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In case you have missed it! Check out the first promotional episode of DC Comics' Dark Knights: Death Metal OST featuring one of our new songs! Link in Bio! "From DC Comics and Loma Vista Recordings Recordings comes Dark Nights: Death Metal; based on the best-selling comic series by Scott Snyder and Greg Capullo. Original Score by Tyler Bates. Credits: Story by Scott Snyder Art by Greg Capullo Directed by Tyler Bates Edited by Lorena Perez Batista Batman – Andy Biersack The Batman Who Laughs, The Joker – Charles Fleischer Wonder Woman – Chelsea Wolfe Score by Tyler Bates Drums by Dave Lombardo Guitar FX by Zakk Wylde Mixed by Robert Carranza “Skull with a Forked Tongue” by Carach Angren"
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‘Franckensteina Strataemontanus‘ is out NOW and can be streamed, downloaded, and/or purchased HERE.Add to My Radar
So as of now for the immeasurable future while I am running this site we will not be covering ANY artists on Agonia Records. We have heaped resounding praise on many of their artists before. Some of my legit favorite metal bands are on the label. Forgotten Tomb, Centinex, Varathron, Hail Spirit Noir…sorry, take it up with your label. In Mourning even made our top albums of 2019 last year. But I am not doing shit to help promote a label that signs a band who have been accused of unrepentant transphobia against a former band member, Vis Crom aka Melissa Moore. Now there is an attempted very slight rebranding going on, which one Facebook comment noted was akin to IHOP changing a letter.
Moore has issued a new and more detailed account of her firing from Absu and a screenshot of a phone call that appears to show Russ being a complete gaslighting piece of shit. It is so disgusting it makes me want to throw up.
Proscriptor aka Russ Givens and Ezezu aka Paul Williamson are transphobes who threw me out of Absu like a piece of trash because I’m trans. This is not the whole story, I’m just starting it here right now…it’s really hard and painful for me. I need to find a way to talk about this in more detail. If they just recorded a full new 12 song album that’s none of my business, but it’d be incredibly disappointing to learn that after kicking me out they still used my playing and songs. I hope that’s not the case. During our final tour in 2017 I told my bandmates that I’m trans. This was the moment everything changed between us. I didn’t ask them to call me a different name or use different pronouns. I just let them know I was trans, and that’s it. They started treating me like a pariah. Like, they didn’t even want to share a hotel room with me. I figured their obvious negativity would resolve itself once the realization had time to settle. Nothing was different about my performance in the band or my quality as a person. Shortly after that, Russ fired me in a text message (attached). When he references “your decision” he’s talking about my “decision” to transition. After receiving this text I called Russ back and told him he couldn’t use my playing or my songs on the album we just recorded. His response: “Uh, why?” I said, “First tell me why you fired me,” and his response was “You fired yourself…with your decision”.
You’re legacy, Russ? Friends don’t guilt other friends for being trans, asshole. How about the fact that it isn’t edgy or esoteric to be a transphobic cis dude? WTF is cool and magical about that? Literally nothing. It is incel reddit garbage.
ANYONE ought to find that offensive but as a Demiflux person I super find it offensive. Here is a great article for anyone reading this who might be inclined to write ,”science doesn’t care about your feelings.”
We are in no way obligated to platform bands that are unapologetic about messed up shit or labels who think it is cool to deflect looking at these concerns. There can be restorative justice in the world and scene but this sure as fuck aint it. And the label DELETING my comments about it on their IG post below SURE AS Hell didn’t make me less inclined to write this article, morons!
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Agonia Records today confirms the signing of the new, Texas-based “mythological occult metal” act Proscriptor McGovern’s Apsû (@officialabsu). The debut/self-titled album’s release date is to be announced in the latter portion of 2020. When drummer/vocalist Proscriptor (Russ R. Givens) dissolved Absu on January 27th 2020, his main intention was to splinter the 30-year old faction into a renewed songwriting concord. Proscriptor McGovern’s Apsû is the obvious by-product of that chemical breakdown and securing the ranks is continuing bassist/vocalist Ezezu and new guitar virtuoso Vaggreaz. #proscriptormcgovernsapsû #absu #apsû #apsu #occultmetal #mythologicalmetal #blackmetal #usblackmetal #zemial #rosstheboss #possessed #auranoir #vltimas #agressor #agatus #zbigniewbielak #jtlongoria #karldanielliden #thrashmetal #deathmetal #heavymetal #barathrumvitriol #TheSunofTiphareth #TheThirdStormofCythraul #Tara #InTheEyesOfIoldanach #Abzu #tracklisting #newalbum
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An important new pro equality comp has been released today for metal fans. 31 tracks from Falls of Rauros, Woe, Panopticon, Outlaw Order, Cloud Rat, Krieg, Uprising, Throne Of Blood, Hag Graef, Nechochwen and many more. OVERGROW TO OVERTHROW is extensive and awesome. Plenty of music here to zone out to and feel like the world and metal want to be a better place. Very cool.
Love the Evil Queen Bavmorda pigs sample in the Thou song. Doom’s track is probably my favorite.
Between this and the ferocious new Of Wolves album , metal heads have a good start to an anti-4th partying soundtrack.
Voices from across the Metal and Punk spectrum have united to not only speak out against racism and in support of those who are in the streets actively demonstrating, but work to actively support a fight that all of us must take on.
Digital only. All proceeds to support:
• Black Lives Matter – Over-arching movement to combat racism and fight for social justice in the US and Canada.
• Life After Hate – A nonprofit in the US that seeks to combat racism by providing resources to help people leave racist movements, as well as help de-radicalize violent Far Right extremists.
PS While you are here, please also read this Jacobin article I found today about how we need to SHUT DOWN the School Of The Americas/WHINSEC permanently.Add to My Radar
– 𝐆𝐋𝐎𝐑𝐈𝐅𝐈𝐂𝐀𝐓𝐈𝐎𝐍 𝐔𝐍𝐃𝐄𝐑 𝐓𝐇𝐄 𝐋𝐀𝐓𝐈𝐍 𝐌𝐎𝐎𝐍 –
— VARATHRON (@varathron) June 16, 2020
Recorded in its entirety on August 4th, 2019 in São Paulo (Brazil) during the final show of VARATHRON’s “30 Years Of Darkness Tour”, the historic setlist boasts some of the band’s finest compositions, from 1988 and beyond, most notably including the entirety of classic His Majesty At The Swamp from 1993, to most recent songs, taken from the acclaimed Patriarchs Of Evil album, which made it to an awful lot of year-end lists in 2018.
VARATHRON had this to say about its first live album since its 1988 inception: “During these weird and uncertain days we wish to all our friends, brothers and sisters health and better days to come. In recent years we had the chance to meet wonderful people! We are happy to share with you some important news specially dedicated to you, our supporters and friends: we present to you our new – first time ever – live album! ‘Glorification Under The Latin Moon’ was recorded in Sao Paulo, Brazil, the last show of our 2019 adventure in South America. The album includes a historic setlist with songs since 1988, our latest opus ‘Patriarchs Of Evil’ and ‘His Majesty At The Swamp’ in its entirety. The show was organized by our tour manager and friend Robson Calura and Storm Productions. Lots of thanks to every photographer, engineer and organizer who helped us create something truly special!
Tracklist BELOW.Add to My Radar
Russian goth metal band Inner Missing‘s cup brimmeth over with shadowed emotion and introspective, deep reflections. Their records are up for streaming now on many platforms. I suggest you start with Ghostwriter on Bandcamp (“The Loss”, track 2, is especially epic and well constructed) and work your way backwards. They have plenty of remarkable compositions. All 7 albums are available for the first time on streaming platforms such as Spotify, Deezer, Apple Music, etc. via Finnish record label Inverse Records.
The band has shared stages with My Dying Bride, Katatonia, Saturnus and Throes of Dawn just to name a few and Inner Missing is highly recommended for the fans of aforementioned bands.
One of my most anticipated for 2020 was Forgotten Tomb’s Nihilistic Estrangement and boy, does it deliver. The May 8th Agonia release is streaming below and has a mouth full of very sharp teeth to go along with the melody rich yet heavy black metal glory. This is another classic for the Italian band. Fucking love this album/act.
Nihilistic Estrangement was produced by Ferdinando “Herr Morbid” Marchisio (vocal, guitars) and mixed by Alessandro “Algol” Comerio (bass). Jack Control mastered the album at Enormous Door Studios (Darkthrone, Aura Noir, Martyrdod).
1. Active Shooter
2. Iris’ House Pt. I
3. Iris’ House Pt. II
5. Nihilistic Estrangement
Ferdinando “Herr Morbid” Marchisio – vocals, guitars
Alessandro “Algol” Comerio – bass
Kyo-Naam “Asher” Rossi – drums
Hope everyone is holding up? I’ve been watching a lot of 80’s action movies and just want to say that Kathryn Harrold deserves more props for what a bad ass and fashionable babe she was in Raw Deal.
Let’s get with the program here. Today we are going to shine a big fat Mordor eye on some juicy new albums on the bleak horizon in hopes of keeping you all invested in this mortal coil. I am very excited about all of these releases.
First up, Ulthar‘s new 20 Buck Spin releas Providence! Pre-ordered this one the second I heard the hell churn of “Through Downward Dynasties” this morning. Hard not to relate to the whirlwind frustration of the motion sickness inducing extreme metal song. 8 song follow up to the much drooled over Cosmovore release. More brain melting artwork and dizzying death. June 12th, 2020 is the drop date.
Featuring within its ranks Shelby Lermo (Vastum, Extremity), Justin Ennis (Void Omnia, Vale), and Steve Peacock (Mastery, Pandiscordian Necrogenesis, Pale Chalice), ULTHAR’s Providence was recorded by Greg Wilkinson (Brainoil, Deathgrave) at Earhammer Studios, mastered by Adam Tucker (False, Thou, Obsequiae) at Signaturetone Recording and comes swathed again in the staggering art renderings of renowned British fantasy illustrator Ian Miller with layout by Ross Sewage (Exhumed, Impaled).
As the band’s label opines: Releasing at a time where our own world has devolved into a surrealistic nightmare of viral trepidation and encased solitude, Ulthar’s ‘Providence’ becomes a prescient view into the strange paradoxes that only months ago seemed unbelievable but now all too possible. Where horizons cease, where grace is dead, where nothing lives, so be it amen.
Naglfar have released a venomous visualizer video for “Cry of the Serafim” from forthcoming Century Media release Cerecloth (out May 8th). Loving the intermittently snarled and brimstone belched vocals on this second wave indebted, yet heavier sounding jam. The album was recorded and mixed by guitarist Marcus Norman at Wolf’s Lair Studio and mastered by Dan Swanö at Unisound.
“With ‘Cry of the Serafim’ we wanted to explore a heavier and darker sound. Trying to create something different from what we usually do, while still keeping the NAGLFAR spirit intact,” states NAGLFAR about the track.
Really looking forward to Foundations, the next release from Twilight Fauna. Our readers may recall that I have dug this project for awhile now and every release has something insightful to offer. “Tavern Hill”, from beautiful intro to melodic and ghostly near post rock crescendos, absolutely stuns. I didn’t even know this was coming out soon, because I am very clearly a fucking idiot…until last night! Best surprise of quarantine!
I highly advise y’all to get even partially invested in the music Paul and Josh have made. It’s pretty boundlessly satisfying and atmospheric, a deep reflection on the contrasting hopes, pain and beauty of Appalachia. May 11th, 2020!
Last up is a very interesting new track from Hail Spirit Noir. A compelling and exciting mixture of progressive and black metal influences with certain crazy sections reminding me of stuff as varied as Opeth and Old Dead Tree arguing with Frantic Bleep and Zombi about what is the most superior Ihsahn solo record. You can tell the band put tons of effort into the songwriting and it will lift your head to formerly unperceived possibilities.
Eden In Reverse is due out on Agonia June 19th. Album title seems pretty cognizant of our human path of destruction and how nature will likely not care when we are gone.Add to My Radar
Hello my quarantined darlings. RIP to the great Honor Blackman of Pussy Galore and Avengers (not Marvel, ya dimwits) fame. Pour one out for an icon of lesbian cement mixer criminal networks and judo adept lady aviators. Honor was also in Jason and the Argonauts. Very cool.
It is raining outside and I am reeling from Bernie dropping out, which feels like a crappy hangover times 10,000. This situation sucks. Thankfully even during the pandemic I have somehow been sober since New Years and haven’t even had a cigarette all year, so things are going very well on the self care front – praise the gods. Last year was really rough for me and I did not want to repeat that in 2020. Some things we can try to manage, even when the world is chaos.
Hoping to do a lot of blogging on here since I have lost 5 fucking jobs in this pandemic. What else is there to do besides watch El Camino on Netflix because it somehow feels LESS crazy than reality? No, I will not watch that racist animal cruelty adept mullet motherfucker in Tiger King.
In DOPE movie and music related news, Sacred Bones (one of the best labels on Earth) is releasing a new collection in honor of horror classic The Thing.
In collaboration with our friends at Waxwork Records, we’re offering the all-new Lost Cues: The Thing by John Carpenter on Sacred Bones mailorder-exclusive “Ice Tomb” vinyl, their reissue of Ennio Morricone’s soundtrack for the film on Sacred Bones mailorder-exclusive “Snowfall” vinyl, and both of those releases bundled together in a deluxe slipcase. – Sacred Bones
On to some metal news!
Acherontas have a new record due from mighty Agonia this year called, fittingly, Psychic Death – The Shattering Of Perceptions. Hell yeah! Due the virus outbreak, the release date of the album has been postponed to June 26th.
“The Shattering of Perceptions” is a pretty ideal song name right now as people can’t believe they can see the Himalayas for the first time in 30 years in some places due to air pollution lifting or here in America the veil is fully lifted on how far people will go to protect the wealth class over the poor who need medicare for all during a pandemic. Obviously this is my own reflection on what the title made me feel and nothing to do with Greek occult black metal. I’m pretty effin’ pissed about Bernie not being the candidate right now in the USA. Anyway, here is the band of mystical Hellenic daddies in their own words.
ACHERONTAS commented on the new album: “Two years after the release of Faustian Ethos the coven of Acherontas returns with a monumental album, delivering the most mature, potent and diverse offering throughout a vibrant discography of 23 years up to date, fulfilling the promises left abound with closure of the triptych Psychic Death. The shattering of Perceptions and the unfolding of the Psyche. A manifest of sound, spirit and matter, blending across the ancient routes of divination. Across all the cardinal directions, the core elements of the Psychic structure detonate and flourish, risen and aflame as a newborn supernova, embedding axioms and attributes on the vital points of existence, on the ethers as in the depths. The uncharted map of man’s subtle anatomy becomes flooded with the governing universal force of Vitae, the arrows of Life, the nectars of Death and the flames of Rebirth. The crystal halls of the Psyche reverberate, once more, with a monumental milestone to glorify the Ascension to Godhood, the Devil and the Inner Demon. Expect a fierce return deep into the roots of the 90s that we had grown up and evolved through the Black Arts… No more words… Actions define Men and the Brave Spirits”.
Wow, that sounds a lot more deep than the average conversation in sewer online discourse these days. The new song below is thrilling and very mind opening, layer upon layer of dynamics revealed in a journey of bleakly inspiring Greek songwriting. Loved the little bell at the end as well or chime or whatever with the rushing wind. Really intriguing and I look forward into delving into the band’s extensive back catalogue, which I dot know as well as -say- Rotting Christ or Varathron.
In more Greek metal news, Enshadowed have a razor sharp new single of death dancing black metal fury and a blend of Hellenic and Scandinavian influences for your ears today. Stare Into The Abyss, indeed. It is over in a raw and fiery blink of the eye, but not before shredding you to bone bits in a friction of evil like a fiberglass tornado of baby devil teeth! Order the 6 panel digipack HERE.
Hear “The Great Animist” below and don’t forget to wear PPE.Add to My Radar
Dark Fortress have sculpted a new masterpiece of black metal drenched with the blood squeezed from a death metal shroud. Spectres From The Old World is a significant piece of work and surely due a lot of attention from the metal community if there is any justice left on this plague-ridden rock.
The band was just forced to cancel release shows due to Covid-19 in March but we are pleased to publish at last a recent conversation with musical genius Morean (also of Alkaloid and Noneuclid renown) about the new record to help lift some of the sting or perhaps steer people towards this great 2020 Century Media release if they were unaware. (Buy merch HERE)!
MYE. Spectres from the Old World is an intense and powerful album, highly anticipated by fans. I loved the album title. Do you think we are always haunted by the past or sometimes we actually forget it too quickly and repeat tragic things? It is also good to know where things come from, like musical styles. Some older bands like
yours and also God Dethroned come to mind as having great new music this year, still fighting for the dark metal legacy!
Morean: As a species, that’s definitely true. Just look around you and what mankind is discussing right now. I remember that at the turn of the century, I felt like the human race might be at the eve of an evolutionary quantum leap. Now, twenty years later, it’s obvious that the monkey part of us that throws feces at the monkeys in the other tree is not actually that far in the past. At the same time, we can transform the Earth into one giant telescope to take pictures of black holes, land probes on comets, genetically engineer organisms and so on. I think our technical evolution is so far ahead of our mental and emotional evolution that it’s still a big question if progress will have the upper hand in the near future, or if we just go to some dystopian Mad Max-like society, only postponing its last degenerate breath. Time will tell, but we’re far from being able to relax about it. The “old world” of this album is something else entirely though; it refers to the universe of the previous album, where the protagonist has transformed into a being of pure light and reincarnates here as the sentient fabric of a newborn cosmos, in great agony. It’s black metal after all.
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Today we are reporting still (thankfully) alive from quarantine on a very unfunny April Fool’s. Happy belated TDoV to our trans readers and hope everyone is ok out there and holding it together through this Hell. I am glad the Empire State Building has been flashing red and looks like Gozer is coming, because we dumb ass Americans need to check our cocky privilege and realize this shit is no joke. Get the fuck inside.
I just finished reading Catalyst, an excellent novel that details events leading up to one of my top favorite Star Wars films – Rogue One. The book gives you a lot more background on Jyn’s parents and the machinations that led up to their manipulation at the hands of Krennick as well as plenty of colorful connect the dots moments in the subterfuge that surrounded the construction process of the Death Star. Very good read for you fellow nerds out there who haven’t ever read that one.
Let’s get to to the metal. Today we have some new Forgotten Tomb! I love this band. They have done a wide variety of edgy material over the years from the bleak and suicidal sounds of my favorite Springtime Depression to the bold and big We Owe You Nothing where the band really did whatever they wanted regardless of “cult” status rules (check out “Longing For Decay” on that one, a beast). The new track stream from pending “Nihilistic Estrangement” is a promising direction that almost sounds like post metal and black metal married to a huge sense of space. It feels like black metal Mogwai at some points, which is super fucking rad. Good on them. Pre order the Italian band’s latest HERE via Agonia. The cover art has more trad nature BM vibes than they have rocked on their art pretty much ever as well. They always keep it interesting.
The album’s cover artwork is a painting, specifically drawn for this release by acclaimed artist Paolo Girardi (Essence Of Datum, Drug Honkey, Manilla Road) .
In a comment that encompasses everything from working on the album, to musical expectations and lyrical themes, the band had this to say: “Nihilistic Estrangement is our tenth album and it opens a new chapter of the band and possibly a new trilogy, therefore it sounds different from our previous release, which closed the past trilogy. The whole idea and concept behind the album was to make something detached from all the current trends in terms of style and production so that it would feel timeless and not chained to a particular frame in time. I chose specific vintage microphones from the 60s/70s for the studio sessions and mostly played on early 80s instruments, as well as using both analog tapes and mixing desk. It was pretty much recorded like an old album from 40 years ago or such. I pretty much wanted to make something that was removed from the current state of music and the standardized productions that get churned out daily. Musically speaking there are references to all of the band’s eras but it sounds very refreshing and extremely personal; it’s 100% Forgotten Tomb. The lyrics deal with several different themes but the main focus is about reaching a mental estrangement from the modern world; it’s about refusing to partake in the current state of things and finding solace in a inner world of my own where no one can enter. I’d say the lyrics and concepts on this album are extremely misanthropic, even if it’s a term that got thrown around so much over the years that it kinda lost its real meaning”.
Exciting shit!!! I am so on board!!Add to My Radar
Swiss avant-garde extreme metal band Triptykon are pleased to announce their highly anticipated release of Requiem (Live at Roadburn 2019) opus on May 15th, 2020 via Prowling Death Records / Century Media Records worldwide. The release will be available for pre-order in various formats starting March 20th, 2020.
Requiem (Live at Roadburn 2019) marks the bombastic conclusion of a project over 30 years in the making: The legendary Celtic Frost/Triptykon “Requiem” performed for the first time in its entirety and with full classical orchestration by the Dutch Metropole Orkest.
“We are truly, deeply delighted to be able to have been granted the opportunity to finish this unique project begun by Celtic Frost so many years ago, and to finally share the completed recording with the world,” Tom Gabriel Warrior states about the release. “This album is the result of two years of passionate work, and it marks the conclusion of a musical idea first considered over three decades ago. Moreover, this Requiem also represents drummer Hannes Grossmann’s first recording with Triptykon, and we are very proud to feature him in such an extraordinary context. It was an incredible honour to collaborate with the Metropole Orkest, conductor Jukka Iisakkila, guest vocalist Safa Heraghi, and the esteemed Roadburn festival. In fact, there couldn’t have been a better partner for the “Requiem” project than Roadburn. We are releasing this Requiem album in memoriam of our deeply missed friends and collaborators Martin Eric Ain and HR Giger.”
Requiem (46:00 min.) is composed of three chapters:
1. “Rex Irae” (06:34 min.) (First appeared on 1987’s “Into The Pandemonium” album by Celtic Frost)
2. “Grave Eternal” (32:28 min.) (Newly written middle part)
3. “Winter” (06:54 min.) (First appeared on 2006’s “Monotheist” album by Celtic Frost)
This unique and groundbreaking release is available in the following formats:
– Special Edition CD + DVD Mediabook
– Ltd. Gatefold LP + DVD (With LP-Booklet and 2x poster)
Unlimited black 180g. vinyl and selected ltd. coloured editions!
– Standard CD Jewelcase
– Ltd. Deluxe Artbook with coloured LP + CD + DVD + coloured 7Inch (With bonus track, score book of 60 pages, 3x poster, artprint and photocard)
– Digital album
Requiem’s main cover art (As can be seen above!) is titled “Blood Angel” and was created by Daniele Valeriani.
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Norwegian black metal formation 1349 have announced a small run of headlining U.S. dates, in which they will be supported by PULCHRA MORTE. The band will hit four U.S. cities this May, including Dark Lord Day Festival in Munster, IN; all dates can be found below. Tickets are on sale now!
1349 will be supporting their latest release, The Infernal Pathway,’which was released in October 2019 and can be ordered HERE.
1349 Headlining U.S. Dates (w/ PULCHRA MORTE):
05/13: Greenville, SC @ The Radio Room [TICKETS // EVENT LINK] *
05/14: Nashville, TN @ Little Harpeth Brewing *
05/15: Lexington, KY @ Cosmic Charlie’s *
05/16: Munster, IN @ Dark Lord Day Festival
photo- Dmitry ValbergAdd to My Radar
Philadelphia extreme metallers Blood Spore have announced that they will release their new EP Fungal Warfare Upon All Life on February 28.
The EP will be released via Blood Harvest Records. Ahead of the release of Fungal Warfare Upon All Life Blood Spore have released the track “Hostile Fruiting Bodies.”Add to My Radar
Montecharge is ffo: Cortez, Converge, Knut, Old Man Gloom, Gorguts
Montecharge emerged in 2007 as a reunion between two members of Amok, a defunct grind/death outfit from Geneva, Switzerland. They rapidly wrote their first tracks with the intent to deliver aggressive music while aiming for a form of subtlety.
As a side-project, the band initially remained a guitar/drum duo. They self-produced a 5-track EP in 2012, which was released as a 10’’ vinyl limited to 100 copies.In 2013, Montecharge expanded to include a third member in order to reinforce its experimental inclinations with synthesizers, Theremin and various noise machines.
The trio then recorded three tracks in studio to answer the call of a Swedish multi-band project named Elemental Nightmares. One track was published on the compilation and two were released on a 7’’ with Hummus Records. After a second hiatus due to implications in other projects the band regrouped in 2016 with renewed strength to write their first album and search for a vocalist.
Both of which came to fruition early 2017: Montecharge took on the studio as a quartet tor ecord an album with Thierry Van Osselt (of Knut fame) in Geneva.Add to My Radar
WITHERED will be embarking on a European tour in January 2020 in support of label mates CANNABIS CORPSE. A full list of confirmed shows can be found below. A big heads up to the metalheads across the pond, cuz you will not want to miss out on this disgustingly great package deal. Additionally, Withered have released a pummeling and yet moody lyric video for their “Somnium Decay” track to mark the announcement.
WITHERED comment: “It’s been nearly a decade and a half since we’ve left the shores of North America. Withered has decided it is time again to get face to face with our fans & friends in the old countries of Europe. We are excited to share this massive effort with our friends in Cannabis Corpse and help celebrate the release of their new album. We have a very special set list planned that will undoubtedly dose our audiences with surrealism and a true darkened longing with music that spans our entire catalog to date. I’m excitedly nervous to reconnect so intimately with my roots and with friends we haven’t seen in nearly 15 years. It promises to be an awakening we cannot wait to share with everyone.”
“Somnium Decay” can be downloaded HERE.
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We will be joining our friends and label mates Cannabis Corpse this coming January for our first full European tour. Dates and ticket link below. https://bnds.us/5vmev7 03 Jan 20 Aalst (BE) Cinema 04 Jan 20 Utrecht (NL) DB’s 05 Jan 20 Bochum (DE) Die Trompete 06 Jan 20 Hamburg (DE) Monkey’s 07 Jan 20 Aalborg (DK) 1000Fryd 08 Jan 20 Copenhagen (DK) Vega 09 Jan 20 Stockholm (SE) Hus7 10 Jan 20 Oslo (NO) Vaterland 11 Jan 20 Malmo (SE) Plan B 12 Jan 20 Dresden (DE) Chemiefabrik 13 Jan 20 Prague (CZ) Underdogs 14 Jan 20 Bratilava (SK) Kulturak Klub 15 Jan 20 Munchen (DE) Backstage 16 Jan 20 Innsbruck (AT) P.M.K. 17 Jan 20 Bologna (IT) Freakout Club 18 Jan 20 Bolzano (IT) Pippo Stage 19 Jan 20 Zurich (CH) Werk21 20 Jan Aachen (DE) Musikbunker 21 Jan 20 London (UK) Boston Music Room 22 Jan 20 Birmingham (UK) Asylum2 23 Jan 20 Edinburgh (UK) Banneman’s 24 Jan 20 Bridgewater (UK) The Cobblestones 25 Jan 20 Leeds (UK) Temple of Boom @madtourbooking @seasonofmistofficial #cannabiscorpse #witheredmetal
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California thrash upstarts Warbringer have returned to settle the score and cement their long term legacy fully with sixth album Weapons of Tomorrow. "Firepower Kills" probably ought to open all their future shows, just a complete stage setter for chaos. "Crushed Beneath The Tracks" and "Power Unsurpassed" in particular show this band would have ruled 1988 with ease and contain maximum neck injuring/ fist pumping potential (along with notable Slayer-worthy wraith shrieking). I am not 100% on the semi-thin snare sound but it hardly distracts the band's performances are all monstrous on this bad boy. Exodus, Annihilator fans or of course fans of more new school speed thrash bands should get all over this one. \m/