Search Results for "Relapse Records"

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If this isn’t one of the, if not THE, biggest albums in rock this year than I’m done with y’all.

ROYAL THUNDER is streaming their sophomore album, Crooked Doors, via NPR. Check out the full album stream at this location.

And click HERE for the recent Metal Riot interview piece we did on the album.

Capitol Photography Parnters

Even if Royal Thunder never recorded another note (perish the thought), the music they have already produced would likely survive and be heralded as classic down the line. The southern blues and sludge elements of the band’s striking sound has expanded on their new charismatic sophomore album Crooked Doors into even headier and moodier hemispheres, but retaining pure rock n roll drive. These stormy “thunder” (ahem) clouds of psych rock and gypsy mourning can be found rolling colorfully next to harder rocking tracks that retain the bands powerful groove and Pandora’s box will to survive hardships . Whatever they touch, this outfit is frighteningly capable. Vocalist Mlny Parsonz (one of the indisputably best rock singers in the game right now) and the boys create music that makes even true believers generally gasp at the unabashed power and authenticity. You’d never accuse this band of lacking feeling or inspiration, simply a group that make half the bands out there seem creatively malnourished.

Crooked Doors is available 4/7 (NA) / 4/3 (Ger/Benelux/Fin) / 4/6 (UK/Eur/World) on CD/2xLP/Digital via Relapse Records http://bit.ly/royalthunder ).

Josh Weaver (guitar) fills us in on some of the record’s creation BELOW.

NY’s Skinless return with “Only The Ruthless Remain”

Posted by Morgan Ywain Evans on Monday, March 23, 2015 at 8:06 AM (PST)

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NY’s Skinless are one of the most brutal bands of their generation and will soon return with their sole offering of new death metal in nearly a decade.  Only The Ruthless Remain includes artwork by Ken Sarafin and will be unleashed on CD, LP and digitally via Relapse Records on June 2nd, 2015 in North America (June 1st in the UK/EU and May 29 in DE/Benelux/Finland). Recorded by Tom Case at Edie Road Studio and Doomsday Bunker Studio, both in upstate New York, with vocals tracked by Dave Otero (Cephalic Carnage, Primitive Man etc.) at Flatline Audio in Denver, Colorado, and mastered by Brad Boatright (Obituary, Nails, Integrity etc.) at Audiosiege in Portland, Oregon, Only The Ruthless Remain is almost certain to remind people of the ascendancy this bloody outfit once held with a firm grim on both 6 stringed axes and dripping axe handles.  Be sure to catch them live 5/21 at Maryland Deathfest!

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Mortals return with “Ten Years of Filth”

Posted by Morgan Ywain Evans on Thursday, March 12, 2015 at 9:41 AM (PST)

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Brooklyn’s Mortals manage to combine some of the most dour yet inspiring extreme metal elements into a new sound. It’s kind of a punker, more melodic style of black metal that is just plain furious and go for the throat with occasional doomy excursions. Cynical? Somehow missed the more prophetic than Cassandra long player Cursed To See The Future? Check out the new Mortals song “Ten Years of Filth” right HERE.

“Ten Years Filth” is Side A of the Mortals/Repellers Split 10,” released on Broken Limbs Recordings. Art by Mike Bukowski. Recorded at Developing Nations with Kevin Bernsten in 2014.

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Windhand to work with Jack Endino on next record

Posted by Morgan Ywain Evans on Tuesday, March 3, 2015 at 11:52 AM (PST)

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Richmond, VA psychedelic satan loving doom troupe WINDHAND have entered the studio with Jack Endino (Nirvana, Soundgarden, High on Fire). If it is half as good as Soma I’ll buy it! There’s a good likelihood that it might be even better though. Windhand have grown a lot in popularity and have probably been working hard to keep themselves there.

The band is recording their highly anticipated third full-length album at Soundhouse Recording in Seattle, WA. The currently untitled album will see a fall release via Relapse Records.

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Album Review: Torche – “Restarter”

Posted by Morgan Ywain Evans on Wednesday, February 25, 2015 at 6:13 AM (PST)

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Torche‘s blend of harmony, sludge with a smirk and a no fucks given attitude has unfairly had them judged hipster metal by some black hearted types, the same sort of goons who’d write off Gorgoroth once they’d discovered Gaahl was gay. Or snob hardcore kids…don’t get me started on the idiots I heard at a recent Converge tour stop who were trashing on Torche’s support slot. Excuse me, but the great Converge hand picked them for the tour, not to mention aren’t exactly a punk by numbers band themselves. Torche have been a vital part of the scene the last few years and inject a welcome dose of self awareness and heft into everything they do. I find them extremely refreshing. If you can’t be affected by a song like first single “Minions” off this baby just leave rock n roll behind you and go play in traffic. The rest of us will be playing Torche Vs. Robots.

New record Restarter is quite an experience, just a shining example of a band being themselves (much like the new Coliseum material, it’s “love us or leave us. This is what we do”). Like Pelican offshoot The Swan King it is both quirky and smart but also pretty easy to rock out too. My only critique is most of the material works as a feeling or vibe  more than as super distinct songs, but that’s kind of always been their bag, it seems. It’s kind of about the delivery.

It has been cold as a witches balls in Upstate, Ny and Torche (or the reunited Floor for that matter) always manage to warm me up with those huge walls of distortion and massive low end. Restarter is heavier than the recent Floor effort Oblation which was great (“Rocinante”= so good) but seemed more concerned with pop structure. This Torche record really stretches out and gets weird, but within certain frameworks. It kind of reminds me of old Soundgarden in an odd way in that the album is clearly structured to be listened to all the way but each song really compliments the others or works alone. Torche really upped their game here making sure every inch of Restarter counts, from the trudging “Barrier Hammer” to the near nine minute title track’s thrills and sheets of distorted chills.

Click HERE for the full review.

Royal Thunder “Forget You” with new track

Posted by Morgan Ywain Evans on Tuesday, February 10, 2015 at 2:31 PM (PST)

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Heavy blues rockers Royal Thunder‘s newest “Forget You” is up on Soundcloud HERE. Crooked Doors, the group’s sophomore album (and don’t forget their excellent debut EP), is out 4/7.

“We are very excited to have the song ‘Forget You’ be the first song premiered off our new albumCrooked Doors, said Royal Thunder guitar player and co-founder Josh Weaver. “It makes sense for us to premiere ‘Forget You’ first, as it was one of the first songs we wrote and played out live after or last album, CVI. Thank you to everyone who has showed us love and support and made this album possible! Enjoy!”

Lord Dying release video for “Poisoned Altars” title track

Posted by Morgan Ywain Evans on Saturday, January 31, 2015 at 5:58 PM (PST)

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Portland, Oregon’s LORD DYING released their new LP Poisoned Altars, earlier this week via Relapse Records, and the band recently completed work on a video for the title track from the record. The video was co-directed by Danger Ehren of “Jackass” fame and Brett Roberts. Today the video receives its exclusive premiere on Noisey. The video includes cameos from members of Red Fang, Thrones, Yob, Witch Mountain and more.  Check out the videoHERE.

“The video is a homage of 80’s horror and Sci-Fi movies pitting dirt bags vs. yuppies. In Portland we keep seeing our favorite hangs getting bulldozed for condo’s to go up and we wanted to return the favor,” states front man Erik Olson.

Poisoned Altars is available in CD/LP/Digital and a Special Silver Colored LP for Relapse Records 25th Anniversary. Order your copy of  Poisoned AltarsHERE. The digital iTunes version is available HERE. The band will also be hitting the road for a few headlining dates at the end of January, then they will embark on a month-long North American conquest with Anvil.

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Inter Arma announce North American tour

Posted by Morgan Ywain Evans on Saturday, January 24, 2015 at 5:52 PM (PST)

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Richmond, VA genre-destroying metallers INTER ARMA have announced a five week North American Tour with deliciously dark, Nashville metallers YAUTJA. The dates kick off April 10th in Philadelphia, PA and end May 18th in Nashville, TN followed by a stop at the renowned Maryland Deathfest.

INTER ARMA recently released a critically acclaimed 45+ minute, single song EP entitled The Cavern. Originally written during the summer of 2009, but reworked and perfected over the last few years, The Cavern was recorded in 2013 during breaks from the relentless touring the band did with the likes of Baroness, Russian Circles, Ulcerate and numerous others. The recording was captured with producer Mikey Allred at Dark Art Studios in Madison, TN, the same surroundings and setup that captured 2013’s monolithic Sky Burial. Both records can be streamed via their official Bandcamp HERE.

Check out the Metal Riot review of recent awe inspiring 45 minute song The Cavern HERE.

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Royal Thunder new album news

Posted by Morgan Ywain Evans on Tuesday, January 20, 2015 at 9:40 AM (PST)
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Royal Thunder, the female-fronted hard rock quartet whose debut album, CVI, earned praise from Rolling Stone, NPR, Revolver and saw singer Mlny Parsonz land on the cover of Decibel Magazine, release their follow-up full-length, Crooked Doors, on April 7 via Relapse Records.

“It’s been too long,” said the band. “Thanks for being patient with us in delivering this album! We hope you are fond of it. Looking forward to revisiting familiar places and face.”

The eleven-song album was recorded throughout 2014, with principal recording done at Aria Recording Studio in Marietta, GA with producer Joey Jones.

 

Band Spotlight: Lord Dying

Posted by Morgan Ywain Evans on Wednesday, January 7, 2015 at 8:34 AM (PST)

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Portland’s perhaps gnarliest band Lord Dying are back with dark power rager Poisoned Altars (Relapse Records), a sludgier album than cult  hit Summoning The Faithless yet still rock n roll grime slime that will own the room live. In 2014 Lord Dying played 114 shows across 23 countries and show no signs of slowing down now. Crank “A Wound Outside of Time” and bring the thunder.

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Lord Dying premiere new song

Posted by longhairedpoet on Tuesday, December 16, 2014 at 11:36 AM (PST)

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Portland’s Lord Dying are getting ready to drop a new album on January 27 via Relapse Records.

The new album will be entitled Poisoned Alters.

Ahead of the release of the album, Lord Dying have today released the song “An Open Sore” which features Aaron Beam of Red Fang.

Stream “An Open Sore” via Revolver.

You can also stream “A Wound Outside Time” here.

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Album Review: Cretin – “Stranger”

Posted by Morgan Ywain Evans on Tuesday, December 16, 2014 at 10:37 AM (PST)

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For all the bs in the scene from misogynists, homophobes and racists, it’s nice to get back to music that just slays. But wait, Cretin‘s first album in years Stranger features a transgender singer! Uh oh. Better not listen! Might get cooties, right? Well, if that’s your thinking I can assure you that you are an idiot and that this record rips harder than anything. The vocals sound like friggin’ Brutal Truth at their best and the band fire on all cylinders mercilessly. Think Fuck The Facts meets even a tiny bit of Kreator and lots of early Napalm/Extreme Noise Terror. This album for Relapse is a beast.

“Honey and Venom” is the standout track, ferocious and with some air raid dive bomb soloing thrown into the insano-grind.Elizabeth Schall’s solos on the title track especially are also red hot. With the aforementioned Brutal Truth packing it in this November overseas, it is super great Cretin are back to fill the gaping grind void. I can’t honestly recommend this record enough. It pulverizes. Song titles like “Freakery”, “How to wreck your life in 3 days” and “Sandwhich For The Attic Angel” keep things fun even while the music is ballistic. “…Attic Angel” in particular has such a brutal intro bassline courtesy of Matthew Widener’s vomiting rig. And “Ghost Of Teeth And Hair” is the most disturbing song in metal about twins (“they say I ate you in the womb, that mom had no room”) since Cephalic were doing their whole “conjoined twins at war” stuff for Lucid Interval (still my fave from those dudes). Fucking mosh.

Black Tusk to soldier on with Black Label tour dates

Posted by Morgan Ywain Evans on Wednesday, December 10, 2014 at 12:26 PM (PST)

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This just in from the boys in Black Tusk:

It’s been an incredibly trying time for us over the past month and we want to thank everyone for their support. We had confirmed the European tour with Black Label Society and finished the new album before Athon’s accident and Athon, specifically, had been very excited about the opportunity to tour with BLS and we feel there’s no way he’d want things to end on this note. Corey Barhorst, formerly of Kylesa and currently of Niche, will be stepping in for Athon for the time being. All of us go back over 10 years and Corey seemed the natural choice to carry on for Athon.

If you’d like to donate to the Athon Memorial Fund, you can do that via Paypal at AthonFund@gmail.com.

The dates with Black Label Society and Crobot are BELOW.

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Athon (Black Tusk) Memorial Fund established

Posted by Morgan Ywain Evans on Monday, November 17, 2014 at 2:58 PM (PST)

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The remaining members of Black Tusk have issued the following statement:

“We would like to extend a heartfelt thank you to the overwhelming amount of support received in the past week. Many of you have been inquiring about Athon’s medical bills and how you can help. As of now, they are covered. However, we would still like you to contribute if you can. Athon was a very giving person, and he thoroughly enjoyed helping others with his endless skill sets. Athon played a very large role in the renovation of fellow bassist and friend Jason Statts’ home after he was paralyzed from a gunshot wound, and he regularly checked in on Jason to listen to music, grill out, or just provide company. Athon and his friend Keith Kozel worked together over the last decade every October to prepare the Jinx bar for their annual Halloween extravaganza. Keith was recently diagnosed with a degenerative kidney disease, and he is in dire need of a transplant. While Athon’s medical expenses have been covered, his girlfriend Emily’s have not. She has undergone surgery and faces a long road to recovery both physically and emotionally. So in the spirit of Jonathan Athon, we ask that you contribute to this fund that will split the proceeds among Emily, Keith, and Jason. Help Athon keep helping people. We have set up a PayPal at AthonFund@gmail.com if you care to donate.

Thank you. TCBT forever.”

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