Search Results for "Industrial Metal"

Grammy-nominated band Code Orange have announced “Back Inside The Glass,” an all-immersive environmental experience placing Code Orange’s live show at the center of awe-inspiring virtual landscapes.

Broadcasting live October 31st at 4:00PM EST / 1:00PM PST, “Back Inside The Glass” will see Code Orange delivering a colossal livestream performance in a way never-before-seen, and will feature special guests Machine GirlYear Of The Knife (playing their LP Internal Incarceration in full) and Jesus Piece kicking off the stream with brand-new sets delivered through a cinematic lens.

Tickets for “Back Inside The Glass”, including VIP packages with a virtual fan experience that allows viewers to digitally project themselves into the venue as the band performs, are on sale now at live.codeorangetoth.com. All tickets will receive an instant download of “The Cutter,” a never-before released track from the Underneath album sessions. Fans can also tune in at 3:00PM EST / 12:00PM PST for Mudbangers Ball (Vol.2), a special livestream preshow hosted by Riki Rachtman featuring interviews and new heavy music videos, reimagining a beloved format.

Code Orange vocalist Jami Morgan commented on the announcement: “We are very excited to present the next chapter of the Code Orange live streaming experiment. We are hoping to deliver something on a whole new level with ‘Back Inside The Glass’ and are glad to have our brothers and sisters in Jesus Piece, Year Of The Knife, and Machine Girl along with us.”

Add to My Radar   Add to My Radar

Horrible news as Burton C Bell quits Fear Factory

Posted by Morgan Y Evans - Walking Bombs on Monday, September 28, 2020 at 4:49 PM (PST)

Fear Factory‘s classic line up changed my life. Seeing them years ago at Tramps in NYC playing “Piss Christ” was the most intense baptism of musical fire and a complete revelation on what intensity of sound merged with science fiction could accomplish. It has been agonizing as a fan over the years to see the fighting and constant musical chairs, despite many great albums along the way. And don’t get me started on Christian’s occasional very wacky hot take comments like recently downplaying the problematic nature of the Confederate flag when reminiscing about Pantera on IG (who I love but it is more than ok to critique about that). Raymond has always been super cool to me and with the exception of Gene Hoglan it also was a drag to see his impact downplayed by drum machines or lesser, if talented, characters behind the kit.

Burton C. Bell has now quit the band (who endured lengthy litigation between the classic line up members in recent years) and has released a lengthy, sad fucking statement you can read HERE. It seems pretty damn harsh on Dino, much as I love Burt. I can’t even write all the deets out for you all right now because I am so effin’ bummed.

Sadly, I now hope Dino just finishes the last album mix tweaks and releases it and lets the band end. It will be sad but we will have the final album. It isn’t a band that would be cool to continue without Burton. He is intrinsically linked to the psychic machinery of the material like a cyborg with head implants. Whenever key elements have been removed it has somewhat worked but also something has been slightly missing. Some bands are a sum of their parts and that chemistry.

Dino should just start Divine Heresy again (replacing Tommy in that is a LOT easier than replacing BURTON in FER FACTORY). Burton is happy with Ascension Of The Watchers. The other guys should do a follow up to the critically undervalued Arkaea record Years In The Darkness. But if Fear Factory can’t be fixed then spare parts isn’t the solution.

Add to My Radar   Add to My Radar

3TEETH released a GUNS AKIMBO two track 2x single featuring cover songs of “Ballroom Blitz” by Sweet and “You Spin Me Round (Like A Record)” by Dead or Alive. Both songs are featured in the 2019 film GUNS AKIMBO starring Daniel Radcliffe. Purchase or stream the new music HERE.

“We were in the middle of an 8 week summer tour when Jason ( the director ) hit me up on twitter basically asking if we’d be interested in working on some music for his new movie. I thought his last film Deathgasm was super fun and when he told me the plot and showed me some scenes for Guns Akimbo I was immediately interested. He then told me the cover songs it would be which made me a little skeptical and than told me we basically had like 10 days to turn in masters which was pretty daunting because we literally had 1 day off on our tour schedule which landed 2 days before it needed to be turned in. I knew it was going to be nearly impossible but I said fuck it, we’ll make it happen. So after our show in Nashville we spent a full 12 hour day at Southern Ground studios and didn’t leave till we had the tracks. I remember thinking to myself at one point, why fuck did I agree to this time frame and how badly everyone just wanted to sleep in on our day off but somehow someway it wall worked out and Jason and the producers loved the music. So the lesson learned here is, fuck days off,” states 3TEETH frontman Alexis “Lex” Mincolla about the release.

“I was approaching the end of GUNS AKIMBO post production, and had a big problem. None of the music cues for a particular action scene were working. The scene features our hero Miles (Daniel Radcliffe) being tracked down to his work by a deranged spree killer, who proceeds to spray the office with a lead bukkake. It needed something special. I decided to reach out to one of my favorite bands: 3TEETH. I had been thrashing their latest album METAWAR, which is pretty much the official soundtrack to the apocalyptic hellscape we call modern society. I knew their catchy brand of industrial metal would be perfect for the on-screen insanity.

Although they were busy touring, Lex generously agreed to smash out a version of Dead Or Alive’s – “You Spin Me Round” on one of their rest days. I was under the gun, being told that if we didn’t have a track in a few days, a lame generic music cue would have to suffice. Fortunately, 3TEETH blew everyone away with a crushing take on the 80’s glam pop hit that both surpasses and subverts it. The producers loved the track so much that they agreed to have them record a second cover song, Sweet’s Ballroom Blitz. Working with 3TEETH on the film was an absolute blast. These singles are like crack for your ears, and compliment the bubblegum hyperviolence of GUNS AKIMBO perfectly,” adds director Jason Howden.

3TEETH’s latest album, METAWAR, was released via Century Media Records in July of 2019 to much acclaim. The full-length album was produced by Sean Beavan (Nine Inch Nails, Marilyn Manson).

Arizona’s REALIZE channel Godflesh, Nailbomb, and Meathook Seed with their sophomore album Machine Violence, assembling an abrasive and hyper-aggressive take on industrial metal. Machine Violence is out September 25th on CD/LP/Digital via Relapse Records (continuing to celebrate 30 years in style). Digital is HERE and Physical pre-orders are available HERE.

CW: Rape,  minor abuse, drugs.

Writing this post is triggering as hell and my hands have been shaking.

The great writer Maggie Serota at Billboard has published a must read piece regarding child rape allegations against Sin Quirin of one of my all time favorite bands Ministry. The headline of the article falsely says Underage Sexual Relationships but there is no such thing because you aren’t in a “relationship” if someone is not able to legally consent , not to mention there is a wild power dynamic imbalance. Two alleged victims have spoken out and there appears to be a lot of corroborating email evidence and more – including statements from a former partner of the Ministry guitarist, Lacey Sculls.

I have several thoughts. Ministry needs to kick or at minimum sit Sin down out of the band line-up immediately while this is looked into. I have interviewed Al 2x and Sin once and know former member of the band and they were a huge part of my social consciousness developing. So what. Despite talking to Al being a highlight of my professional career, Sin needs to sit down and not be on the tour with KMFDM while this gets “sorted out”.

Al issued a rather anemic statement through legal channels: In a statement, the band’s lawyer said, Ministry frontman Al Jourgensen “is unaware of any of potential nefarious activity by any member of Ministry during their respective tenure(s) with the band including but not limited to Mr. Sin Quirin.”

Well, hire someone else for the upcoming tour anyway. Even if you are “unaware” of it, there needs to be accountability in these matters and erring on side of caution to show survivors in your fandom and the wider world that this is something the band doesn’t take lightly. Especially since Al has condemned R. Kelly rightfully in the past.

This is a situation where the band can find someone else easy who would jump at the chance to play Sin’s parts. Dino Cazares or anyone who can play fast industrial would be great. Quirin’s attorney also calling one of the allegations “hilariously false” is a huge no no. It is not a hilarious situation in any way. This is the kind of tone deaf insensitive to victims BS response that- even if for example Maynard from Tool was innocent of edging the age of consent and having security poach girls off boyfriends at shows- soured me from supporting Tool at all again after Maynard rebuked the recent allegations against him with snarky tweets that could be very discouraging to people on fence about coming forward.

If someone is innocent I am not saying they should never play again but otherwise they need to be accountable and then it is up to the victims comfort what happens.

“The thing about being young is you have a harder time saying no,” recalls one of the alleged Sin victims. “…I really don’t want to let this person down, but I also don’t want this person to hurt me.”

I have a lot of sexual trauma and can relate to that statement. When I was 15 I was statutory raped by someone twice my age when I was incapacitated on three bags of heroin after a NIN/Manson show and my first time ever in Harlem in an unfamiliar neighborhood. It is one of my core traumas from early life and I never spoke about it for years because the person’s father is the first black person ever to win the Pulitzer Prize in a huge category and was a symbol of unity. I didn’t want to tarnish their family legacy and thought I would be mocked. It was very emasculating to me as a very closeted non-binary person, on top of everything else. I felt “not a man”.

I am lucky to have had a measure of restorative justice with this person and another friend who did something to me (there are several more including a literal doctor who I never will). That is not always healthy or possible. But the mental burdens certainly persisted for years of compartmentalization and therapists have agreed it is one of my foundational traumas from youth. I have spent years navigating very difficult times of mania, hyper apology, self-destructive cycles and racing thoughts, insomnia and other things that sadly still rear their head at time. Thankfully with the new decade I am meditating and sober again from booze, so far so good (and no narcotics at all since 1999). Sometimes due to this and other things like varying dysphoria or mental baggage I have had to be celibate for years at a time.

We can’t just pretend these scars and hurdles are all fake or people aren’t left holding the bag for other people’s “it was a wild, rock n roll time”. I have to think of that every time I love, say, David Bowie or Zeppelin. Humanity has to try and be accountable when there has been harm. Or at the very LEAST try and be healing and calm in the surrounding discourse so as not to encourage the type of “His Side Too” online bullying that Backstreet Boys fans dumped on  the wonderful Melissa Schuman.

Sure, the conversation has evolved a lot since the 70’s and 80’s when more rock “gods” than not were doing super sketch shit… but even if someone like Sin WAS innocent – if we don’t even have civil discourse around these matters and sound arrogant like Sin’s lawyer or Maynard (who I believe said he shouldn’t have to bother responding to allegations or something similar), how the hell are people ever going to heal or feel safe. How can we trust the intentions of a band with social lyrics like Ministry? OR should we focus instead on the part in your book where you mock Madonna smelling like‘ tuna and dog shit’, Al?

 

Add to My Radar   Add to My Radar

Doom Candy release new track “Doom Candy”

Posted by longhairedpoet on Sunday, December 29, 2019 at 12:25 PM (PST)

Self-described elektro-thrash metallers Doom Candy have released a new track “Doom Candy (Zardonic Remix).”

The song is from the group’s forthcoming Suicide Effects EP which is set to be released in 2020.

Doom Candy features music from Jeffrey Nothing and Thomas Church.

Check out “Doom Candy” here.

Add to My Radar   Add to My Radar

Aborym announce new album ‘Hostile’ for 2020

Posted by Morgan Y Evans - Walking Bombs on Monday, November 25, 2019 at 6:36 AM (PST)


Hot on the heels of their 25 Anniversary Celebration through the release of the trilogy Something for Nobody (3 LPs, released via Dead Seed Production in the between of 2017 and 2019) ABORYM are about to enter the most prolific period within their extensive career with the highly anticipated brand new album HOSTILE due for international release on 2020 by DEAD SEED PRODUCTIONS.

Their 8th studio album is titled HOSTILE and ABORYM are currently recording it at NGM studios and Synthesis Studios with the sound engineer Andrea Corvo.

The new album will be mixed in Rome and Bangkok by the legendary producer Keith Hillebrandt, sound-designer, remixer and programmer from San Francisco (now Bangkok based) who has worked within the music software business and with/for various artists such as Stevie Wonder, Consolidated and David Bowie. He has also manipulated sound in many musical outfits including Nine Inch Nails, Blast Conservatory, Cleopatra System and Full Court Press (a band he was in), as well as working in Naut Humon’s Sound Traffic Control. Keith Hillebrandt has also released four solo albums and an EP. On David Bowie’s I’m Afraid Of Americans, Hillebrandt is listed as a full member of NIN along with Dave Ogilvie, Danny Lohner and Charlie Clouser.

The mastering will be entrusted to the Aborym long time associate Marc Urselli, 5-time Grammy Award nominated, 3-time Grammy Award winning engineer, producer, mixer, sound designer. Marc Urselli works with artists from around the world such as U2, Foo Fighters, Sting, Lou Reed, Keith Richards, Nick Cave, Børns, Mike Patton, John Zorn, Elton John […]

“It’s taken us a while,” – says lead singer and mastermind Fabrizio Giannese aka Fabban – “but over the last couple of years I put together a great team of individuals to work with, and that, as well as a revitalized and energetic new commitment has triggered an effect that has dramatically overhauled ABORYM. Hostile is testament to that. It’s rude, it’s ballsy and at the same time it’s sensitive and extremely intimate”

“It was a great pleasure making the new album,” concludes Giannese. “Sometimes you hit a period where everything just fits together perfectly and turns out exactly as you hoped it would. Hostile reflects that very sentiment, and much more.”

View this post on Instagram

Hostile. The new record. 2020.@deadseedproductions

A post shared by Aborym (@aborym_industrial) on

Add to My Radar   Add to My Radar

News today many of you have been waiting for from the surviving Static-X camp. Project Regeneration is still coming and is going to feature a lot more Wayne! read more:

Originally scheduled for release in Spring of 2019, the new STATIC-X album, PROJECT REGENERATION was first intended to feature several guests vocalists, along with the original Wisconsin Death Trip band line up of Tony Campos, Ken Jay, and Koichi Fukuda. During the recording sessions for PROJECT REGENERATION, one of the bands producers uncovered several additional unreleased / unfinished STATIC-X tracks, many of which contained isolated vocal performances by Wayne Static. Because of this incredible find, the new STATIC-X album will now feature lead vocals by Wayne Static on virtually every song.

“It was very surreal” says Tony Campos. “Our producer was going through all of these old studio tapes, many of which were damaged. He called me up and told me that I needed to get down to the studio right away and listen to what he found.. I jumped in my car and raced to the studio and what he shared, fucking blew me away.. It was Wayne singing on track after track, but there was little to no music on any of it.. Most of the tapes were damaged and Waynes voice was virtually all that remained in tact.”

“It was just crazy!!” adds drummer Ken Jay. “There we were.. Myself, Tony and Koichi, back in the studio together, after all these years, and somehow the universe decided to surprise us with all of these lost STATIC-X tapes containing Waynes voice. I just couldn’t help thinking that this was all somehow meant to be. I couldn’t stop thinking about how happy this was going to make Waynes family, and all of the STATIC-X fans around the world.”

Due to the busy touring schedule associated with the 20th Anniversary of Wisconsin Death Trip, the band had no choice but to delay the album’s release.

“The official release date for PROJECT REGENERATION is now May 29, 2020.” Says Tony Campos “In the mean time, we have decided to go ahead and ship out ALL of the merchandise and schwag associated with the pre-orders to all the fans who have participated. This way they can have all of their shirts, hoodies, posters, etc, while we all wait a little bit longer for the music to be complete.. As originally planned, the Cd’s will ship to everyone the week prior to release..”

In addition, we are finally able to begin sharing some of the finished music from PROJECT REGENERATION” adds Campos. “There is a lot of great stuff on the way, but right now we are going to share a video clip for one of the newly finished songs called ‘HOLLOW.’ This song was originally a demo from the Start A War album, which was never completed.

“Wayne and I never felt like the music on the original demo was fully realized”. adds Tony. “The vocals sounded great, but some of the musical compositions from that time period felt a bit experimental. There is a reason that some of these tracks never made it on a previous STATIC-X album, and it certainly wasn’t because of Wayne’s vocals. The band was just going through a lot of changes at that time and, in retrospect, it felt like we were straying away from that authentic STATIC-X sound that had really defined us.”

Ken Jay adds, “When we began working on PROJECT REGENERATION our producers advised us to ignore all of the old demo music.. We opted for the original band to re-enter the studio with nothing more than Wayne’s vocal tracks.. The vocals sound really great and I think that Wayne would be really happy with what we’ve done with the music and to hear that these tracks have finally realized their full potential..”

“The 20th Anniversary for Wisconsin Death Trip only comes once in a life time.” Says original guitarist Koichi Fukuda “and this year has been absolutely incredible. The new album is going to be very special and this whole 20th Anniversary touring process has been a very unique and healing experience for the band and also for the fans.”

“We are so grateful to the fans who have made 2019 such an incredible year for STATIC-X!” adds Ken Jay. “We have toured the world and celebrated the life and work of our dear friend Wayne, while playing our debut album front to back every night.. The fans have really exceeded our expectations and again, we are just so grateful!”

“Now that the touring for 2019 is coming to an end, we have revised our schedule and we are excited to finish the album so that we can get it into the hands of the fans asap,” states Campos. “I promise that it will be worth the wait!”

Upcoming tour dates BELOW.

Add to My Radar   Add to My Radar

 

Photo by Nick Haymes

“…the fact that we have these wild parakeets flying around between the palm trees and most normal people don’t even acknowledge them…they are a precious detail that only the wisest of Los Angelinos truly appreciate.” – Actually Huizenga.

Happy Easter weekend, sinners. Or Passover or Pagan Bunny day if that’s what you are doing. Whatever is clever. I’m here to bring you back from the dead in style with a blasphemous article on the most holy musical warrioress of our times, Actually Huizenga. She is a performer, brilliant musician and funny and chill as heck, a multi-faceted director, actress, rager, singer, expert on obscure subjects and also probably will live forever through cult worship ceremonies. She is the force behind Patriarchy (a much better one than “the patriarchy” – you will want to rave about how “Patriarchy” is finally cool).

Yes, cool is a dorky word. But facts are facts. I was scrolling IG one day and saw her Patriarchy page and was like WTF! Some people would maybe think they had stumbled into a Babylonian hellscape but I was like…this is basically utopia!

Now, a little known fact…there is not really a God. Famed-ethnobotanist Terence McKenna was right about the fractal machine elves but something overlooked is that fractal machine elves sometimes tie it on too hard. They also have the big responsibility of determining how much coolness every soul which is born gets pre-birth from their little weird psychic elf factory. One day a particularly handsome elf we will call “Buzz” was kind of asleep on the job and rested his nose too hard on the “coolness lever”. Well, it turns out baby Actually got 30X the concentrated radness usually given to a normal “mortal” and thus is probably going to save or destroy the world. Are we ready for her messages?

All I know is she saved my brain the last few days by offering a much needed alternative to Trump bleating about “No collusion”, a far superior place with chain mail, snakes, decadence and synthy wise-ass glory. I know y’all wanna read about Accursed Spawn and stuff all the time, but sometimes we need to get freakier than that – ok?!

So I wrote to her and the California based artist thankfully agreed to let me interview her. Fuck yeah! She even told me funny stories and humored me while I was telling her about being stuck in a forest and seeing giant hawks that thankfully didn’t eat me alive or this never would have been published. Instead, you have the following conversation to memorize. You should also watch her videos and movies twice as many times as people streamed The Dirt. Jesus says everyone who does gets to go to heaven this weekend for free, no matter what. For real.

In all seriousness though, she is hysterical, beyond talented and really blew my mind when I heard her incredible music. So happy this came together and hope all of you have fun reading it or discovering her world and killer material if you haven’t yet.

Read our chat BELOW.

 

Add to My Radar   Add to My Radar

Album Review: Surachai – Come , Deathless

Posted by Kriegmaster Hatesturm on Wednesday, January 30, 2019 at 12:46 PM (PST)

Y’KNOW WHAT. FUCK IT MASK OFF. I LOVE THIS. HOLY SHIT.

THE PROJECTS BANDCAMP READS “SURACHAI PIVOTS FROM FULL ENSEMBLE BLACK METAL OUTFITS TO SOLO KEYBOARD EXPLORATIONS”. AND USES THE WORDS AVANT GARDE. I THINK USING THE PHRASE AVANT GARDE IN AN ERA OF NOISE WHERE SELF MUTILATION IS A POPULAR ELEMENT IS OVERSTATING IT. BUT THIS GOES.

IT WAS HANDED TO ME AS “SOMETHING DIFFICULT TO PINPOINT STYLISTICALLY”. BUT THIS IS A POST VENETIAN SNARES SOCIETY AND I HAVE HOURS OF HAM-FISTED “DARK DUB 1HR MIX” PLAYLISTS ON MY LAPTOP. SO WE HAVE THE WORDS FOR THIS KINDA THING NOW, LET’S FUUUUUUCKIN USE THEM. IT’S DECONSTRUCTED DARK LIQUID DNB WITH BREAKCORE ELEMENTS AND THE SOUND DESIGN REMINDS ME A LOT OF THE PANACEA. IT’S LIKE IF A LIMEWAX ALBUM WAS WRITTEN BY XANAX. WHICH IS A COMPLIMENT I PROMISE. THOUGH DECIDEDLY NOT HEAVY OR STRUCTURED ENOUGH FOR “OUTSIDER” CROSSOVER HARDCORE LABELS LIKE NEKROLOG1K OR PRSPCT. THE MARKET FOR WEIRD WITCH HOUSE AMBIENT SHIT NOW IS HUGE, AND THIS IS THE COOL KID LEATHER JACKET CIGARETTE SMOKING END OF THAT.

THE SHEDDING OF USEFUL SKIN, OTHER THAN BEING A TOTALLY FIRE TRACK NAME OPENS LIKE BACKGROUND MUSIC TO A CLUB SCENE IN A DYSTOPIA FILM WITH A REAL BUMMER OF AN ENDING. LEANING INTO PAIN (ANOTHER HOT TRACK NAME) HELPS BRIDGE THE GAP TO THE HALFWAY PARTS OF THE ALBUM WHERE STRUCTURE REALLY BEGINS TO COME APART. DECIPHERING WHISPERS FROM A WIND (A LESS HOT TRACK NAME) SOUNDS LIKE SOMETHING THAT WOULD LOCK ME TO THE FLOOR OF MY APARTMENT AFTER LISTENING TO WITCH HOUSE PISS DRUNK AT 3AM. I’M REALLY INTO THE GRATING BITCRUSHING SOUNDS THAT BITE AT THE UPPER END OF THE REGISTRY ALONG THE WAY. THOSE ARE HARD TO USE WITHOUT GETTING ANNOYING BUT MAKE FOR A MORE PAINFUL RAW SOUND AND I AM FUCKING HERE FOR IT. THERE’S REALLY A LOT TO BE SAID FOR SOME OF THE SOUNDS

IF I WAS TO ENTERTAIN THE IDEA OF CRITICIZING PARTS OF THIS ALBUM I WOULD SAY SOME OF THE TRACK NAMES FEEL UNCONSIDERED AND LIKE “GENERIC SPOOKY” WHERE OTHERS REALLY HAVE THAT HEAT. AND ALSO THAT I THINK EVERY GOOD ASTRUCTURED AMBIENT-ISH ELECTRONIC MUSIC ALBUM NEEDS A REALLY FOCUSED CLIMAX THAT PICKS UP A LITTLE MORE SPEED, AND THIS ONE TOOK MORE OF A PLATEU APPROACH. I THINK ALSO WITH THAT PLATEAU APPROACH, THE ALBUM FEELS A LITTLE LONG. SOME HUGE SQUARE WAVE KICKS RIGHT AROUND TRACK NINE WOULD HAVE MADE THE LAST FEW TRACKS FEEL LIKE A WIND DOWN AND LESS OF A DRAG.

I CAN’T DECIDE IF PUSHING THE ALBUM COMPLETELY DEVOID OF AUDIO SAMPLES OR VOCALS IS A REALLY CLEVER AND MAKES IT FEEL MORE ALIEN OR IF THAT’S PLAYING IT SAFE AS SOMETHING THIS FOCUSED WOULD REQUIRE EXTREMELY CAREFUL CURATION. BUT THIS IS THE PROJECT’S SEVENTH STUDIO ALBUM, SO I’M CERTAIN THEY’RE MAKING EXACTLY THE KIND OF STUFF THEY WANT TO AT THIS POINT.

4.5/5 STARS. I ACTUALLY BOUGHT THE VINYL FOR THIS.

Time falls back: Four October recommendations

Posted by longhairedpoet on Sunday, November 4, 2018 at 12:01 PM (PST)

Another month has passed us by. The time has just fallen back, meaning shorter and darker days are upon us. The situations we’re in seem to get darker, too, with each passing day. If you’re here reading this then you, like me, probably turn to music to deal with the shit going on in the world. The sun continues to rise and set, and for those of us who see it rise and see it set, we have an obligation, a duty, to do our best to make the world suck a little fucking less each and every day. Hopefully these four albums can be your soundtrack for that.

Check out the four albums I enjoy the most this month here.

Add to My Radar   Add to My Radar

Static-X 20th Anniversary “Wisconsin Death Trip” news

Posted by Morgan Y Evans - Walking Bombs on Saturday, November 3, 2018 at 1:03 PM (PST)

Hey rockers, meant to post about this a little while ago but Static-X have some cool tribute news for fans in 2019 on the way. New music and more. RIP WAYNE! I am really happy I saw them live with Mindless Self Indulgence in New Jersey once (if I recall). Long time ago. Time flies, fuck. Follow your dreams while you can, kids.

Add to My Radar   Add to My Radar

Ministry’s ‘AmeriKKKant’ is in stores today.

Posted by Metal Riot on Friday, March 9, 2018 at 4:02 PM (PST)

 

At long last, the day has arrived when Ministry‘s provocateur-in-chief Al Jourgensen – never one to shy away from making political statements – can share with the world the fruits of what started as what he thought was a bad, bad dream on November 9, 2016…the day the world woke up to find that Donald J. Trump had been elected President of the United States.  Ministry’s AmeriKKKant is in stores today.

 

 In this “release day video,” Al provides one last look at what we can expect from the new album.  According to Al, the album’s lead-off track “Twilight Zone,” harkens back to the chilling moment of realization:  “How did this happen??”  “Victims of a Clown” looks at us, American citizens, we who were about to be led by a man with no intellectual curiosity or emphathy.  “TV 5/4 Chan” looks at Trump’s followers who get wrapped up in their little soundbites for TV, put out their own “fake news,” and then crawl back into the hole they came from.  “We’re Tired of It,” “Antifa,” and “Wargasm” make up a trilogy that screams “We’re not snowflakes!  We’re not going to be led around by the nose, we’re going to stand up for ourselves!”  The next track, “Game Over,” illustrates the realization of the “new reality” of what happened, how we got caught in Trump’s BS.  “AmeriKKKant” closes the album with a look at the journey of what’s been going on, what brought us to the place where we, the American people, would vote for a man like Trump.

MINISTRY – Song Topics on AmeriKKKant (OFFICIAL TRAILER)

The new Ministry album "AmeriKKKant" is out now! Watch as Al runs down all the song topics on the album and make sure to pick up your copy in physical, digital and streaming formats at http://www.nuclearblast.com/ministry-amerikkkant

Posted by Ministry on Thursday, March 8, 2018

Ministry hits the road with a brand new concert tour on March 22 at the House of Blues in Anaheim, CA. The full itinerary is below.
Add to My Radar   Add to My Radar

Ministry release “Twilight Zone” music video

Posted by Metal Riot on Tuesday, February 27, 2018 at 4:46 PM (PST)

Today, Ministry releases a surreal and provocative new music video for the track “Twilight Zone” from the band’s upcoming album, AmeriKKKant, due out March 9 (Nuclear Blast).  Building upon the themes of the song, the “Twilight Zone” video takes the viewer on a macabre excursion through the current U.S. news media climate of misinformation, corporate propaganda and hypocritical slander.  “We are in completely uncharted territory now,” said Ministry’s Al Jourgensen, “witnessing the unraveling of what was once a functional democracy.  Our government is under attack.  Our planet is under attack.  It’s time for a major reboot.” Click HERE to check out the “Twilight Zone” video.

 

The video was filmed last December just outside of Los Angeles and features Ministry guitarists Sin Quirin and Cesar Soto, Tony Campos (Fear Factory, Static X) on bass, keyboardist John Bechdel (Killing Joke, Fear Factory), live scratcher DJ Swamp (Beck, the Crystal Method), and Derek Abrams on drums.  Guest appearances are made by Gray Wolf, President of American Indian Movement (AIM), the internationally renowned and idiosyncratic Lord of the Cello, and an army of Ministry supporters who participated in the band’s PledgeMusic AmeriKKKant pre-order campaign.

 

The “Twilight Zone” video was produced by Chris Roth and Steve Roth for The Other House production company, the same group that produced Jourgensen’s previous music video, “I’m Invisible” for his 2016 Surgical Meth Machine release.  Chris Roth also directed the “Twilight Zone” video with Steve Roth as Director of Photography and editor.  The Other House has produced a wide array of broadcast design projects for Revolt TV, Nike’s Kobe 8 System, MTV, Aol.RISE, the Syfy Network, VH-1, CNN, PBS, “The Profit” on CNBC, the 2017 Emmy Awards and many more.

 

Said Chris Roth, “I’m a life-long fan of the band and very politically active.  Not only was this an opportunity to collaborate creatively once again with the one and only Al Jourgensen, but also an outlet for much of my pent up aggression and frustration regarding the current state of politics in our country.”

 

Ministry kicks off its North American tour on March 22 at the House of Blues in Anaheim, CA. Complete dates are accessible HERE.

Add to My Radar   Add to My Radar

GODFLESH stream “Post Self” title track

Posted by Morgan Y Evans - Walking Bombs on Wednesday, November 1, 2017 at 4:35 PM (PST)

Industrial metal colossus GODFLESH have streamed the title track to new record Post Self (due out Nov. 17th). Check the song out right here.

I am a lifelong fan of this band and have never criticized them, but this song sort of feels like a walk through. It didn’t light me up and make my hairs stand on end like the vast majority of their material, though I do like the 2:40 sort of more dissonant and thumpy ride out section a lot. This section kind of reminds me of Love and Hate in Dub a bit, which I have spent many hours very, very high absorbing and totally love.

While this song didn’t grab me as much as most of their stuff, it is Godflesh so you know the record will have many amazing components.

Add to My Radar   Add to My Radar