Metal Riot

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We are proud to announce that we will release our Doomsday Roadburn, Live from @roadburnfest 2018 album on November the 8th 2019 via @svartrecords on LP/CD and Century Media digital. The album is a lush double vinyl of live Beastmilk and Grave Pleasures tracks mixed and mastered by @orgone.studios with artwork by @danielmartindiaz a large photo booklet with live photos and 2 unreleased tracks from the Motherblood studio sessions! We will have 100 very special ltd edition white swirl copies available via our official webstore at @evil_greed in Europe and @deathwishinc in North America and also on our November tour with @tigerarmy . You can pre-order one of the very limited white swirl vinyls now with a new shirt design via the link in bio or directly from Svart Records on red or black vinyl. Pictures by Teddie Taylor and Estefania Silva #doomsdayroadburn #svartrecords #deathwishinc #evilgreed #danielmartindiaz #motherblood #gravepleasures #beastmilk #climax

A post shared by Grave Pleasures (@gravepleasures_) on Sep 10, 2019 at 9:59am PDT

“This time we tried to hold it back and give it a more bleak and depressing thing. Climax was sort of sexy and passionate.
This one we wanted more bleak.”

Let’s just start with the list of band members: Mat “Kvohst” McNerney –
Vocals, Valtteri Arino – Bass, Linnéa Olsson – Guitar, Uno Bruniusson – Drums,
Juho Vanhanen – Guitar (live/studio)

Yes, Grave Pleasures are a cult rock supergroup of sorts for people who follow
post-punk, death rock and underground metal. Formed in the wake of the passing
of not just critical darlings Beastmilk but also The Oath and In Solitude, the
void yawned and out of the chaotic aftermath was birthed the titanic output of
creativity and the right mix of personalities locking together that gives us
this new amazing band, Grave Pleasures.

Dreamcrash is that guilty pill you want to slip yourself, a dark and sensual trip via Sony/Metal Blade through the shadowy Lost Highways of Hell, but much more fun that nightmarish in the end. The band slink, rock, groove and emote down corridor after corridor of pitch perfect post punk guitar dissonance and the unbeatable tribal pounding of Uno Bruniusson’s often tom heavy beats.

The dual guitars and crooning vocals evoke a dalliance with the dark but a
sense of self worth that makes you long for immortality than a thirst
addiction, but the record is addictive as a vampire’s kiss nonetheless.

For a talk with astounding Swedish musician Linnéa Olsson of Grave Pleasures,
proceed BELOW.

Whatever side of the debate you fall on regarding Judas Priest post-K.K. Downing, the fact remains that the forthcoming EPITAPH tour DVD is really fantastic. Part of the band’s 40 year celebration as metal kings, this is a true treat for the fans and very well done. I was lucky enough to see the tour and the setlist of songs from every Halford era album was nothing short of phenomenal. Included here are their biggest hits plus the stunning “Victim Of Changes” and a vicious version of “Painkiller” after a bad ass drum solo from Scott Travis, plus much more. The band were in great form and this concert footage captures them killing it at the London HMV Hammersmith Apollo in 2012. The date also marked the last night of their final huge scale world tour. Props to Priest and The Scorpions for really trying to take it hard to the fans with great semi-farewell tours.

New guitarist Richie Faulkner is showcased well on the DVD. Despite being a big fan of the classic priest (and also the Ripper version), Richie quickly won me over. He is just great on stage, clearly so enthusiastic and interacts with the crowd better than some veterans I have seen live. The kid has it. He is seen on this release singing along and near seamlessly sliding into the ranks. Kudos.

Highlights of this pretty much must have DVD and Blu-Ray release are many. Halford sounds fantastic despite his age, crooning, roaring and owning it. The split camera guitar  opening of their chilling version of “Diamonds And Rust” by Joan Baez is top notch. “Metal Gods” stomps home and raises goosebumps still like the true heavy metal all time anthem it is. The camera work is great and moves around a bunch but without giving you an epileptic fit. It is just a great recapturing of the tour, if you missed it. This is the biggest release of live material from their catalogue they have done and the band hold up on stage for a very long set list. The amazing thing is, it never gets boring. It is wonderful to hear the evolution from the early (and so awesome) “Never Satisfied” to the chop to the neck assault of “Judas Rising”. I just wish they played the stunning “Angel” from the ANGEL OF RETRIBUTION album as well, since it is one of my top five ever Priest songs.

“Heading Out To The Highway”, “Electric Eye”, “Rapid Fire” all burn with pride and majesty. I sat down to watch this and literally in minutes was air drumming like a fucking lunatic. Thank you, Priest for all you have done. I met a girl recently who said (as much as she loved them) Iron Maiden are the Yankees and Priest are the Mets, a band with way less fair-weather fans who are die hards for the “franchise”. With a new studio album on the way, this is a great look back with a fresh dose of energy in the line-up as well. K.K. is missed but you need to get on board with Priest in 2013. They truly are a band who can claim the word legacy and yet still have relevance and hopefully a bright future.

Read a brand new conversation with the great vocalist Tony Martin looking back on his awesome contributions to the iconic Black Sabbath as well as his thoughts on the state of the music industry, his solo career and much more.

Click here to read the interview.