Search Results for "Metalcore"

I have to admit I wondered, like many, if Steve Tinnon could fill Tim’s big shoes as vocalist in beloved technical metalcore stalwarts WITHIN THE RUINS. They are one of the metalcore bands I have most enjoyed over the years and have plugged often in various publications. Happy to report that this new material is massive and as crazy as ever. I cautiously say it, but “Black Heart” might even be the catchiest song they have ever written with HUGE potential due to this head snapping riffage like Within The Ruins channeled “Thunderstruck” on meth and just an unbelievable level of confidence projected by the whole group! It’s maniacal and will make fans optimistic again about the group’s future. Tinnon seems downright possessed.

Here’s hoping when shows return that they still incorporate older material in the live set as well, though. Gotta mix it up!

The track comes by way of the band’s impending full-length of the same name, set for release via Entertainment One (eOne) / Good Fight Music on November 27th. A lot of music writers are gonna be scrambling to add this to some lists, I’ll wager.

Black Heart will be released on CD, LP, and digital formats. For preorder options, visit THIS LOCATION.

Comments Tinnon of the track and accompanying video, “We’re extremely excited to release the video for the title track to our new album, Black Heart! We really enjoyed making this one and getting to tell a bit more of the story behind the music. It’s a very angry, personal song, and a lot of the tracks stem from what it’s about. It’s an important track in regards to the overall theme of the record, and we couldn’t be happier with how the video turned out!”

 

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Hello everyone. Of course it is 9/11 and as a New Yorker while I am somber I am also celebrating life and the unifying power of our music scene. Big news day with lots of new music. Disturbed covered Sting and it is enjoyable, Cryptodira have dropped a surprise EP . Good times here, fam. Of course the news closest to our hearts here at Metal Riot is that the ever-moshable Hatebreed have delivered another anthem, “Weight Of The False Self”.

No, it is not specifically an exercise anthem (not fat shaming! Like Planet Fitness we are a judgement free zone), but it could be!

I am one of those East Coasters who never get tired of anything this band does musically. I have seen them many times and they always deliver and still have the best pits. It’s just all smiles and flying fists and friends. Always self-motivating and empowering? Appreciate that shit, y’all!

“Weight Of The False Self” crushes and is another gem in a long line of Hatebreed shout along face smooshers. Order the new album HERE. Fucking stoked!

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Hatebreed announce the eighth studio album, Weight Of The False Self. The 12-track album is stocked with pit-stirring anthems and will arrive on Nov. 27th via @nuclearblastrecords. ⠀ Pre-order, pre-save and listen to the title track at the link in our bio ☝️. ⠀ "When writing lyrics and riffs, I try to be in the moment, getting a mental picture of my current reality in order to convey what I want to say," says @JameyJasta. "Sometimes, I think my reality consists of two irreducible elements, expressed by the age-old interior battle of the dualistic self. The angel on one shoulder stands firm, providing reason, wisdom, and compassion while the devil dances angrily on the other, ranting with passion, spite, and dark desire. I often wonder if a truly centered mind is attainable, an effortless and non-dualistic state of equilibrium. Until then, I'll just listen to both sides of my personality and hope I make the right choice. At the end of the day, the listener will choose to hear what they want, but when I am writing, I imagine the voice of the angel to be a lil' louder." ⠀ #WeightOfTheFalseSelf was produced by frequent #Hatebreed collaborator Zeuss and it arrives hot on the heels of the sold-out anniversary shows that Hatebreed embarked upon throughout 2019 and the unprecedented success of 2016's The Concrete Confessional. Not only did the latter tally over 42 million Spotify streams, but the single "Looking Down The Barrel of Today” also clocked 30 million-plus Spotify streams. The band also covered Revolver and The Guardian bestowed a 4-out-of-5 star rating on the album, proving that over 20 years deep into its career, this Connecticut #metal #hardcore institution remains as vital as ever. ⠀ "Weight of The False Self is a perfect representation of Hatebreed in 2020, a fresh onslaught of soon to be classics with all the elements that led you here since day one," explains guitarist @FloridaFrank. ⠀ Drummer @MatthewPeterByrne shares, "There's no shortage of beefy-riffs and adrenaline-fueled-drums on this record. I'm proud to say that we will consistently provide a soundtrack to which you can mosh in your living room and destroy your apartment." ⠀ Art: @EliranKantor

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Photo Credit: Errick Easterday

Boundaries have announced their debut full-length, Your Receding Warmth, due out November 13th via Unbeaten Records. To mark the occasion, the band shared the devastating lead single “Carve” with an accompanying music video that ‘…follows the good and bad that rushes into one’s life to fill an emotional gap’. I love how the very angry vocals are still intelligible, yet all consuming. Also really like the guitar tone, heavy but not just completely distorted mush. The very first riff even reminded me of RATM for half a second before going into more metalcore/aggro post hardcore territory. Also really digging the album title, painting a relatable picture of estrangement. The anticipated album was recorded with producer Randy Leboeuf at Graphic Nature Audio and we look forward to it. . Your Receding Warmth is available to preorder here and the music video for “Carve” is available to watch on YouTube as well as to stream on Spotify.

Eyes premiere “Distance” video over at Decibel Magazine

Posted by longhairedpoet on Wednesday, August 5, 2020 at 1:35 PM (PST)

Danish metallic hardcore noisemakers Eyes have released a video for their song “Distance” over at Decibel Magazine!

“Distance” comes off the band’s upcoming debut album Underperformer due out September via Indisciplinarian.

Eyes is made up by five young veterans from the Danish metal and hardcore scene, and the new album Underperformer reflects a combo that does not worry one bit about what fans, the scene, or people in general might think. One senses an artistic kinship with bands such as Daughters, Pissed Jeans, and Converge, all bands who started out with a particular sound and have changed and developed their musical vision significantly; something Eyes aims for as well, and succeeds in.

Barely over two years since the band’s eponymous debut EP saw the light of day, Eyes delivers their Underperformer. The record was produced by Tobias Munk Tønder (Église, Drukner), mastered by Jacob Bredahl (Lifesick, I Am Bones) who also contributes guest vocals to several songs on the record, and completed with artwork by Jon Gotlev/No Heroes.

The new video for “Distance” was directed by Ausrine Kurgonaite and Chey Long-Andersen.

Eyes lead singer Victor Kaas states about the “Distance” single:

“‘Distance’ is the shortest and most aggressive track on the record, by a small margin, as the whole record is pretty fucking aggressive. It was also one of the first songs we wrote for the album and it ended up being the song that really shaped the sound of Underperformer. Lyrically, the song is about discovering when something isn’t as it should be in your life. The feeling of reaching out, only to be met with dismissal and misunderstanding. If you’re depressed; don’t stop reaching out. Not everyone will understand; someone will.”

Head over to Decibel Magazine to see the video for “Distance.”

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Upon A Burning Body release “Extermination”

Posted by longhairedpoet on Friday, July 31, 2020 at 9:42 AM (PST)

Texas metallers Upon A Burning Body have released a new track “Extermination.”

The track comes off the band’s newest EP Built From War.

Check out the video for “Extermination” here.

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Excited to see some unexpected news in my inbox today! One of the more influential (but still pretty underground and not appreciated enough by new jacks) hardcore bands of the last few decades are getting more love!

Bridge Nine is excited to announce that we will be releasing BURIED ALIVE‘s new EP Death Will Find You on August 21st! Hailing from Buffalo NY and featuring Terror’s Scott Vogel on vocals, Buried Alive were known for their unique metallic edge and, despite their short-lived existence, proved to be one of the most influential hardcore bands from the late 90’s. Twenty years after their initial breakup, Buried Alive are back and ready to release “Death Will Find You”, an EP featuring two brand new songs and two re-mastered songs from their split with Reach The Sky.

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The friends at MetalSucks are reporting that Matt Heafy has a new solo deal with Roadrunner. Makes sense. He plays his ass off doing covers and other various things all the time. More Matt!

He also has made a metal cover of the iconic “Toss A Coin To Your Witcher”! I have been praying too the Gods of Metal to have Hetfield sing this in season 2, but I will settle for Heafy! Sounds damn close anyway! Hails!

Crank this for max nerdy joy! Also, Trivium put out one of the best albums so far this year.

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On Wednesday, June 3rd, Killswitch Engage – Adam Dutkiewicz [guitar], Joel Stroetzel [guitar], Mike D’Antonio [bass], Justin Foley [drums], and Jesse Leach [vocals] – began posting an array of pictures from their history to the band’s official Instagram feed: https://instagram.com/killswitchengage/. The band wiped its Instagram page clean and proceeded to share one image per year per day, starting with 1999 and going through 2019. It was a mere hint of what was to come.

Today, June 23rd, Killswitch Engage unveil a comprehensive and in-depth 20-year timeline that documents so many of the band’s memorable career milestones and storied history, with plenty of captivating images. The clickable, scroll-through timeline boasts flyers from early shows, live shots from festival appearances, and fan tattoos. It also traces major tours, video shoots, album releases, Grammy nominations, lineup changes, and beyond. The timeline functions as a digital museum that effectively tells the complete Killswitch Engage story.

The timeline was created specifically for Killswitch Engage fans to enjoy and to reminisce.

View the entire timeline on the band’s official website: http://www.killswitchengage.com/timeline

“I’ll never forget when we first started touring and I had to quit my day job to give it a go,” recalls Adam D. “I remember thinking, ‘Just try it for a year, that way you’ll have no regrets when it doesn’t work out, and you can go find a new job.’ 20-plus years later, here we are, and it’s been an amazing ride. I’m so grateful to our fans for letting us continue to do this…THANK YOU, KsE FANS EVERYWHERE!!!”

“It’s hard to believe KsE has been going for so long,” says Stroetzel. “We’re gettin’ old! We hope you all enjoy the photos, as they have definitely brought back a lot of memories for us! It seems like only yesterday we were playing VFW halls in Western Mass and rehearsing in my parents’ basement!”

D’Antonio says, “Looking back at what KsE has seen and done in 20 years is nothing short of mind-blowing to me. How a little band from Massachusetts could tour the world for this long is beyond me. A lifetime of exciting moments and amazing memories…I would not trade it for the world.”

Today, Killswitch Engage are also launching their Retro merch line, where they will be offering new takes on classic Killswitch Engage designs in limited edition quantities. The initial offerings from the Killswitch Engage Retro Collection include designs from the Alive Or Just Breathing and As Daylight Dies album cycles. You can preorder the Retro designs here: https://killswitchengage.merchcentral.com/collections/retro-collection

Overall, it’s been an eventful 20 years for Killswitch Engage.

Recently recognized by Forbes as “one of modern metal’s most cherished acts,” Killswitch Engage first shook the structure of heavy music upon climbing out of snowy industrialized Western Massachusetts in 1999. The band pioneered a DNA-distinct and oft-imitated style, fusing thrashed-out European guitar pyrotechnics, East Coast hardcore spirit, on-stage hijinks, and enlightened lyricism that set the pace for what the turn-of-the-century deemed heavy.

2002’s Alive Or Just Breathing, which followed an attention-getting, self-titled debut, earned its reputation as a definitive album and was named among “The Top 100 Greatest Metal Albums of the Decade” by Decibel and celebrated by everyone from Metal Hammer to Revolver. Original singer Jesse Leach departed the band in 2002 and was replaced by Howard Jones, who would front the band until Leach’s return in 2012.

Along the way, Killswitch Engage have garnered three GRAMMY®Award nominations in the category of “Best Metal Performance” in 2005, 2014, and 2020. They’ve received gold certifications for The End Of Heartache [2004] and As Daylight Dies [2006]. The group landed three consecutive Top 10 debuts on the Billboard Top 200 with Killswitch Engage [2009], Disarm The Descent [2013], and their career high best bow at #6 with Incarnate [2016]. The latter two releases would also both capture #1 on the Top Rock Albums and Top Hard Rock Albums charts. Their total streams have exceeded half-a-billion to date. Along the way, the band has shared stages with some of the biggest acts in the world and have sold out countless headline gigs in six continents across the globe. Their eighth full-length Atonement debuted #2 on the Billboard Top Album chart, #13 on the Billboard Top 200, and once again #1 on both the Top Rock and Hard Rock Album charts.

Killswitch Engage have spent most of their career on the road, sharing stages with Iron Maiden, Slayer, Mastodon, Slipknot, and more. They’ve appeared as a featured attraction at OZZFest, Rock Star Energy Drink Mayhem Festival, Taste Of Chaos (with My Chemical Romance), Warped Tour, and more.

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Pittsburgh, Pa slamming deathcore powerhouse SIGNS OF THE SWARM have unveiled a new music video for “Lost Within Reflection” off of their latest album ‘Vital Deprivation’. The band recently launched their Patreon where they will give anyone who signs up access to unreleased music, watch new music videos before they are premiered to the public, free SOTS merch, tablature, & much more!

The band commented, “We are excited to bring you another video from our latest album Vital Deprivation with Lost Within Reflection. We filmed this on the last tour we did with Shadow of Intent, watching this makes us miss you guys that much more. We can’t wait to get back out on the road and see you all again. Video shot/edited by Dylan Gould of Stay Goulden.”

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Bleed From Within have built upon their humble origins with each release, nowadays a powerhouse of kinetic energy and irresistible groove heavy metalcore that draws as much from NWOAHM as deathcore. Fifth album (!) Fracture is their most cohesive release yet and the metalcore standout release thus far in 2020. It is certainly an album that ought to generate a lot of excitement.

A few weeks ago I sent questions to the Scottish band’s own Steven Jones who shares thoughts about recent global events, the new album and more! Be sure also to join the ambitious group on Facebook this Friday from 7pm BST as they go live, discussing all things Fracture listening to the album, and answering your questions!

Read More BELOW.

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Only a mother could be proud of…ok, that’s not fair. We are all proud of Ice nine Kills.

During the mammoth #FearlessAtHome live stream event that took on Saturday, horror themed theatricore outfit, ICE NINE KILLS celebrated the 40th Anniversary of classic horror movie, Friday The 13th, with the debut of “Jason’s Mom” – a very special, acoustic parody in honor of one of the deadliest matriarchs in movie history, just in time for Mother’s Day. They dedicated the performance to Adam Schlesinger whose genius song writing and smash hit, “Stacy’s Mom”, provided the inspiration for the song.

Speaking on their re-imagining of the Fountains of Wayne classic track and the 40th Anniversary of Friday The 13th, INK frontman, Spencer Charnas says

Today marks the 40th anniversary of Friday The 13th and with tomorrow being Mother’s Day, we thought this acoustic cover would be the perfect way to celebrate. We want to dedicate this to the memory of the inspirational songwriter Adam Schlesinger, who co-wrote this amazing and enduring pop song for Fountains Of Wayne.

We hope all the Moms out there have a truly killer Mother’s Day.

Ice Nine Kills also payed homage to Friday The 13th with this month’s Nightmare On The Ninth merch drop. The ‘Mommy Knows Best’ collection celebrates Forty Years of Friday and is available for a limited time from NightmareOnTheNinth.com The movie was also the inspiration for their track “Thank God It’s Friday”. Taken from their 2018 opus, The Silver Scream, the track has clocked up 2 million YouTube views and 9.6 million streams on Spotify since it’s release.

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What The Dead Men Say is a well named album for the ninth release from heavy metal modern champions Trivium. Sadly as there are mass graves around the world right now there are probably many dead with things left unsaid in this mortal plane. This new record from one of the hardest working bands in the business cements their legacy and proves once and for all they are a long term force in the genre who broke well above many of their one time peers from the pack of bands they emerged with. It is full of tight performances, a love of big moments and insane musicianship and packs a lot of punch along with the emotions.

My favorite recent record from the band remains the Michael Baskette produced and easy to connect with Heaven & Hell influenced Silence In The Snow, though I like the Josh Wilbur crisp production on this even better. Wilbur produced the recent The Sin & The Sentence record as well (which feels like it just came out to my time blurring together mind), but on What The Dead Men Say you really feel the pairing clicking more than ever between Wilbur and the band. Songs like the relentless and brilliant “Catastrophist” or the instrumental and cinematic Annihilator meets Death Magnetic sized Metallica – opener “IX” burst forth with complete confidence and go to work on you fast.

“I looked up what the word ‘Catastrophist’ means, and it’s one geological view of how the world has been shaped by very catastrophic and immediate changes,” says Paolo Gregoletto. “You can apply the same narrative to the C.E.O. of an oil company making decisions for profit, but ruining wildlife. You know it’s going to be a disaster, but you do it anyway. When you’re born, you have no say in the world you grow up in. You do as you get older though.”

“Bending The Arc To Fear” could give Arch Enemy a run for their money with a fierce melodeth intro before a big verse opens up into catchier terrain.

The balance between screams, hooks and borderline hokey but still rad big rock moments is very well done, with a very healthy amount of savagery left intact for the mosher metalcore and heavy metal kids out front. Listening to this record legit makes you proud of how far Heafy and pals have come. The press release reveals the genesis of “The Defiant” can be traced back to “streaming in a Hungary dressing room trailer at a festival.” They are always incorporating their journey into the work and holding their own against the trends. It has earned the band a lot of respect over the years and a place in the halls of metal forever. No fan can hear the glistening solo of “Sickness Unto You” and not feel some force in their chest call them to higher purpose, even as the song revels in anger at the parts of us left dead by the world. But the album never gives in.

“I’d love for people to be inspired to pick up an instrument and write a song,” Heafy says. “The reason I love metal is it goes against the grain. The best way to overcome darkness is to make something creative. Whether the impact is small or large, I hope it’s positive for listeners. We hopefully built a community to make them feel safe where they can talk about what they want, enjoy it, and get help if they need it. It’s possible to even find a lot of love and light in there.”

While their are still some older and bigger bands around, Trivium are well poised to be the leaders of the pack for the next generation as time marches on. “The Ones We Leave Behind” uplifts with soaring melodic riff moments and tribal into speed obsessed drums paired with inspiring and hoarse sung vocals, giving the feeling the band does it for the fans as much as themselves. It’s another big win all around.

Drain’s CALIFORNIA CURSED is gonna wreck your world in the best way

It is a depressing time in music right now with all the Coronavirus valid concerns causing great tours from Car Bomb to GosT to Gruesome and Krisiun to be taken out behind the shed and put to bed. I figure everyone is feeling pretty down and it sucks that I can’t stop thinking about Tom Hanks having to self-quarantine back on the island with Wilson. Not far, man. Seriously though, much love to everyone.

Seems like a good time to get people psyched on some tunes they will soon be able to stream in the coming weeks once some of the best albums to listen to in early Spring drop. Here are five selections for records to check out in the coming months as we rock our woes away. We can still bond together via social media about music while we remember to please wipe our phone and tablet screens often so as not to affect elderly and immunocompromised loved ones.

Ok here are my choices for the coolest things coming out in upcoming weeks! Read more HERE.

Live Drain photo by Sam Jameson

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Get your pittin’ pants on, kids. Terror are bringing The Warriors, the very deadly indeed Creeping Death and Dare on a short West Coast (mainly Cali) run of frolic and furious foaming mouth fun. The underground is an extended family at the best of times and this looks like a rad little tour. Creeping Death has a lot of dates coming up with The Acacia Strain as well this year, but here is an earlier option.

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Huge tour news as Megadeth team up with cohorts Lamb Of God to underscore the respect the groups have often had for one another over the years. Special Guests on the tour include the iconic In Flames and metal staple genre band Trivium for a huge package. Heh, heh, Beavis…he said ‘huge package”. Sorry. Had to.

Mustaine is back after sending cancer packing and this is gonna be a legendary tour, I am sure.

Dave Mustaine says:
“Hello me! I’m back again, better than ever and coming to a town near you with Lamb of God, Trivium and In Flames. If you want high octane metal madness this is the tour for you.”

LAMB OF GOD, adds:
“The world has never needed heavy more than it does today and top to bottom, this tour delivers! Lamb Of God has toured with and been friends with all of these bands for years, but for all of us to be on the same bill is something extra special. Come early and stay late. This is THE metal tour of the year.”

Tickets and VIP packages for all four artists go on sale to the general public beginning Friday, February 14th at 10am local time at LiveNation.com. Citi is the official presale credit card of the tour. As such, Citi cardmembers will have access to purchase presale tickets & VIP packages beginning Tuesday, February 11th at 10am local time until Thursday, February 13th at 10pm local time through Citi Entertainment®. For complete presale details visit www.citientertainment.com.

Dates BELOW.

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