Search Results for "Progressive Metal"

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I hope the jean jacket wearing drunk and stoned dolphin in Intronaut‘s new video remembered to throw out the plastic ring six pack yokes from the many beers it likely consumed so as to not injure itself later on when it hops back in the pool. The “Fast Worms” clip from the prog metal band is truly…unique?

Perhaps the title of this article is click bait, for in the end the dolphin seems unhappy and seems to realize the simpler things in life are more enjoyable than “chasing the dream”.

If you want to see a dolphin ejaculate out of a blow hole while getting busy with a girl who looks vaguely like Megan Fox or see a drunk and stoned dolphin get in a bar fight, this bud’s for you.

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Spock’s Beard release “Tides of Time” lyric video

Posted by longhairedpoet on Tuesday, November 3, 2015 at 10:14 AM (PST)

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Los Angeles prog rockers Spock’s Beard have released a lyric video for their song “Tides of Time”.

“Tides of Time” is the third single from the band’s The Oblivion Particle, which was the band’s 12 studio album.

Check out the video for “Tides of Time” here.

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Unlike Eminem, the Relapse era is well regarded as the best Dillinger Escape Plan stuff, though I love all their records. Still, the early days were unfuckwithable. Then Miss Machine came along and shit got bananas w/ Puciato on board. And Ire Works is underrated and possibly my FAVORITE if I wasn’t so biased by my Calculating Infinity love like most O.G. DEP fans.

I smell that whore/woah/etc. right HERE.

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Album Review: Novelists – “Souvenirs”

Posted by Morgan Ywain Evans on Wednesday, October 7, 2015 at 7:38 AM (PST)

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Novelists from Paris are not a tribute band to the works of Sartre or -even better- Boris Vian (who once devoted much of a book to describing a piano that could make specialty cocktails depending on what notes you played). No, the young group are a progressive metalcore band full of attack, djent and busy guitar parts, albeit with some solid melodic parts to set them apart from the bands who only scream over this style. I will go on the record and say it is not my favorite sub genre of metal as I find regionalism tends to go by the wayside and make many of these bands near indistinguishable regardless of country of origin (Exist Immortal, Rise Of Doom, We Came As Romans all kind of sound more or less the same to me despite being good at what they do). Heck, even black metal really has many bands that adhere to form. My bias works in the band’s favor here as Novelists still have a lot to grab ahold of the listener’s ears (even a primarily stoner rock fan like me).

Read more BELOW.

Album Review: Queensrÿche – “Condition Human”

Posted by Morgan Ywain Evans on Tuesday, October 6, 2015 at 11:11 AM (PST)

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The only way it could be more apparent at this point that losing Geoff Tate
was the best career saving decision Queensryche ever made was if the current
line up performed some Frequency Unknown songs in the set and did a better
job at those as well. Understand that every time I have to write something
like that about Tate-ryche and the fall from grace of one of metal’s once
towering voices, a little part of the kid in me who fell in love with every
track on Empire dies. But the new band have made me believe again, along wth
many others. Geoff Tate is grasping at straws with his distastefully named
Operation: Mindcrime band, a move that cheapens the iconic album’s brand more
than a new Queensryche line up that kicks ass and has a classic sound ever
could.

And I feel for Tate. It’s gotta hurt. But make no mistake…Condition Human is hands down the best Queensryche album in
20+ years, the best since Promised Land by far and the first to finally once
and for all make you say ,“Chris DeGarmo who”?

To be fair, I liked moments of Tribe and even Dedicated To Chaos had a few late Tate great moments where his better character shone through like “Get Started” which sounds a little like Pearl Jam doing a mid tempo Queensryche song but was fun. But the “we don’t suffer fools” lyric from that song and “Time to change the view” line turned out to fit Tate the best.

Read on BELOW.

Song Of The Week: Queensrÿche’s “Guardian”

Posted by Morgan Ywain Evans on Friday, September 11, 2015 at 1:21 PM (PST)

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Todd LaTorre has reignited the disillusioned ‘Ryche fan base tired of the weird antics of Geoff Tate. I am a lifelong admirer of Tate’s skill and vision but it’s pretty sad these days he is in a band called Operation: Mindcrime. I knew we were headed for some kind of trouble when they were doing the Cabaret stuff a few years ago. I was a fan of some of the disputed records like Tribe (which I LOVE) and even liked parts of Dedicated To Chaos, but the new stuff just has that extra level of epic feeling you want, even without some classic members.

So, Tate aside, let’s take the high road here and focus on the awesomeness of said new stuff. “Guardian” has some vintage riffing, shrieking vocals the way you want them in this band and even some surprises (a very heavy ending riff). Check out our song of the week BELOW.

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Cynic break up again

Posted by Morgan Ywain Evans on Thursday, September 10, 2015 at 4:40 PM (PST)

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Prog metal heroes Cynic have released a break up statement, the second in their off and on history. Hopefully the future will iron things out as their return was a huge boon to the scene:

It is with a heavy heart that I post today’s CYNIC news. CYNIC is no longer an active band. Due to artistic and personal differences, the second chapter in the ‘BOOK OF CYNIC’ has come to an end.

I will say the last shows we played in JAPAN have left me with a positive charge, even though they were the last live performances with Paul, Sean Malone & I on the same stage. My longstanding creative partnership with Paul, which started when we were very young kids in south Florida, has simply endured so much friction that there is no way, from my perspective, that CYNIC can be salvaged, repaired or kept afloat by any means.

I profusely apologize to the fans who were not only expecting us in China & Taiwan (that was not our fault), but to the fans who were planning to see us in Europe next month. These things happen, unfortunately, to bands. There can be differing levels of conflicts and/or differences in opinions, musical directions, or perspectives. Sometimes these things are insurmountable, and no amount of time or effort can resolve them. This is the case with CYNIC.

This page will stay up, and of course there are our respective personal pages and websites that will continue to let everyone know what we’re doing individually.

I wish all of you love & peace.

-Sean

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Song Of The Week: “Africa” by Toto gets the Circuitry treatment

Posted by Morgan Ywain Evans on Saturday, August 29, 2015 at 8:04 PM (PST)

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New Jersey’s Circuitry have had a good week, from a GEAR GODS to releasing the most kick ass cover we’ve heard in recent memory. Yes, despite mighty Baroness releasing the in-fucking-credible “Chlorine & Wine” this week (a song that marries all the different facets of the band into one big Purple triumph), this week’s winner is still a young prog metal band of weirdos with a sense of humor, sick chops and good taste. Yes, Circuitry nailed “Africa” by Toto in a super fresh and rad re-imagining (exspecially the verse vocals, djent-y little ear candy riff strokes added in and the brillianly slewn solo section, now a shred fest.

 

If you don’t like this and play it twenty times in one day like I did, I don’t know why you are here.

 

@gtphotonj ‪#‎Circuitry‬ ‪#toto #africa ‬‪#‎njmetal‬ ‪#‎progressivemetal‬ ‪#‎livemusic‬

‪#‎bandphoto‬‪#‎garrettorresphotography‬ ‪#‎bandphotography‬ ‪#‎photography‬ ‪#‎metalband‬

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TesseracT will return to North America for a healthy batch of tour dates slated for later this year. The band has tapped THE CONTORTIONIST as main support along with ERRA, and SKYHARBOR. “Five years ago we bundled ourselves in to a van and set off on our debut North American tour,” says bassist Amos Williams. “It was not only our North American debut but also our first major tour, really.”

Dates will kick off on November 2nd at the Theater for Living Arts in Philadelphia and run coast to coast making a few stops in Canada before wrapping things up at Irving Plaza in New York City on December 7th.

Dates BELOW.

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Album Review: Dead Letter Circus – “Aesthesis”

Posted by Morgan Ywain Evans on Tuesday, August 4, 2015 at 10:42 AM (PST)

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Pre order HERE.

“And I hope that one day I will see you again”. This plaintive lyric opens Dead Letter Circus’s masterful new album Aesthesis. Kim Benzie’s distinct voice is a proud flag the Brisbane band rallies around with colorful and spacious hard rock that wastes absolutely zero time trying to fit into a box of preconceptions.

Life is a varied experience and thank God. I am a huge Max Cavalera fan but was dismayed to read an old quote recently I’d never seen where he called Killswitch Engage “gay”. Even more than the lazy use of that word I was much more bothered by the inference that Killswitch acted “like U2 on stage” as Cavalera said in, I think, like 2008 when Howard Jones was in the band. Perhaps it was bitterness for Sepultura doing an awesome “Bullet The Blue Sky” cover post-Max, but the Brazilian metal greats comments just rang as senseless to me. Every Soulfly record has had guests of different stripes from the very melodic Chino Moreno to Fred Durst! I know Max is a Bob Marley fan. Let’s try and be more open minded again in metal and hard rock.

Look, I like Possessed as much (and maybe more) than many people. That said, who are we trying to prove things too? Ten death metal or throwback thrash fans who only support narrow definitions instead of achievement and risk? With no melodic elements in metal there is no Fear Factory, no Iced Earth, so many good bands. One of my photographers today is shooting Deftones/Incubus for us and I’m thrilled that package tour is luring back some hard rock fans. Ticket sales are down across the board. Forward thinking bands like The Safety Fire are breaking up. Mayhem Fest just fell apart, tragically.

This is not a time for closing doors on each other.

“Yeah dude, but is the record good”? Yes. Dare I say, Hell fuckin’ yes?!

Read more BELOW.

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Hey punk rock and prog history buffs! Got some PMA? We’ve got a special treat today. One of the BEST and least documented properly scenes ever is the Woodstock/Kingston 90’s scene. We had Jason Christopher (now of Prong and currently on tour w Corey Taylor), Shabutie (early Coheed & Cambria), Lounge (feat John Naclerio who would go on to record My Chemical Romance, Polar Bear Club and many more), Three (featuring guitar virtuoso Joey Eppard), all my early bands and many more! Oh yeah, and half of the freakin’ BAD BRAINS live in Woodstock!

Take a look back in time with reflections from many of the scene participants of the day. Special thanks to Mic Todd who was unable to contribute but gave it a good try.

Links to many of the bands current and past are present as well. RIP Pat Howland. Crank some mearth., Pitchfork Militia and Shabutie today!

Check out “Secret Youth” , a look back at the 90’s Woodstock scene HERE.

#badbrains #three #melancholy #drippinggoss #kwame #coheedandcambria #natekelley #lounge #blissfullyignorant #shabutie #mearth #beautifulbastards #woodstockny #grunge #punk #nineties

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Album Review: BTBAM – “Coma Ecliptic”

Posted by Morgan Ywain Evans on Sunday, July 19, 2015 at 2:32 PM (PST)

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Between The Buried and me are in a great phase right now, already respected
and with several classics under their belt, more plenty of “prove your mettle”
tours under their belts and a reputation up there with the best. BTBAM, with
Coma Ecliptic, step out of the shadow of Parallax and into their most concise
yet still deftly ambitious work ever. Alaska had heart and showed promise and
other moments like The Great Misdirect (a personal favorite) showed BTBAM were
unafraid to reinvent themselves or push at their corners with a flare akin to
Wilco, Mastodon, Candiria, Radiohead- bands with the hunger. Parallax is a
Crack The Skye or Dark Side of the Moon moment in BTBAM’s history, but not
their last hurrah.

“The Coma Machine” is perhaps my fave statement from the group yet as it is
really air tight even though lengthy and full of movement. Perhaps it is the
Scrooge-like theme of a man looking back on memories within each track, but
entire journey is impossible to miss. If you skip a track, like Cynic’s Kindly
Bent To Free Us, you’ll likely be compelled to go back and hear what you
missed. And with good cause, as “Memory Palace” alone is several awesome movements.

More BELOW.

Leprous release “Slave” lyric video

Posted by longhairedpoet on Friday, July 3, 2015 at 7:13 PM (PST)

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Norwegian progressive metal band Leprous have released a new lyric video for their song “Slave”.

“Slave” comes off of Leprous’s latest album The Congregation (InsideOutMusic).

Einar Solberg said this of the video:

“I would say that Slave is one of the most emotional tracks of the album. The foundation is simple, but the content is rich”.

Check out the video for “Slave” here.

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tel·es·the·sia
ˌteləsˈTHēZH(ē)ə/
noun
  1. the supposed perception of distant occurrences or objects otherwise than by the recognized senses.

 

Everyone is still buggin’ on the cool intro to Beneath the Buried and Me’s “Dim Ignition”, but I’m just as stoked about Telesthesia from Italy’s Caelestis. The young band are adept at painting a moving sonic landscape that makes you forget you’re listening to music, so engrossing is the overall feeling and sound as a whole.

Read more BELOW.

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“JuggerDoc” from Periphery now on iTunes

Posted by Metal Riot on Sunday, June 14, 2015 at 10:02 AM (PST)

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Washington, D.C. – Periphery’s JuggerDoc: The Making of Juggernaut, the 45-minute documentary that captures the making of the band’s dual albums, Juggernaut: Alpha andJuggernaut: Omega, is available now via iTunes (http://hyperurl.co/Juggerdoc_iTunes).

The documentary had been previously only available as a bonus item with physical purchases ofJuggernaut: Omega.

Periphery released Juggernaut: Alpha and Juggernaut: Omega simultaneously in late January via Sumerian Records, with the pair of releases landing at #22 and #25 on Billboard’s Top 200 (#15 and #16 on the Top Albums chart as well as #2 and #3 on Billboard’s Hard Rock Chart).

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