Search Results for "Industrial Metal"

Aborym announce new album ‘Hostile’ for 2020

Posted by Morgan Ywain Evans on Monday, November 25, 2019 at 6:36 AM (PST)


Hot on the heels of their 25 Anniversary Celebration through the release of the trilogy Something for Nobody (3 LPs, released via Dead Seed Production in the between of 2017 and 2019) ABORYM are about to enter the most prolific period within their extensive career with the highly anticipated brand new album HOSTILE due for international release on 2020 by DEAD SEED PRODUCTIONS.

Their 8th studio album is titled HOSTILE and ABORYM are currently recording it at NGM studios and Synthesis Studios with the sound engineer Andrea Corvo.

The new album will be mixed in Rome and Bangkok by the legendary producer Keith Hillebrandt, sound-designer, remixer and programmer from San Francisco (now Bangkok based) who has worked within the music software business and with/for various artists such as Stevie Wonder, Consolidated and David Bowie. He has also manipulated sound in many musical outfits including Nine Inch Nails, Blast Conservatory, Cleopatra System and Full Court Press (a band he was in), as well as working in Naut Humon’s Sound Traffic Control. Keith Hillebrandt has also released four solo albums and an EP. On David Bowie’s I’m Afraid Of Americans, Hillebrandt is listed as a full member of NIN along with Dave Ogilvie, Danny Lohner and Charlie Clouser.

The mastering will be entrusted to the Aborym long time associate Marc Urselli, 5-time Grammy Award nominated, 3-time Grammy Award winning engineer, producer, mixer, sound designer. Marc Urselli works with artists from around the world such as U2, Foo Fighters, Sting, Lou Reed, Keith Richards, Nick Cave, Børns, Mike Patton, John Zorn, Elton John […]

“It’s taken us a while,” – says lead singer and mastermind Fabrizio Giannese aka Fabban – “but over the last couple of years I put together a great team of individuals to work with, and that, as well as a revitalized and energetic new commitment has triggered an effect that has dramatically overhauled ABORYM. Hostile is testament to that. It’s rude, it’s ballsy and at the same time it’s sensitive and extremely intimate”

“It was a great pleasure making the new album,” concludes Giannese. “Sometimes you hit a period where everything just fits together perfectly and turns out exactly as you hoped it would. Hostile reflects that very sentiment, and much more.”

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Hostile. The new record. 2020.@deadseedproductions

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News today many of you have been waiting for from the surviving Static-X camp. Project Regeneration is still coming and is going to feature a lot more Wayne! read more:

Originally scheduled for release in Spring of 2019, the new STATIC-X album, PROJECT REGENERATION was first intended to feature several guests vocalists, along with the original Wisconsin Death Trip band line up of Tony Campos, Ken Jay, and Koichi Fukuda. During the recording sessions for PROJECT REGENERATION, one of the bands producers uncovered several additional unreleased / unfinished STATIC-X tracks, many of which contained isolated vocal performances by Wayne Static. Because of this incredible find, the new STATIC-X album will now feature lead vocals by Wayne Static on virtually every song.

“It was very surreal” says Tony Campos. “Our producer was going through all of these old studio tapes, many of which were damaged. He called me up and told me that I needed to get down to the studio right away and listen to what he found.. I jumped in my car and raced to the studio and what he shared, fucking blew me away.. It was Wayne singing on track after track, but there was little to no music on any of it.. Most of the tapes were damaged and Waynes voice was virtually all that remained in tact.”

“It was just crazy!!” adds drummer Ken Jay. “There we were.. Myself, Tony and Koichi, back in the studio together, after all these years, and somehow the universe decided to surprise us with all of these lost STATIC-X tapes containing Waynes voice. I just couldn’t help thinking that this was all somehow meant to be. I couldn’t stop thinking about how happy this was going to make Waynes family, and all of the STATIC-X fans around the world.”

Due to the busy touring schedule associated with the 20th Anniversary of Wisconsin Death Trip, the band had no choice but to delay the album’s release.

“The official release date for PROJECT REGENERATION is now May 29, 2020.” Says Tony Campos “In the mean time, we have decided to go ahead and ship out ALL of the merchandise and schwag associated with the pre-orders to all the fans who have participated. This way they can have all of their shirts, hoodies, posters, etc, while we all wait a little bit longer for the music to be complete.. As originally planned, the Cd’s will ship to everyone the week prior to release..”

In addition, we are finally able to begin sharing some of the finished music from PROJECT REGENERATION” adds Campos. “There is a lot of great stuff on the way, but right now we are going to share a video clip for one of the newly finished songs called ‘HOLLOW.’ This song was originally a demo from the Start A War album, which was never completed.

“Wayne and I never felt like the music on the original demo was fully realized”. adds Tony. “The vocals sounded great, but some of the musical compositions from that time period felt a bit experimental. There is a reason that some of these tracks never made it on a previous STATIC-X album, and it certainly wasn’t because of Wayne’s vocals. The band was just going through a lot of changes at that time and, in retrospect, it felt like we were straying away from that authentic STATIC-X sound that had really defined us.”

Ken Jay adds, “When we began working on PROJECT REGENERATION our producers advised us to ignore all of the old demo music.. We opted for the original band to re-enter the studio with nothing more than Wayne’s vocal tracks.. The vocals sound really great and I think that Wayne would be really happy with what we’ve done with the music and to hear that these tracks have finally realized their full potential..”

“The 20th Anniversary for Wisconsin Death Trip only comes once in a life time.” Says original guitarist Koichi Fukuda “and this year has been absolutely incredible. The new album is going to be very special and this whole 20th Anniversary touring process has been a very unique and healing experience for the band and also for the fans.”

“We are so grateful to the fans who have made 2019 such an incredible year for STATIC-X!” adds Ken Jay. “We have toured the world and celebrated the life and work of our dear friend Wayne, while playing our debut album front to back every night.. The fans have really exceeded our expectations and again, we are just so grateful!”

“Now that the touring for 2019 is coming to an end, we have revised our schedule and we are excited to finish the album so that we can get it into the hands of the fans asap,” states Campos. “I promise that it will be worth the wait!”

Upcoming tour dates BELOW.

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Photo by Nick Haymes

“…the fact that we have these wild parakeets flying around between the palm trees and most normal people don’t even acknowledge them…they are a precious detail that only the wisest of Los Angelinos truly appreciate.” – Actually Huizenga.

Happy Easter weekend, sinners. Or Passover or Pagan Bunny day if that’s what you are doing. Whatever is clever. I’m here to bring you back from the dead in style with a blasphemous article on the most holy musical warrioress of our times, Actually Huizenga. She is a performer, brilliant musician and funny and chill as heck, a multi-faceted director, actress, rager, singer, expert on obscure subjects and also probably will live forever through cult worship ceremonies. She is the force behind Patriarchy (a much better one than “the patriarchy” – you will want to rave about how “Patriarchy” is finally cool).

Yes, cool is a dorky word. But facts are facts. I was scrolling IG one day and saw her Patriarchy page and was like WTF! Some people would maybe think they had stumbled into a Babylonian hellscape but I was like…this is basically utopia!

Now, a little known fact…there is not really a God. Famed-ethnobotanist Terence McKenna was right about the fractal machine elves but something overlooked is that fractal machine elves sometimes tie it on too hard. They also have the big responsibility of determining how much coolness every soul which is born gets pre-birth from their little weird psychic elf factory. One day a particularly handsome elf we will call “Buzz” was kind of asleep on the job and rested his nose too hard on the “coolness lever”. Well, it turns out baby Actually got 30X the concentrated radness usually given to a normal “mortal” and thus is probably going to save or destroy the world. Are we ready for her messages?

All I know is she saved my brain the last few days by offering a much needed alternative to Trump bleating about “No collusion”, a far superior place with chain mail, snakes, decadence and synthy wise-ass glory. I know y’all wanna read about Accursed Spawn and stuff all the time, but sometimes we need to get freakier than that – ok?!

So I wrote to her and the California based artist thankfully agreed to let me interview her. Fuck yeah! She even told me funny stories and humored me while I was telling her about being stuck in a forest and seeing giant hawks that thankfully didn’t eat me alive or this never would have been published. Instead, you have the following conversation to memorize. You should also watch her videos and movies twice as many times as people streamed The Dirt. Jesus says everyone who does gets to go to heaven this weekend for free, no matter what. For real.

In all seriousness though, she is hysterical, beyond talented and really blew my mind when I heard her incredible music. So happy this came together and hope all of you have fun reading it or discovering her world and killer material if you haven’t yet.

Read our chat BELOW.

 

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Album Review: Surachai – Come , Deathless

Posted by Kriegmaster Hatesturm on Wednesday, January 30, 2019 at 12:46 PM (PST)

Y’KNOW WHAT. FUCK IT MASK OFF. I LOVE THIS. HOLY SHIT.

THE PROJECTS BANDCAMP READS “SURACHAI PIVOTS FROM FULL ENSEMBLE BLACK METAL OUTFITS TO SOLO KEYBOARD EXPLORATIONS”. AND USES THE WORDS AVANT GARDE. I THINK USING THE PHRASE AVANT GARDE IN AN ERA OF NOISE WHERE SELF MUTILATION IS A POPULAR ELEMENT IS OVERSTATING IT. BUT THIS GOES.

IT WAS HANDED TO ME AS “SOMETHING DIFFICULT TO PINPOINT STYLISTICALLY”. BUT THIS IS A POST VENETIAN SNARES SOCIETY AND I HAVE HOURS OF HAM-FISTED “DARK DUB 1HR MIX” PLAYLISTS ON MY LAPTOP. SO WE HAVE THE WORDS FOR THIS KINDA THING NOW, LET’S FUUUUUUCKIN USE THEM. IT’S DECONSTRUCTED DARK LIQUID DNB WITH BREAKCORE ELEMENTS AND THE SOUND DESIGN REMINDS ME A LOT OF THE PANACEA. IT’S LIKE IF A LIMEWAX ALBUM WAS WRITTEN BY XANAX. WHICH IS A COMPLIMENT I PROMISE. THOUGH DECIDEDLY NOT HEAVY OR STRUCTURED ENOUGH FOR “OUTSIDER” CROSSOVER HARDCORE LABELS LIKE NEKROLOG1K OR PRSPCT. THE MARKET FOR WEIRD WITCH HOUSE AMBIENT SHIT NOW IS HUGE, AND THIS IS THE COOL KID LEATHER JACKET CIGARETTE SMOKING END OF THAT.

THE SHEDDING OF USEFUL SKIN, OTHER THAN BEING A TOTALLY FIRE TRACK NAME OPENS LIKE BACKGROUND MUSIC TO A CLUB SCENE IN A DYSTOPIA FILM WITH A REAL BUMMER OF AN ENDING. LEANING INTO PAIN (ANOTHER HOT TRACK NAME) HELPS BRIDGE THE GAP TO THE HALFWAY PARTS OF THE ALBUM WHERE STRUCTURE REALLY BEGINS TO COME APART. DECIPHERING WHISPERS FROM A WIND (A LESS HOT TRACK NAME) SOUNDS LIKE SOMETHING THAT WOULD LOCK ME TO THE FLOOR OF MY APARTMENT AFTER LISTENING TO WITCH HOUSE PISS DRUNK AT 3AM. I’M REALLY INTO THE GRATING BITCRUSHING SOUNDS THAT BITE AT THE UPPER END OF THE REGISTRY ALONG THE WAY. THOSE ARE HARD TO USE WITHOUT GETTING ANNOYING BUT MAKE FOR A MORE PAINFUL RAW SOUND AND I AM FUCKING HERE FOR IT. THERE’S REALLY A LOT TO BE SAID FOR SOME OF THE SOUNDS

IF I WAS TO ENTERTAIN THE IDEA OF CRITICIZING PARTS OF THIS ALBUM I WOULD SAY SOME OF THE TRACK NAMES FEEL UNCONSIDERED AND LIKE “GENERIC SPOOKY” WHERE OTHERS REALLY HAVE THAT HEAT. AND ALSO THAT I THINK EVERY GOOD ASTRUCTURED AMBIENT-ISH ELECTRONIC MUSIC ALBUM NEEDS A REALLY FOCUSED CLIMAX THAT PICKS UP A LITTLE MORE SPEED, AND THIS ONE TOOK MORE OF A PLATEU APPROACH. I THINK ALSO WITH THAT PLATEAU APPROACH, THE ALBUM FEELS A LITTLE LONG. SOME HUGE SQUARE WAVE KICKS RIGHT AROUND TRACK NINE WOULD HAVE MADE THE LAST FEW TRACKS FEEL LIKE A WIND DOWN AND LESS OF A DRAG.

I CAN’T DECIDE IF PUSHING THE ALBUM COMPLETELY DEVOID OF AUDIO SAMPLES OR VOCALS IS A REALLY CLEVER AND MAKES IT FEEL MORE ALIEN OR IF THAT’S PLAYING IT SAFE AS SOMETHING THIS FOCUSED WOULD REQUIRE EXTREMELY CAREFUL CURATION. BUT THIS IS THE PROJECT’S SEVENTH STUDIO ALBUM, SO I’M CERTAIN THEY’RE MAKING EXACTLY THE KIND OF STUFF THEY WANT TO AT THIS POINT.

4.5/5 STARS. I ACTUALLY BOUGHT THE VINYL FOR THIS.

Time falls back: Four October recommendations

Posted by longhairedpoet on Sunday, November 4, 2018 at 12:01 PM (PST)

Another month has passed us by. The time has just fallen back, meaning shorter and darker days are upon us. The situations we’re in seem to get darker, too, with each passing day. If you’re here reading this then you, like me, probably turn to music to deal with the shit going on in the world. The sun continues to rise and set, and for those of us who see it rise and see it set, we have an obligation, a duty, to do our best to make the world suck a little fucking less each and every day. Hopefully these four albums can be your soundtrack for that.

Check out the four albums I enjoy the most this month here.

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Static-X 20th Anniversary “Wisconsin Death Trip” news

Posted by Morgan Ywain Evans on Saturday, November 3, 2018 at 1:03 PM (PST)

Hey rockers, meant to post about this a little while ago but Static-X have some cool tribute news for fans in 2019 on the way. New music and more. RIP WAYNE! I am really happy I saw them live with Mindless Self Indulgence in New Jersey once (if I recall). Long time ago. Time flies, fuck. Follow your dreams while you can, kids.

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Light This City photo by Joe Ellis

Hey y’all. How is everyone today? Time for some Thursday highlights as we wade through the muck and mire of this week. Today is my mom’s bday and she has dementia so I need to go visit her and not spend too much time on riffs today, but here are a few items of note.

After many years in prog metal/viking blackened veterans Enslaved, drummer  Cato Bekkevold, who has played with the band since 2003, has quit the influential band. No word yet on a replacement. Here is one of my favorite performances of his on the brilliant song “To The Coast”.

Trent Reznor of Nine Inch Nails had some words regarding Taylor Swift this week.  “You don’t hear a lot from the Taylor Swifts of the world, and top-tier, needle-moving cultural youth because they are concerned about their brand, their demographic and their success and career and whatnot,” Reznor told The New York Times.

Why did you only use her name, dude? There is only one Taylor selling out arenas and breaking records as a woman left and right at the moment. You could have listed some other top tier artists also but picked a soft target scape-goat. So let me help clear things up. And I saw the Downward Spiral Tour at MSG in the day, y’all so don’t act like I am ignorant about what Nine Inch Nails is about. I listen to The Fragile more than a LOT of other albums. I also firmly am pro punching nazis.

Still, as an indoctrinated Swift supporter who once was an ignorant hater of her and as a lifelong metalhead and political activist, I think Trent is way off the mark with Taylor. People are erasing what Taylor has actually done.

She donated to March For Our Lives and RAINN despite it alienating any conservative fans she had because she knew it was the right thing to do, had 2,000 foster kids to her show free and met them all, went through a sexual assault trial, KimYe Snapchat gaslighting and her mom’s cancer recently and whatever she does she is called ‘overshadowing’ so she has preferred to let her donations and her constant support of LGBTQ speak for her beliefs. How much have you donated recently, Trent?

She worked with so many black artists and it is far beyond tokenism but still gets called a nazi even after working with Kendrick because someone thought one lyric of “I rose up from the dead” in LWYMMD was about a nazi army returning? Reach, much?

You know the far right will get excited about white paint on a picket fence, right? That doesn’t mean it is a nazi fence. I thought her song “Starlight” about The Kennedy family plus liberal boyfriends and watching 13th documentary with Todrick weren’t exactly David Duke’s cup of tea.

Consider also that if Taylor had come out and just said ‘Fuck Trump’ right away a lot of conservative fans would have been told to burn her albums and thus lost probably the most empowered female artist on their radar who actually has been working hard and playing instruments/writing songs since she was a kid turning down bad development deals other artists would have jumped on to their detriment. Instead she kept them listening and then took their money and used it to educate them about supporting gay rights and pro peace measures to stop gun violence.

The most problematic thing about Taylor is that one of her music video directors Joseph Kahn is sexist casually often and rude to her fans and believes pit bulls should be killed, so I detest him and hopefully he does not stay on much longer. He often makes bad decisions that get her dragged. A lot of her fans have been vocal that they dislike him so we really are hoping Taylor fires him like she did a sexist dancer recently.

Here is my gf trying to get through to Trent.

Taylor is not ALWAYS super vocal but at least puts her donations and support out there. Maybe her pro LGBTQIA speech didn’t feel political enough and important to YOU, Trent…but to many of those of us who fall under one or more of those letters it was very important.

A lot of liberal artists are out there saying one thing about loving Clinton like Katy Perry but were still supporting MAGA Kanye or kissing his ass (Courtney Love). Meanwhile Kanye is literally saying naively that he gave MAGA a new direction and caping for Trump even as he put kids in makeshift concentration camps but then people say “separate the art from the artist.” Kanye is putting out an album a week with problematic people (as well as being one himself) and DO YOU ALL REALLY THINK Kim Kardashian was super invested in long term prison reform when her husband is helping support Trump and they couldn’t even keep supporting a charity named after Kanye’s own mom? Now THAT is some optics.

Or XXXTentacion dies (of course it is sad when a life is wasted young) and everyone says “he was changing” to ignore the bad things he did like they don’t matter when he showed barely a shred of evidence of contrition or accountability. He literally just a week or two before his death in the very well done article by Tarpley Hitt said feminism is bad and women have the real power over men and had a tweet up for like 5 years on Twitter saying he wanted to murder Taylor Swift, but ok, y’all. Nice guy alert! Who is covered with a gay man’s blood laughing in front of their crying mom and then gets more violent after that? But let’s say Taylor is the most problematic.

I will be seeing Sebastian Bach, Taylor’s Rep Tour, Act Of Defiance and some doom metal bands this month and will be having fun at all of the shows.
My point is that Beyonce rented out a whole theater to screen a Woody Allen movie and played Bush’s inauguration once and Timberlake supported Woody Allen. Katy Perry helped support the patriarchy by supporting Kanye gaslighting in the song “Famous” and she sang along to a whole arena calling another woman a bitch and giving a man credit for Taylor’s career even though Taylor has been outselling Kanye since Fearless or rather since forever and always, lmao.
She also gets held to an impossible double standard where if a man writes negatively about ex’s he is praised but if she does she is a slut. 

This Friday, Bay Area melodic death metal quintet LIGHT THIS CITY will embark on their West Coast Tour supporting their acclaimed Terminal Bloom LP, the recently-reactivated outfit’s first album in a decade. This band was always cool during their early era and haven’t lost any of their oomph since. If anything, the new stuff sounds so happy to exist at all that the performances feel extra alive and edgy. So glad to have them back around to do their genre right. (Please get that Dissection T-shirt out of your next band promo photo though, y’all. I usedta love that album as well but didn’t notice it on your band member when I posted this and it kind of looks bad when I was just talking about gay rights a few paragraphs ago).

 

In the wake of Terminal Bloom‘s release, LIGHT THIS CITY now hits the highways with support from labelmates Gygax (yes, that is a D&D reference, for you youngsters). The Terminal Bloom West Coast Tour begins this Friday, June 22nd in San Diego, then hits Anaheim, Los Angeles, San Francisco, Seattle, Portland, and ends in Sacramento on July 1st. Stand by for additional widespread tour dates from the band to be announced in the months ahead.

 

Stream LIGHT THIS CITY’s Terminal Bloom LP at THIS LOCATION .

 

Terminal Bloom is available on CD, LP, and digital formats now through Creator-Destructor Records; find order options at the label webstore HERE and Bandcamp HERE.

 

LTC Tour dates Below.
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Ministry’s ‘AmeriKKKant’ is in stores today.

Posted by Metal Riot on Friday, March 9, 2018 at 4:02 PM (PST)

 

At long last, the day has arrived when Ministry‘s provocateur-in-chief Al Jourgensen – never one to shy away from making political statements – can share with the world the fruits of what started as what he thought was a bad, bad dream on November 9, 2016…the day the world woke up to find that Donald J. Trump had been elected President of the United States.  Ministry’s AmeriKKKant is in stores today.

 

 In this “release day video,” Al provides one last look at what we can expect from the new album.  According to Al, the album’s lead-off track “Twilight Zone,” harkens back to the chilling moment of realization:  “How did this happen??”  “Victims of a Clown” looks at us, American citizens, we who were about to be led by a man with no intellectual curiosity or emphathy.  “TV 5/4 Chan” looks at Trump’s followers who get wrapped up in their little soundbites for TV, put out their own “fake news,” and then crawl back into the hole they came from.  “We’re Tired of It,” “Antifa,” and “Wargasm” make up a trilogy that screams “We’re not snowflakes!  We’re not going to be led around by the nose, we’re going to stand up for ourselves!”  The next track, “Game Over,” illustrates the realization of the “new reality” of what happened, how we got caught in Trump’s BS.  “AmeriKKKant” closes the album with a look at the journey of what’s been going on, what brought us to the place where we, the American people, would vote for a man like Trump.

MINISTRY – Song Topics on AmeriKKKant (OFFICIAL TRAILER)

The new Ministry album "AmeriKKKant" is out now! Watch as Al runs down all the song topics on the album and make sure to pick up your copy in physical, digital and streaming formats at http://www.nuclearblast.com/ministry-amerikkkant

Posted by Ministry on Thursday, March 8, 2018

Ministry hits the road with a brand new concert tour on March 22 at the House of Blues in Anaheim, CA. The full itinerary is below.
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Ministry release “Twilight Zone” music video

Posted by Metal Riot on Tuesday, February 27, 2018 at 4:46 PM (PST)

Today, Ministry releases a surreal and provocative new music video for the track “Twilight Zone” from the band’s upcoming album, AmeriKKKant, due out March 9 (Nuclear Blast).  Building upon the themes of the song, the “Twilight Zone” video takes the viewer on a macabre excursion through the current U.S. news media climate of misinformation, corporate propaganda and hypocritical slander.  “We are in completely uncharted territory now,” said Ministry’s Al Jourgensen, “witnessing the unraveling of what was once a functional democracy.  Our government is under attack.  Our planet is under attack.  It’s time for a major reboot.” Click HERE to check out the “Twilight Zone” video.

 

The video was filmed last December just outside of Los Angeles and features Ministry guitarists Sin Quirin and Cesar Soto, Tony Campos (Fear Factory, Static X) on bass, keyboardist John Bechdel (Killing Joke, Fear Factory), live scratcher DJ Swamp (Beck, the Crystal Method), and Derek Abrams on drums.  Guest appearances are made by Gray Wolf, President of American Indian Movement (AIM), the internationally renowned and idiosyncratic Lord of the Cello, and an army of Ministry supporters who participated in the band’s PledgeMusic AmeriKKKant pre-order campaign.

 

The “Twilight Zone” video was produced by Chris Roth and Steve Roth for The Other House production company, the same group that produced Jourgensen’s previous music video, “I’m Invisible” for his 2016 Surgical Meth Machine release.  Chris Roth also directed the “Twilight Zone” video with Steve Roth as Director of Photography and editor.  The Other House has produced a wide array of broadcast design projects for Revolt TV, Nike’s Kobe 8 System, MTV, Aol.RISE, the Syfy Network, VH-1, CNN, PBS, “The Profit” on CNBC, the 2017 Emmy Awards and many more.

 

Said Chris Roth, “I’m a life-long fan of the band and very politically active.  Not only was this an opportunity to collaborate creatively once again with the one and only Al Jourgensen, but also an outlet for much of my pent up aggression and frustration regarding the current state of politics in our country.”

 

Ministry kicks off its North American tour on March 22 at the House of Blues in Anaheim, CA. Complete dates are accessible HERE.

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GODFLESH stream “Post Self” title track

Posted by Morgan Ywain Evans on Wednesday, November 1, 2017 at 4:35 PM (PST)

Industrial metal colossus GODFLESH have streamed the title track to new record Post Self (due out Nov. 17th). Check the song out right here.

I am a lifelong fan of this band and have never criticized them, but this song sort of feels like a walk through. It didn’t light me up and make my hairs stand on end like the vast majority of their material, though I do like the 2:40 sort of more dissonant and thumpy ride out section a lot. This section kind of reminds me of Love and Hate in Dub a bit, which I have spent many hours very, very high absorbing and totally love.

While this song didn’t grab me as much as most of their stuff, it is Godflesh so you know the record will have many amazing components.

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Marilyn Manson fires Twiggy Ramirez

Posted by Metal Riot on Tuesday, October 24, 2017 at 7:19 PM (PST)

Many people have been waiting for this news to break and it did. Looks like Marilyn Manson has fired Jeordie White after the rape allegations from Jessicka Addams of Jack Off Jill/Scarling. Addams seems much more credible and socially aware than White, who says genius stuff like “Varg is awesome”.

This makes us glad as we want to keep supporting Manson (as long as Johnny Depp isn’t in more videos) and he seemed shocked when the news broke. Here is hoping Tim Skold comes back. In other news, Alice Glass fans should read THIS.

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Daisy Berkowitz (Scott Putesky) dies

Posted by Morgan Ywain Evans on Sunday, October 22, 2017 at 9:04 PM (PST)

Marilyn Manson co-founder Scott Putesky has passed from his four year battle with cancer. There was something magical about the Portrait Of An American Family-era and “Daisy Berkowitz” was a gigantic part of that initial wow factor. The news broke via another of Putesky’s former bands, the incredible cult act Jack Off Jill. Jessicka Addams of JOJ was also in the news this week to tell the world of horrible abuse she allegedly suffered from Manson member Jeordie White. Record companies def cover for money making stars and we hope Addams finds peace and closure. It must be incredibly emotional to have lost her friend Scott so close to already dealing with the torrent of emotions that accompanies speaking up to a bigger power.

I missed that certain cartoony style and buzzy punkish rage that inhabited much of Putesky’s playing after that element was less prominent in Manson’s work (The Golden Age of Grotesque has maybe some of the closest moments). While I am a big fan of a number of later MM releases, there is something about Portrait that will always remind me of doing drugs in high school and escaping into that crazy tape in my walk man when the world seemed huge and too scary to treat as anything other than a mad carnival.

Read a great interview with Scott HERE.

Saying good bye to Scott, friend, band mate, artist , hero.. RIP Scott – "always touched by your presence dear." Daisy Berkowitz

Posted by Jack Off Jill on Sunday, October 22, 2017

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Rammstein making final album?

Posted by Morgan Ywain Evans on Sunday, September 17, 2017 at 10:03 AM (PST)

Waking up on an early Sunday afternoon after a very late night. Celebrating the spontaneous news that Clover is playing with SubRosa near me tonight on a one off from SubRosa’s dates with Wovehand and I didn’t even know about this particular gig til an hour ago! Also celebrating the amazing news of the ICP Juggalo March decimating the pathetic “Mother Of All” Dumpster Fire MAGA Moron marches, which I will laugh my ass about forever as the losers slink back to Kekistan. I also just had a crazy night where I saw an 80 year old cowboy driving around with a wood splitter attached to his Prius (!!!) to practice trailer parking because he said the government was trying to say he was too old to drive anymore. He also had a gold rolex and a pistol and was yelling about how a lack of eating pussy was destroying society, I swear to God. Between him and a random metal head on the street who started screaming Mercyful’s “Into My Coven” at a sloppy wedding after party to freak them out, it was a crazy night at the bar I was at.

But anyway, we are here to talk about Rammstein.Can we all agree that this band have ascended to absolute insane heights no one perhaps ever saw coming when many first heard of them around Nu Metal times? And wow, did they ever transcend that limiting tag!

Blabbermouth REPORTS that RAMMSTEIN guitarist Richard Kruspe says that the band’s upcoming album could be its last. The reason why kind of makes sense:

“…somehow we managed to move back to the beginning of the world of RAMMSTEIN where we, basically, are very emotional and very enthusiastic about writing again. It wasn’t like that before. We came back to a point that everyone is really respecting the other one, and it feels kind of like a circle almost, that we start from zero again, which feels nice.”

Man, I wish some of the bands I had been in had been able to do that and keep members instead of becoming failed democracies or back stabbing and imploding on themselves. But anyway, I am sure whatever the band do it will be awesome and we are eager to hear it. If it is the Neue Deutsche Härte acts swan song, they ought only be proud of their massive, freaky and unlikely legacy.

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Marilyn Manson releases “We Know Where You Fucking Live”

Posted by Morgan Ywain Evans on Monday, September 11, 2017 at 1:01 PM (PST)

Marilyn Manson has been, in my opinion, pretty consistent through his musical career overall, but most people always associate an artist’s ‘best’ work with their most popular period due to shared cultural reference points. The truth is, while a lot of Manson stuff on the last handful records drifted into the sort of mid-tempo pained moaning and self-deprecating poetry territory it wasn’t overall bad. Some people need stuff to be extra in their faces for it to make them feel the same level of adrenaline (look at Linkin Park fans who only like their first record when they have arguably been decent songwriters most of their career).

Anyway, if you like the more hard rock side of Manson you will likely dig this new single from 10th LP Heaven Upside Down (the album is due Oct. 6th from Loma Vista Recordings). It has the sense of social paranoia, some yeowling scratchy screams and a semi-stompy beat that will likely make it a strong live number. If anything it is a pointed examination of the lack of privacy in the swarming cesspool we call modern culture.

Check it out BELOW.

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Read a great Nine Inch Nails Panorama review at Metal Sucks

Posted by Morgan Ywain Evans on Tuesday, August 1, 2017 at 5:56 PM (PST)

Read a very well written account of the Nine Inch Nails‘ Panorama set on Randall’s Island over at Metal Sucks HERE. It is a pretty inspiring read and will remind you why music ought to be more than disposable.

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