Search Results for "Grindcore"

Napalm Death stream the unhinged as ever “Cesspits”

Posted by Morgan Ywain Evans on Wednesday, November 19, 2014 at 1:42 PM (PST)

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Damn, Barney Greenway”s vocals sound like Melvins/Grindcore on this song, just insane grind screams we know and love him for plus some stylized kind of bellowing. It’s pure Napalm Death insanity as only they can bring, streaming now at Decibel HERE.

“Sometimes you have to ponder long and hard for an album title, but following the Rana Plaza disaster of last year (collapse of a textile sweatshop building in Bangladesh), it spurred me on to try and craft an exposé of slave labor in the modern world (and the surrounding conditions propping it up),” said Greenway.

Utilitarian, though a recent release, was one of the strongest of Napalm’s career, and if “Cesspits” is any indication they are still on a roll for the forthcoming Apex Predator – Easy Meat next year.

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Cult Leader enter studio

Posted by Morgan Ywain Evans on Thursday, November 13, 2014 at 9:36 AM (PST)

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Nefarious Realm are reporting that Cult Leader, the band made up of ex-Gaza members who are still active in the scene, have entered the studio to start  follow up recordings to very recent release Nothing For Us Here. Check out the report HERE.

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Nasum four LP re-issue vinyl news from Relapse!

Posted by Morgan Ywain Evans on Thursday, November 13, 2014 at 9:05 AM (PST)

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Relapse Records is making my day, from the dreamy swirl of Anatomy Of Habit’s jazzy, existential noise wash “Then Window” track from their 2 song, 40 minute new opus Ciphers + Axioms to the just announced diabolically great news that grind lords Nasum are getting serious vinyl re-issue love. You know your band was good when their sound influenced newer Napalm Death, who once started it all.

Here is the official announcement:

Grind enthusiasts rejoice! We’re re-issuing all four LPs from Swedish masters Nasum on vinyl! Pre-order yours along with some exclusive new merch designs from Relapse Mailorder here: http://bit.ly/nasum

Check out a trailer for the re-issues HERE.

The LPs will be available this December on Relapse.com and will hit stores in January. Buy all four mailorder-exclusive LPs and get a FREE 24″x24″ poster! http://www.relapse.com/nasum-poster-bundle.html

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Interview: Jucifer – The Object Of Power

Posted by Morgan Ywain Evans on Tuesday, November 11, 2014 at 3:02 PM (PST)
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When I was a kid, like in the early 80’s, I observed that fucked up stuff in history often seemed to happen near turns of centuries.  So I’ve been predicting for much of my life that stuff here was gonna get dicey right about now. – Gazelle Amber Valentine

 

Jucifer are back with the all-killer District Of Dystopia. Perhaps their rawest record ever, the album focuses on Washington, D.C. and the shitty political environment (each song responds to laws passed by Congress and/or to presidential Executive Orders). This 4 track recorded face melt fest was recorded by the band themselves in their RV and is heavier than the bulk of 2014’s actually pretty stellar recorded metal output.

Gazelle Amber Valentine let me pick her brain on politics, sludge metal and humanity’s shitty track record. Click HERE and get rad.

 

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Album Review: Jucifer – “District Of Dystopia”

Posted by Morgan Ywain Evans on Thursday, October 30, 2014 at 10:02 AM (PST)

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Jucifer‘s District of Dystopia is just what the world needs right now. “Non Gratum anus Rodentum” opens this up with lo-fi Melvins/Buzzov-en glory and ragged precision. This shit is so killer. In some ways this is the ultimate Jucifer release, since it is the closest to their ever-shifting live experience you could get withouta lasso and a tornado. Nomadic Fortress is releasing this fury of 4 track blast and doom, choked and peaking vocals
to make Converge blush on “It Can’t Be Helped” and the merciless crashing cymbals of Edgar Livengood. That dude is such a whirlwind of beast to watch drum.

Bunnybrains are playing in my town tonight with DJ Lunar Moss (what a great fuckin’ name). “Narcissist” is hissing outof my speakers with menace as deadly as any Venom record and I kind of want to kill or hump something. Life has some good moments.

From the press release: Jucifer’s District of Dystopia examines the particular dystopia native to our nation’s capital.  With homage to both D.C. punk protest tradition and the American Dream itself — in all her battered majesty — the band marks its 21st year with a razor sharp blast of aggression honed by world weary wisdom.

I can think of no better topic after their extensive foray into Russia after a long French romance (a rad double album, haha), than to set their eyes
back on the USA for a punk rock school lesson. The Liberty bell is ringing somewhere in Purgatory.A house of cards, indeed.

“Red Summer” is a slogging, fuzzed out ultimate vibe to everywhere that evokes the scurry of pedestrians hurrying to work, the frustration of Congressional gridlock and the entropic dog and pony of crony capitalism/mixed economics. Buildings decay and paint peels and the lightning bolt aims for the White House one more time cuz everybody can be bought.

Amber sounds brutal on this and there is the immediacy of any backyard or basement show jam around a burn barrel, cheap beer cans or a pile of dirt and concrete blocks. “The Object of Power” is straight black metal grind meets slug metal, a weird vortex of colliding force fields and politics, scene boundaries and signifiers.

Cattle Decap to live debut new tune at Housecore Horror

Posted by Morgan Ywain Evans on Thursday, October 9, 2014 at 4:47 PM (PST)

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Cattle Decapitation will be performing a brand new song off their upcoming 2015 Metal Blade release at the mid day show of the Housecore Horror Film Festival. The show will be at Midway’s on Friday, 10/24 with Unearth, Brian Posehn, Origin, fellow San Diegan and friend Author & Punisher, and Evil United! The band is looking forward to debuting new material for the festival crowd. Later that same evening, Cattle Decapitation‘s vocalist Travis Ryan will be performing vocals with Wizards of Gore (the legendary gore thrash act Rigor Mortis under a different name) for his all time favorite Rigor Mortis track “Foaming at the Mouth”, which will mark this the band’s first time playing the song in over 25 years!

Click HERE for more.

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The great thing about metal is, right when all the mindfulness practice in the world fails and you want to punch your steering wheel, neighbor or television, haha). The best thing I’ve heard all day is Noisem‘s cover of Slayer‘s “Aggressive Perfector” plus a Terrorizer and Cannibal Corpse over on the A389 label bandcamp. Did I mention there is also a new original song “Consuming” that is two minutes of audio awesome?

Check it out HERE.

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First Ever Instagram Takeover with Arsonists Get All The Girls!

Posted by NichTheHair on Tuesday, July 15, 2014 at 10:07 AM (PST)

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Greetings cretins! I am beyond thrilled to announce that Arsonists Get all The Girls will be taking over our @MetalRiot Instagram! The hijacking will take place next Tuesday, July 22, as they head to Brooklyn, New York. They are set to play Coco66 up in Greenpoint with Rings of Saturn on The Face Implosion Tour. Get a good look into their pre and post show antics/sleeping habits.

Follow us on Instagram @MetalRiot and @AGATG next Tuesday July 22 for the takeover and come to 66 Greenpoint Avenue in Brooklyn to rage the fuck out. Also, live shots from the show will be on our Insta as well. \nm/

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Arsonists Get All The Girls announce tour with Rings of Saturn

Posted by NichTheHair on Friday, June 13, 2014 at 6:07 PM (PST)

10365424_10152375139433463_8997661490109205383_oSanta Cruz, California’s Arsonists Get All The Girls are continuing their gamut of touring after this spring’s Listen To The Color tour, which was named for their most recent and crowd funded independent release. Bay Area extreme metal and self proclaimed aliencore band Rings of Saturn are headlining the Face Implosion Tour. In support will be Ontario’s prog/groove metal Auras and San Fransisco’s tech death metallers Ænimus. This tour will be sick as fuck cretins. Go forth and die.

Click here for lots of tour dates and I’ll see you in Brooklyn.

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Full Of Hell to collaborate with Merzbow

Posted by Morgan Ywain Evans on Monday, June 9, 2014 at 10:16 PM (PST)

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Powerviolence/harsh noise sculptors, FULL OF HELL, have just confirmed a barrage of upcoming recording and tour plans, including new tours on both the North American and European continents, as well as a joint release with renowned noise metal architect, Merzbow.

Following up their 2013-released sophomore LP, Rudiments Of Mutilation, and recently-released split LP with Integrity’s Dwid Hellion and his experimental/noise outfit Psywarfare, this Summer, FULL OF HELL will continue to explore their more caustic noise heredity by recording a fully collaborative recording with Japan’s longtime lord of noise/electronics, Merzbow. The album will see vinyl release in North America via A389 Recordings, a European vinyl release via Stab/Repeat Records, and CD/digital delivery via Profound Lore Records. Additional details on this undoubtedly demoralizing recording will be available upon its imminent studio creation in the coming months.

Additionally, FULL OF HELL will take the action back to the streets on another brutalizing tour across Europe for over a month, from today, Tuesday, June 3rd through May 7th, joined by Disciples Of Christ.

And this just in; this August, FULL OF HELL will destroy the West Coast US with A389 labelmates, Noisem, and headlining longtime political hardcore/grind act, DropDead. This eight-city run will tear a trail from Seattle to Southern California between August 22nd and 29th.

Click HERE for dates.

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Southern Lord Recordings is beyond stoked to broadcast that influential, visionary metal act, today is the day , has joined with the label’s roster for the release of their massively anticipated tenth studio album later this year.

 

Early this year, TODAY IS THE DAY‘s newest lineup was announced, as the foundation of the then unnamed album was taking shape. Guitarist/vocalist Steve Austin welcomed Sean Conkling (Regression, Burn Your Halo, Sprawl) on bass as well as returning member Jeff Lohrber (Enabler, ex-Harlots), Lohrber having previously handled touring drum duties for TITD many times in the past. Conkling and Lohrber tracked most of their sessions in December and January at the founding frontman’s own Recording and Mastering Studio in Maine. Since, Austin has been painstakingly layering guitars, vocals and more, and as the final sessions for TODAY IS THE DAY‘s tenth studio full-length will be taking place in June, the band happily unveils the name of the impending LP, as Animal Mother.

 

 

Southern Lord owner Greg Anderson on the union, “Southern Lord is deeply honored to be working with TODAY IS THE DAY. Steve Austin has been a long time force in the underground and we’re stoked to now be a small part of the TITD legacy.”

 

As per the album title, Austin offers, “Animal Mother means the embodiment of the prophetic gift of the shaman; it is the shaman’s visionary power, which is able to penetrate the past and future.” Early this year the frontman warned the public that the album is “a fifteen-song rampage of bloody carnage fueled by hate, love and vile, raw emotion,” continuing, “I feel it is my finest work to this date. It is the most complex and HEAVY record we have ever made. This is real — no bullshit Protools crap; just pure violent energy and real band songwriting in the middle of the woods in Maine. It lies somewhere between Temple of The Morning Star and In The Eyes of God, and Jeff’s playing is beyond incredible. I was determined to push the limits in complexity, musicianship, and creativity as far as we could and I feel we have put together a record that narrates the horror and pain that we have been living through.” 

 

Interview: TrapThem – Blissfucking up your day

Posted by Morgan Ywain Evans on Saturday, May 31, 2014 at 10:30 AM (PST)

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trap them have returned, through formative musical experiences in a stark scene of innovation that fostered a movement out of new england. after some down time, the band are suddenly rehearsing more than ever.

“instead of the songs being one day, every track is like one hour in a day. so, one o’clock- “salted crypts”, two o’clock -“habitland” and so on.” -brian izzi  (guitarist)

the band insist their is no sexual meaning to the album name BLISSFUCKER, rather it is like fucking up someone’s bliss. imagine trap them playing at a picnic in a park on a nice summer day.

life is full of “savage climbers” and just like the opening of that song, ever spirals outward.

click here to read the feature exclusive interview.

ryan photo by missmagpi.

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Interview: Garin Rosen of Arsonists Get All The Girls

Posted by NichTheHair on Wednesday, May 28, 2014 at 8:49 AM (PST)

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“Everyone else is trying to get on some marketable bullshit. Arsonists is only going to get more fucked up.” – Garin Rosen

Arsonists Get All The Girls is a band that can actually fulfill a crowd funding campaign. Twice. After four albums with Century Media, they went out on their own and haven’t looked back. Founding drummer Garin Rosen hit me with a solid dose of what exactly went into and came out of their overly successfully crowd sourced album they released last year. They also scored a new van back in March, thanks to a still loyal fanbase. Before the funding, their future was unclear and had this album not been funded, we might not have these nutjobs out on the road in a new van toting a sporadically vicious new album, Listen to the Color. 

They are currently charging the batteries before heading out on a tour in the west. Check out a review from a previous show here. Tour dates are below, as well as the interview here.

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This line up did not fuck around. Each band hit the minuscule stage and went straight for the neck. Seven bands, both local and national, absolutely lit the room up, each with their own unequivocal performance and flair. Santa Cruz, California’s Arsonists Get All The Girls helmed this massive tour, with The Last Ten Seconds of Life, Beyond The Shore, MetalRiot.com homies Seeker, and Your Chance to Die opening the show. Refuge and Airismine ran the local New York City support, bringing with them a slew of fans to flood the intimate Club Europa in Brooklyn, New York.

Click here for the full show review and pictures. 

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Cattle Decapitation‘s “Decade of Decapitation” vinyl series continues with one of the band’s most infamous releases: “Humanure.” Fans will surely enjoy the “bloody stool” vinyl color, which features red splattered on brown. This is the second piece of vinyl in the series which celebrates 10 years of releases on Metal Blade Records. Purchase the previously released “To Serve Man” and pre-order “Humanure” now at indiemerch.com/metalbladerecords.

The band’s entire Metal Blade discography: “To Serve Man” (2002), “Humanure” (2004), “Karma.Bloody.Karma” (2006), “The Harvest Floor” (2009), and “Monolith of Inhumanity” (2012) are all being prepared in lavish gatefolds for release. The colors, handpicked by the band, reflect the concept or color scheme behind each album. Fans will also have the opportunity to pick up a collectable box that comes with brand new art from longtime Cattle Decapitation cover artist, Wes Benscoter. Additionally, “To Serve Man”, the band’s debut full-length, and their sophomore effort “Humanure” have been remastered specially for this release. Each vinyl will be released separately in the coming months and all vinyl will be available for the first time ever in Europe.

Vinyl colors:
“To Serve Man” – (Longpig Slaughter colored vinyl – red splattered on pink)
“Humanure” – (Bloody Stool colored vinyl – red splattered on brown)
“Karma.Bloody.Karma” – (Blood On Blood colored vinyl – red splattered on blood red)
“The Harvest Floor” – (Bloody Steel colored vinyl – red splattered on silver)
“Monolith of Inhumanity” (Golden Landfill colored vinyl – confetti multi color splattered on gold)

Cattle Decapitation recently announced a whole string of European summer dates including festivals as well as club shows with death metal legends Possessed!

Click HERE for dates.

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