Search Results for "Candlemass"

Album Review: Candlemass – ‘The Door To Doom’

Posted by Morgan Ywain Evans on Friday, February 8, 2019 at 4:04 PM (PST)

It was a cool week for underground music as far as I am concerned. Industrial act Front Line Assembly dropped a killer new record Wake Up The Coma with a hysterical but bold “Rock Me Amadeus” cover featuring Jimmy Urine that I cannot get out of my head (plus a cool title track feat. Nick Holmes from Paradise Lost/Bloodbath).  Obliteration’s Cenotaph Obscure was nominated for a Norwegian Grammy. AND most importantly on a personal level and relevant to being able to write this review, I also finally got to sit, drink tea and then become completely engrossed in the new Candlemass opus The Door To Doom until I grabbed the sides of my head and howled. Holy crow! Everyone just give up now. Don’t release anything else this year. It is over. You aren’t topping this. This is the essence of pure doom brilliance. Johan Langquist (who left the band after singing on the legendary 1986 debut Epicus Doomicus Metallicus) has returned! Much like Sabbath or Vitus or even Alabama Thunderpussy, people love different singer’s eras – but the buck really stops with Johan in this band’s case. Leif Edling and unmerrymen have outdone themselves and made a fucking modern masterpiece of the genre.

The much hyped collaboration track with mighty Tony Iommi of course lives up to the hype. “Astorolus – The Great Octopus” is like the Poseidon arranged wedding between the “Children of The Sea” and something from even darker and heavier depths. It’s way stompier and doomier than “Children…” with absolutely no uplifting parts, haha…but maybe I just needed an oceanic comparison to house the giant tentacles mass of this tune.  Iommi plus Candlemass is obviously a match made in Heaven and Hell (see what I did there?) and fans are going to be shook. For real, this album surpasses Sabbath’s 13 with ease (and I liked plenty of moments on that record even with the flaws and shamefully no Bill Ward). I am SO glad this collab happened.

“Bridge of The Blind” is a reprieve song of sorts, a dreamy sad song with incredible guitar tones. Johan takes the relatively straight-forward closing lines ,”What would I find, if I open my eyes? Will you be waiting on the other side?” and injects so much emotion into them that you feel a huge gulf of loss or like you have just listened to a traditional ballad people have held close to their heart’s for hundreds of years. “Death’s Wheel” is an anthemic war charge from the opening riff, pulverizing everything in sight and getting heavier and more dizzying as it goes. The solo on that song shoots vertically into the sky, defying the heavens boldly. “House Of Doom” like Cathedral’s Swan Song The Last Spire recalls medieval despair via cool sound effects (a tolling bell here) before thundering home. The organ drenched bridge of the song is one of the most epic moments of many on the album.

I honestly would be startled as hell if anything tops this in 2019. It just hits so many checkmarks from hot anticipation to a triumphant reunion of classic members to, most importantly, completely bad ass NEW songs that only add to the band’s legacy forevermore whilst perfectly nailing what is best in a genre. Ghost, who have a history of taking out top notch talent from the much missed Purson to Marissa Nadler, have Candlemass with them in Europe at present on the road. No offense to Ghost but I am really glad some of their more genre-tourist fans are gonna get their fucking asses schooled by some OG doomage of the purest molten kind.

 

Candlemass prepare to release new album in 2019

Posted by longhairedpoet on Thursday, December 6, 2018 at 12:28 PM (PST)

Swedish doom metallers Candlemass are preparing to release their newest album The Door To Doom in February.

This will be the band’s first album since their 1986 debut Epicus Doomicus Metallicus to feature vocalist Johan Langquist.

The Door To Doom will be released via Napalm Death Records and features Tony Iommi on “Astorolus – The Great Octopus.”

Tony Iommi on his appearance:

“Candlemass are a major force in Scandinavian heavy rock and have always acknowledged the influence we had on their music. They asked if I’d contribute to a track which sounded pretty good so I thought ‘why not’ “.

Leif Edling states:

“We feel very honoured that Tony Iommi said yes to play the solo on ASTOROLUS. The song was sent to the management and amazingly enough, the master agreed to let his mighty SG sing on the track! For me personally this is a dream come true. Tony Iommi has always been my hero and guiding light when it comes to heavy music, so to hear that he likes the song and also would like to play on it, gave me chills down the spine! I’m still in shock! But kudos to him to be so cool to even listen to it. Hats off! Tony Iommi is and will always be God!”

Check out the tracklist and album art for The Door To Doom here.

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Cover Art Battle: Ravens, Vultures, and Blades

Posted by JDKleinhans on Monday, June 4, 2012 at 6:45 PM (PST)

Welcome to Metal Riot’s Cover Art Battle! Every week we try and show the best-of-the-best in metal cover art, ranging from the fantastically illustrated to hauntingly photographed and everything in between.

Another week, more album cover art to discover. New bands. Tenured bands. Enough shenanigans. Time for you to go and vote.

That is all.

***WINNER*** Black Shape Of Nexus – Negative Black (Exile On Mainstream)

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