Search Results for "Punk"

I was deeply moved after reading an article about the Red Scare era HUAC horrors faced by one time silver screen Citizen Kane darling Dorothy Comingore (lareviewofbooks.org/article/destroyed-by-huac-the-dorothy-comingore-story/) and how she was wrongfully institutionalized, framed and slut shamed. Seeing as how we are in a new red scare today as conservatives target every common sense solution as ‘radical socialism’ and the Trump era has been all about gaslighting and zealous authoritarian dogma, it seemed the perfect time to honor the life of an unbelievably strong woman in song who had her rights threatened to a horrible extent.

This will very likely be on my in progress next album Tears We Should’ve Shed but due to Covid fudging up the year, I am giving it to the public now before the election and as a timely teaser track well in advance. I have been listening to The Adverts, Against Me! and Bad Religion, as you might be able to tell.

Thank you to Sean Paul Pillsworth (Nightmares For A Week) and Dave Bodie (ex-Divest, Kayo Dot, Time of Orchids) for helping me achieve this track and for Nada Recording Studios for being the perfect place to track it. 

God bless y’all and Dorothy Comingore. Don’t give up the fight.
-Morgan Y. Evans

Click HERE to hear the song. 

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Intersectional feminist punk band WAR ON WOMEN return with new album Wonderful Hell(out digitally October 30th + physically on November 13th via Bridge Nine). You can hear a new single today! The title track, which unintentionally echoes John Lewis’ notion of “good trouble” as a catalyst for change, emerged during a period when vocalist/lyricist Shawna Potter was feeling exhausted and overwhelmed by life in the Trump era. “I think it expresses something that a lot of people are feeling. Like, ‘Okay, we had our moment. Now it’s time to get back to work. We can’t let this happen again. We can’t endure another four years of this,’” she comments.

 

It is disgusting the DOJ is being used as Trump’s personal flunkies to try to make sure there is no fair justice for E. Jean Carroll. The system is a joke! We need bands like this more than ever. Loving the new song. Reminds me of if old War On Women listened to a bunch of Dagnasty and Embrace and added more dissonant melody. Fucking rad!

 

Recorded with the band’s guitarist and co-founder Brooks Harlan alongside J. Robbins at his Magpie Cage Studios in February 2020 and completed in April (when in a COVID-19-free timeline the band would have been on tour with Bad Religion), Wonderful Hell is the first War On Women album to feature the band’s current lineup of Potter, Harlan, bassist/vocalist Sue Werner, guitarist/vocalist Jennifer “Jenarchy” Vito, and drummer Dave Cavalier.  Like War On Women’s previous albums, Wonderful Hell includes anthemic songs that tackle systemic racism, acknowledge the natural feelings of wanting to give up or self-destruct in the face of insurmountable adversity, and some that aim straight at the jugular of gender disparity.

Check out the song “Wonderful Hell” HERE. I have said it before but I truly feel they are the most important current band in punk rock.

Look for Wonderful Hell to be available digitally on October 30th, 2020 (+ on physical formats on November 13th, 2020).  More news, music, and pre-orders coming soon from War On Women (sign up to receive pre-order details here).

Wonderful Hell Track Listing:
1.  Aqua Tofana
2.  Milk and Blood
4.  This Stolen Land
5.  White Lies
6.  Big Words
7.  Seeds
8.  Her?
9.  In Your Path
10.  The Ash is Not the End
11.  Demon
Artist photo by: Julia Schwendner
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DEAFBRICK stream album at Cvlt Nation

Posted by Morgan Y Evans - Walking Bombs on Wednesday, September 2, 2020 at 9:51 AM (PST)

photo by Felipe Pagani

Deafbrick – the collaborative album between Brazil’s DEAFKIDS and the UK’s PETBRICK – will see release this Friday in North America through Neurot Recordings and in Europe via Rocket Recordings. CVLT Nation is now hosting an advance stream of the entire album alongside an interview with both acts. This is a very exciting moment for the underground as both acts are pillars of inventive cacophony and this collab is sure to be something left field and morale boosting for fans of extreme, freaky chaos and percussive weirdness.

PETBRICK is the creation of Wayne Adams (Big Lad, Death Pedals) and Iggor Cavalera (Sepultura, Soulwax, Cavalera Conspiracy) and more. The band has released several EPs and albums through Closed Casket Activities, Rocket Recordings, and more over recent years, and they have toured and collaborated live with a variety of acts.

 

DEAFKIDS erupted into the international scene when Neurosis’ Neurot Recordings signed them in 2016. Since then, the label has issued two albums from the trio, and they toured internationally including opening for Neurosis, Bell Witch, Big|Brave, and others across North America, and alongside Rakta, Petbrick, and others in Europe.

 

CVLT Nation writes in part of the album’s intense and psychedelic attack, “DeafBrick is a unique aural experience and I’ll give it to the guys: there’s nothing quite like it on this planet. Their collaboration brings out the best in both bands and tends to temper any of their individual excesses. This is a focused, intelligent record of noise, industrial, metal, and punk. This is the most original album I’ve heard all year, but it is definitely not one of the most pleasant. There’s an element here, one of deprogramming, or maybe it’s programming, but you can feel your brain bleed in certain parts, like the band is issuing forth sounds that are breaking down mental barriers you never knew existed. This isn’t dangerous, but it is singular, and once you allow yourself to delve into its depths, you won’t come out the same person.”
Listen to the entire DEAFKIDS & PETBRICK Deafbrick collab at CVLT Nation early RIGHT HERE.
Also see the previously issued videos for “Sweat-Drenched Wreck” HERE and “Força Bruta” HERE.

 

Deafbrick will see release on LP and digital platforms this Friday, September 4th. In North America, find preorders through Neurot Recordings HERE and HERE. In Europe find preorders through Rocket Recordings HERE. Preorders for all digital providers are available HERE.
 

WISDOM IN CHAINS, SHARP/SHOCK TEAM UP FOR 4-SONG E.P.

Posted by Morgan Y Evans - Walking Bombs on Monday, August 31, 2020 at 6:48 PM (PST)
Underground hardcore icons Wisdom In Chains face off with the ultra hyped Sharp/Shock for the ultimate hardcore / pop punk split, out on September 11th.  Each band shreds a fresh original and then cues up on their own handpicked cover.  Wisdom In Chains uncovers the glory of the ultra obscure Epoxies, while Sharp/Shock celebrates a classic hit from the legendary Buzzcocks.
Today, we’ve unveiled Side A opener “Richie’s Revenge” from Wisdom In Chains.  The track showcases the band’s trademark PA Hardcore sound while remaining as relevant and timeless as ever.
The Wisdom In Chains / Sharp/Shock Split E.P. will be available physically and digitally on September 11th from Fast Break! Records.  Pre-orders are available here, and new music from Sharp/Shock will arrive soon.
Track Listing:
1.  Need More Time (Wisdom in Chains)
2.  Richie’s Revenge (Wisdom in Chains, originally performed by The Epoxies)
3.  The Ploy in Employment (Sharp/Shock)
4.  Ever Fallen In Love (Sharp/Shock, originally performed by The Buzzcocks)
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I have long maintained that Kevin Sharp (of Brutal Truth fame) has the distinctly most savage and hearty screaming voice in metal and the latest from his project with Napalm Death alumni, Venomous Concept‘s Politics Versus The Erection, does little to shake that certainty. The bellow to out bellow them all is paired with the band’s most blatant Poison Idea-worship yet for one of the most satisfying audio weapons yet to wield in the political shitshow of 2020. I am in need of blasting it after pedo protector Cardinal Dolan spoke at the RNC last night as if he is any moral authority on anything!

Kevin Sharp comments: “We wanted to do a record that sounded reactionary. We went into a studio wrote and recorded PVE in four days, in the age of digital thinking, records full of edits. Politics Versus the Erection is perfectly imperfect.”

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Ghösh are raising the bar for exciting acts to follow in 2020. “Nu Junglism. Digital Hardcore.”Whatever you wanna call it, this Philly duo have a fierce and kinetic, living punk energy that is a refreshing mutation of numerous styles into an explosive and vital sound. The tracks on their Bandcamp blew me away with a fresh poetic attack and a DIY vibe of anarchic, creative freedom. Party starting and with something subversive to say. Plus an unexpected take on a Limp Bizkit classic.

I really can’t rave about this group enough. Not many acts can pry me out of my current Entombed, Pink Floyd and Sun Ra rabbit holes, but when it happens of late I am probably listening to these freak flag flyers. Please check out the full convo with Symphony and Zach below.

Concrete streaming ‘Free Us From Existence’

Posted by longhairedpoet on Tuesday, August 4, 2020 at 9:12 AM (PST)

New York hardcore metallers Concrete are streaming their latest full-length, Free Us From Existence over at No Echo. Free Us From Existence is due out this Friday, August 7.

From vocalist Lenny Fletcher: “This record is about having the strength to break the shackles and truly be free by any and all means necessary. You can either learn to turn your anger and sadness into fuel or kill yourself trying. Whatever it may be, we need to be freed from this existence.”

Head over to No Echo to check out Free Us From Existence.

 

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Former Meowtain riot grrrl punk singer turned Psych Folk artist Globelamp (Elizabeth Gomez) has shared a series of IG posts showing receipts of Haley Dahl from Sloppy Jane seemingly threatening her with violence awhile ago for daring to make a public claim that Haley’s friend and Burger Records producer Joel Jerome sexually harassed Gomez during the recording of her album The Orange Glow. Gomez claims he would make tons of bad sexual comments, take pictures of her cleavage for a “spank bank” and say she had to have his baby, among other things.

In addition, Gomez has posted how she tried to warn Conor from Bright Eyes and Phoebe Bridgers from working with Secretly Group record labels because they helped Sam France from Foxygen. She posted tweets showing friendships between Sloppy Jane, Joel Jerome and Phoebe Bridgers and pointed out that if the dynamic between Ryan Adams and Phoebe mattered than why don’t the same folks care about what she says Joel did to her, with Phoebe’s best friend Haley even seeming to threaten her in a public manner and then Phoebe and Conor signing to Foxygen’s label and not caring about the multiple warnings Globelamp claims she tried to give through mutual former collaborator James Felice (who may not have bothered to ever say anything) and through multiple attempts at contacting Conor and Phoebe on social media through her verified platforms.

Phoebe today blocked Globelamp instead of accounting for any of this.

#sexualharassment #burgerrecords #sloppyjane #joeljerome #brighteyes #phoebebridgers #conoroberst #darvo #foxygen #jagjaguwar 

 

Head now to https://walkingbombs.bandcamp.com/album/i-cant-stand-w-jealous-again

A surprise 2 song Walking Bombs covers EP for you folks today, recorded May/June during quarantine. The artists Gridfailure and Globelamp helped with various elements on the EP as well.

All ongoing sales of this release will be donated to the Marsha P. Johnson Institute: marshap.org#

#blacktranslivesmatter #pride2020

Here are two lo-fi covers I did this Spring from home with additional support from Gridfailure and Globelamp on certain aspects. It was unintentional, but both songs deal with different aspects of relating to the concepts of self and relationships.

“I Can’t Stand” is one of my favorite Zola Jesus songs and covering anything by her is clearly friggin’ daunting because she is so talented, like a miraculous forest spirit. I think it is cool we have the same birthday. I wanted to focus on feeling the emotion and letting it be my own respectful manifestation of a song I love which I find incredibly moving. People can find themselves alone for many reasons, especially for being different. I wrote Nika and asked if it was ok to try to pull off and she gave me blessing to cover it, which was super awesome. It was also wonderful to have Gridfailure and Globelamp help me with recording different elements for max vibe!”

“Jealous Again” is one of the most aggro Black Flag classics and, frankly, I wanted to yank some of the frankly awful machismo out of it and make it a melodic but twitchy sort of examination of the mechanics of paranoia (without revealing if it’s unfounded or not). Now with Dave Brenner’s help it sounds like a wet cave full of ghosts. The slight organ added was fun because it is this monstrous thing that has apartment hopped with me and my partner and we never plugged in much until now. Oh, and I snuck a Biz Markie Easter Egg in there.” – Morgan Y. Evans

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And we’re baaaack. Metal Riot news here with the latest clobberin’ time updates to get you through these hard times. Anthrax have a new bourbon honoring Dimebag (made in my Hudson Valley) for all you boozers to check out. Looks legit! I have been sober six months so I am not gonna fuck that up, but you do you. So for my pick me up, let’s pivot to hardcore!

NYHC legends Sick of it All (and we’re all sick of it all right now, one way or the other), have a new video out for “Bull’s Anthem”. Always one of the all time greats of hardcore to me and many others, SOIA deserve all the love. And they brought some friends along!

“Getting all our fans and friends involved in the making of this video for ‘Bull’s Anthem’ was an absolute blast. We had so much fun going through all the submissions, piecing it together, and being able to bring some much needed laughter into all of our lives during these crazy times. It’s amazing to see so many people united via our music, from all over the world, and joining us in spreading a good responsible message. We want to thank Tim from Rise Against, Chuck from Hot Water Music and the hundreds of participants, for making this happen, and we want to thank you for watching and sharing this video. It’s US vs Them and the time for revolution has come! Support, love and take care of each other,” states SICK OF IT ALL about the music video.

“Bull’s Anthem” is off SICK OF IT ALL’s latest album, Wake The Sleeping Dragon!. For the release, Century Media Records teamed up with Fat Wreck Chords, who put out the CD and vinyl version in the US. The album is available to stream and purchase HERE.

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photo by Bill Kaiser

New York City’s THE THIRD KIND – comprised of current and former members of All Out War, Bastard Clan, Vise Massacre, Awkward Thought, and more – will release their debut LP, Man vs Earth, this Friday. As its assault on the public looms, Toilet Ov Hell is now hosting an advance stream of the entire album, and the band has scheduled a livestream performance from NYC for the day of its release.

Engineered by THE THIRD KIND’s Taras Apuzzo at the band’s home studio at Otter House Studios in Long Island City, Man vs Earth was mastered by Dan Emery at Black Matter Mastering (Kool Keith, Krieg, Dwarves) and completed with cover art by Richard Muller and Frankie Accordi, and layout/design by Apuzzo.

The band offers, “Man vs Earth comes from a proletariat perspective. This music is built to inspire action, alive and fierce like the sun. Each song is written as a fable generally relatable to current events coupled with a reflection of the past. To ride it to win.”

Toilet Ov Hell writes, “…THE THIRD KIND are ready to throw down against all comers with their new album Man vs Earth. While some bands look to the stars and get all googly-eyed thinking about little green men, THE THIRD KIND turn their focus inwards to humanity and don’t like what they see.”

Stream THE THIRD KIND’s Man vs Earth LP at the Toilet Ov Hell portal RIGHT HERE.

THE THIRD KIND will self-release Man vs Earth on black vinyl LP and all digital platforms this Friday. Find preorders HERE.

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Album Review: Cro-Mags – ‘In The Beginning’

Posted by Morgan Y Evans - Walking Bombs on Friday, June 19, 2020 at 9:14 AM (PST)

Cro-Mags have one of the more turbulent legacies in hardcore and currently are ripped in half into two bands who each fairly have a serious karmic claim to aspects of the legacy. While Harley Flanagan owns the name now and . Let’s get this straight – In The Beginning is a more than admirable hardcore record full of plenty of aggro, solid moments and pit worthy consistency. To his credit, it is clear Harley didn’t just dial it in at all. He also made sure great people were attached to this era, from Rocky George (who steals the entire show with ease) to Phil Campbell’s cameo energy. Gabby also kicked a lot of ass. It sounds great mix wise and the performances range from on point to totally killer.

On the album’s artwork, Flanagan explains, “The front of the album is my old building I used to live in, called ‘C Squat’ where I wrote most of the music for 1986’s Age Of Quarrel album. The rear of the record shows me looking down at the site where the building once stood, essentially, it’s me looking at my past and where everything began.” I love the LES and C Squat makes me think of getting heroin spritzed out a needle up my literal nostril and then seeing Choking Victim in the basement while people urinated down an orange traffic cone. Damn, my life is somewhat different now.

The title of the record is honestly a big distraction for me, seeming like less of a PMA statement and more a troll reminder of who founded the band (although I am not tone policing dude on the things he is cynical about). It also is because I am a huge Mercyful Fate fan and The Beginning is a compilation album released in 1987 consisting of the Nuns Have No Fun EP and different versions of 4 tracks from the album Melissa. I know it is nitpicky and corny to note that and that neither this album or The Beginning are the most imaginative titles, but I don’t like thinking of other art when I am trying to concentrate on what is in front of me.

“PTSD” is a standout track, just about anything you might want in a Cro-Mags song present. That is good and bad. “Don’t Give In”, while also kicking ass, has almost the exact same development from a classic pace-setting slower intro to a growling, faster remainder. It is good but kind of makes you want to just listen to “We Gotta Know”. Or does it? Am I biased because Cro-Mags have a smaller discography than The Ramones? Plenty of Ramones songs sound similar and I love them all. Lots of elbow swinging, two-stepping mid tempo classic reminiscent moments to experience are present (or re-experience if you are an old fan) in a new chapter here.

While there is power in a lot of this, it also feels like an homage to bygone days. Still, he has way more of a right to that than half the new jack bands copying actual old school artists personal creative contributions and aesthetics but then acting as if they are hotter shit. No. Your new school band will never be Cro-Mags, Judge or Chain Of Strength. Stay motivated and do your thing, but don’t get it fuckin’ twisted and pay your respects, kids. “No One’s Victim” has some cool dissonance for the intro that I liked, before setting up an elbow swinging march sprinkled with mandatory lead guitar widdlies.

I guess I will just come out and say it. John Joseph and Mackie Jayson on board as well would have made this so much more fucking awesome. Harley did an admirable, great job holding the vocals but he isn’t a frontman and singer like John. The songs are cool but would’ve been cooler. Mackie is untouchably good. No contest. You can’t expect people to just forget knife fights and court shit or whatever you believe, but after the triumphant majority of Misfits (don’t forget poor Googy) and Guns N’ Roses (sans Stradlin) reunions of recent times, it is impossible to hear this and not also notice the missing elements in the room unless you are cave man headbanging so hard it doesn’t matter. One love and pma to all of these people, all of whom have profoundly influenced my life. It just makes me sad.

Listening to the strong closer “There Was A Time” (also a song name on Chinese Democracy, ha) I think this record is overwhelmingly well meaning and has a ton of real energy to it. I would never want to take away from that. It is admirable Harley went so hard and wrote so many songs for this, not ceding an inch of passion. Along with the new Body Count record, it is great to hear vets of the scene still give their all and not lose their beliefs. Sometimes survival is about being thankful for the good aspects and reality of the situation we have, not what we wish was different. In that paradigm, let’s be thankful we can still hear any of these musicians at all and support whichever version of the band (or both) and try and keep ahead of our collective societal demons, y’all.

TERMINAL NATION pretty much took the crown for my favorite newer hardcore band with ease ever since I first heard them and that has yet to change. 20 Buck Spin made a damn correct choice in scooping these dudes up. Stan is a total beast of a performer and the whole band just nail what they do. This is the perfect combo of ready to go deadly, meteor crater sized mosh pit aftermath riffing and social commentary. Can’t go wrong with this band. Earth Crisis, Xibalba, Dismember mosh/whatever you are looking for, they got ya trampled.

Holocene Extinction is on the way very soon!

TERMINAL NATION’s Holocene Extinction was engineered by Jason Tedford, recorded at Wolfman Studios in Little Rock, Arkansas. The album was mixed by Ryan Bram of Homewrecker Studios, mastered by Brad Boatright at Audiosiege (From Ashes Rise, Integrity, Noisem), and completed with cover art by Adam Burke, additional art by Valentine Duran, and photography by Kurt Lunsford.

20 Buck Spin will issue Holocene Extinction on CD, LP, and digital formats on August 7th. Watch for preorders and additional audio previews to post over the ominous weeks ahead.

Pre-order TERMINAL NATION’s Holocene Extinction now .

Holocene Extinction Track Listing:
1. Cognitive Dissonance
2. Arsenic Earth
3. Holocene Extinction
4. Master Plan
5. Revenge
6. Thirst To Burn
7. Orange Bottle Prison
8. Leather Envy
9. Expired Utopia
10. Death For Profit
11. Caskets Of The Poor
12. Disciple Of Deceit
13. Age Of Turmoil

TERMINAL NATION:
Stan Liszewski – vocals
Tommy Robinson – guitar, vocals
Dalton Rail – guitar, vocals
Chase Davis – drums
Chase Turner – bass, vocals

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Solidarity. #BlackLivesMatter

Posted by Morgan Y Evans - Walking Bombs on Sunday, May 31, 2020 at 5:18 PM (PST)

Antifa is not terrorism. It is not an organization. This “President” is not a healer of divides. He is a bully and a fraud. This is a Kali Yuga time period where “contention” and unrest can lead to massive change. We have to remember our shared humanity and also not be afraid to take a stand against injustice, be it CCP’s evil anti-Uighur camps in China, falsehoods about activists or (ESPECIALLY in the United States ) the perpetuation of white supremacist systems of inequality. There is a general class war on everyone but some people suffer even more with less privilege and it has been that way for way too long, especially for black people. It is a sad stain on this country, one that real rebels will acknowledge.

Please keep your head up out there and also please don’t loot black owned local shops. That hurts people who already are suffering. One love/PMA.

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Christian “Speesy” Giesler (KREATOR bassist 1994-2019) has teamed with Florida duo Jeramie Kling (VENOM INC, MASSACRE, THE ABSENCE) and Taylor Nordberg (MASSACRE, THE ABSENCE) in the punk outfit, FORE. The lineup is rounded out by vocalist/lyricist Brian Stephenson (OLD JAMES, SKULL FIST).

FORE have released two songs, “What’s Right For You”, and “Today We Rise (No Tomorrow)” which can be streamed/purchased on the band’s Bandcamp page.

On the formation of the group, guitarist Nordberg said: “Jeramie and I both love that late 80s/early 90s punk like BAD RELIGION, PENNYWISE, THE OFFSPRING, NOFX, so we decided it was time for us to make a punk band. We had already worked with Speesy and Brian in our “One Song In One Day” quarantine series, so we knew they were talented, pro, and easy to work with.”

Speesy added “So excited about a new band! Taylor asked me if I wanted to do something punk-like, and I agreed immediately as everyone knows, I’m a very, very big punk fan. From the idea to now, only 5 or 6 weeks have past.”

The group’s first songs, along with the rest of the band‘s debut album, were mixed and mastered by Nordberg and Kling at their own Smoke & Mirrors Productions in Spring Hill, Florida.

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