killing cops.  I really have nothing more to add to this.  The damage is done.”

It’s important to back up though, as Absolutepunk provided not only a transcript, but a video.

The conversation-turned-confrontation starts at 3:45

[youtube]https://www.youtube.com/watch?v=KN_Hh24wAVM[/youtube]

Get the rest of the story, including a transcript of the conversation here.

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I could hardly bring myself to write about this Enabler news today as it made a huge lump in my throat. I’m a big fan of this band and all their record’s are some of the best new music on the scene in years. I’ve interviewed Jeff Lohrber for New Noise Magazine and am pretty good friends with their frequent record cover artist Chris Smith who has done art for my bands GET OUT, Antidote 8  and Black & White Universe as well as many other band’s record or live poster art in the scene (Atlas Moth or Hindsight come to mind).

I wondered why Amanda wasn’t in the band anymore. This seems to clearly be why. I feel bad for Century Media to be dealing with this on the heels of Blake Crush drama. Or Earsplit PR who put a lot into these guys.

Metalsucks has the best editorial on the accusations HERE.

My heart goes out to Amanda Daniels, recent drummer Frank who everyone in the scene loves, and even to Jeff who I bet is in hell right now also. Whatever the truth of the matter, and I’m certainly not saying Amanda would make up the accusations, the fact is there is now a lot of pain and human grief attached to a band that was prior to this a new leading light for inspired, dissonant and often political and powerful music. Why does the fucked up shit always happen with bands I like most like Nachtmystium, Enabler or once a long upon a time ago Coheed (who are nothing musically on the first two, even if they are a good band).

I’ve personally had a turbulent life at times. When I was 15 I semi broke into a person’s home scared and  tripping balls. I got lost and  screamed and knocked them down thinking I was dead, pushing past the woman who answered door and trying to hide behind a couch. Then got maced by cops while tripping when they arrived that horrible Winter Solstice half my life ago. I often think of how scared house owner must have been when i pushed past her screaming. I’ve been in abusive relationships where I, as a man, was hit often by a woman and struck them back once after the literally dozenth time and a cutting barb a few days later. My anger and sense of victimization didn’t excuse my action of hitting her back. I thank lucky stars every day both she and I matured and now have a healthy friendship and deep bond.

I’ve burned sage at sites where people I know where raped, with them…to banish demons. Sang on this Pontius Pilate Sales Pitch anti rape song “A Slow dance in hell”.

Flipside. Had syringes thrown at me as darts by partners. My foot run over. Woken up getting “used” or getting oral by people and didn’t mind AND other times by people I DID mind (though consent is ALWAYS important). I’m illustrating this as a bi sexual male somewhere on this rainbow spectrum we all inhabit, to just try and say a little prayer here for everyone. Just sending so much love to all of the people in this mess and whatever the truth is hope they can find healing. I have been in a place before of having hurt a person and of having been hurt or being an activist and hosting Pro Choice and really pro female benefit shows or promoting bands with strong woman to show the trolls in the scene that girls are just as important as boys. I was in a psych ward and also closeted for near 30 years as bisexual, not feeling safe to step out of my shell and feel exposed…until FINALLY coming out in this interview with OTEP, who emboldened me. Or metal scribe Kim Kelly who has no idea how much her writing for gender equality in metal has influenced me to try and do a similar thing and use my own weird voice in, hopefully, a posi way.

I’ve talked gender issues with Mina Caputo who came from a “tough guy” family and who saved my life without ever meeting me through Life of Agony’s classic and somehow life affirming suicide themed album River Runs Red.

My heart is pretty broken by this today but it also really makes me want to try and stop conflicts in my own life, even though I have been in a big rekindled feud with Coheed & Cambria again last week, perhaps due to a misunderstanding and perhaps not (and much of it because I feel like they bullied my sister Cambria and me by not having fans apologize when Claudio Sanchez didn’t ever reveal band was named after my sister and so she was called a liar or presumed to have fucked all of Coheed by charming CoTF alumni over the years) .

Either way, in any circumstance we can all aspire to handle ourselves with grace, even when we’re angry or hurt or lonely. There has to be a better way then the continued cycle of pain, like in Middle East. Let’s try and liberate ourselves from hate, Support the FEMEN international and progressive causes. Learn about other genders and don’t hurt people, even when we perceive a major slight.

I’ve been technically also raped due to me being a minor and someone much older than me doing things to me when I was a teenager and on three bags of heroin in a power submissive position of being stranded far from home in the then much more violent NYC at house of older person. I’ve been a feminist for years.

Here’s a horrible story. Once when I was blacked out and grief stricken I even accidentally groped a friend  and have very little memory of it and it damaged our friendship and destroys me inside to this day, as they’d been a huge source of comfort to me when I was going through major trials after deaths in my family. A huge part of why I don’t drink is to think I scared someone that way , especially when that has happened to me or many people I’ve dated to much, much worse degrees that were nothing short of rape . Or because if I drink old trauma comes back up if I have too many. You lose filters.

Girls  and friends I loved were raped so bad by others that they cheated on me cuz they hated  men or wanted to sabotage our good relationship points as a “test”, because they resented men , and rightly so, after having been assaulted by others they trusted or in some cases strangers.

I have major, major trust issues from lots of this shit. It happens to guys AND girls. Life can be cruel as we learn from awful mistakes or try and wrestle with insecurities and the devil’s we create in our collective id.  People hurt each other or lie or don’t own harm they’ve inflicted on others because they can’t get objective without the House of Cards falling. We bully each other, we hide our insecurities and we swim in shark infested waters.

Please, let’s all try and respect each other as men and women, bands and peers, scenes and just as fucking humans in general. So much more we can all accomplish if we can free ourselves from pain body, Samsara and the inner violence of jealousy, fear, anxiety and loathing of self and/or others. That’s all I’ve got.

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[photo by Anne Spina]

 

Tierra Y Libertad, released first quarter by Southern Lord Recordings , is cult force Xibalba crushing ball-bas. Ok, I know that was terribly written. Fuck it. The band are unstoppable and now have a new video via Lambgoat.

Press release clip:

In complete DIY fashion, XIBALBA basically took the concept of their classic “Cold” video to the next level, this time the overthrowing an entire neighborhood in their hometown of Pomona, California. Directed, shot and edited by Shawn Skadburg and Matt Welch for Nine/One films, with footage by Danny Mayo and Mike Sogoff, the video for “Guerrilla” features a brutalizing live uprising filmed at a live outdoor show in a Pomona neighborhood, utilizing the voices of their friends and family to carry the message of the track to the masses.

 

Through a premiere at Lambgoat this week, XIBALBA’s “Guerrilla” is now playing RIGHT HERE.

 

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Watertank debuts “Surrender” music video

Posted by longhairedpoet on Thursday, May 21, 2015 at 5:35 PM (PST)

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Nantes natives Watertank have debuted the video for their song “Surrender” ahead of the release of their sophomore LP Destination Unknown via Solar Flare Records.

Check out the video for “Surrender” as well as Watertank tour dates here.

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Album Review: Svetlanas – Naked Horse Rider

Posted by Morgan Ywain Evans on Friday, May 8, 2015 at 7:39 AM (PST)

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Svetlanas were just banned in Russia, play punk that is borderline thrash metal and have one of the fiestiest and most confrontational front-women around, Olga. The new record was produced by Blag Dahlia of The Dwarves and Andy Carpenter and is on boutique DIY working class punk label Altercation Records. You should be drooling by now anyway but did I mention it also has arguably the best cover art of the year?

It is not because I am Estonian and we are stereotyped as hating Russians after years of the occupation by the USSR, though my grandpa was sent to Siberia under Stalin and I never met him. No, I am not a hypocrite and can say that American politics is a clusterfuck of hypocrites too, but that doesn’t make what Putin is doing right. Censorship,Pussy Riot’s incarceration, homophobic idiocy and brutal police state tactics undermine anything genuine Putin says, much like no one is fooled when we have inter-continental stare downs over missile base locations and try to act like the USA is the only one moral enough to have nukes. No one should fucking have nukes, unless horrible face rape aliens appear from the sky and we have to defend ourselves. Jesus! Drink some vodka and dance, everyone! All of our countries love vodka.

Anyway, from the no ripcord yanking high speed charge of the hysterical “I Must Break You” which should be in 50 Shades Darker (ahahaha), to the hysterical title of “Crimea River” that deals with the very real and sad topic of the Crimea conflict to “Sacrifice Your Orifice” and “Go Fuck You Self”, there is a lot of real meat here in the satire. I mean, the band fucking pretend to be KGB Agents, which makes it pretty damn funny they’ve been banned from Russia. Pick this up and thank me later. Snarling brilliance, no fucks given. #altercationrecords #svetlanas #KISSarmy #Putinwillbepouting #KGB #thrash #punkrock #thedwarves 

Interview: John The Baker talks Skate Til U Die, Bay Area

Posted by Morgan Ywain Evans on Tuesday, April 21, 2015 at 10:47 AM (PST)

 

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“I quit driving cars in 1991 to protest the Gulf War.”John The Baker

Very happy to say we’ve got a cool ass interview with John The Baker about Skate Til U Die. This is a killer event with heart for good causes and is ALSO just plain awesome for skaters and music fans. I’ll let John tell you about it in a minute but first let me tell you about John!

Fans of anarcho punk, MDC, Tank Crimes stuff or the DIY West Coast punk/crust scene are often fans of John The Baker. He’s also known as the punk singer who once won a censorship battle in (allegedly liberal) Woodstock, NY after getting arrested for singing a song about cops sleeping with underage girls in town . Oh, and got a settlement he used to put out his CD and mail complimentary copies to local police stations. That was a band called Slimy Penis Breath which also featured a young, dumb and full of cum (this is meant affectionately) Jason Christopher who now plays bass in mighty Prong. JTB was kind of a lot of kids “punk rock uncle” in the scene, though he actually is related to Josh and Joey Eppard.

The 90’s Woodstock/Kingston, NY punk scene I grew up in was a blast. You had Slimy Penis Breath, sludge n roll onslaught .mearth , noise rockers Dripping Goss (feat. Brian Goss of Warzone and at one point Frank Ferrer, now of Guns N Roses), Simone Felice doing weird post-punk rock before his interest turned to The Band, poetry and the Catskill mountains and more. Sean Paul Pillsworth and the Jerk Magnet/Anadivine pop punks. You also had John the Baker’s mega talented nephews Joey and Josh Eppard known for playing in prog/emo bands Three and Coheed & Cambria), plus Shabutie (Claudio Sanchez’ amazingly fluid and funky pre-Coheed and Cambria band with Mic Todd and my best friend multi-instrumentalist Nate Kelley)  and also bands like apocalyptic rockabilly meets Am Rep on Primus-style telecaster weirdos Pitchfork Militia and my early teen angst grunge band Melancholy. Hardcore band (and Metal Riot favorites) Painmask, still active today. AND Woodstock had Bad Brains members living in town raising families! This led to Bad Brains dudes playing on Coheed’s first record or being involved in producing my later band Divest along with a local (now famous) studio Applehead, also where Coheed and Three have both recorded amazing albums.

There was a lot of creativity and home grown shows and a lot of partying, but a scene sprung from hometown hopes, the shadow of the 60’s & also the close proximity of the Albany hardcore scene created a really interesting mix of styles and people in the post-“alternative rock” explosion surrounding Nirvana. Some of the bands are still playing today. We’ve had ups and downs like any scene and life lessons learned. Three/Lunch Meat guitarist Jason Foster and Melancholy drummer Pat Howland were two local talents who both died and are very missed. I’m very happy to say after about nine years of not speaking  I’m friendly again with the recovering Mic Todd, the former Coheed bassist and have had some really good talks with him lately as well as gotten off booze myself. As a rowdy scene we could have taken it easier on ourselves and others at times BUT the cool thing is the music is surviving and as a collection of people we all changed a lot of lives for the better!

John the Baker (one of the first vegan bakers I ever met) was a heavy player in the DIY Woodstock 90’s scene and always out playing his acoustic guitar in Woodstock. He still plays “Fuck The Fascists USA” and other songs I fondly remember in his current band, the subtly named Fucktard. I’m really inspired by John’s drive and he’s one of the handful of people most responsible (along with my bassist friend Dave Daw and Jess Killganon from the cobaltandcalcium page) for helping me quit drinking out of the bottom of a fifteen year depression. John has always been a remarkable advocate for getting out and organizing shows and benefits, making art on your own terms and not getting pushed around. I remember him showing me with exciteent a letter he got back from Jello Biafra , the one true Dead Kennedy’s vocalist. John eventually went West and worked with Alternative Tentacles, Jello’s label. He even sang back ups on a killer Melvins record Jello did with the grunge godfathers, my longtime almost favorite band ever!

JTB has always been a skateboarder. I’ve got a cool black and white picture of him somewhere with a deck sitting and hanging out shooting the shit with my ex-girlfriend from like 20 years ago. It was awesome to catch up with John and get the scoop on Skate Til U Die, an event he’s dead center of which is TRULY aimed at smashing apathy, people powered transportation and PMA.

Read the SKATE TIL U DIE interview BELOW! And “fist fuck the pope!”

#spectorbass #powellperalta #boneswheels#alternativetentacles #tankcrimes #skatetiludie #skateboarding #charity

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Interview: The Noise (ex-Misfits, Warzone, Dripping Goss, J5S)

Posted by Morgan Ywain Evans on Thursday, April 2, 2015 at 8:31 AM (PST)

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The Noise came on the scene a year or two ago playing a smart mix of noise rock, punk and art rock blended up in a NYC mixer. With Googy of The Misfits’ Walk Among Us-era on vocals and a powerful sound, it’s time this band got some more stateside shine (the Europeans have already started digging them). The Noise are touring Germany and Switzerland next month, so I thought this was a great time to briefly check in with guitarist Brian Goss (ex-Dripping Goss, Warzone, The Warm Jets) to see how it feels to have things picking up speed for this rowdy, legit project of true NYC vets.

For a quick introductory conversation see BELOW.

Happy St Patrick’s Day: Everyone loves Dropkick Murphys

Posted by Morgan Ywain Evans on Tuesday, March 17, 2015 at 10:39 AM (PST)

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Happy St. Paddy’s y’all. I know they aint metal, but everyone loves Dropkick Murphys   (unless you’re some kind of freak weirdo). Heck, I’m Welsh and we have argued a lot with Irish through history but that doesn’t stop me from loving Irish music, people and punk rock or especially metal. Thanks to Dropkicks and sound guy Pete Robertson for hooking us up with access for our wonderful photo gal Catharina Christiana to shoot the hootenany at the Clifton Park stop of Dropkick’s current tour so we’d have some holiday fun for you long hairs to shake you out of your metal caves (I’m staying in mine and listening to the dark murk of Nux Vomica, haha. I just smoked the only green around here today).

Anyway, say a prayer for the hardworking people, etc. Green beer and cheer, people!

Click HERE for the photo set!

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“People often refer to my set-up as ‘ghetto drums” since there are some parts missing and I mostly don’t treat it too gently.”

Bert Hofman drums for Belgian hardcore band Lotus (not to be confused with the stateside electronic jam band who an ex girlfriend of mine liked). This Lotus is decidedly heavier than most metal bands, a colossal force of RIFF and old school Black Flag style hardcore with the knob broken off. The guttural lyrics are full of disdain,the fight for liberation, a cunning vocabulary and venom. Drums build things up to a tribal level of ceremony while the guitars and bass (often in unison) create a huge wall of feedback bathing crunch. These guys could take on/share the stage with any of the current awesome bands like Gust, Hierophant or the mighty All Pigs Must Die who have caught the imagination of many fans lately. Like Gust, however, Lotus let the words really cut through, which I think is more refreshing.

The life that I live was never mine
it’s the crystalization of compromise

I’m a big fan of this band and hope they go far. Whatever happens they’ve made a monster record you can listen to/purchase HERE.

To read an interview with Bert, see BELOW. \m/

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Who is ready for Cancer Bats new tour?

Posted by Morgan Ywain Evans on Friday, March 6, 2015 at 10:37 AM (PST)

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Cancer Bats have matured in a great way. While some people think they’ve gotten a bit softer (same complaint leveled at Gaslight Anthem on their still deeply excellent Get Hurt ), Cancer Bats are a band like Coliseum where the intensity rarely matters because whatever volume they attack at it is always about good songwriting first and foremost. I think recent tune “Satellites”  is about the best rough around the edges sing along punk tune I’ve heard yet in 2015. This is rock n roll as hell. Not to mention Mew’s cold Euro-prog song “Satellites” is amazing as well! I guess that’s what it takes to write a banger (shout out to P.O.D. “Satellite”). I have to go now.

03/12 Toronto, ON Phoenix Concert Theatre
03/15 Detroit, MI Magic Stick
03/16 St.Louis, MO Fubar
03/17-21 Austin, TX SXSW
03/23 Nashville, TN The End
03/24 Richmond, VA Strange Matter 
03/25 Philadelphia, PA Underground Arts
03/26 New York, NY Cake Shop
03/27 Cambridge, MA Middle East – Upstairs 
03/28 Brooklyn, NY Saint Vitus Bar

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Pussy Riot members first English song is chilling clip for Eric Garner

Posted by Morgan Ywain Evans on Thursday, February 19, 2015 at 6:18 PM (PST)

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Pussy Riot’s first song in English is dedicated to Eric Garner and the words he repeated eleven times before his death. This song is for Eric and for all those from Russia to America and around the globe who suffer from state terror – killed, choked, perished because of war and state sponsored violence of all kinds – for political prisoners and those on the streets fighting for change. We stand in solidarity. 

This is not metal but merit worthy. We have a punk category and are associated with DyingScene.com and Pussy Riot are punk by any standard, though the new Eric Garner inspired clip, the band’s first in English, is more akin to (actually a lot like) Jarboe singing over a lazy and drifty indie hip hop beat. I found the clip really moving and unsettling. It is nice to see solidarity. Police need to disown the kind of actions in the Garner case because it reflects unfairly on the good officers trying to do their job. Richard Hell of all people even reads Garner’s last words near the end.

In an e-mail to Buzzfeed, Pussy Riot members Alyokhina and Tolokonnikova explained that Russian uniforms they wear in the video equates to how “illegal violence in the name of the state kills not only its victims, but those who are chosen to carry out these actions.” They added: “Policemen, soldiers, agents, they become hostages and are buried with those they kill, both figuratively and literally.”

Recently six members of Pussy Riot signed an open letter on the collective’s blog publicly severing their relationship with Maria Alyokhina and Nadezhda Tolokonnikova, who were famously jailed for staging an anti-Putin protest outside a Moscow cathedral. Details are HERE. While I understand the anti-commercialism aspects to their concerns, I agree with Alyokhina and Tolokonnikova that their causes are important enough to be in the “mainstream” discourse and that anyone can be “Pussy Riot”.

Watch the chilling “I Can’t Beathe” BELOW.

Interview: War On Women – A co-ed punk rock Bridge 9 vital manifesto

Posted by Morgan Ywain Evans on Thursday, January 22, 2015 at 10:59 AM (PST)
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I’m singing from the perspective of a traditionally marginalized group of people, so I’m not fucking reaching across anything. I’m saying my piece. – Shawna Potter

Yes, we have a somewhat under used punk rock category on Metalriot.com , a category I usually use to classify faster hardcore bands who aren’t metal core bands. But yeah, our sister site is the fabled Dyingscene.com, remember? Punk, hardcore and metal have a long history as bedfellows at the best of times (Excel’s Split Image or Slayer’s Undisputed Attitude come to mind) to the worst of times when skinheads and long hairs in denim jackets would beat the crap out of one another. What does this have to do with War On Women? The Bridge Nine band are more than powerful enough to be on this site and if anything MORE intense than many of the bands we feature who gurgle metal lyrics about killing people. Heck, they even can tour with Municipal Waste and hold their own!

In a rock climate where Phil Labonte of All That Remains casually tosses out the word “Faggot” (making me really bummed cuz I used to love his vocals on Shadows Fall’s early Somber Eyes To The Sky) and where politicians and certain media outlets try to spin “dissent” and “protest” as Un-American while allegedly loving the Boston Tea Party, we need bands who will step up and pierce the heart of current affairs with vitriol, wit and sarcastic grace wed to angry guitars and blistering drums. War On Women are probably my favorite punk band of the moment. I would have been sold at the phrase ex-Liar’s Academy (that first EVR release still holds up) but I know my friend Matt Fox from Shai Hulud also likes War On Women so I checked out “Servilia”  and was blown away. This is a thrashy mix of punk rock fury!

Their self titled full length War On Women will be available on CD, LP and Digital formats on February 10th and is up for pre-order now on B9Store.com. Featuring 11 tracks, this new album was recently recorded with J. Robbins at the Magpie Cage (Against Me!, Coliseum, Lemuria) and is a vital, if at times very unsettling, odyssey.

For my talk with outspoken and super rad, fearless front woman Shawna Potter click HERE.

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