Tribulation‘s The Children Of A Night is not a tribute to the Survivor song of the same name, but rather a sort of pure manifestation of the famous quote from Dracula. What sweet music they make, indeed! Gone are much of the death metal trappings of earlier records, with a gloriously bold leap (and perhaps a flappng of wings) into a blackened abyss of atmospheric and dark rock with harsh vocals. Imagine a much more shadowy Ghost drenched in blood and wine but with snarled vocals akin to black metal in approach. Some fans have criticized the direction, but I think it’s by far one of the most interesting records I’ve heard this year.
Like the Brian Herbert and Kevin J. Anderson House Atreides prequel to Frank Herbert’s Dune novel, perhaps it is a bit more streamlined than earlier works but it is still quite powerful. Actually, in the case of Tribulation I feel like they’ve really surpassed their other stuff here. Old school thrash heads may shit on Sepultura’s masterful Roots, but it’s by far the most original record of the Brazilian metal band’s (with perhaps A-Lex being a close second). My point is that Roots is thus the one that is most talked about and debated. Originality counts more for most people and Tribulation have found a real sweet spot here of mixed styles. Plus in the “Strange Gateways Beckon” video the singer makes evil faces that remind me of Sebastian Bach meets Emperor Palpatine from Star Wars, so that’s cool.
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