Search Results for "Sumerian Records"

Sin Shake Sin signs to Sumerian Records

Posted by longhairedpoet on Saturday, August 17, 2019 at 3:54 PM (PST)

Nashville, Tennessee hard rocker Stacy Hogan has signed his newest project – Sin Shake Sin – to Sumerian Records earlier this week.

Hogan had this to say of the signing:

“Ash [Avildsen, owner of Sumerian Records] called me up, said he really loved the music and that he was excited to help take things to the next level.. I’m excited to be a part of the Sumerian roster along with so many other artists that I enjoy and respect. We share a common vision and Sumerian provides the freedom to cultivate that vision.”

Sin Shake Sin have also released a music video for the track “Nobody’s Gonna Save My Soul.” Of the video Hogan says:

“The video involves a cult-like congregation who’ll stop at nothing to gain followers, only to reveal they aren’t who they seem. This is commentary on those throughout my life who have went out of their way to judge people only for the purpose of distraction away from their own guilt. We see this every day on social media, which can also be like a cult.”

Check out the music video for “Nobody’s Gonna Save My Soul” here.

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Asking Alexandria release new track “The Violence”

Posted by longhairedpoet on Saturday, July 13, 2019 at 4:59 PM (PST)

Earlier this week English rockers Asking Alexandria released their latest track “The Violence.”

Complete with a cheesy zombie movie music video that features the boys in the band, the track is the first new track since the band’s 2017 self-titled album.

The music video was written and directed by Jensen Noen and presented by Scissor Films and Sumerian Films. The video follow the plight of every day zombies: Cocaine Shane (Danny Worsnop), Peter (Ben Bruce), Disco Luke (Cameron Liddell), Phat Noah (James Cassells) and Waterboy Eric (Sam Bettley).

Says guitarist Ben Bruce:

“We are back bigger, better, louder and more insane than ever before. This single encompasses everything we have been working towards. Huge guitars, anthemic drums and some of the catchiest, most technically accomplished vocals that Danny has ever delivered, and this is only just the beginning.”

Worsnop adds:

“The Violence was an incredibly rewarding song to create. Ben and I both got to go way outside anything we’d done before and create something fresh and engaging. Thematically the song is about the way mainstream media and politicians manipulate and spread mistruth amongst the people to encourage and create anger, fear, division, and conflict in their quest to control and acquire power. As the history books have shown, this only goes so far before the people stand up and say enough is enough. I hope everyone enjoys what we’ve created here, we had a great time making it, and even more fun shooting the video!”

Asking Alexandria are headed out on the road later this month with Papa Roach and Bad Wolves on the “Who Do You Trust” US Summer Tour. Then in September Asking Alexandria will join Shinedown, Papa Roach, and Savage After Midnight on another North American tour.

Check out “The Violence” and Asking Alexandria tour dates here.

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Today is the big release day for one of the most anticipated (and rightly so) albums of the year, the hysterically titled Hail Stan, by Periphery. In a sense, it is a pretty perfect name for an album in these days when stan culture is really off the charts bonkers and semi-satanic half the time. It also happens to feature some of the progressive metalcore band’s heaviest and most elaborate work. The Juggernaut era is hard to top for me but this new record is phenomenal.

Periphery manage to give themselves a pat on the back via obviously pure love of the artform, give the fans what they want and STILL challenge them. Has the pact between art and artist, stan and musician ever been more blurred? The beauty of this record is it reminds us all we are fans at heart. And lucky to be alive.

It is only 1/4 of the way through the year but I know that this and the Venom Prison record are gonna be very hard to dislodge from my top ten of 2019. The hype is real. If nothing else, you owe it to yourself to check out the massive opening track ‘Reptile” today, which is one of the most ambitious moments from the band to date.

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Animals As Leaders announce 10th anniversary tour

Posted by Morgan Ywain Evans on Wednesday, March 20, 2019 at 7:03 PM (PST)

Sound architects of the highest magnitude, prog maestros Animals As Leaders have announced the full line up for their upcoming ’10 Year Anniversary Tour’ of the USA. The Contortionist will be main support on all dates and Buke and Gase, Evan Marien & Dana Hawkins and Moon Tooth will join as the opening act, each on select dates (full list of dates and supports below). The 18 date tour will kick off on May 1st in Tickets for the 10 Year Anniversary Tour are on sale now from animalsasleaders.org

Animals As Leaders are also hosting their ‘Camping With Animals’ Music Masters Camp at Full Moon Resort in Big Indian in New York this July (16th-19th). Right near where I grew up! Hit up that fancy newfangled Phoenicia Diner, y’all. Anyway, the camp is an all-inclusive summer vacation masterclass program that offers instrument specific intensive masterclasses – Guitar With Tosin Abasi | Drums With Matt Garstka | Guitar & Production With Javier Reyes as well as sessions such as ‘How to Use Technology for Self-Improvement, Writing and Recording’, exclusive performances from Animals As Leaders, special guests, group writing sessions and open panel discussions. Full information and tickets can be found at campingwithanimals.org

Tour dates BELOW.

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Born Of Osiris are one of the ultimate progressive metalcore bands and have earned their position as leaders in the metallic sub-genre through constant work and dedication. It sucks to learn that some dangerous jerk robbed guitarist Lee McKinney and had a knife. We hope Lee and Jo get justice in this matter and are glad no one was harmed:

Hey guys. Lee McKinney here. Last night on Monday, March 12, our house was burglarized. The intruder(s) had a knife that was left on the scene and that makes us feel like the intent was to potentially do more than walk out with material items. Stolen items include a TV, 5 guitars, 1 audio interface, 4 guns, 1 camera, and 1 amplifier. Pictures of the stolen guitars are attached. We have notified the local police. A full investigation is underway. This robbery feels like it was targeted for the studio for exactly the time we were on tour or at work, as we were not home. We’re hoping that by bringing this to public attention that anyone who sees one of these items on sale in any way could help us track down the person who did this. Material items are one thing, but justice against the person who came into our home with a weapon is of the utmost importance. Thank you for your time.
Serial numbers for the missing instruments are:

Walnut LPM7 – 69540
Honey V6X – 132686
Monster O7X – 139438
Sea Foam VB5 – 139204
-Lee & Jo McKinney

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Prog metal giants Between The Buried And Me remain dedicated to always pushing their craft forward. A new record is not that far off and here is the scoop from this excellent and respected band:

Excited to announce that Automata II will be out July 13th and we’ll be on this year’s The Summer Slaughter Tour! Pre-orders available now at betweentheburiedandme.com

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Jonathan Davis releases “What It Is” music video

Posted by longhairedpoet on Sunday, January 28, 2018 at 8:00 PM (PST)

Bakersfield, California metaller Jonathan Davis has released the first single from his debut solo album. The album will be released by Sumerian Records.

The first single “What It Is,” was released on January 25.

Of the record Davis had this to say, “This time, I’m pulling something out of the audience,” he grins. “I’ve bared my soul for so fucking long I thought it’d be really cool to pull listeners in a different direction for once. I’m taking them out of that dark place and into somewhere that’s spiritual, positive, and makes them really think! It’s just art. I’ve changed lives with Korn, but I wanted to open minds with this shit.”

He went on to say, about why he hasn’t released a solo album before now: “This is how fate would have it,” he explains. “Deals would come and go. Then, we’d do a Korn record and a tour. There was no time for me to do this. All of the stars finally aligned. Velvet Hammer believed in it. Sumerian Records came to the fold. It’s like an extension of where I was at on the Queen of the Damned shit mixed with rock, early goth, new romantic, and everything I love. It’s going to take you on a journey.”

Check out “What It Is” here.

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Periphery tour with Animals As Leaders, Car Bomb, Astronoid

Posted by Morgan Ywain Evans on Tuesday, July 25, 2017 at 7:47 PM (PST)

Prog djent technicians Periphery have announced a tour with Animals As Leaders plus Car Bomb and Astronoid on select dates. Any date is sure to be a night of unique music you won’t forget.

The Convergence Tour with Animals As Leaders is happening this fall! Car Bomb and Astronoid will also be on select dates! Tickets go on sale Friday at 10am local time.

Keep up on tickets/RSVPs HERE.

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Stream Oceano’s best album yet “Revelation” in full

Posted by Morgan Ywain Evans on Saturday, May 20, 2017 at 5:43 AM (PST)

Oceano’s unforgiving latest album Revelation  will not sway you if the band’s low end heavy brutal death core with utterly guttural vocals and random technical and rhythmic flourishes is too much for you. Personally, I think this new record is their finest yet and shows the band adding more consistent heft to past albums that had moments but often some filler tracks as well. Decide for yourself below and slam your neighbors today.

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Oceano release new single “The Great Tribulation”

Posted by Morgan Ywain Evans on Wednesday, April 5, 2017 at 4:04 PM (PST)

Oceano have released a new room destroyer of a song entitled “The Great Tribulation”, one of their most intense tracks to date. Old school death metal fans will perhaps appreciate the faster drumming parts on this song interspersed with the atmosphere enhanced techy deathcore parts. I for one could do without the colder background sounds as a lot of bands are doing that lately along with the glitchy rhythmic breaking apart thing employed a few times, but the straight death parts wail. Anyone who appreciates, say, Chris Barnes style death gurgles should like Adam Warren’s style on this, a fairly old school approach to a mostly new school sound. I’d honestly like to hear him front some straight up early 90’s sounding Cannibal throwback type stuff himself sometime.

Anyhow, this new song is from latest album Revelation. It is crazy to think that they are on album five already. Feels like Depths just came out! Time flies.

Sez the band:

We are proud to present you with the first single off our new album, ‘Revelation’, available May 19th via Sumerian Records.

Physical pre-orders including vinyl and many more special items are available here – http://smarturl.it/Revelation-Bundles

Digital pre-orders available here –
iTunes: http://smarturl.it/Revelation-IT
Amazon: http://smarturl.it/Revelation-AM
GooglePlay: http://smarturl.it/Revelation-GP

 

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 Betraying The Martyrs new record The Resilient  more than proves they are here to stay and should not be underestimated. We spoke a few months back with vocalist Aaron Matts about the Paris, France based Sumerian rockers latest, what goes into songwriting and more.

 

This interview was originally published weeks ago with a different intro but was lost in the malware issue we had that wiped about a year of site content. I had enough of it backed up that I was able to rebuild it for the fans of this young, bright metalcore act and for readers who maybe even missed it the first time.
Check it out BELOW.
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After The Burial announce “Dig Deep” album

Posted by Morgan Ywain Evans on Monday, January 4, 2016 at 2:45 PM (PST)

After_The_Burial_dig_deep_cover_artwork

Dig Deep, the latest from metallers After The Burial, will be out Feb. 19th through Sumerian.

If the cover art vibes and fact that this is their first without troubled and departed guitarist Justin Lowe doesn’t affect you a little bit, you are pretty heartless.

Tracklisting BELOW (along with the meticulously staccato and effectively energized metalcore of “Lost In The Static”.)

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Album Review: Born Of Osiris – “Soul Sphere”

Posted by Morgan Ywain Evans on Friday, October 23, 2015 at 9:57 AM (PST)

Born-of-Osiris-Soul-Sphere

Born Of Osiris have really refined what they do, years of touring and proving naysayers wrong evolving them from an initial The New Reign buzz band heralding the metalcore/prog fusion’s new younger wave alongside cohorts Veil of Maya and early Faceless. Then the stupid fake windmill kick hardcore kids started ripping them apart for expanding their sound on (still my nostalgic favorite) A Higher Place.

Since then they have gotten better at their core sound but have also grown. With a few well regarded records under their belts, the band return with perhaps their most ambitious record yet Soul Sphere. This is a big statement from the band and in my opinion nails it where Veil maybe lost the plot a bit. I wasn’t against the new clean vocals in Veil of Maya, but BOO have continued to set their songs apart whereas Veil’s material other than the vocals is starting to blend together.

“Free Fall” on here is a thrill ride of screams, unexpected instrumental flourishes (is that a fucking djent xylophone, cuz that was awesome!) and the band sounding tight as fuck. Unlike a million bands who are doing fourth wave metal core and blowing goats, BOO have the fierce metal core screams without the fucking painfully predictable arrangements and the band sound pissed for a reason. But they aren’t hiding in having to sound angry for anger’s sake. “Free Fall” has literally got a few sections that will find you nodding your head headbanging or grooving despite any resistance, including the token BOO semi hip hop, cool ride out.

“The Louder The Sound, The More We All Believe” opens like a techno/EDM song, but it is one of the coolest tracks on the record and full of a more hyper conviction.

“Illuminate” is the weakest link where they sound the most like metalcore cliche except for the rad back up kid of epic slave rowing grunts and heave ho sounds in the background that could be roman gladiators on an Ex Deo record. But the song feels forced like it is trying to be the most accessible or metalcore accepted of the batch (redeemed by a killer whiplash part around 1:48, though).

Other highlights include “Goddess Of The Dawn”. Eos has always been a favorite greek goddess of mine. And the BOO song is a beast of gnarly tones, psycho drumming and a few Pantera grooves thrown in before things get super techy.

“The Sleeping And The Dead” kicks critics who say the band can’t write a memorable riff and jump around too much in the nuts with a sick opening riff before the band…jumps around a lot, haha. But the song doesn’t suffer and keeps you invested.

“Warlords” opens things with a mercurial piano line that continues to veer in and out beneath the barrage the band drop in like a bag of bricks on top of it.

“Tidebinder” starts with some crackling samples and then manages set an epic feel so well. Born Of Osiris have always had that ambition from awesome artwork to their writing. I liked The Devil Wears Prada’s Space EP, for example, but it could have benefitted from being a full album. BOO seem to know just how long to make their records while still cramming them full of hot, riffy action. If we were still in an age where a kid had just $15 for a cd and dropped it on this, they would have more than enough music and chant alongs stuck in their head, big synth parts and moshable moments to ensure they devastated their bedroom practicing cool faces for the local show.

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Unlike Eminem, the Relapse era is well regarded as the best Dillinger Escape Plan stuff, though I love all their records. Still, the early days were unfuckwithable. Then Miss Machine came along and shit got bananas w/ Puciato on board. And Ire Works is underrated and possibly my FAVORITE if I wasn’t so biased by my Calculating Infinity love like most O.G. DEP fans.

I smell that whore/woah/etc. right HERE.

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sober
As summer draws to an end so do the season’s festivals. Now you’re probably wondering what prompted me to wait so long to post this.
Along with crazy technical difficulties on my end, I really wanted to see how this summer’s festival season would end. Let’s be honest…there was
quite a bit of drama going on. For those of you who haven’t been keeping up to date with everything here is a quick recap of everything that has transpired this summer.

 

– After The Burial member dead after leaving a horrifying Facebook post for fans to see, forcing the band to cancel their appearance on The Summer Slaughter Tour
– Drama between the bands on Mayhem Festival (Slayer’s King vs Victory Records’ stage)
– The end of Mayhem Festival as a whole (poor ticket sales, Kevin Lyman’s “Old and Fat” comment)
– Warped Tour’s Front Porch Step mishap / Slaves being kicked off or ‘Voted off’ the tour / the tour turned 21

 

Now, where to begin? Let us begin with After The Burial’s unfortunate loss. After the eerie post by Justin Lowe stating that people were setting him up for crimes he hadn’t committed, the band took to Facebook stating that despite their efforts to assist Lowe that they had been unsuccessful in their attempts to pick him out of this slump that he had been in. The band cited mental illness as the reason for his off the wall Facebook post.

 

Read more thoughts/impressions BELOW and see band pics from Warped and Mayhem (RIP).

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