Search Results for "E1 Entertainment"

Enterprise Earth share video for Lamb of God cover

Posted by Morgan Y Evans - Walking Bombs on Monday, June 29, 2020 at 11:10 AM (PST)

Enterprise Earth have an in quarantine video out for their Foundation of Bones EP’s cover of Lamb of God’s “Now You’ve Got Something To Die For.” While the huge bellow and impending doom of the original is hard to top, the band did a good job and the coolest parts are probably how they charred up some of the faster parts to a blackened crisp. Gotta love the extra breakdown semi-Oceano thunder fudge at the end as well.

Bottom line – the band did a killer job on a self produced EP and kept the fires burning for fans in a commendable fucking way. Y’all need to peep the Necrophagist cover too as it is even better.

Guitarist Gabriel Mangold comments: “Lamb Of God is one of our collective favorites as we all draw a significant portion of our influence from their catalog. We really wanted to do something off of Ashes Of The Wake and this song seemed to check all of the boxes for us. Straightforward and to the point, this was a ton of fun to cover.”

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50% or so less ranting and more blurbing today here at Metal Riot, so I am calling it ‘quarantine blurbs’ today. I know life is already full of things we have to adapt to right now, but you’ll be ok. Let’s get right into it! Great stuff today to share with you!

Throwdown are back with a surprise covers EP of rarities including the heavy band’s take on Sepultura, Misfits, Crowbar, Sir Mix-A-Lot and Pantera classics. Take Cover is out tomorrow and the fairly faithful “Planets Collide” cover is crank worthy and streaming now HERE at Bandcamp.

Julie Christmas remains one of the most talented and legit real artists in experimental heavy leaning music. Quiet or unapologetically raw and screaming, she demands your attention with captivating performances and a huge release of emotional range. Her masterful solo record The Bad Wife is already ten years old somehow. Fucking hell. I miss seeing her live. Time flies.

Rising Pulse Records has repressed the album with new cover art on two deluxe vinyl colors (Bone with Black Splatter – 150 units and Milky Clear & Bone Triple Stripe – 150 Units). The packaging includes a reverse board jacket with silver ink varnish print and a full color Inner-sleave. Designed by artist Andrea Horne with art direction by Julie Christmas. All copies of this record will ship with a poster from the original 2010 pressing. Pick up your copy HERE.

She’s also on Saint Vitus Bar’s live Insta TONIGHT!

Lastly, you know we love Vile Creature around here and the band has big 3rd album news over at their Instagram today, which you can see below! Guess I’ll go eat worms!

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On June 19 we will be releasing our third full length record titled "Glory, Glory! Apathy took Helm!" on Prosthetic Records. You can hear the first song, "You Who Has Never Slept" over at Kerrang (link in our bio). You can preorder the CD/LP through Prosthetic Records now, and the VHS (yes, VHS) version through us starting next week . . Today is the day we were to have played our commissioned music piece with our besties Bismuth at Roadburn, it seems fitting that on a day earmarked for creativity that we still push forward with it, albeit in a different way. At 4pm KW will be on IG live on the @roadburnfest account talking with Tanya about roadburn . . The album was recorded in February in our hometown with Adam Tucker engineering, mixing, & mastering. Big Love and thanks to Danika Zandboer, Stephen Wilson, & Brianna Duguay for shooting, drawing, and modeling for our album art, respectively. . . There is a lot more rad stuff and more songs to share in the coming two months before the record is out, and we can't wait to clue you in on them. For now, enjoy the song and stay safe y'all.

A post shared by vile creature (@vilecreature666) on

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[Photo by Dana Willax]

Washington deathcore metallers Enterprise Earth are currently on tour in Europe with Rings of Saturn, Traitors, and Brand of Sacrifice. That tour will wrap up later next month. The next day the band will be kicking off their North American tour with Thy Art Is Murder, Fit For An Autopsy, Aversions Crown, and Une Misere in Baltimore, MD.

Different legs of this tour will also include Extinction A.D. and Graveview.

Check out tour dates and posters here.

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Hey kids. Just taking a break from The Mandalorian to tell you that gravel throated sludge icon Kirk Windstein has a solo album Dream In Motion coming next year (allegedly also featuring a Jethro Tull cover I am a little wary of, no offense to the big lug). Heavy Consequence has a premiere of the first video for the title track, which almost makes up for their ghastly top 25 albums of the decade list the other day (hahaha). Not sure yet if Windstein is part of the Down reunion show announced for next year, but somebody knows.

Can I just add that as usual Kirk is still the daddy of all the best riffs?

As for his decision to record a solo LP, Windstein states:
“The idea to record a solo album started out as, ‘I’m going to do an acoustic record,’ but that’s just so cliché, you know? Nothing against that, but it’s been done a million times. But I had been thinking about doing something a little more mellow for some time. It’s something I wanted to do, I needed to do. It’s another side of my songwriting, my personality. It’s another side of me. It’s something I did for myself. It’s not even that this isn’t heavy, because there are bits and pieces that are very heavy. But even the heaviest riff on this is something I couldn’t really do in Crowbar. If some Crowbar fans don’t like it, I’ll understand. But I hope people dig it.”

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DARKEST HOUR are one of the true believer standouts of metalcore who have weathered many storms, never got super huge but always put up a good fight, delivering album after great fucking album about society hanging on by tattered threads. A nine city co-headling West Coast tour with Unearth is coming up along with the European celebration of band’s 25th anniversary celebration (including dates with fucking Bloodlet, aghh!) – so much riffjoicing is in order. Sick poster by my friend Chris for the West Coast tour, I might add.

Offers DARKEST HOUR, “2019, we are not done with you yet. Just added some shows on the West Coast with our dudes in Unearth! We have seen all the amazing feedback from you all, and we have listened. Both bands will be playing FULL headlining, rip’n, face melting sets. We have had a ton of fun all over the world with Unearth and we are stoked to slide these dates in before the end of the year. We have some huge things in store for 2020 but if you live in these cities come out and party like its 1999 with us and Unearth!”

A month later, DARKEST HOUR will kick off 2020 with a return to Europe for a sixteen-city special 25th anniversary tour, where they’ll be joined by special guests Fallujah, Bloodlet, Une Misere, and Lowest Creature.

The band comments, “It is with extreme excitement that we announce what we hope to be one of many tour’s next year celebrating our 25th anniversary! Over these past twenty-five years we have toured with both new and established bands and have always worked hard to make our tour packages diverse and interesting. This tour is in keeping with that tradition. Fallujah is ripping progressive death metal who have had our attention for a while, can’t wait to see these riffs live. Bloodlet is a very special band to us. One of our early influences, it is EASY to say we would not be a band (or at least not the same band) without their influence. We grew up going to their shows and it’s a joy to be able to share the stage with them. We got to see Une Misere play this summer and were impressed, insanely heavy, Icelandic mosh of the highest form. Lowest Creature is a killer blend of classic metal elements we all love translated with a new and distinctly Swedish twist. Oh, and you know we will have a few surprises planned for this set special 25th anniversary set. See you in the pit!”

Godless Prophets & The Migrant Flora is available on CD, black vinyl LP, picture disc LP, and all digital platforms via Southern Lord; find ordering options at the label’s webstore HERE, via Bandcamp HERE, and through all digital providers.

Dates BELOW.

 

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German Thrash icons SODOM have released a new song today titled “Down On Your Knees,” and will release a new EP titled Out Of The Frontline Trench on November 22, 2019. The all-new effort will be available via Entertainment One (“eOne”) in North America and SPV/Steamhammer in Europe as CD DigiPak, vinyl, download, and stream.

Tom Angelripper says: “Postcards and letters from my granddad, which I discovered among the things he left behind when he died, and some TV documentaries have given me a vague idea of what it must have been like for soldiers back in those days to leave their trenches and face those life-threatening battles.”

The close relationship between a metal band and its fans can be measured by – among other things – how long they make their supporters wait for new songs. So looking at it from that perspective, Sodom is exemplary, seeing that they’ve always supplied their huge following with new material at regular intervals. The release of their current album Decision Day was followed – in time for their major European tour in December 2018 – by the EP Partisan.

Now the Gelsenkirchen thrash metal act, led by Tom Angelripper (vocals, bass), presents its generous side again. Before the work on their upcoming full length is set to begin, Sodom are ready to unleash their brand-new mini-album Out Of The Frontline Trench. Angelripper calls the recording “a sign of life for our fans.” Having recorded, together with his guitarists Frank Blackfire and Yorck Segatz plus drummer Husky, three new songs as well as two classics (one of them re-recorded, the other one live number), ‘Out Of The Frontline Trench’ forging an arch between (Sodom’s) past, present, and future.

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Toxic Holocaust prepare to release ‘Primal Future: 2019’ this fall

Posted by longhairedpoet on Saturday, August 17, 2019 at 4:22 PM (PST)

Portland, Oregon crossover legends Toxic Holocaust are preparing to release their latest full-length Primal Future: 2019 via Entertainment One on October 4.

Joel Grind had this to say about the new album:

“When I started the band in 1999, I never imagined I’d still be doing it in 2019. It’s been a long time coming but the new album is finally ready and it’s sort of a culmination of my past twenty years of doing this band. Most notably, I decided to go back to my roots and record this entire album by myself and play all of the instruments like I did in the early days. It was a lot of fun and nostalgic and at the same time exciting to be able to apply everything I’ve learned over the years. ‘Chemical Warlords’ opens the album and sets the tone for the rest of the record. My vision for this album was sort of a cyberpunk dystopian future. Enjoy!”
Primal Future: 2019 was recorded, mixed, and mastered by Grind with artwork by Steve Crisp.
Toxic Holocaust will join Gwar’s massive North American Use Your Collusion Tour next month. The journey begins September 16th in Grand Rapids, Michigan and runs through November 5th in Indianapolis, Indiana. Additional support will be provided by Sacred Reich and Against The Grain.
Check out the lyric video for “Chemical Warlords” and Toxic Holocaust tour dates here.
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Hello happy campers. I have survived the New York heatwave over the weekend, sweating away in a dark room listening to Fields of the Nephilim’s early Dawnrazor era with curtains drawn trying not to die as my cat hogged space in front of a cheap fan. Who needs more than an hour sleep from discomfort?! Not when you are writing about miserable, earth shaking metal! Anyway, all is well and got some gnarly tour news to kick off the week. I hope it brings you cheer to counter-balance slightly that the FUCKING ARCTIC is burning and we are all going to die. Humans suck so bad, what an embarrassment.

Anyway, speaking of fire…GRAMMY conquerors High On Fire have announced a disgusting wealth of mosh via their new tour with Power Trip, Creeping Death and buzzworthy band of the moment Devil Master! This is gonna be sicker than hot zombie guts in a Play-Doh fun factory.

High on Fire tour dates:
*All shows also include Power Trip and Creeping Death

November 7 – Austin, TX Mohawk (as part of 2019 Levitation Festival)
November 10 – Houston, TX @ Foamhenge
November 12 – Tampa, FL @ The Orpheum
November 13 – Atlanta, GA @ Masquerade
November 15 – Charlotte, NC @ Amos’ Southend
November 16 – Richmond, VA @ The Broadberry
November 17 – Baltimore, MD @ Baltimore Soundstage
November 19 – Philadelphia, PA @ Union Transfer
November 20 – Asbury Park, NJ @ Asbury Lanes
November 21 – New York, NY @ Elsewhere
November 22 – New York, NY @ Elsewhere
November 23 – Hartford, CT @ Webster
November 24 – Montreal, QC @ Club Soda
November 25 – Toronto, ON @ Danforth Music Hall
November 26 – Detroit, MI @ The Majestic
November 27 – Chicago, IL @ The Metro
November 29 – Denver, CO @ Oriental Theater
November 30 – Salt Lake City, UT @ Metro Music Hall
December 2 – Seattle, WA @ Neumos
December 3 – Vancouver, BC @ The Rickshaw
December 4 – Portland, OR @ Wonder Ballroom
December 6 – Berkeley, CA @ The UC Theatre
December 7 – Los Angeles, CA @ The Regent

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    L7 will scatter the rats with effortless glances and …RIFFS.

Sometimes I feel like the metal and punk scene has their psychic periods synchronized in that it seems like my inbox will have several days of fairly cool news and yadda yadda and then suddenly EVERYONE dumps press releases for a ton of cool stuff all at once. It happens every week where one or two days are monster compared to others. It is hard enough keeping up on one pop star at a time these days, haha. The tea is always spilling and the party continues. Add multiple genres in there entirely unrelated to the mainstream and throw in a lot of underground constant happenings as well as keeping up with the shitstorm of American politics and a zillion daily more mundane tasks and you have a semblance of the tornado in my head, lol.

Anyway, today I have waded through the cluttered moat of press releases or things I found myself through web crawlin’ and have metaphorically slid under the falling portcullis to take over Castle awesomeness and command my faithful followers (no one) to blow horns and cry the news of the raddest musical happenings of the day from the parapets on high and out over the numb minded kingdom of internet buffoons who shall surely be enrichened by my curated selection of newsworthy rad rockin’ tunes. Ok, dork fest over.

Let’s kick out the jams! So the Redbait peeps, an awesome hardcore band I am a fan of, were posting yesterday for people to check out this anti-capitalist doom dirge band Adzes. Well it turns out the stuff is super awesome and inspiring material. Very well paced dynamics and the songs are very self-aware in a good way, knowing when to vary between melodic guitars that tug on emotions as you conceptualize the rug of people’s lives being ripped out from under them in harsh, cannibalistic financial rat-race. Climate//Capital is a must hear of trudgy, Godfleshy clangy bass, more Jesu-like semi-post rock passages paired with very introspective lyrics on society and powerful screams that feel rooted in the metal side of real class war punk. Really inspiring shit and well worth the listen. Plus, it came out early!

In case you missed it, head to REVOLVER to see my friend’s VOWWS dope new video for their “Structure Of Love” redux feat. Chino Moreno. His name sounds familiar? Hmmm. Just kidding. That’s the man right there! Check it out HERE. VOWWS always put great effort into their work and aesthetic touches, regardless if they are making a video or photo shoot for themselves or helping other artists. I’m super into the kind of David Lynchy upside down shot of Rizz with a “lost” highway juxtaposed underneath her and then the image morphs into a spider, rad shit. Woot woot! They stay innovating and at the top of their game, always moving forward. One of the freshest acts in the game, miles ahead of most shit right now. And so many good layers and hooks. Word.

Sludgers Lord Dying haven’t been heard from in a little bit. I was actually wondering about them the other day. Turns out a lot is on the docket for these dudes in 2019. Lord Dying are working with eOne and have a new album out  Mysterium Tremendum worldwide on April 26th. The music I have heard so far sounds like they are holding down their hard rockin’ roots but expanding into a little headier territory with a bit slicker production like has happened likewise to Baroness, Pallbearer etc. over time. It sounds dope though! That’s no shade. Just not a little slicker compared to how gnarlified the earlier records were.

LORD DYING’s Mysterium Tremendum will be released on CD, double LP, and digital formats. For preorder options go to smarturl.it/LordDyingMT

In the meantime, stream opening track “Envy The End” at  below.

Grunge queens and all around biggest bad asses L7 are working with Joan Jett’s record label! Fuck yeah! I am so stoked for this. One of the greatest bands to ever come out of the United States and deserving of all the praise we can muster.

I like how the newer L7 stuff has still rocked but also been a little catchier like Donita’s excellent solo albums which existed betwixt the band’s hiatus and reforming. “Burn Baby” will get in your ear all day and the new video is below! L7 still make you unsure if you’d rather jump in mud, pogo, bar fight or fall in punk rock love as it should be. The new album is called Scatter The Rats and there is no planet in any multiverse where it wont be one of the coolest albums of 2019, scene.

 

 

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We have some shitty news for High On Fire fans. If you are like us you know they are one of the consistently greatest acts in modern music and are a devastating force live, but you will not get to see the band on previously announced upcoming dates at the moment. The Electric Messiah tour, sponsored by Revolver, has been derailed.

Matt Pike issued a statement and sounds devastated.

“Dear Friends and fans,
To my brothers, my crew, and anyone else this affects. I do apologize for the inconvenience of this cancelation. I feel as though I’m explaining lightning striking twice. I wanted nothing more in the world to play these songs live, nor ever cancel something I say I’m gonna do.” 
“I am a warrior for our art, and have endured some painful things to what we do. The timing and repeating nature of this is my nightmare and almost impossible. Nevertheless, to save yet another toe, my big one, I have been grounded by circumstances out of my control. I will have more of a medical report to come but right now I’m at great risk of losing it, and/or a bigger portion of my foot due to Diabetes. Which I have been managing very well.”
“It just shows how this disease can affect our lives. Please forgive me, and if you know anything about me, you know this is not like me. We will be back!”

Matt, on behalf of Metal Riot, we can only imagine how shitty this feels and are sending a ton of love. Please worry about yourself first. You have already given way more to metal than most ever come close to in a lifetime.
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Angus Clark with the late Jill Janus

2018 was an intense year. That’s an understatement. I hope in 2019 we manage, where possible, to be more understanding to one another and foster growth. I am thinking about how much passion people carry for hardcore, metal and the like and I hope we can harness that into continuing to improve and not by gaslighting and targeting journalists who are trying to ask reasonable questions about potential ties to NSBM or sexism or other issues. I can like a band’s music but if they start doing that, it is really a souring experience.

It’s weird being a musician and a writer because your net of considerations is perhaps wider. I am not saying that as a superiority thing or in any way to diminish writers who aren’t also artists. If anything I think being a writer as well as a performer makes me side with journalists more, because they get way too much shit from a lot of bands who ought to know better (which doesn’t mean some writers can’t do better as well, trust me). Still, there are a lot of hateful little troll caves sprinkled through our fair Metal Middle Earth, so to speak. And even a few sewery Mordors. But I digress.

Or do I? Mental health was a big concern this year for myself and others. One of my favorite metallers, Jill from Huntress, was lost way too soon as she struggled with depression. Her fight was not in vain though as she inspired so many and will always be remembered.

Look, we get that some of you just wanna rock or have ‘fun’ or be edge lords. Other people use metal and hardcore as a refuge and to heal from experiencing hate. You aren’t an outsider if you are reinforcing the status quo of patriarchy, transphobia, racism, factory farming, yadda yadda. I was super bummed. for instance, to see Mark Hunter of Chimaira and Chris Barnes of Six Feet Under /Cannibal Corpse fame yucking it up on Twitter the other night making arguably transphobic jokes about educating people to be more inclusive of non binary people. Mark said he felt he was on acid for seeing a video about AFAB people who menstruate but identify as male.  Maybe, just maybe he meant that it was weird for him to get used to or wrap his head around as it is outside his cis het experience, but he didn’t call out the supporters in his comments who were saying they should be burned- which thankfully Twitter had the user remove.

Hot take. it is actually good to teach people to be inclusive of different gender identities and make them understand that different people are figuring out themselves at different times in their lives. Barnes made it even worse and wrote “yawn” when confronted about his own shitty follow up joke that sounded like a fifteen year old just heard about Woodstock.

LGBTQAI people have contributed and continue to contribute so much to punk and metal culture. Stop shitting on us with normalizing nasty jokes at our expense. That isn’t ‘extreme’ or cool or ‘metal’. It’s just embarrassing. Read the Non Binary Wiki and get your head out of a bad batch of AC/DC covers and songs about murdering girls and maybe catch up with 2019 where people are facing serious persecution. I am never listening to any of either of your music again, dudes. I hope that was worth losing several decades of support over.

Thanks, y’all who have supported this site and who try to make the scene a better place. “SJWS” are not “the real Nazis”. Please. Let’s do better. Support Black Flags Over Brooklyn in 2019, for starters. And we will take it from there, cool? See you on the other side of the calendar, kids.

 

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Darkest Hour announce tour w/ Unearth & The Agony Scene

Posted by longhairedpoet on Wednesday, December 12, 2018 at 1:04 PM (PST)

D.C. metallers Darkest Hour have announced the Canadian winter leg of their tour with Unearth and The Agony Scene.

The tour, dubbed the “Death to False Metalcore Tour” will start at the end of January and run through April first. The leg with Unearth and The Agony Scene runs seven shows from January 31 to February 8.

Darkest Hour are touring in support of their album Godless Prophets & The Migrant Flora, released in 2017.

Check out a full list of tour dates here.

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High On Fire announce Electric Messiah Tour

Posted by Morgan Y Evans - Walking Bombs on Friday, November 30, 2018 at 12:45 PM (PST)

Hey friends. Here to announce a cool tour for you metal heads while taking a break from berating people online about why it is wrong for Jay Z and Meek to appear on a song with Rick Ross calling someone (even a pedophile like Tekashi69) a f**got. Guess what? You can’t have social justice that still enables homophobia, sexism or transphobia, y’all. It isn’t that hard and pathetic cis heteronormative dudes are still like this, especially in marginalized communities when it is used to keep them down as well. Super sad. We need to uplift one another. Which reminds me I once had a rad talk about Christ consciousness with Matt Pike on the phone years ago.

High On Fire have a new tour coming up for the kick ass Electric Messiah. Click HERE for tickets.

These dates will be the first time the band has played live since the cancelation of their tour with Municipal Waste earlier this year due to the partial amputation of Matt Pike’s toe. I was hoping they would tour with Weedeater so we could have a dual sludgy toe tragedy tour. But in all seriousness we are glad Mr. Pike is doing better and that must have been horrible. Sending mad love to the band and respect for another superb record!

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Crowbar announce new live dates

Posted by Morgan Y Evans - Walking Bombs on Thursday, November 8, 2018 at 1:49 PM (PST)

Crowbar have a bunch of new tour dates, further evidence that you cannot stop this band…ever. They will outlast Bob Dylan, cockroaches, the half life of Twinkies, the death of the sun. None heavier! \m/ Purchase tickets HERE.

* HEADLINE 
# SUPPORTING KILLSWITCH ENGAGE
______________________________________
11/20/19 – COLUMBIA, SO @ NEW BROOKLAND TAVERN *
11/21/19 – HARRISONBURG. VA @ GOLDEN PONY
11/23/19 – AMITYVILLE. NV @ AMITYVILLE MUSIC HALL *
11/24/19 – PROVIDENCE, RI @ THE STRAND #
11/25/19 – POUGHKEEPSIE, NV @ THE CHANGE #
11/27/19 – READING. PA @ REVERB #
11/28/19 – CLEVELAND, OH @ AGORA BALLROOM #
11/30/19 – LOUISVILLE, KY @ MERCURY THEATER #
12/01/19 – CHATTANOOGA. TN @ THE SIGNAL #
12/02/19 – ASHEVILLE, NG @ ORANGE PEEL # 
12/04/19 – LVNGHBURG. VA @ PHASE 2 #
12/05/19 – WILMINGTON, DE @ THE QUEEN #
12/03/19 – SAYREVILLE, NJ @ STARLAND BALLROOM #
12/08/19 – HUNTINGTON, WV @ GLUB V *
12/09/19 – MEMPHIS. TN @ GROWLER’S *
12/10/19 – LAFAYETTE, LA @ BOOM BOOM *
SUPPORTING CORROSION OF CONFORMITY
______________________________________
1/19/19 – SAN ANTONIO, TX ALAMO CITY MUSIC HALL
1/20/19 – OKLAHOMA CITY, OK DIAMOND BALLROOM
1/21/19 – KANSAS CITY, MO THE RIOT ROOM
1/22/19 – DENVER, CO GOTHIC THEATRE
1/24/19 – PHOENIX, AZ CRESCENT BALLROOM
1/25/19 – LAS VEGAS, NV FREMONT COUNTRY CLUB
1/26/19 – SAN DIEGO, CA BRICK BY BRICK
1/27/19 – LOS ANGELES, CA TERAGRAM BALLROOM
1/29/19 – SAN FRANCISCO, CA SLIM’S
1/31/19 – PORTLAND, OR HAWTHORNE THEATRE
2/1/19 – SEATTLE, WA NEUMOS
2/2/19 – VANCOUVER, BC RICKSHAW THEATRE
2/4/19 – EDMONTON, AB STARLITE ROOM
2/5/19 – CALGARY, AB MARQUEE
2/7/19 – WINNIPEG, MB PARK THEATRE
2/8/19 – MINNEAPOLIS, MN FINE LINE
2/9/19 – CHICAGO, IL BOTTOM LOUNGE
2/10/19 – FLINT, MI MACHINE SHOP
2/12/19 – CLEVELAND, OH BEACHLAND BALLROOM
2/13/19 – NEW YORK, NY THE GRAMERCY THEATRE
2/16/19 – BOSTON, MA BRIGHTON MUSIC HALL
2/17/19 – PHILADELPHIA, PA UNDERGROUND ARTS
2/18/19 – BALTIMORE, MD OTTOBAR
2/20/19 – TORONTO, ON OPERA HOUSE
2/21/19 – PITTSBURGH, PA MR. SMALLS THEATRE
2/22/19 – RALEIGH, NC LINCOLN THEATRE
2/23/19 – ATLANTA, GA THE MASQUERADE
2/24/19 – TAMPA, FL ORPHEUM
2/26/19 – PENSACOLA, FL VINYL MUSIC HALL
2/27/19 – NASHVILLE, TN THE COWAN
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High On Fire announce new U.S. tour dates

Posted by longhairedpoet on Sunday, August 12, 2018 at 7:58 AM (PST)

Photo Credit – Jen Rosenstein

California metallers High On Fire are preparing to hit the road with Municipal Waste this fall.

This tour will be in support of High On Fire’s new album Electric Messiah which will be released on October 5 via eOne.

The tour will also include Toxic Holocaust and Haunt.

“Man it’s gonna get crazy every night!,” says drummer Des Kensel. “Legends will be made on this tour! For after party info contact Dave Witte @ (804) 555-1212.”

High On Fire have also released a lyric video for the album’s title track. Vocalist and guitarist Matt Pike had this to say about “Electric Messiah:”

“I had a dream about Lemmy. When Lemmy was still alive I always got compared to Lemmy, so I had this dream where he got pissed at me. He gave me a bunch of shit, basically, and was hazing me. Not that he didn’t approve of me, but like I was being hazed. The song is me telling the world that I could never fill Lemmy’s shoes because Lemmy’s Lemmy. I wanted to pay homage to him in a great way. And it turned out to be such a good title that the guys said we should call the album ‘Electric Messiah.'”

Check out all of High On Fire’s tour dates and the lyric video for “Electric Messiah” here.

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