Search Results for "Show Review"

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I’ve been a fan of Walls of Jericho for years, ever since the old Hellfest 2000 DVD with bands like Brother’s Keeper and Shai Hulud that Mic Todd gave me freakin’ 14 years ago (before we hated each other for a long time). There is one scene where Walls of Jericho’s confident vocalist Candace Kucsulain straight up flips some running dude over her and throws him into the crowd.

I was like ,”Ok, she’s a bad ass.”

I dug The Bound Feed The Gagged debut a lot but in all these years have always missed them live, even
on some bigger package tours. It was worth the wait, a blur of inspired messages and crunching guitar attack.

I have, however, seen Life Of Agony. This was my third time seeing the veteran
band at Starland, vocalist Mina’s professed “favorite venue in America”. They
never fail to impress at this place, even if one of their rowdier anthems is called
“Love To Let You Down.”

No, Mina’s birthday bash found the group and their single opening act both in top form, delivering fired up and relevant sets to a crowd eager for some stress relief but wary of recent events. On Twitter Caputo had written before the show:

2all my #BadSeeds.. let’s keep it fun& exciting 2nite, but keep your eyes open!

Read in full BELOW.

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Metal Riot’s Matt Slater hit up The Chance in Poughkeepsie, a favorite venue of this site, to shoot the powerful grooves and heavy barrage of Coal Chamber, Fear Factory and Jasta. Check out the shots BELOW.

I know you have probably heard the excellent new Coal Chamber album Rivals – read our interview with Dez on the album HERE – but you need to hear the great new Genexus record from Fear Factory, a step back up from the mixed bag of The Industrialist ( after the excellent Mechanize). And of course Jasta never, ever lets us down. He’s the biggest “as die hard as they come” type in the scene, something we could use more of in a new era of worse a.d.d. poseurs than ever before. It’s rad to see Jasta in a historically Hatebreed friendly venue like The Chance, especially hot on the heels of a massive Summer Breeze appearance. Inclusion is good, as this mix genre tour reminds, but also can’t fake dedication is something that all these bands prove makes metal even more rewarding for fans and musicians.

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As summer draws to an end so do the season’s festivals. Now you’re probably wondering what prompted me to wait so long to post this.
Along with crazy technical difficulties on my end, I really wanted to see how this summer’s festival season would end. Let’s be honest…there was
quite a bit of drama going on. For those of you who haven’t been keeping up to date with everything here is a quick recap of everything that has transpired this summer.

 

– After The Burial member dead after leaving a horrifying Facebook post for fans to see, forcing the band to cancel their appearance on The Summer Slaughter Tour
– Drama between the bands on Mayhem Festival (Slayer’s King vs Victory Records’ stage)
– The end of Mayhem Festival as a whole (poor ticket sales, Kevin Lyman’s “Old and Fat” comment)
– Warped Tour’s Front Porch Step mishap / Slaves being kicked off or ‘Voted off’ the tour / the tour turned 21

 

Now, where to begin? Let us begin with After The Burial’s unfortunate loss. After the eerie post by Justin Lowe stating that people were setting him up for crimes he hadn’t committed, the band took to Facebook stating that despite their efforts to assist Lowe that they had been unsuccessful in their attempts to pick him out of this slump that he had been in. The band cited mental illness as the reason for his off the wall Facebook post.

 

Read more thoughts/impressions BELOW and see band pics from Warped and Mayhem (RIP).

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Faith No More‘s Sol Invictus is like the “Cirque Du Soleil from Hell” elegant Mad Max: Fury Road of summer rock albums, except it is a travesty it didn’t go number one at the charts.  Mad Max didn’t have that problem, much to the chagrin of small dicked keyboard cowboys in #gamergate support group chatrooms who are too scared to jack each other off and get real or the Return Of “So Called” Kings losers who the Fury Road babes would never gie the time of day in this or any world. Just got out of the theater seeing it in 3D and it is in my head as I write this intro reflecting on the new Faith No More. Odd comparison? Well…It might be a bit sleeker model than the early FNM releases (or Mad Max films) but in economy of track time there is still plenty of room for maximized FNM goodness. Patton has earned his cult and the band sound more glorious and in effortlessly in command of anything they touch. Unlike Fury Road however there is far less bloodshed or refreshing plot “risks” taken as one might have expected, though the band delivered a killer release that sits proudly in their canon and is better than Album Of The Year, for sure. The live show is always a circus of skill, sly wit and devilish delivery with any Patton project.  And in FNM’s corner is the fact that their kind of crazy is a lot better than Mel Gibson crazy, though in the new days of Bane Max, aka the dreamy and intense (I’m saying this because I often get told I look like him) Tom Hardy we have a real 100% bonafide action character to root for again without worrying if he is gonna hate Jews , make franchise disrespecting (aka no concern for innocent collatoral damage) mixed bag A Good Day To Die Hard or misgovern California. Neaaaghhh!!!

But some people still aren’t sold on Patton! They should be. He is undoubtedly miles ahead of the pack at pretty much all times. And if you don’t get the satire and snark and just want some Nickelback? Well, history will play the violins for you someday. It’s always funny until someone gets hurt, right? Well people get hurt when media, music and society pander to the lowest common fucking denominator in sex, equality, the arts and education all the time MORE! Don’t get me started, America. Anyone who would try to blame FNM and/or Rage Against The Machine for the rise of Limp Bizkit frat fans that led to raping chicks at Woodstock 99′ is an imbecile.

Le Butcherettes just did a split with and have an impending tour with The Melvins, another band with ties to Patton’s Ipecac and who take no prisoners and make no apologies. Like Melt Banana, Dillinger Escape Plan ,Dalek or any other artists Patton has championed over the years, Le Butcherettes are loved by generally smarter European Rock audiences, who generally only understand blunt statements more ala Five Finger Death Punch type rock fans. I hate to generalize and put up walls between human experience, but sometimes you gotta call it like you see it, baby. Le Butcherettes, have a bandleader in Teri Gender Bender who not only has the best “punk rock” name since Steve Ignorant of Crass but who sounds like PJ Harvey leading a riot brigade of styles into fearless, adrenaline pumping and downright sexy territory both musically and aesthetically, to say nothing of her eye popping appearance and Furiosa-esque confidence. Like Tool (who took out the Melvins, Isis and other great bands despite much of their fan base probably being fine if a butt rock band opened), Faith No More aren’t afraid to go with the cerebral choice over the brawny, easy way out. Like the new Mad Max. And therein lies hope for rock n roll, gender and social unity and the future of all that is good in this wasteland.

Elegant and rock n roll ready pics by Missmagpi can be found BELOW.

#faithnomore #solinvictus #mikepatton #philly  #madmax #melvins #terigenderbender #gamergate #furiosa #electricfactory 

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Continuing our two city coverage after Milwaukee, The Missing Link Tour thundered through New York City’s Central Park with Sweden’s protometal quartet Graveyard, with whom I interviewed that afternoon. Riding out the last of the day’s west-falling sunlight was Clutch, strong and heavy as ever in their 20 plus year career. As the night darkened, Mastodon took stage and the arboreal amphitheater, at first a simple stage nestled into a pleasant grove, now became much more ominous and powerful. It looked as if the trees were growing up and inward, reaching down from their stoic and gnarled height. The music cried a cacophony through the limbs and branches for acres and acres through the park. I’m sure neither the 5th Avenue neighbors nor the multitude of smitten couples out on The Lake in rowboats were too pleased. Actually, that sounds like a fucking rad date.

Read on here for the review and pictures.

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Dark Roots of Thrash hit Poughkeepsie, NY (Show Review)

Posted by Morgan Ywain Evans on Thursday, May 21, 2015 at 5:41 AM (PST)

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DROT returned strong to Poughkeepsie, NY and The Chance Theater when Testament, Exodus and young pups Shattered Sun hit town. Don’t fret, the old wolves still had it and the up and comers certainly growled and howled as well. The night arguably belonged to Exodus (with two Heathen members filling in, I believe), Steve Souza yelling at the crowd that he hadn’t played The Chance in years. Souza has been miraculous since his return to the band and as much as I love the Rob Dukes era stuff, Steve “Zetro” has been continuing to kick serious ass live and prove Blood In, Blood Out was no fluke. The whole crowd pumped their fists and chanted like crazed hyenas forced to obey the Gods.

That said, Shattered Sun opened the night and you never would’ve known they were a new band if they weren’t so baby faced. The boys from Alice, TX who are recent Victory Records roster additions completely kick started the night and from the get go had support from a crowd who had mostly never heard them. “Hope Within Hatred” filled the room with melodic thrashing goodness and hair and necks started banging accordingly. It will be great when these guys have more songs the crowd loves and let’s hope they don’t have any setbacks like recent hopefuls Lazarus A.D. who were doing so well as a new thrash band only to really slow down (plus, RIP to Lazarus’ drummer).

Testament were the proven metal icons of underground integrity that you’d expect. Like Anthrax these days the Testament guys are really on point with their vision, line up, new music and everything the fans crave. I cant wait for their next release! Chuck still has the most untouchable below in metal, though Mad Joe Black from Wisdom In Chains has a considerably huge bellow as well if you like hardcore music. But yeah, Testament!!!

We’ve got electric show photos from Matt Slater BELOW.

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The drums sounded. The horns blew. Battle paint adorned, bladed weapons drawn, beer upon their breath, the tribesmen of Finland and their Norwegian allies charged through Chicago, laying waste to the those who sought to oppose them, raising their fists proudly in mutual purpose to those who joined them in the sounds and revelry of battle lust.

The Trolls zealously feasted upon the slain and fallen. The Forest Clan danced upon bloodied flesh and crippled bones. The Sword Bearers left nothing in the brutality of their crushing wake. All those who witnessed the carnage and what remained will surely remember the day Trollfest, Korpiklaani, and Ensiferum came marching through their town.

For further details of the Bottom Lounge Battle of Chicago, click here.

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Conquerors Of The World brought defiance and skill to NYC’s Gramercy Theater last night, an awesome venue I always try and catch good tours at. The staff is generally really cool, the sound is really consistent and they book a fair amount of good metal shows. Deathstars, Moonspell and Septicflesh are reaching the end of a “long hot” tour (as described by a nonetheless enthusiastic vocalist Fernando Ribiero of Portugal’s darkest sons. There was no sign of road fatigue in the swagger and theatrical bravado of these three great bands, though there were some merch sizes no longer available this late in the tour.

Septicflesh from Athens are perhaps the most consistently ambitious band in metal. I’m listening to Sabbath Assembly’s 18 minute cult hit masterpiece “The Four Horseman” (not a Metallica cover). As the music and chanting about babies and Lucifer with lush and sultry vocals takes me away on this half lit rainy morning, still tired from a long late train ride back home two hours from NYC, I am left in awe and thanks of bands who work their craft to the white-knuckle bone.

Titan on Prosthetic Records has some critics saying it is too similar to the previous release from the band, but really is that a valid complaint? If you are bitching about a huge orchestral arrangement paired with psychotic technique, the utmost heavy speed and nightmare imagery upheaving the soul with important questions of self and the cosmos being too redundant, um…go take out your trash or something. Seth Siro Anton led the Greek demi-gods in a hellraising charge that had the crowd screaming the band’s name and getting down hard, especially ine heavy, somewhat slower bridge riff of new fang bang “Order Of Dracul”. I had to send Androniki Skoula from Chaostar a hyper message to tell her how excited I was to finally be seeing Septicflesh live.

The kick ass top to bottom show was on the same night as the annual Black N Blue Bowl at the old Ritz (Webster Hall) and while it featured my friends in Candiria and Bad Brains this year along with other great bands like 100 Demons and Madball, I still went to Gramercy. I’d been bugging Prosthetic publicist Kelly about this tour since like the split second after it was announced, though I wish they’d been on different weekends.

Read more BELOW.

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Show Review: The Missing Link Tour at The Eagles Ballroom, Milwaukee

Posted by JDKleinhans on Thursday, May 14, 2015 at 9:31 PM (PST)

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The progressive/stoner metal lineup that The Missing Link Tour provides is a show that one would be remiss to miss. As the crowd filled the Eagles Ballroom, the air began to smell like an over heated hemp store in the middle of a humid summer day. The perfect environment for the evening’s festivities. Graveyard, Clutch, and Mastodon are generational bands that bring together the past, present, and future into one killer evening of auricular enlightenment.

Get the full review here.

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While beer is always a sponsor at Saint Vitus, tonight was brought to you by Trooper, Iron Maiden’s English ale. Revolver Magazine also took part in this party, which explains the all the magazines that were being repurposed as coasters. Headlining the night’s performances was Doyle, which features, as you could have figured out, guitarist Doyle Wolfgang Von Frankenstein of The Misfits fame. Direct support tour long was Heavygrinder, who stepped out of her normal industrial/ EDM touring ilk, onto a tour with actual fucking metal musicians. She tells me “Touring with metal bands is what I’ve been aiming for.” Local support Tournament fully embraced the “Drunker than everybody else” motto of Vitus. Goddamn they were loud and loaded. and a perfect start to the night.

Click here for the review and pictures of the show.

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The Decibel Magazine Tour: At The Gates and pals take over NYC

Posted by Morgan Ywain Evans on Wednesday, April 15, 2015 at 12:21 PM (PST)

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Thinking back on the whirlwind night of Decibel Magazine Tour‘s Webster Hall finale, the main thing that comes to mind is not the sweaty masses of hairy metal dudes, bad ass chics or even the amazing music from Vallenfyre, Pallbearer, Converge and At The Gates (playing their first set in NYC in many years).

No, what got me the most was thinking of the influence and deep involvement of all the members of these bands in the metal scene and how much passion can spread to coat the world in one person’s lifetime of work. From Converge’s Jacob Bannon’s Deathwish Inc. label/distro to his artistic influence on the visual side of the scene to Vallenfyre’s cast of characters deeply influential work in bands like Paradise Lost and My Dying Bride to Pallbearer playing big hip festivals only metal bands like Mastodon or Metallica usually get asked to play to At The Gates deep legacy on melodeath to the members involvement in other groups ranging from The Haunted to Disfear and Skitsystem, you’ve got a huge web of metal history, present and future emanating from the stage.

For the full review see BELOW.

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Poughkeepsie, NY shook as Suicide Silence and Emmure packed the house and cracked concrete for the Stronger Than Faith Tour. The rowdy show featured adrenalized performances met with major enthusiasm from the mixed age crowd (though full of young fans primarily). Frankie from Emmure was still suffering throat problems and sat this one out, seeming really bummed as he told the near capacity crowd he couldn’t sing their set. I thought it was the guy who fronts Emmure’s NYC buddies Sylar who filled in at first but was told a bit later it was the controversial bands tour manager stepping in. The crowd supported wholeheartedly and people were flipping out and singing along nonetheless.

I honestly heard several people say it was the best show they’d ever gone to there. While it was a good show it didn’t come near the balcony kamikaze jumper insanity of Soulfly/Incubus over a decade ago or some of the nutsballz Gwar, Hatebreed or All Out War shows I’ve seen there over the many years I’ve been attending concerts at the theater.

But yeah, it was a fired up night for metalcore fans. Openers Fit For An Autopsy had the heaviest set besides Suicide Silence (who seriously brought in this first time I got to witness them live since Mitch died). FFAA were clearly hungry and delivered a death heavy performance with particularly satisfying bass fluidity from Shane Slade.

I was most excited probably to see Within The Ruins who have one of the best guitarists in metal. They recently survived a snowy van crash and Tim Goergen still had his arm in a sling when off stage. The Westfield, MA band didn’t dissapoint though, bringing Dillinger-worthy technical madness to the masses.

Suicide Silence’s Eddie Hermida really owned the night, though. Hermida told a heckler that “if you want to see All Shall Perish go to an All Shall Perish show”, his new band bearing down with crushing forward momentum as the pit swelled.

Catharina Christiana and Matt Slater provided photos. 

For the live shots see BELOW.

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NYC’s celebrated Gramercy Theatre was host to a plethora of true metal fans of various stripes, from denim jackets to hipsters to black t shirts to hairbags. The occasion was the inredible package tour of Witch Mountain, Ecstatic Vision plus headliners Yob and mighty black metal/prog legends from Norway, Enslaved. The tour is a celebration of much of what is good about metal right now, deep roots of Yggdrassil extending into the past, present and future.

I was really excited as I’d yet to see any of these great bands live. I’ve been an Enslaved fan since my artist pal Simon Ampel gave me a mix cd years ago with “Entrance Escape” on it along with Malevolent Creation (who turned out to be racists, unbeknownst to me and Jewish Simon at the time, so I never listen to them anymore).Enslaved, however, have left a long lasting impression on me and were pretty much my introduction to black metal. Their viking/Bathory influence interested me a lot more than groveling in the dark for Satan bands and since they have remained a tour de force for pushing metal into new territory. I love their new stuff as much as the old and it was so fucking cool to finally bask in their onslaught.

It was awesome to see the marquis saying “Enslaved Tonight”, like some crazy bondage party was about to go down. It was also cool to catch up with metal scribe Kim Kelly who was holding down the merch table for Yob.

Witch Mountain were up first and Kayla Dixon, the new vocalist, had the job of winning over the toughest crowd of snobs in the world (NYC music fans). Uta Plotkin was a tremendous talent but Kayla amply filled her shoes and people were talking about her all night! At first she seemed a touch nervous and admitted as much at the merch table later but she ended up killing it! I’d say Dixon has a more soulful voice than Plotkin, who is a bit eerier. Kayla kind of stalked the stage like Angela Bassett making grim, contorted faces in American Horror Story one minute and suddenly her face looking like a quite sweet and comely model the next. It was very theatrical. It will be awesome to hear what she brings to the next Witch Mountain record. Kayla really brought the massive sound the band was putting out down from the rafters and into her body, channeling it out in stark wails.

Click HERE for the full review.

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“I smell a massacre!” We’ve got some exclusive Black Label Society, Hatebreed and Butcher Babies shots from staff photog Matt Slater. The show is from January’s stop at the Webster in Hartford, CT and from the looks of it the show was pretty intense. I’m a big fan of all of these bands. Hatebreed have been metalcore originators for a long time, since Slater and I used to go see them (and in Matt’s case his band Beneath The Remains used to open for them) in Poughkeepsie hardcore’s arguable heyday in the late 90’s-early 00’s. Black Label? It’s fuckin’ Zakk. What else is there to know? And as for Butcher Babies? They get a lot of shit for looking good but you know what? The band is not only about sex or some BS. Pay attention to their Instagram feeds and you’ll see how they really work hard, push themselves and care about connecting to their fan base as a full band. I agree that women shouldn’t be exploited but don’t think that means every woman and/or man in a band has to leave their outfits from showing too much all the time either. Bottom line? Butcher Babies fuckin’ rule! Go listen to Goliath now and tell me you don’t want to pit it up during “C8h18 (Gasoline)”!

Anyway, check out the shots BELOW. As Hatebreed scream “This Is Now!!”

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IMG_0072Through Space and Grind features a slew of bands hell bent to kick the shit out of you and the other thousand plus metal denizens of your city. Get there early to see all the show. Black Crown Initiate opened, followed by Ringworm, who were only on the tour for a brief moment. There’s a rotating support slot, like a professor of the dark arts. Iron Reagan and Exhumed played well rounded sets. From headliners Voivod and Napalm Death, we saw true vitality in the 21st century. This tour package is absolutely astonishing. Every metal fan, of any age, should go see this tour.

 

Click here for photos and the full review.

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