“We needed a name. We did this surgically in a sense that it was me and Sam. Jello came down for a weekend but otherwise it was two of us hashing out ideas. So it was surgical. The first half of the record was so fast. I did the guitar and bass on it and had stiff little fingers playing meth music to keep up with the kids. And the drums were machines because Sammy did all the programming. So, Surgical Meth Machine. And it is funny because now I am doing more press on this than Ministry, Revco and Lard combined! It’s pretty gross.” -Al Jourgensen.
Surgical Meth Machine is the latest brain boggler from industrial legend Al Jourgensen. It is pretty much down to Al and Keef Richards in the rock n roll unkillable deadpool at this point, but Al shows no signs of releasing anything less than crazy before the apocalypse (or being in a Disney movie). SMM is a rollercoaster of a weird record that has some of his most unhinged, white knuckle/teeth gnashing machine thrash in years but gets increasingly through the looking glass and trippy as the record eggs you on into a black hole.
The album was crafted off-and-on over a period of 12 months, mostly in the
Cuban-American singer and multi-instrumentalist’s Burbank, California studio
with longtime engineer Sam D’Ambruoso.
So, first time I interviewed Al years ago he told me I should make a necklace out of my vas deferens and about how doctors lost his toe once and teaching his dog to be a designated driver.It was awesome to talk AGAIN to Al today and pick his brain about medical marijuana, the algorithms of the apocalypse, politics and this awesome new record from Nuclear Blast.