Add to My Radar
Add to My Radar
I guess it had to happen someday. Slayer, arguably the best extreme live thrash band of all time, are calling it a day. I have so many insane memories of seeing them live, from Roseland with Fear Factory and Kilgore to at Mayhem with Slipknot to the Mid Hudson Civic Center to touring with Megadeth on the American Carnage tour to a bunch of other times. There just is nothing quite like seeing the band drop into the bridge of “War Ensemble” live and I doubt there ever will be again.
I liked Repentless and hoped they would have one more in them before a curtain call, but you’d be criminally insane to not believe they have had a historic run to rival nearly any band in metal or any genre. Hails, dudes. Kinda sad to see you guys go before the Kardashians.Add to My Radar
Produced by B.C. Rich, who endorses King, “The Breakdown” has a very candid King talking about his guitars, how he came to start playing the guitar, guitar heroes of his and for the generation of up-and-coming guitar players, being a fan and having that get in the way of “friending” some of his heroes, his friendships with Dimebag and Zakk Wylde, what he misses the most about Jeff Hanneman, and much more.
“I didn’t want to play guitar,” King reveals in the interview. “My dad gave me a handful of things to keep me out of trouble when I was thirteen, the guitar was one of them and I think that karate was another. I didn’t feel like getting my ass kicked every day, so this guitar thing sounds pretty awesome.”
In addition to the interview, AltPress.com has teamed up with B.C. Rich to give away one brand new Kerry King Signature guitar, the KKW30 model, with its unmistakable Kerry King styling and graphics. Those interested in entering the sweepstakes should go HERE.
“It seems like the last ten, fifteen years isn’t throwing out new guitar heroes, which is unfortunate but I think that’s because the bands people like don’t have guitar heroes in them,” King says in “The Breakdown.” “It’s discouraging, but I don’t think that should discourage people from becoming that next guitar god.”
When asked in an interview with Las Vegas Review-Journal about his most memorable nights he had being in Slayer, guitarist Kerry King shared his memories of Slayer playing “Big 4” shows with Metallica, Megadeth and Anthrax, which he calls an important part of his career. He explains:
“Something that was really cool for me — and I didn’t think it was going to be as cool as it was — was when we did the ‘Big Four’ shows. I think that was important. I think it mattered. When I went in, I thought it was going to be cool for the fans, but in the end, it was cool for me, too.”
He added: “The funniest thing in the history of Kerry King and Slayer is us and Metallica, we don’t really run in the same circles. As similar we are, you know, we’ve never been on tour with those guys. To actually play with them on the ‘Big Four’ was really cool for me. I’d go back behind where Lars goes when he gets done with a song — we called that Larsland — we’d go watch the show from there. It was really cool. It was just cool hanging. Kirk would come and hang out, and we’d go do stuff with Lars. It was fun.”
Slayer released Repentless, their first album in six years, last September on Nuclear Blast. It was also their first album with Exodus guitarist Gary Holt as the replacement for the late Jeff Hannemann, and their first with drummer Paul Bostaph in nearly 15 years.Add to My Radar
Slayer are back with as much vitriol as Kimbo Slice and Dada 5000 getting ready to kick the shit out of one another. The “You Against You” teaser features airplane wreckage, some gunfire, Paul Bostaph beating the shit out of his kit and a sort of Krokus post-apocalypse vibe, if thrash. I can dig it.
Even old guy Slayer rip the heads off most younger, stupid metal bands. And especially more prog death core butt rocker bands.
I will always stand by that.
Tom Araya had your back but it’s no use, scene kids.
Tour dates and teaser video below.Add to My Radar
Slayer released Repentless, their first album in six years, last September on Nuclear Blast. Testament are currently working on a new album, which will be their first since 2012’s Dark Roots of Earth, while Carcass last released Surgical Steel in 2013.Add to My Radar
In the basically post MTV age people pretty much have to search for music videos unless they are forced down our throats like “Hotline Bling”, but it means that in more underground musical chambers there are still some really cool things being done. Whether as incentive to wow ever fickle blog culture based fans or because artists just feel like they are supposed to make music videos, the following 5 clips really kicked ass and went the extra mile to create a special experience for fans.
Read the list Below.Add to My Radar
Repentless, the 12th studio album from the iconic thrash/metal band SLAYER and the first without beloved founding member Jeff Hanneman, makes the highest Billboard debut in the band’s 32-year recording career, coming in at #4 on the Top 200 Album Charts and scanning 50,000 units. Slayer’s Christ Illusion had been the band’s highest debut, premiering in 2006 at #5. Repentless, the band’s first album produced by Terry Date (Slipknot, Soundgarden, Deftones), also lands at #2 on Billboard’s Current Albums, Top Rock Albums and Hard Music charts.
Repentless now also holds the record as the band’s career-highest chart debut in Germany (#1), Holland (#2), Australia (#3), New Zealand (#8), the UK (#11) and on the Japanese International Chart (#1), and bowed at #3 in Finland, #4 in Belgium, and #5 in both Sweden and Greece. Additionally, the album debuted in the Top 10 in France (#7), Italy (#8), Hungary (#9), and Japan, (#10).
“The entire Nuclear Blast global team thanks Slayer and their loyal fans everywhere for the tremendous first-week success for Repentless,” said Gerardo Martinez, NB’s General Manager, USA. “Slayer made an amazing album that stayed true to who the band is, and the fans’ overwhelming response is proof of that.”
“Repentless,” the album’s first music video, made its premiere on the album’s 9/11 release date and has since logged more than 1.9 million YouTube views and is north of two-million views on Slayer’s Facebook page. The video was directed by BJ McDonnell (“Hatchet III”), filmed at the Sybil Brand women’s prison in East Los Angeles, and features copious amounts of blood, grizzly murders, and cameo appearances by some of Hollywood’s most recognized anti-heroes, including Danny Trejo (“From Dusk Till Dawn”) and Tony Moran (“Halloween”).
I have not really been able to stomach most of the reviews or negative attitudes towards the current incarnation of Slayer since Jeff H. died. Do you really think Hanneman would want us all turning on the band he was in for so many years? I can’t blame Araya for singing “Pissing match of egos” on the thrash-tastic title track of this latest entry into the band’s storied discography. Personally I think people are really easily swayed by band wagons these days and you get a few trolls or bad reviews up and running and suddenly no one thinks for themselves.
“We’re killing ourselves a little more everyday!,” Araya also screams on the title track.
I’ve written for other sights about how I prefer Katy Perry to Taylor Swift any day, but essentially at the end of the day it is about personalities. Pop music is mainly written by three or four people! Wake up! We are part of a still thriving underground and it is weak that Mayhem Fest had low turn out this year just because a more commercial band like A7X wasn’t headlining. But below the surface of the mainstream all we get is a sea of fucking arguing.
While Kerry King’s comments about the Mayhem Fest this year divided some fans, the infighting in the metal scene could also be pointed right back at plenty of more closed minded Slayer fans who will only accept the classic line up. I love the current Slayer and think they did as great a job as humanly possible with Paul and Gary. Really, could anyone be as good replacements for Dave and Jeff as these cats? They’ve been killing it live and both are classic members of the thrash pantheon in their own rights. Paul even arguably played on Slayer’s arguably MOST classic record GOD HATES US ALL since the early days!
Read more BELOW.
On Wednesday, in near 100-degree heat and high humidity, a riot broke out in the exercise yard of the Sybil Brand Institute, the women’s prison in East Los Angeles, where Slayer shot the music video for the new track “Repentless.” In fact, while Slayer performed the track under that punishing sun over an eight-hour period, the “prisoners” had to stage a riot for somewhere north of twelve takes before director BJ McDonnell finally called it a wrap. But that was all pretty much in keeping with McDonnell’s brutal vision for the clip, a vision that many in the veteran cast and crew referred to as “more like something for a feature film than a rock band’s music video.”
This is McDonnell’s first stint directing a music video. He directed the 2013 horror film “Hatchet III,” and his rich resume as a motion picture cameraman includes “Avengers: Age of Ultron,” “Ant-Man” and “The Interview.” For Slayer’s “Repentless,” he and the video’s producer Felissa Rose pulled together a gang of actors and crew who have been part of some of the most iconic horror films ever made: Derek Mears (“Predators,” “Friday the 13th”) Tyler Mane (“Halloween”) Jason Trost (“Hatchet III”), Danny Trejo (“Machete,” “From Dusk Till Dawn”), Tony Moran (“Halloween’s” Michael Myers, “American Poltergeist”), Sean Whalen (“Men In Black,” “Halloween II”), and Vernon Wells (“Mad Max 2,” “Commando,” “Weird Science”) all are featured inmates in the video. And if that wasn’t enough, McDonnell and Rose brought in stunt coordinator Nils Allen Stewart who is known for his work on films like “Planet of The Apes,” “Anger Management” and “Daredevil.”
Slayer’s prison yard performance is just one facet of what promises to be a grizzly video. While McDonnell and Rose are keeping full details about the video tightly under wraps until its premiere, it’s safe to say that there was a lot of blood spilled within those prison walls.
The date for the premiere of Slayer’s “Repentless” music video will be announced shortly. Repentless, Slayer’s 11th studio album, is due out 9/11/15 (Nuclear Blast), and is already receiving some pretty amazing press.
Smithsonian Institute’s National Museum of American History Profiles Slayer
“Slayer: The Origins of Thrash”
LOS ANGELES, CA — The Smithsonian Institute’s National Museum of History has just posted a profile of Slayer and the Origins of Thrash as part of its Places of Musical Innovation exhibit. Check it out HERE.
Remember kids, reading and bleeding is fundamental.Add to My Radar
Today…Slayer unveils the album artwork for its 11th studio album, Repentless, due out 9/11/15 (Nuclear Blast). The artwork was created by Brazilian artist Marcelo Vasco in collaboration with the band’s Tom Araya and Kerry King.
“We had a number of submitted ideas for the cover artwork,” said Araya, “and we felt Marcelo’s was the best. We made some suggestions and the result is an awesome album cover.”
The band also announces that the album’s title and first official track will be available digitally virtually everywhere around the globe this Friday, June 19.
“‘Repentless’ is my Jeff tribute,” said Slayer’s Kerry King. “I call it the ‘ HannemAnthem.’ It’s my perspective of Jeff’s perspective, it’s what I think…if Jeff wrote a song for himself, ‘Repentless’ would be it.”
Arrogance, violence, world in disarray
Dealing with insanity every fuckin’ day
I hate the life, hate the fame, hate the fuckin’ scene
Pissing match of egos, fuck their vanity*
With the title and release date just announced for Slayer‘s Repentless, due out September 11, 2015 (Nuclear Blast), today the thrash icons announce their heaviest release ever – literally – Repentless, Metal Eagle Edition. Made of aluminum alloy, measuring 15″ X 17″ X 3″ and weighing in at a hefty seven pounds, the Metal Eagle Edition will house a deluxe digipak of the new Repentless CD plus exclusive bonus content to be detailed soon. The limited (only 3000 copies worldwide) and numbered Metal Eagle Edition will be a direct-to-consumer item and available exclusively via the Nuclear Blast mail-order online stores. Pre-orders are available now, purchasing info HERE!
The highly-anticipated Repentless is Slayer’s 11th studio album, the first since 2009’s critically-acclaimed, Grammy-nominated World Painted Blood and the first with producer Terry Date (Pantera, Slipknot, Soundgarden). The band – Tom Araya/bass, vocals, Kerry King/guitar, Paul Bostaph/drums, and Exodus/Slayer touring guitarist Gary Holt, who recorded lead guitar parts for about a half-dozen of the album’s new tracks – started recording Repentless in March 2014, and made the track “Implode” available as a free download in April of that year. The band and Date continued to record between September 2014 and mid-January 2015 at Henson Studios in Los Angeles. For the album, “Implode” was completely re-recorded from the ground up, and “When The Stillness Comes,” used as an instrumental track in a Scion commercial, got a revamped intro and all new vocals.
Repentless also includes “Piano Wire,” an unfinished song from the World Painted Blood sessions written by Hanneman. About the track, Rolling Stone wrote that it “…begins with an eerie guitar line before evolving into a full-on-doom (and classic Slayer) riff onslaught…” King put it this way: “When I hear it, I think ‘Jeff.’ It sounds like a Jeff Hanneman song.”
The 12-track Repentless is, according to those who have heard it, a sonic assault of brutal, ominous, lightening-fast and heavy-as-hell music with lyrics that unmask what Slayer knows best – the terror, the corruption and the societal turmoil that dominates our world.
“The new album sounds like Slayer,” said Araya. “In the past, our fans have always known what to expect, this time they don’t. But we really like it, and I don’t think the fans are going to be disappointed.”
As is expected from Slayer, the band will support the release of Repentless with extensive touring across the globe, beginning this summer when the band headlines the Mayhem Festival. That tour kicks off June 26 at Sleep Train Amphitheater in San Diego, CA. The complete routing is below.
If you were only allowed to pick one black metal album to hear for the rest of 2019, I would strongly suggest you choose False's Portent. A dizzying leap forward from an already very talented and rightfully well regarded act, it does not take long into ten minute opener "A Victual to Our Dead Selves" for the song to grab your undivided attention and never let go. Dedicated to the memory of several friends, the record is professional, passionate, heartbreaking and exhilarating. "Rime On The Song Of Returning" is an exceptionally poetic ode to natural abandon that seems to question our size in the scope of the march of time. The band have never sounded more precise, empowered and fiery, like there is a fortune teller at band practice urging them to claim destiny's heights. If this album holds significance of metal's future it is one that honors the best of the past while boding very well for the genre's horizons.