Different legs of this tour will also include Extinction A.D. and Graveview.
Check out tour dates and posters here.Add to My Radar
Different legs of this tour will also include Extinction A.D. and Graveview.
Check out tour dates and posters here.Add to My Radar
Hey kids. Just taking a break from The Mandalorian to tell you that gravel throated sludge icon Kirk Windstein has a solo album Dream In Motion coming next year (allegedly also featuring a Jethro Tull cover I am a little wary of, no offense to the big lug). Heavy Consequence has a premiere of the first video for the title track, which almost makes up for their ghastly top 25 albums of the decade list the other day (hahaha). Not sure yet if Windstein is part of the Down reunion show announced for next year, but somebody knows.
Can I just add that as usual Kirk is still the daddy of all the best riffs?
As for his decision to record a solo LP, Windstein states:
“The idea to record a solo album started out as, ‘I’m going to do an acoustic record,’ but that’s just so cliché, you know? Nothing against that, but it’s been done a million times. But I had been thinking about doing something a little more mellow for some time. It’s something I wanted to do, I needed to do. It’s another side of my songwriting, my personality. It’s another side of me. It’s something I did for myself. It’s not even that this isn’t heavy, because there are bits and pieces that are very heavy. But even the heaviest riff on this is something I couldn’t really do in Crowbar. If some Crowbar fans don’t like it, I’ll understand. But I hope people dig it.”
DARKEST HOUR are one of the true believer standouts of metalcore who have weathered many storms, never got super huge but always put up a good fight, delivering album after great fucking album about society hanging on by tattered threads. A nine city co-headling West Coast tour with Unearth is coming up along with the European celebration of band’s 25th anniversary celebration (including dates with fucking Bloodlet, aghh!) – so much riffjoicing is in order. Sick poster by my friend Chris for the West Coast tour, I might add.
Offers DARKEST HOUR, “2019, we are not done with you yet. Just added some shows on the West Coast with our dudes in Unearth! We have seen all the amazing feedback from you all, and we have listened. Both bands will be playing FULL headlining, rip’n, face melting sets. We have had a ton of fun all over the world with Unearth and we are stoked to slide these dates in before the end of the year. We have some huge things in store for 2020 but if you live in these cities come out and party like its 1999 with us and Unearth!”
A month later, DARKEST HOUR will kick off 2020 with a return to Europe for a sixteen-city special 25th anniversary tour, where they’ll be joined by special guests Fallujah, Bloodlet, Une Misere, and Lowest Creature.
The band comments, “It is with extreme excitement that we announce what we hope to be one of many tour’s next year celebrating our 25th anniversary! Over these past twenty-five years we have toured with both new and established bands and have always worked hard to make our tour packages diverse and interesting. This tour is in keeping with that tradition. Fallujah is ripping progressive death metal who have had our attention for a while, can’t wait to see these riffs live. Bloodlet is a very special band to us. One of our early influences, it is EASY to say we would not be a band (or at least not the same band) without their influence. We grew up going to their shows and it’s a joy to be able to share the stage with them. We got to see Une Misere play this summer and were impressed, insanely heavy, Icelandic mosh of the highest form. Lowest Creature is a killer blend of classic metal elements we all love translated with a new and distinctly Swedish twist. Oh, and you know we will have a few surprises planned for this set special 25th anniversary set. See you in the pit!”
Godless Prophets & The Migrant Flora is available on CD, black vinyl LP, picture disc LP, and all digital platforms via Southern Lord; find ordering options at the label’s webstore HERE, via Bandcamp HERE, and through all digital providers.
Add to My Radar
German Thrash icons SODOM have released a new song today titled “Down On Your Knees,” and will release a new EP titled Out Of The Frontline Trench on November 22, 2019. The all-new effort will be available via Entertainment One (“eOne”) in North America and SPV/Steamhammer in Europe as CD DigiPak, vinyl, download, and stream.
Tom Angelripper says: “Postcards and letters from my granddad, which I discovered among the things he left behind when he died, and some TV documentaries have given me a vague idea of what it must have been like for soldiers back in those days to leave their trenches and face those life-threatening battles.”
The close relationship between a metal band and its fans can be measured by – among other things – how long they make their supporters wait for new songs. So looking at it from that perspective, Sodom is exemplary, seeing that they’ve always supplied their huge following with new material at regular intervals. The release of their current album Decision Day was followed – in time for their major European tour in December 2018 – by the EP Partisan.
Now the Gelsenkirchen thrash metal act, led by Tom Angelripper (vocals, bass), presents its generous side again. Before the work on their upcoming full length is set to begin, Sodom are ready to unleash their brand-new mini-album Out Of The Frontline Trench. Angelripper calls the recording “a sign of life for our fans.” Having recorded, together with his guitarists Frank Blackfire and Yorck Segatz plus drummer Husky, three new songs as well as two classics (one of them re-recorded, the other one live number), ‘Out Of The Frontline Trench’ forging an arch between (Sodom’s) past, present, and future.Add to My Radar
Portland, Oregon crossover legends Toxic Holocaust are preparing to release their latest full-length Primal Future: 2019 via Entertainment One on October 4.
Joel Grind had this to say about the new album:
“When I started the band in 1999, I never imagined I’d still be doing it in 2019. It’s been a long time coming but the new album is finally ready and it’s sort of a culmination of my past twenty years of doing this band. Most notably, I decided to go back to my roots and record this entire album by myself and play all of the instruments like I did in the early days. It was a lot of fun and nostalgic and at the same time exciting to be able to apply everything I’ve learned over the years. ‘Chemical Warlords’ opens the album and sets the tone for the rest of the record. My vision for this album was sort of a cyberpunk dystopian future. Enjoy!”
Hello happy campers. I have survived the New York heatwave over the weekend, sweating away in a dark room listening to Fields of the Nephilim’s early Dawnrazor era with curtains drawn trying not to die as my cat hogged space in front of a cheap fan. Who needs more than an hour sleep from discomfort?! Not when you are writing about miserable, earth shaking metal! Anyway, all is well and got some gnarly tour news to kick off the week. I hope it brings you cheer to counter-balance slightly that the FUCKING ARCTIC is burning and we are all going to die. Humans suck so bad, what an embarrassment.
Anyway, speaking of fire…GRAMMY conquerors High On Fire have announced a disgusting wealth of mosh via their new tour with Power Trip, Creeping Death and buzzworthy band of the moment Devil Master! This is gonna be sicker than hot zombie guts in a Play-Doh fun factory.
High on Fire tour dates:
*All shows also include Power Trip and Creeping Death
November 7 – Austin, TX Mohawk (as part of 2019 Levitation Festival)
November 10 – Houston, TX @ Foamhenge
November 12 – Tampa, FL @ The Orpheum
November 13 – Atlanta, GA @ Masquerade
November 15 – Charlotte, NC @ Amos’ Southend
November 16 – Richmond, VA @ The Broadberry
November 17 – Baltimore, MD @ Baltimore Soundstage
November 19 – Philadelphia, PA @ Union Transfer
November 20 – Asbury Park, NJ @ Asbury Lanes
November 21 – New York, NY @ Elsewhere
November 22 – New York, NY @ Elsewhere
November 23 – Hartford, CT @ Webster
November 24 – Montreal, QC @ Club Soda
November 25 – Toronto, ON @ Danforth Music Hall
November 26 – Detroit, MI @ The Majestic
November 27 – Chicago, IL @ The Metro
November 29 – Denver, CO @ Oriental Theater
November 30 – Salt Lake City, UT @ Metro Music Hall
December 2 – Seattle, WA @ Neumos
December 3 – Vancouver, BC @ The Rickshaw
December 4 – Portland, OR @ Wonder Ballroom
December 6 – Berkeley, CA @ The UC Theatre
December 7 – Los Angeles, CA @ The Regent
Sometimes I feel like the metal and punk scene has their psychic periods synchronized in that it seems like my inbox will have several days of fairly cool news and yadda yadda and then suddenly EVERYONE dumps press releases for a ton of cool stuff all at once. It happens every week where one or two days are monster compared to others. It is hard enough keeping up on one pop star at a time these days, haha. The tea is always spilling and the party continues. Add multiple genres in there entirely unrelated to the mainstream and throw in a lot of underground constant happenings as well as keeping up with the shitstorm of American politics and a zillion daily more mundane tasks and you have a semblance of the tornado in my head, lol.
Anyway, today I have waded through the cluttered moat of press releases or things I found myself through web crawlin’ and have metaphorically slid under the falling portcullis to take over Castle awesomeness and command my faithful followers (no one) to blow horns and cry the news of the raddest musical happenings of the day from the parapets on high and out over the numb minded kingdom of internet buffoons who shall surely be enrichened by my curated selection of newsworthy rad rockin’ tunes. Ok, dork fest over.
Let’s kick out the jams! So the Redbait peeps, an awesome hardcore band I am a fan of, were posting yesterday for people to check out this anti-capitalist doom dirge band Adzes. Well it turns out the stuff is super awesome and inspiring material. Very well paced dynamics and the songs are very self-aware in a good way, knowing when to vary between melodic guitars that tug on emotions as you conceptualize the rug of people’s lives being ripped out from under them in harsh, cannibalistic financial rat-race. Climate//Capital is a must hear of trudgy, Godfleshy clangy bass, more Jesu-like semi-post rock passages paired with very introspective lyrics on society and powerful screams that feel rooted in the metal side of real class war punk. Really inspiring shit and well worth the listen. Plus, it came out early!
I got super stoked last night and decided to launch the EP a day early, so please check out the full Climate // Capital now! https://t.co/wzw2oyiN9E#doom #sludge #postmetal #climate #anticapitalism #climatecrisis
— Adzes (@adzesband) February 28, 2019
In case you missed it, head to REVOLVER to see my friend’s VOWWS dope new video for their “Structure Of Love” redux feat. Chino Moreno. His name sounds familiar? Hmmm. Just kidding. That’s the man right there! Check it out HERE. VOWWS always put great effort into their work and aesthetic touches, regardless if they are making a video or photo shoot for themselves or helping other artists. I’m super into the kind of David Lynchy upside down shot of Rizz with a “lost” highway juxtaposed underneath her and then the image morphs into a spider, rad shit. Woot woot! They stay innovating and at the top of their game, always moving forward. One of the freshest acts in the game, miles ahead of most shit right now. And so many good layers and hooks. Word.
Sludgers Lord Dying haven’t been heard from in a little bit. I was actually wondering about them the other day. Turns out a lot is on the docket for these dudes in 2019. Lord Dying are working with eOne and have a new album out Mysterium Tremendum worldwide on April 26th. The music I have heard so far sounds like they are holding down their hard rockin’ roots but expanding into a little headier territory with a bit slicker production like has happened likewise to Baroness, Pallbearer etc. over time. It sounds dope though! That’s no shade. Just not a little slicker compared to how gnarlified the earlier records were.
LORD DYING’s Mysterium Tremendum will be released on CD, double LP, and digital formats. For preorder options go to smarturl.it/LordDyingMT
In the meantime, stream opening track “Envy The End” at below.
Grunge queens and all around biggest bad asses L7 are working with Joan Jett’s record label! Fuck yeah! I am so stoked for this. One of the greatest bands to ever come out of the United States and deserving of all the praise we can muster.
I like how the newer L7 stuff has still rocked but also been a little catchier like Donita’s excellent solo albums which existed betwixt the band’s hiatus and reforming. “Burn Baby” will get in your ear all day and the new video is below! L7 still make you unsure if you’d rather jump in mud, pogo, bar fight or fall in punk rock love as it should be. The new album is called Scatter The Rats and there is no planet in any multiverse where it wont be one of the coolest albums of 2019, scene.
“I’ve been friends with L7 for years and am very excited and proud to have the opportunity to release their new album on Blackheart!” – Joan Jett*
Watch “Burn Baby” now 🔥 https://t.co/je3GVLg2rj
— Blackheart (@_blackheart) February 28, 2019
Add to My Radar
We have some shitty news for High On Fire fans. If you are like us you know they are one of the consistently greatest acts in modern music and are a devastating force live, but you will not get to see the band on previously announced upcoming dates at the moment. The Electric Messiah tour, sponsored by Revolver, has been derailed.
Matt Pike issued a statement and sounds devastated.
2018 was an intense year. That’s an understatement. I hope in 2019 we manage, where possible, to be more understanding to one another and foster growth. I am thinking about how much passion people carry for hardcore, metal and the like and I hope we can harness that into continuing to improve and not by gaslighting and targeting journalists who are trying to ask reasonable questions about potential ties to NSBM or sexism or other issues. I can like a band’s music but if they start doing that, it is really a souring experience.
It’s weird being a musician and a writer because your net of considerations is perhaps wider. I am not saying that as a superiority thing or in any way to diminish writers who aren’t also artists. If anything I think being a writer as well as a performer makes me side with journalists more, because they get way too much shit from a lot of bands who ought to know better (which doesn’t mean some writers can’t do better as well, trust me). Still, there are a lot of hateful little troll caves sprinkled through our fair Metal Middle Earth, so to speak. And even a few sewery Mordors. But I digress.
Or do I? Mental health was a big concern this year for myself and others. One of my favorite metallers, Jill from Huntress, was lost way too soon as she struggled with depression. Her fight was not in vain though as she inspired so many and will always be remembered.
Look, we get that some of you just wanna rock or have ‘fun’ or be edge lords. Other people use metal and hardcore as a refuge and to heal from experiencing hate. You aren’t an outsider if you are reinforcing the status quo of patriarchy, transphobia, racism, factory farming, yadda yadda. I was super bummed. for instance, to see Mark Hunter of Chimaira and Chris Barnes of Six Feet Under /Cannibal Corpse fame yucking it up on Twitter the other night making arguably transphobic jokes about educating people to be more inclusive of non binary people. Mark said he felt he was on acid for seeing a video about AFAB people who menstruate but identify as male. Maybe, just maybe he meant that it was weird for him to get used to or wrap his head around as it is outside his cis het experience, but he didn’t call out the supporters in his comments who were saying they should be burned- which thankfully Twitter had the user remove.
Hot take. it is actually good to teach people to be inclusive of different gender identities and make them understand that different people are figuring out themselves at different times in their lives. Barnes made it even worse and wrote “yawn” when confronted about his own shitty follow up joke that sounded like a fifteen year old just heard about Woodstock.
LGBTQAI people have contributed and continue to contribute so much to punk and metal culture. Stop shitting on us with normalizing nasty jokes at our expense. That isn’t ‘extreme’ or cool or ‘metal’. It’s just embarrassing. Read the Non Binary Wiki and get your head out of a bad batch of AC/DC covers and songs about murdering girls and maybe catch up with 2019 where people are facing serious persecution. I am never listening to any of either of your music again, dudes. I hope that was worth losing several decades of support over.
Thanks, y’all who have supported this site and who try to make the scene a better place. “SJWS” are not “the real Nazis”. Please. Let’s do better. Support Black Flags Over Brooklyn in 2019, for starters. And we will take it from there, cool? See you on the other side of the calendar, kids.
View this post on Instagram
A post shared by Black Flags Over Brooklyn 2019 (@blackflagsoverbrooklyn) on
Add to My Radar
D.C. metallers Darkest Hour have announced the Canadian winter leg of their tour with Unearth and The Agony Scene.
The tour, dubbed the “Death to False Metalcore Tour” will start at the end of January and run through April first. The leg with Unearth and The Agony Scene runs seven shows from January 31 to February 8.
Darkest Hour are touring in support of their album Godless Prophets & The Migrant Flora, released in 2017.
Check out a full list of tour dates here.Add to My Radar
Hey friends. Here to announce a cool tour for you metal heads while taking a break from berating people online about why it is wrong for Jay Z and Meek to appear on a song with Rick Ross calling someone (even a pedophile like Tekashi69) a f**got. Guess what? You can’t have social justice that still enables homophobia, sexism or transphobia, y’all. It isn’t that hard and pathetic cis heteronormative dudes are still like this, especially in marginalized communities when it is used to keep them down as well. Super sad. We need to uplift one another. Which reminds me I once had a rad talk about Christ consciousness with Matt Pike on the phone years ago.
High On Fire have a new tour coming up for the kick ass Electric Messiah. Click HERE for tickets.
California metallers High On Fire are preparing to hit the road with Municipal Waste this fall.
This tour will be in support of High On Fire’s new album Electric Messiah which will be released on October 5 via eOne.
The tour will also include Toxic Holocaust and Haunt.
“Man it’s gonna get crazy every night!,” says drummer Des Kensel. “Legends will be made on this tour! For after party info contact Dave Witte @ (804) 555-1212.”
High On Fire have also released a lyric video for the album’s title track. Vocalist and guitarist Matt Pike had this to say about “Electric Messiah:”
“I had a dream about Lemmy. When Lemmy was still alive I always got compared to Lemmy, so I had this dream where he got pissed at me. He gave me a bunch of shit, basically, and was hazing me. Not that he didn’t approve of me, but like I was being hazed. The song is me telling the world that I could never fill Lemmy’s shoes because Lemmy’s Lemmy. I wanted to pay homage to him in a great way. And it turned out to be such a good title that the guys said we should call the album ‘Electric Messiah.'”
Check out all of High On Fire’s tour dates and the lyric video for “Electric Messiah” here.Add to My Radar
Happy hump day, humanoids. This midpoint of the week finds us fresh off the news that (gasp) Trump and cronies lied about Karen McDougal and he probably can be convicted of a felony for some aspects of this. That is great news in my book. Let’s celebrate the continued debasement of America by getting into some sick music news, chums. Oh, incidentally I also found out today that I have the same birthday (day, not year) as former Bush guitarist Nigel Pulsford. Who knew?!
Ok, let’s talk about (drumroll)…Skyharbor! This is a cool nu-progressive Indian-American band that I only learned about recently. Kind of give me Linkin Park meets BTBAM vibes, if that combo makes sense mentally. The band has a new track “Dissent” premiering at Revolver HERE. I am more into the big cleans and the sort of shimmering prog parts than the nu metal groove stuff but honestly it is all chill and works seamlessly. They’d be great on a tour with Islander, Nothing More, Periphery or Threat Signal, in my mind.
“Dissent is a really interesting track for us,” says vocalist Eric Emery. “It’s sort of a throwback to all of our metal influences from our youth blended with the skyharbor sound. It’s a bit of an outlier on the record stylistically, but it has definitely turned into one of our favorite songs.”
Skyharbor will release Sunshine Dust on September 7, 2018, via Entertainment One (eOne) / Good Fight Music. Keshav adds, “It’s taken almost four years and it’s been a real labor of love, but we’re thrilled to finally get this record out there to our fans. We’re incredibly stoked on these songs and have really dug in deep to explore and represent what we truly feel is the Skyharbor sound.”
The Oxford Coma have hooked up with great Philly label Nefarious Industries (Bangladeafy, Fuck Your Birthday, Laces Out). I fucking love their weird ass clangy, groovy and dry blend of rock n roll infused underground weirdness. It is quite hard to describe but could appeal to fans of Mike Patton’s bands, pigfuck, weird ass proggy stuff or just anti-social but kind of fun and difficult music in general.
Welcome to Tuesday’s Titanic Treasonous Tidbits. I am not talking about Jack and Rose or even Conald here, but awesome rock n roll news you need in order to live a fuller, richer life. Today we have some groovy spooky post punk, some CKY hard rock action and a little Warped Tour related band of interest for you ghouls. It isn’t our heaviest of posts, but it still rocks with the most.
Ok, first up is just a heads up that post punk artistes Wax Idols return to the road today in support of newest opus Happy Ending . This band deserves stans to flicker about them in awe (while dramatic music plays) like the little cave bats enveloping Christian Bale. They are not metal but we have a punk category in our drop down menu and the band’s unflinching attitude, uncompromising vision, miles of style and ability to blend gallow’s humor with an actual desire for things to be better out there is punk af in our book.
Tour starts up again next week.
7/19 San Antonio
7/22 Gómez Palacio
7/25 San Luis Potosí
7/28 Ciudad de México
with SRSQ 🌹
— WAX IDOLS (@WAXIDOLS) July 13, 2018
Hard rock hesher heroes CKY (Chad I Ginsburg, Jess Margera and Matt Deis) have released a brand new music video for their track, “Wiping Off The Dead” from their most recent LP,The Phoenix. Directed by Dave Causa, this is the third music video we’ve seen from the band off their current release.
“Our good friend Dave Causa filmed us rehearsing for our UK tour last summer and the end result was us making a badass music video,” says drummer Jess Margera. “It was filmed before we ever played a single show for the release of our album. Thank you, Dave, and thank you CKY alliance! Enjoy this great video from the archives.”
CKY is headed back out on the road this summer on a co-headlining run with SLAVES and additional support coming from the incredible Royal Thunder and the buzz building Awaken I Am. Tickets and a limited number of VIP meet and greet packages are available now. VIP packages will include meet and greets, exclusive merch items, autographs and more. The band will also be doing highlighted performances on select festival dates such as Lollapalooza, Sturgis bike rally, Psycho Las Vegas, and Blue Ridge Rockfest!
CKY released The Phoenix last summer via Entertainment One (eOne). The all-new LP is the first release since the band put out Carver City in 2009. The album was engineered and mixed at Rancho De La Luna, the highly regarded recording studio in Joshua Tree, CA.
Toronto-based alternative rock band SELFISH THINGS have released a video for their song “Hangman,” a cut from their EP Vertical Love which was released earlier this year. The video was released HERE, and can be watched below:
When asked about the video, frontman Alex Biro said that “We were a month and a half into tour (hence me looking so fucking tired) and ended up driving back to Cleveland after our show in Columbus to knock out the video. The director and his team had scouted a pretty desolate, blown out, old tire factory in a particularly rundown part of the city, which really fit well aesthetically with the overall concept of the song. We wanted to focus on iconographic elements that amplified the message while still trying play to the lyrics (the hanging hearts, for example). I hope people enjoy it more than I did making it – don’t sit in a coffin with nightcrawler’s.”
Keep up the sweet jams, dudes. I love the chunky guitar tones, emo-esque hooks and the group’s give it your all energy. The vocals remind me of Blink and The Sleeping kind of eloping with Taking Back Sunday.
The release of the “Hangman” video comes right before a busy touring schedule for the band kicks off this summer. In addition to supporting The Spill Canvas from July 26-August 11, they will also be playing Warped Tour July 17 at The Flats at Budweiser Stage on The Lemmon Stage.
TOUR DATES w/ THE SPILL CANVAS
7/17 – Toronto, ON – Vans Warped Tour (No The Spill Canvas)
7/26 – Atlanta, GA – The Masquerade (Hell)
7/27 – Orlando, FL – The Abbey
7/28 – West Columbia, SC – New Brookland Tavern
7/29 – Durham, NC – Motorco
7/31 – Baltimore, MD – Baltimore Soundstage
8/01 – Brooklyn, NY – Knitting Factory
8/02 – Asbury Park, NJ – House Of Independents
8/03 – Boston, MA – Middle East
8/04 – Harrisburg, PA – Harrisburg Midtown Arts Center
8/05 – Pittsburgh, PA – Rex Theater
8/07 – Buffalo, NY – Mohawk Place
8/08 – Columbus, OH – Skully’s
8/09 – Grand Rapids, MI – The Stache
8/10 – Lakewood, OH – The Foundry
8/11 – Chicago, IL – Bottom Lounge
8/12 – Milwaukee, WI – Miramar Theatre
9/14 – Dallas, TX – RBC
9/15 – Houston, TX – Secret Group
9/16 – Austin, TX – Come And Take It Live
9/18 – Albuquerque, NM – Launchpad
9/19 – Mesa, AZ – Rebel Lounge
9/20 – San Diego, CA – Soda Bar
9/21 – Anaheim, CA – Chain Reaction
9/22 – Los Angeles, CA – The Hi-Hat
9/23 – San Francisco, CA – Slim’s
9/24 – Sacramento, CA – Holy Diver
9/26 – Salt Lake City, UT – Loading Dock
9/27 – Denver, CO – Marquis Theater
9/28 – Kansas City, MO – Davey’s Uptown
9/29 – St. Louis, MO – Firebird
Icons of world thrash Sepultura are the un-killable underground dynasty that refuses naysayers and continues to evolve and make bonds with new fans year after year. 2020 finds the band -Andreas Kisser (Guitars), Derrick Green(Vocals), Eloy Casagrande (Drums) and Paulo Jr. (bass) releasing one of the most incredible statements of the group's storied legacy, Quadra. If you still only like the early eras you are willfully a stick in the mud or unable to hear greatness. "Isolation", the pain exuding "Last Time", the new class war anthem "Capital Enslavement" and the onslaught "Agony Of Defeat" are just a few examples of one of the most solid records in recent metal memory. Sepultura still have plenty of staying power! “On ‘Quadra’, we felt the urge to revisit that old thrash feeling of ‘Beneath the Remains’ or ‘Arise’,’ only seen through the eyes of today,”Andreas Kisser utters the magic words. “Add to that the tribal percussion, the orchestral elements, the choirs, the melodies and the clean vocals and you get a thorough run-through of our entire career, backed by a very contemporary approach.”