Search Results for "Thrash"

Exmortus announce “Ride Forth” album, hot on heels of Marty Friedman tour

Posted by Metal Riot on Wednesday, October 7, 2015 at 11:24 AM (PST)

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Further cementing their status as one of the forerunners of heavy metal’s up-and-coming regime, the neoclassical-influenced extreme shred quartet EXMORTUS recently finished an epic month-long trek across North America with legendary guitarist Marty Friedman. The band will continue to showcase their “fantastic guitar style and blistering musicanship” (Metal Assault) on their sophomore release for Prosthetic Records, Ride Forth! Scheduled for release in early 2016, Ride Forth was recorded at Sharkbite Studios in Oakland, Calif. with Zack Ohren (Suffocation, Immolation), who also helmed the band’s critically lauded 2014 label debut Slave to the Sword.

 

Continued BELOW.

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Black Breath stream “Slaves Beyond Death” with Invisible Oranges

Posted by Morgan Ywain Evans on Wednesday, September 23, 2015 at 4:49 PM (PST)

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West Coast bile spitters Black Breath have returned for their first record since Jamie Byrum was hit by a car and it is one gnarly record. Slaves Beyond Death is somehow even darker than previous efforts from a band who made early impressions years back with a sunny song called “Spit On The Cross”. Yes, this is bleaker than that. Invisible Oranges has a stream of Slaves Beyond Death in full HERE and you can pre-order the album HERE.

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“Repentless” has highest ever chart debut in Slayer’s 32 years

Posted by Metal Riot on Monday, September 21, 2015 at 7:03 AM (PST)
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Repentless, the 12th studio album from the iconic thrash/metal band SLAYER and the first without beloved founding member Jeff Hanneman, makes the highest Billboard debut in the band’s 32-year recording career, coming in at #4 on the Top 200 Album Charts and scanning 50,000 units. Slayer’s Christ Illusion had been the band’s highest debut, premiering in 2006 at #5. Repentless, the band’s first album produced by Terry Date (Slipknot, Soundgarden, Deftones), also lands at #2 on Billboard’s Current Albums, Top Rock Albums and Hard Music charts.

Repentless now also holds the record as the band’s career-highest chart debut in Germany (#1), Holland (#2), Australia (#3), New Zealand (#8), the UK (#11) and on the Japanese International Chart (#1), and bowed at #3 in Finland, #4 in Belgium, and #5 in both Sweden and Greece. Additionally, the album debuted in the Top 10 in France (#7), Italy (#8), Hungary (#9), and Japan, (#10).

“The entire Nuclear Blast global team thanks Slayer and their loyal fans everywhere for the tremendous first-week success for Repentless,” said Gerardo Martinez, NB’s General Manager, USA. “Slayer made an amazing album that stayed true to who the band is, and the fans’ overwhelming response is proof of that.”

“Repentless,” the album’s first music video, made its premiere on the album’s 9/11 release date and has since logged more than 1.9 million YouTube views and is north of two-million views on Slayer’s Facebook page. The video was directed by BJ McDonnell (“Hatchet III”), filmed at the Sybil Brand women’s prison in East Los Angeles, and features copious amounts of blood, grizzly murders, and cameo appearances by some of Hollywood’s most recognized anti-heroes, including Danny Trejo (“From Dusk Till Dawn”) and Tony Moran (“Halloween”).

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Album Review: Slayer – “Repentless”

Posted by Morgan Ywain Evans on Thursday, September 17, 2015 at 8:55 AM (PST)

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I have not really been able to stomach most of the reviews or negative attitudes towards the current incarnation of Slayer since Jeff H. died. Do you really think Hanneman would want us all turning on the band he was in for so many years? I can’t blame Araya for singing “Pissing match of egos” on the thrash-tastic title track of this latest entry into the band’s storied discography. Personally I think people are really easily swayed by band wagons these days and you get a few trolls or bad reviews up and running and suddenly no one thinks for themselves.

“We’re killing ourselves a little more everyday!,” Araya also screams on the title track.

I’ve written for other sights about how I prefer Katy Perry to Taylor Swift any day, but essentially at the end of the day it is about personalities. Pop music is mainly written by three or four people! Wake up! We are part of a still thriving underground and it is weak that Mayhem Fest had low turn out this year just because a more commercial band like A7X wasn’t headlining. But below the surface of the mainstream all we get is a sea of fucking arguing.

While Kerry King’s comments about the Mayhem Fest this year divided some fans, the infighting in the metal scene could also be pointed right back at plenty of more closed minded Slayer fans who will only accept the classic line up. I love the current Slayer and think they did as great a job as humanly possible with Paul and Gary. Really, could anyone be as good replacements for Dave and Jeff as these cats? They’ve been killing it live and both are classic members of the thrash pantheon in their own rights. Paul even arguably played on Slayer’s arguably MOST classic record GOD HATES US ALL since the early days!

Read more BELOW.

Metallica release some footage from Saint Petersburg 2015

Posted by Morgan Ywain Evans on Thursday, September 10, 2015 at 5:16 PM (PST)

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Metallica have released 18 minutes of fly on the wall footage shot by the MetOnTour reporter on August 25, 2015 in Saint Petersburg, Russia. Footage includes a birthday pie-ing, Tuning Room, plus “One” from the show.

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I interviewed my favorite Battlecross dude, Don Slater.

Posted by Morgan Ywain Evans on Wednesday, September 2, 2015 at 5:46 PM (PST)

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Rise To Power, mother cluckers.

I finally interviewed Battlecross, one of the fastest rising bands in modern groove/thrash.

Read it BELOW.

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Invisible Oranges ran a killer piece a few days ago that we want to steer some of our readers towards. It’s an in depth mutation meditation on Municipal Waste’s modern classic Hazardous Mutation. Hard to believe it’s been a decade since this album was unleashed on us bastards but if you can read you can read about it HERE.

“For most, the term “crossover thrash” brings to mind a fairly limited sound and set of images: bandanas, flipped brims, skateboards, just wanting a Pepsi, and so forth. And yet, like all subgenres must, thrash has matured and evolved since ripping into the metal genre at large in the early 80s. And unlike the evolutions of other subgenres, the evolution of thrash metal out of the 1980s and into the contemporary consciousness can be traced to a single album, the ne plus ultra of “retro-thrash:” Municipal Waste’s 2005 landmark Hazardous Mutation, which was released a decade ago today.”

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Slayer and Machete inspire prisoners to flash mosh

Posted by Metal Riot on Friday, August 28, 2015 at 2:02 PM (PST)
Slayer "Repentless" Music Video Shoot

On Wednesday, in near 100-degree heat and high humidity, a riot broke out in the exercise yard of the Sybil Brand Institute, the women’s prison in East Los Angeles, where Slayer shot the music video for the new track “Repentless.” In fact, while Slayer performed the track under that punishing sun over an eight-hour period, the “prisoners” had to stage a riot for somewhere north of twelve takes before director BJ McDonnell finally called it a wrap. But that was all pretty much in keeping with McDonnell’s brutal vision for the clip, a vision that many in the veteran cast and crew referred to as “more like something for a feature film than a rock band’s music video.”

 

This is McDonnell’s first stint directing a music video. He directed the 2013 horror film “Hatchet III,” and his rich resume as a motion picture cameraman includes “Avengers: Age of Ultron,” “Ant-Man” and “The Interview.” For Slayer’s “Repentless,” he and the video’s producer Felissa Rose pulled together a gang of actors and crew who have been part of some of the most iconic horror films ever made: Derek Mears (“Predators,” “Friday the 13th”) Tyler Mane (“Halloween”) Jason Trost (“Hatchet III”), Danny Trejo (“Machete,” “From Dusk Till Dawn”), Tony Moran (“Halloween’s” Michael Myers, “American Poltergeist”), Sean Whalen (“Men In Black,” “Halloween II”), and Vernon Wells (“Mad Max 2,” “Commando,” “Weird Science”) all are featured inmates in the video. And if that wasn’t enough, McDonnell and Rose brought in stunt coordinator Nils Allen Stewart who is known for his work on films like “Planet of The Apes,” “Anger Management” and “Daredevil.”

 

Slayer’s prison yard performance is just one facet of what promises to be a grizzly video. While McDonnell and Rose are keeping full details about the video tightly under wraps until its premiere, it’s safe to say that there was a lot of blood spilled within those prison walls.

 

The date for the premiere of Slayer’s “Repentless” music video will be announced shortly. Repentless, Slayer’s 11th studio album, is due out 9/11/15 (Nuclear Blast), and is already receiving some pretty amazing press.

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Album Review: Ramming Speed – “No Epitaphs”

Posted by Morgan Ywain Evans on Monday, August 24, 2015 at 11:27 AM (PST)

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East Coast smashers Ramming Speed are one of the more chaotic, thrashy bands
around, like their label mates Exmortus often sounding like one big evil as
fuck party. Ramming Speed have really dogged it out to get to album number
three and have a lot of cred in the crust punk scene as well. They just seem
like an awesome band and can really play a good, rough around the edges more
punky version of thrash.

Full review BELOW.

Battlecross stream “Rise To Power” in full

Posted by Metal Riot on Wednesday, August 19, 2015 at 7:04 AM (PST)

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Motor City thrashers BATTLECROSS will release their long awaited third album Rise To Power“this Friday via Metal Blade Records. But before they do, BATTLECROSS is giving fans a chance to stream  Rise to Power in its entirety. Head over to metalhammer.teamrock.com to listen now!

The first official video from the album for the song “Absence” is available for viewing. The video was directed by David Brodsky of My Good Eye (Whitechapel, Revocation, Cannibal Corpse, GWAR). Watch the video HERE.

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Leading up to the 9/11 release of Repentless, Slayer’s new studio album, Tom Araya, Kerry King, Paul Bostaph and Gary Holt talk about working with producer Terry Date on this video clip.

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Smithsonian Institute’s National Museum of American History Profiles Slayer

“Slayer: The Origins of Thrash”

LOS ANGELES, CA — The Smithsonian Institute’s National Museum of History has just posted a profile of Slayer and the Origins of Thrash as part of its Places of Musical Innovation exhibit. Check it out HERE.

Remember kids, reading and bleeding is fundamental.

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Sometimes we get to write about fun stuff like how good the new Seremonia album is (fucking amazing) or what is our favorite Megadeth or Gojira era. Other times we have a platform to help share some very important perspectives or stories and it is important to do so. The feminist website #theflounce published a piece I wrote after talking to ex-Enabler bassist Amanda P. Daniels, who just days ago told the world she had been assaulted and abused while in the band and in a relationship with Jeff Lohrber.

Metal scribe Kim Kelly spoke at length to Amanda about her ordeal in full and that link is also embedded in my piece, but the main point of my article is that no one, regardless of gender or that some people make false accusations or “cry wolf”, should have to feel afraid to speak up when they feel or know they have been wronged.

Some words from Otep Shamaya, Liv Jagrell of Sister Sin, Yasmine Kittles of mighty Tearist (aka just about my favorite person in the world right now besides my Mom), indie legend Kelley Deal of The Breeders and R. Ring plus Elan from my duo #bitchwhip offer words of support to show there is precedent to speak up. We also include three songs from The Gits, Karyn Crisis’ old band Crisis and War on Women to remind that there are people who care and will listen.

Read the Flounce piece HERE.

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Ramming Speed aint scared of “Choke Holds and Bullet Holes”

Posted by Metal Riot on Thursday, July 16, 2015 at 12:22 PM (PST)

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Heavy metal punk n’ rollers RAMMING SPEED will release their sophomore Prosthetic effort, No Epitaphs, worldwide on Sept. 4. Recorded late last year with Kurt Ballou (Converge, Skeletonwitch, Kvelertak) at GodCity Studios, the album borrows from the bulldozer riffs of Swedish D-beat, the guitar harmonies of British heavy metal, the raw aggression of American grind and the visceral energy of basement hardcore. The band have teamed with Germany’s SLAM Magazine to debut the new track “Choke Holds and Bullet Holes,” which you can listen to HERE or,,,

BELOW

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Death Angel release live version of “Fallen”

Posted by longhairedpoet on Tuesday, July 7, 2015 at 12:28 PM (PST)

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San Fran thrash veterans Death Angel have released a live rendition of their song “Fallen”.

“Fallen” comes from the bands upcoming album The Bay Calls for Blood – Live in San Francisco.

The album will be included with the release of the band’s upcoming DVD.

The DVD will be a thrashumentary, which was shot by Tommy Jones.

Check out band’s comments on a thrashumentaryThe Bay Calls for Blood and check out the “Fallen” video here.

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