Search Results for "Doom Metal"

Well, this is as bad ass as free fudge. EVOKEN have announced the re-issue their much sought-after debut album Embrace the Emptiness (1998) as a limited vinyl edition via Season of Mist. The album is available as a limited pressing of 666 hand-numbered copies on 180 gram black double vinyl. Pre-orders are available at the Season of Mist E-Shop.

The record remains a rewarding solace for doom seekers that displays near gothic moments amidst melodic yet crushing riffs and sepulchral yearnings. It is well regarded as a must hear record for serious fans of the genre to spend a little time with at some point. Certainly one of the more creative and impactful American doom releases.

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With The Dead (Ex Cathedral, Electric Wizard) release new song

Posted by Morgan Ywain Evans on Monday, April 17, 2017 at 4:45 PM (PST)

photo by ester segarra

Doom tyrants With The Dead have given fans a Decibel Flexi Series slab of rare riff meat. The song is an over bearing punisher called “Vessel of Solitude.” The tune is an in between basher for fans who are impatient as we await the band’s sophomore release, expected this year. Check out the track here.

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SubRosa present new video for “Killing Rapture”

Posted by Morgan Ywain Evans on Saturday, April 15, 2017 at 12:04 AM (PST)

One of my all time favorites and quite likely yours at this point, SubRosa have a new video out for “Killing Rapture”. The clip is interesting, reminding me of the poetic natural side and camera work of Zhang Yimou’s HERO in the gorgeous and simple opening shot and evolving to a strong juxtaposition of seeming rural rootedness against modern dissociation of self. The rapture in the title in the wee morning hours after Good Friday has just ended and as we may be on the brink of worse bombings in the world, the baby’s face in one moment of the clip…it all has me wondering what the future holds and why pundits are so eager to chase the war ratings and drum up support for unreasonable horrors.

Anyhow, this is an intense and interpretive, well made clip set to the band’s particular and stirring sound. Eternal respect to this group.

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Valborg stream new album “Endstrand” at Decibel

Posted by Morgan Ywain Evans on Wednesday, April 5, 2017 at 3:17 PM (PST)

Valborg, once described by the quite choosy yet very metal authority Tom G. Warrior himself as “abundantly original and unique“ and “a mixture of Bohren und der Club of Gore, early Black Sabbath and Hellhammer”, have returned with their latest curious offering.

Produced by Markus Siegenhort (Lantlôs), Endstrand is a 13 song end-time vision hosting apparitions of empty beaches, bunkers in the dunes, novel biological phenomenon, washed up artifacts, noise distorted signals and omnipresent whirring, all of which float above the backdrop of VALBORG’s utterly barbaric death crunch.

Sounds cool to us. We liked their last one Romantik. Between this and the news that Neurosis is supporting Fires Within Fires with Converge and Amenra along for the ride, it is a good week for fans of experimental heavy music as we prepare for Saturn to turn retrograde tomorrow.

Endstrand will be out this Friday, April 7th! Check it out first at Decibel HERE. They certainly have a lot of bellowing and militaristic, thumping and near industrialized low end.

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Below reveal details for “Upon A Pale Horse” , first single out

Posted by Morgan Ywain Evans on Wednesday, April 5, 2017 at 10:00 AM (PST)

Sweden’s Below are a strong doom band who, like Pilgrim and October Tide off the top of my head, could deserve a bit wider following. The group’s last record Across The Dark River had some really good moments. I especially dug the song “The Whitechapel Murderer” , which almost called to mind if Tony Martin had sung on the doomiest moments of Heaven & Hell’s The Devil You Know instead of RJD. Now the band is back with another sort of out of focus charcoal grave rubbing looking album cover to go with their dark sonic vision.

The new record Upon A Pale Horse will be out via Metal Blade mid May and you can hear first song “1,000 broken bones” (which sounds more like a Cannibal Corpse song name than doom metal, haha) right HERE. All metal genre jokes aside, we really dig this act. Check them out pronto!

Below comments: “With ‘Upon a Pale Horse‘ we feel that we have found our sound. We have grown as songwriters and this album contains our fastest and slowest, shortest and longest, heaviest and most melodic songs to date. Making this album more diverse yet still staying true to the core of heavy riffs and melodies that is Below. We recorded ‘Upon a Pale Horse‘ in Deep Blue Studios, the studio where we recorded our first EP, so in some sense it felt like we were returning to our roots.”

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Godhunter releases album trailer and art for “Codex Narco”

Posted by Morgan Ywain Evans on Thursday, March 30, 2017 at 1:21 PM (PST)

The Godhunter project remains an interesting and evolving band , both opaque in what they will do next and yet politically in your face at the same time. Turns out that “next” is finally another release. Codex Narco is the newest record, which features contributions from members of CHRCH, Demon Lung, Mountaineer, Thorne, Methra, and others and more inward looking song topics, rumor has it.

I’m loving the cover art. It makes me think of SST Records if they’d designed pagan children’s books or something instead of St Vitus and Black Flag records.

In line with GODHUNTER’s commitment to speaking out about social issues, the proceeds of Codex Narco’s sales will be donated to Planned Parenthood, the statement reflected in the pink color scheme of the artwork by Bailey Illustration and layout by Cool Ghoul Ltd. (Ethan McCarthy of Primitive Man). Codex Narco was mastered by Brad Boatright at Audiosiege, and features a cover of Tegan & Sara’s “Walking With A Ghost,” for which a video is being created to support suicide prevention.

See the trailer for Codex Narco at THIS LOCATION.

More news on this one as we get it in the coming weeks. Meanwhile, check the track listing below.

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Insect Ark “Portal/Well” vinyl release news

Posted by Morgan Ywain Evans on Friday, March 24, 2017 at 2:44 PM (PST)

Insect Ark is one of my favorite experimental outfits. I think founder Dana Schechter is pretty much a musical genius and we were thrilled to run this interview with her about the original release of the album back in 2015.The project  started as a the one-woman solo project of bassist/multi-instrumentalist Dana Schechter (M. Gira’s Angels of Light/Bee and Flower). In January 2015, Portland-based drummer Ashley Spungin (Taurus) joined on drums and electronics and they have been gigging here and there ever since.

Portal/Well is finally available as of a few days ago, with a two color silkscreen on archival grey paper. The vinyl LP is being released by Sleeping Giant Glossolalia Records, artwork updated by Nicole Boitos Hayworth.

Says the band of the new artwork:

Nicole Boitos built the original egg diorama out of a real goose egg for the CD version, (which also featured photos by Simple Box Construction), so it was natural to ask her to illustrate the variation for the LP. The results came out beautifully.

Portal/Well – Vinyl by Insect Ark

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Mars Red Sky prepare for UK tour; North American album release

Posted by longhairedpoet on Sunday, April 10, 2016 at 11:12 AM (PST)

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French doom trio Mars Red Sky are preparing to hit the shores of the UK next month in support of their latest album Apex III (Praise For The Burning Soul).

Apex III will be released in North America on May 20 via Listenable Records.

Check out Mars Red Sky tour dates and stream their tracks “Mindreader” and “Shot In Province” here.

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Eyehategod Spring shows with Fight Amp, C.O.C., Discharge, etc.

Posted by Morgan Ywain Evans on Thursday, March 31, 2016 at 8:26 AM (PST)

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We are lucky to live in a time where you can’t step out of your puke infested snake basket without tripping over a grimy sounding band. From Haxen to Misery Kills to Sourvein, the darkness of raw metal and hardcore music is more pervasive than ever. Eyehategod still pretty much take the crown for intense,  blues and junk punk/sludge that will eat you alive or set you free. “Medicine Noose” from their last self-titled record is case in point. From the second the tune opens with a classic sounding EHG feedback ring, you know you’re about to get buried in hell and brimstone.

The veteran band are hitting the road for a Spring run to make some freshly bloomed flowers die. Hopefully no dates will be cancelled, but this band is rock n roll as fuck to the day and so there are no certainties in life. Is there a band more befitting our current American shit show? I think not.

Dates below.

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October Tide release “Nursed By The Cold”

Posted by longhairedpoet on Thursday, March 17, 2016 at 4:05 PM (PST)

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Swedish melo-death-doomers October Tide have released their newest song “Nursed By The Cold”.

“Nursed By The Cold” comes from the band’s upcoming album Winged Waltz which will come out April 22 via Agonia Records.

October Tide will also be co-headlining a European tour with Demonical.

Check out “Nursed By The Cold” and October Tide tour dates here.

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Mars Red Sky to release Apex III in North America

Posted by longhairedpoet on Wednesday, March 16, 2016 at 3:22 PM (PST)

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French Stoner Doom metal band Mars Red Sky are preparing to release their new album Apex III (Praise For The Burning Soul) in North America.

The album will come out on May 20 via Listenable Records.

Check out the video for the song “Mindreader” here.

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Sourvein premiere “Aquanauts”

Posted by longhairedpoet on Monday, March 14, 2016 at 6:21 PM (PST)

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North Carolina sludge doom veterans Sourvein have released their newest track “Aquanauts”.

Sourvein will release Aquatic Occult via Metal Blade Records on April 8 and will be the band’s debut with Metal Blade.

The album will feature performances by Randy Blythe, Stig Miller and Reed Mullin.

Check out “Aquanauts” here.

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Album Review: Black Cobra – “Imperium Simulacra”

Posted by Morgan Ywain Evans on Thursday, March 10, 2016 at 9:11 AM (PST)

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Black Cobra are a band with a sense of purpose. It’s evident if you listen to
any of the sludge punk duo’s onslaught filled and rhythmically rewarding
records that the band cut their teeth on many great bands before them and are
keen to carry the torch. A little bit Melvins, a bit of Karp riff charge and
yet a much more rawboned execution with an emphasis on a live sounding
insistence ensures this band could play with any metal or punk band and more
than hold their own.

Some people wrongfully think of legends Earth as a one style band. While, for
instance, “Badgers Bane” and, say, “Tibetan Quaaludes” both feature long,
droned out guitars with an emphasis on feel, there are still lots of subtle
differences related to the year of composition, intent of meaning, etc. Black
Cobra, like Motorhead or Black Tusk, also get kind of pigeonholed as a rad but
mostly one trick pony but that sells their action packed performances and
kinetic records far short.

Let’s check out new sci-fi infused record Imperium Simulacra (order HERE).

“Challenger Deep” arrives victoriously, charging in with giant balls. I am
loving how the vocals, particularly on title track “Imperium Simulacra” are
kind of sounding more and more like a punk rock version of Venom these days ,
a bit more tangible to understand and more snarled. As always the band are
tight as fuck, rattling out fist pumping anthems that tow the line between
poison spitting High On Fire charge and locked in machine gun snare and payoff
riff build (particularly during “Eye Among The Blind”).

Read more and hear “Obsolete” BELOW.

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BEST NEWS OF THE WEEK! The Order Of Israfel, one of our very favorite bands of medieval-esque Doom fuckers, return with their new album Red Robes. Well, tickle my Raistlin Majere black! This looks awesome and if anything it will be a thrill to hear how the band top their near perfect debut.

Headed to an Anthrax For All Kings listening party now but this news had to be shared! SO stoked!

Ladies and Gentlemen of The Order!

We are very happy to announce that our second album, ‘Red Robes’, will be released via Napalm Records on May 27th. Check out the artwork below, again done by our brilliant friend Henrik Jacobson. It will be available as a double LP and digipack CD. Both versions will include a bonus live DVD of our performance at Sweden Rock 2015.

The track listing for you BELOW.

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Album Review: Wolvserpent – “Aporia:Kāla:Ananta”

Posted by Morgan Ywain Evans on Wednesday, February 24, 2016 at 10:01 AM (PST)

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Sometimes pacing is everything. While we all have metal favorites that
bludgeon us to death right off the bat (Say, the majority of Kreator albums)
other times entertainment can be even more powerful through a steady, slow
build with sudden shocking moments of adrenaline. South Korean revenge film I Saw
The Devil builds terror and suspense through a rising feeling of dread and an
eventual complete blurring of moral lines, for example.

Boise, Idaho’s Wolvserpent have been refining themselves over the years, the
duo expanding their sound and coming ever close to really manifesting their
classical influences as equally as the “metal” aesthetic. These days the
boundaries are fuzzy anyway, with recent records by The Visit, Insect Ark or
Helen Money all stirring examples of what can be done with a cinematic
imagination and a ton of soul.

Wolvserpent’s new 40 minute single song Aporia:Kāla:Ananta (Pre order HERE) is breathtaking,
haunting and all the overused adjectives you can think of. Brittany
McConnell’s violin will make you cry and the 7:45 minute mark of the song had
my friend enter the room asking what movie I was watching because it sounded
like an epic western. But fear not, there is some real doomy Blake Green vocal
action also akin to some moaned Sunn O))) chanting behind the climbing wall of
sound, breaking at 11:30 and reverting to a mere trickle before we start a
similar process again.

Sweeping vistas of darkness and light interplay with the burdens and triumphs
of the human spirit, and if that sounds pretentious you just really need to
give this a listen. It feels like being vulnerable and brave all at once as
forces swirl around you. It’s very much as high art as anything from the metal
world can get, and that is a good thing. It feels like Wolvserpent are more
worried with creating “life works” than mere albums or time killing metal
jams. At 16:00 in you’ll feel like you watched a two hour movie, in the best
way. And that is scarcely the halfway mark.

This is precisely when things start to get really doomy and the bottom drops
out on the old West (er, North West) feel to reveal a yawning chasm of void beneath the
prairie. Charred black metal orchestration reigns triumphant for well past the
30 minute mark, the song eventually almost sounding like orchestral industrial
noise/feedback drone. The whole second half takes the real constitution of an
experimental music fan, but is equally rewarding and worthwhile.

Wolvserpent have made a true statement that defies casual listening and
becomes a veritable life force, self defining.