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Hey gang. Feeling the cooling positivity of that day after blue wave feeling and sipping some black coffee. Finally checking out this Cro-Mags (Harley version) promo from the remnants of Victory and I have to say that I don’t really understand why anyone says it sucks. “From The Grave” with Phil from Motorhead is a ripping rad rager and the vocals do sound ferocious if not my favorite voice for the band. I am way more of a fan of the John and Mackie version and wish they could somehow just dead this shit in the name of PMA and form the tightest , ugly heavy and illest combo going but after the violence and all the hate I understand why it is two distinct camps. It is sad, but I am gonna try and keep an open heart and love both.

Been going through a lot of crazy shit the last month with a very crummy landlord situation and family stuff as well as the year winding down so haven’t had the gusto to do too much self-insertion into any posts, but I wanted to thank you all who continue to support the site and also in the scene and general world who believe in ourselves and one another. We can heal a lot and restore balance to the force or justice or progress as a scene or wider society if we can process our pains and biases and try to move things in a productive and healing direction while still having respect for oneself and boundaries. I have to believe for all the good and bad days we all have that a lot of us underneath it all are better people than not or at least want to be. Sending you all love and horns tonight. Don’t mind me, I finally finished reading The Elfstones of Shannara and the sacrifice of Amberle to bond  with the land as the next tree protector to shelter and cradle life through synergy has affected me and made me think about interconnectedness.

Anyway, on to some evil ass gnarly metal news- hahaha!

It has been a big Season Of Mist week around here so let’s not stop now! Defiled from Japan have a new album announced. This death metal group rip so fucking hard, it is truly a spectacle of unhinged wonder. The band will release their new studio album, Infinite Regress on January 24, 2020. The album art and track-list can be found below. Additionally, the band have revealed “Tragedy,” the first single from the effort. “Tragedy” can be heard below.

DEFILED comment: “The day has finally come! We are so incredibly proud to announce our new record, ‘Infinite Regress.’ The album will be out on 24th Jan 2020 via our home of Season of Mist. Please give a listen to our first official premiere song ‘Tragedy’ and we hope you guys enjoy it. Cheers!”

I don’t know about you but I think “Tragedy” fucking rules and love the brainy intro that devolves into fierce speed and then interesting slower deathy kinda tribal thud before back to a full fledged powerful attack. And some chunky ass lead parts amidst the growling chaos! This band is so cool and I really like their arrangements and clear dedication to not giving a shit about trends.

‘Infinite Regress’ can be pre-ordered in various formats HERE.

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RIP Timi Hansen, true metal legend

Posted by Morgan Ywain Evans on Monday, November 4, 2019 at 3:33 PM (PST)

Very sad news today as we learn that Timi Hansen of Mercyful Fate and King Diamond fame has passed of cancer. Read more here.

Thanks you for being a big part of some of my all time favorite releases and condolences to friends and family.

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Archspire members appear in new Jason Momoa show ‘See’

Posted by Morgan Ywain Evans on Monday, November 4, 2019 at 8:34 AM (PST)

Here is some cool and somewhat different news for your Monday (other than that Richard Spencer is a POS nazi and wbk). Apple TV’s new series “See,” starring Jason Momoa (‘Aquaman,’ ‘Game of Thrones,’ etc.), features a special appearance from ARCHSPIRE vocalist Oli Peters and drummer Spencer Prewett on the pilot episode! Peters showcases his signature gunfire vocals in a scene in which Momoa hand-selected the band to appear. The episode ‘Godflame’ can be seen at THIS LOCATION.

Very glad to see more good stuff happen for one of the coolest bands in metal!

About “See:”
A virus has decimated mankind. Those who survived emerged blind. Jason Momoa stars as the father of twins born centuries later with the mythic ability to see – who must protect his tribe against a threatened queen.

Later this month, ARCHSPIRE will kick off a European headlining tour. The band will be performing in support of 2017’s JUNO-Nominated record, Relentless Mutation. The full itinerary is as follows:

ARCHSPIRE European Dates (w/ Beneath the Massacre, Vulvodynia & Inferi)
11/30: Karlsruhe (DE) @ Weisse Rose
12/01: Sint-Niklaas (BE) @ De Casino
12/02: London (UK) @ Underworld
12/03: Bristol (UK) @ The Exchange
12/04: Glasgow (UK) @ Cathouse
12/05: Birmingham (UK) @ Asylum2
12/06: Manchester (UK) @ Rebellion
12/07: Rotterdam (NL) @ Baroeg
12/08: Paris (FR) @ Glazart
12/09: Toulouse (FR) @ Rex
12/10: Madrid (ES) @ Caracol
12/11: Barcelona (ES) @ Bóveda
12/13: Aarau (CH) @ Kiff
12/14: München (DE) @ Feierwerk
12/15: Ljubljana (SL) @ Orto Bar
12/16: Vienna (AT) @ Arena
12/17: Prague (CZ) @ Nova Chmelnice
12/18: Hannover (DE) @ Mephisto
12/19: Berlin (DE) @ Musik & Frieden
12/20: Leipzig (DE) @ Naumanns
12/21: Bochum (DE) @ Matrix

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Bridge Nine one day Halloween sale to keep the pit spooky

Posted by Morgan Ywain Evans on Thursday, October 31, 2019 at 3:32 PM (PST)

Happy Halloween, y’all. Have a fun, safe and spirited night. Don’t eat more candy than is reasonable. Listen to some Ministry or King Diamond or Afi or Wednesday 13 or somethin’ and also be sure to take advantage of Bridge Nine’s one day merch sale while you still can.

Happy Halloween! Take 25% off everything, except for pre-orders and new releases, today only! Just use the code CRIMSONGHOST at checkout.
SHOP HERE

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Fall Free For All: High Command, Gatecreeper news items

Posted by Morgan Ywain Evans on Tuesday, September 24, 2019 at 10:15 AM (PST)

Photo by Nick Mehos

Worcester, Massachusetts-based crossover band High Command shall take a smoldering cauldron of heavy metal and fantasy worship and dump it on top of all your soon to be steaming heads this week when their Southern Lord backed Beyond The Wall of Desolation drops on Sept. 27th. “Impaled Upon The Gates” MIGHT be the most metal song I have heard all year (though the new Dark Throne has a lot of other candidates going for it in that department, I gotta say). The band have been supporting Spirit Adrift and are ready to embrace the coming victories that will surely follow this album’s potential glory. You can safely bet that this record turns skulls to powder for undead armored alligators to snort.

The mighty GATECREEPER rage back with a new video “From The Ashes” below.

GATECREEPER vocalist Chase Mason comments:
“From The Ashes is the most anthemic song we have ever written. Although we have flirted with the idea in the past, there are more melodic guitar leads in this song than ever before. I’d say this one is primed and ready for the European Metal Festival circuit.”

The intense old school vibes and dark wonder of this song is smooshing me into pulpy radness. God damn, the riff potency.

Additionally, GATECREEPER recently announced a Fall co-headlining tour with labelmates EXHUMED. The tour begins on October 31 in Austin, TX and ends December 4 in Las Vegas, NV. Additional support by Necrot & Judiciary. Tickets are on sale now.

Deserted is due out October 4th on CD/LP/CS/Digital. Physical packages are available for pre-order via Relapse.com HERE. Digital Downloads / Streaming Services are available HERE.

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Cattle Decap remind us on The Anthropocene Extinction that we might never get to make another end of century list if we keep up the bullshit.

I recently perused The Guardian’s inconsistent and often absurd best 100 albums of the 21st Century List. While I was shocked and pleased to see PJ Harvey, Joanna Newsome and especially mighty Deftones included relatively high up and while I do love Amy Winehouse, there was some really silly shit on there as well. Really? We are still doing the kiss Kanye’s ass thing? You guys put the album with “All of The Lights” on it in the top 5? A song that praises MJ and calls for forgiveness for “misunderstood” domestic abusers who just need to be shown Rihanna’s body for the rest of their life and who jealously once they get out of jail beat up the lover of the woman the character beat up first in the song? Can we just not? Hey, redemption is great when and if it is actually deserved in life, but Ye as that character sounds like an asshole still in that song and very self-centering…and I am 100 percent certain every Clutch album released in the 21st Century is better than the majority of their list. Shit, my fucking friends bands have made better albums than a lot of that list. Not to mention we are talking about the ENTIRE world of culture and all we can come up with is Kanye and LCD Soundsystem yet again like every shitty homogeneous festival headlining package of the last decade plus? Barf.

Anyway, to each their own but…I was kind of planning on a semi-“best of” list of the last 20 years as I hate how metal and punk often are thrown to the trash heap on these lists. Instead of that however, as taste is at times subjective, I wanted to do a piece on 10 specifically punk and metal or underground albums I think deserved more love which were all fucking excellent and made between 2000-present. All of these babies certainly deserve as many fans as, say, friggin’ United Abominations, And Justice For None or Death Magnetic or whatever the heck. Here are my OWN personal picks BELOW.I am not saying these are like the best of all albums post 00′ but that they deserve revisiting and way more popularity. What are yours?

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Weekly War Drums: LUNA13, Hate Eternal, Hour Of Penance news items.

Posted by Morgan Ywain Evans on Monday, September 9, 2019 at 9:58 AM (PST)

Welcome to a fresh week of metal news. I am gonna endeavor to give you some cool options other than the very underwhelming new Tool record (seriously, THAT took over a decade? Literally mind boggled at how by the motions it seemed compared to anything pre-10,000 days) which is also overshadowed by the fact that MJK has been defensively sus for awhile and even if they are ‘legal’ you don’t need to allegedly use crew to separate young women from boyfriends, abuse power dynamics and then give a terrible response about it that helps victim blame culture grow. Also, Joe Rogan soft hands the fash. Periodt. Y’all don’t have to agree with me but all this shit ended my support of a band I have enjoyed since the early 90’s and have seen live a half dozen times. Like sick shows and tours you chuds would be jealous of. The fanbase also praise chakra research and Alex Grey and enlightenment and shit on paper but meanwhile now all sound like god damn Alex Jones contrarian fucking morons bullying people. No. Done. Fake jock wading pool goth rock fan base can bug off and go circle j++k a calculator. If you can’t answer for an allegation like a grown man and instead sound pressed and like can barely be bothered or how dare anyone question you, that hurts people and also will make plenty of survivors who maybe formerly supported you wary.

I’m really enjoying the fucknuts mad hatter industrial black metal marriage of sounds on the excellent Wicked Gods by dark sound practitioners Luna13 from Los Angeles. It’s a new offering backed by Cleopatra. The sinister crawl of “Serpent” is severe and hypnotic, perfect harsh dirge to make you wretch and clutch at the sky with hate while “Death Box” has dark poetry and stomping manic moments OTEP fans could love. The torn throat vocals and black metal parts remind me of glorious cross-over moments of yesteryear when bands like BILE and Skrew or Wax Trax acts got into really pushing the range of genre malleability, while “Toxic Black” has a very cool creepy almost hip hop intro that then becomes an anthemic Nu-industrial/blackened hybrid leering over a radioactive wasteland of souls. I guess this band is known for an over the top theatrical live show and they seem pretty damn cool, so I have decided to (sa)stan. I am glad to know there are still industrial influenced West Coast acts like this band, Patriarchy or 3Teeth who are willing to give fans more than just a downcast shrug and a wrinkled t shirt for their live show. Anyway, I am really digging this album and so should you.

In impossibly bad ass death metal news, HATE ETERNAL’s Erik Rutan has shared a guitar play-through video for the track “All Hope Destroyed.” The song is taken from the band’s 2018 release, Upon Desolate Sands. The video can be found at THIS LOCATION and if you can play along to anything by these titans you are a better musician than I am, hahaha.

Speaking about the clip, Rutan comments; “This has been a long time coming, and something many people have asked me about me for years. I’ve always wanted to do a guitar play through. The time has arrived and I’m super excited about it! I could not think of a better song off our new album to release a play through for than ‘All Hope Destroyed.’ It showcases some of my different styles, techniques and approaches that I use as a rhythm and lead guitarist. I hope everyone enjoys it. Cheers!”

Lauded Italian death metallers HOUR OF PENANCE, reveal the first single “Flames Of Merciless Gods”, from their upcoming studio album “Misotheism”, due out on October 25th via Agonia Records. The song is available in the form of a lyric video created by Stefano Mastronicola, below. How about that merciless intro?

The band commented on the new single: “Flames of Merciless Gods” is a song about a new empire built on the illuministic values of reason and equality, who wages war against the wealthy ones hidden in their ivory towers, worshipping their only god: Money. They are the ‘bastard race’, because they have no fatherland and no motherland: their loyalty stands to no one but themselves. Their way of life is a blasphemy to everyone who is exploited by the inequalities created by their greed and is starving because of that. They are so afraid to atone for their crimes that they choose to commit mass suicide rather than face justice”.

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Sabaton in car crash in Tunisia

Posted by Morgan Ywain Evans on Sunday, September 1, 2019 at 6:04 PM (PST)

Epic historical metallers Sabaton are used to the clashing of steel as one of the most larger than life and important power metal bands in the world, but that doesn’t mean the band was keen to be in a scary car wreck. The band shared a message and pictures HERE and are lucky to be alive. We wish them all the best in their recovery. Maybe help the dudes out if ya can and grab more copies of The Great War, ok metal fam?

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DBD are back

Death Before Dishonor are premiering their new album, the first in a long ass time, over at Decibel. If you missed this skull clobbering Boston hardcore outfit, you will NOT be let down by Unfinished Business. The intro to “True Defeat” dropped in and I was instantly head nodding like ,”hellz yeah!”

Stream this ferocious fucker RIGHT HERE via Decibel. I thought the production and performances were great.

Sickbay

Upstate, NY’s Sickbay are a band to watch! This super heavy group are on the rise and will impress hardcore and metal fans of many stripes with their savage sound. The band is self releasing an album called Dissonance August 9th and have a new song called ‘Bloodsoaked’ out to wet your knives and feral appetites on. They have a sort of 90’s proto metalcore with death metal influences sound I really dig and super gruff bad ass vocals that are fun to snarl along with. Heavy mosh factor as well and killer riffs and get the job done with brutal hacksaw efficiency drums.

Recording was done by Mike Usifer of Beacon Soundworks, the guitarist for Prime Evil. The cover was drawn by Keavan Rivers of Doc Rivers Tattoo, who incidentally used to be the drummer for Dissolve. Check them out below! RIYL Skinless, Stigmata, Obituary.

Bummed to hear that WRVTH are calling it a day. Solid and visionary band. Destined to be a cult favorite in the underground, I’d wager. The atmospheric, progressive post metal act have released a lyric video for their new song “Eventide.” The track is off of the band’s forthcoming final album No Rising Sun which will see a digital release on August 23rd through Unique Leader Records. One of those bands like My Epic or Cult of Luna who have some instrumental passages that are just so fucking brilliant but some people STILL have managed to sleep on.

WRVTH offered the following, “This album is about hardships and the contingencies that being in a band brings, just as much as it’s about the pure happiness harbored from fighting in order to follow our passion. In the music you’ll hear our excitement and joy, through the sound of blood, tears, and heartache. In the lyrics, you’ll read the fight against our adversities and the anguish from resisting an impending finality in and of itself. One day everything can be fine and the next it’s over. Not everyone and everything gets to see the light of a new day. This album is a representation of what this band meant to us, as well as the battles we underwent to keep this band alive. Even in the sound, you can hear a coming of age. All the way from our humble beginnings as Wrath of Vesuvius to this living breathing family we called a band. We have seen the world together, through hell and bliss, and made such strong friendships along the way. No matter how big or small the stage was, we always played like it was our last. We remain eternally grateful for any allies, opportunities, and accomplishments this band has brought us, and even more grateful that we were able to share it with anyone that wanted to listen.”

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Special news today regarding Alt-rock champs Primitive Race .

As many of you know, I am a big Chuck Mosley fan and loved his inadvertent farewell record, Soul Pretender. It is firmly one of my favorite records of the last ten years. Chuck’s passing six days after the album was released was a massive fucking tragedy and this project, which started as an industrial tinged band of rotating creatives, really was a terrific vehicle for the former Faith No More singer, empathic and eccentric musical genius.

Now there is a vital remix record Cranial Matter featuring an amazing cast of influential characters to honor Chuck and re-work the material in fun ways.

Remixes from: Toshi Kasai (Dale Crover Band, Big Business, Melvins), Dave Lombardo (Dead Cross, Slayer, Suicidal Tendencies), Dave “Rave” Ogilvie (Nine Inch Nails, Marilyn Manson, Skinny Puppy producer/mixer), Mike “Bumblebee” Morasky (Steel Pole Bathtub, Milk Cult), Phildo Owen (Revolting Cocks, Skatenigs), Paul Leary (Butthole Surfers), Rodney Anonymous (The Dead Milkmen), Kevin Rutmanis (Melvins, Cows, Tomahawk, Hepa/Titus)

Special tribute track in Chuck Mosley’s memory with vocals by Chris Connelly (Ministry, Revolting Cocks, Pigface).
Deluxe digital Bandcamp edition includes exclusive remixes from: Crabbi (Pop Will Eat Itself, Primitive Race), John Fryer (Producer of Depeche Mode, Nine Inch Nails, Swans, HIM), and Jim Marcus (Die Warzau, Pigface, Go Fight).

Regarding the Toshi Kasai Mix of ‘Cranial Matter’…

“Toshi has become a great friend and it was a no brainer asking him to take part on this record. His involvement was a perfect fit following his work on Soul Pretender. He tracked and engineered all Dale’s drums. I already knew he was a hell of a remixer from the work he did with Buzz (Melvins) on a KMFDM EP we worked on together previously. I’m very happy with what he did.” – Chris Kniker

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Hello happy campers. I have survived the New York heatwave over the weekend, sweating away in a dark room listening to Fields of the Nephilim’s early Dawnrazor era with curtains drawn trying not to die as my cat hogged space in front of a cheap fan. Who needs more than an hour sleep from discomfort?! Not when you are writing about miserable, earth shaking metal! Anyway, all is well and got some gnarly tour news to kick off the week. I hope it brings you cheer to counter-balance slightly that the FUCKING ARCTIC is burning and we are all going to die. Humans suck so bad, what an embarrassment.

Anyway, speaking of fire…GRAMMY conquerors High On Fire have announced a disgusting wealth of mosh via their new tour with Power Trip, Creeping Death and buzzworthy band of the moment Devil Master! This is gonna be sicker than hot zombie guts in a Play-Doh fun factory.

High on Fire tour dates:
*All shows also include Power Trip and Creeping Death

November 7 – Austin, TX Mohawk (as part of 2019 Levitation Festival)
November 10 – Houston, TX @ Foamhenge
November 12 – Tampa, FL @ The Orpheum
November 13 – Atlanta, GA @ Masquerade
November 15 – Charlotte, NC @ Amos’ Southend
November 16 – Richmond, VA @ The Broadberry
November 17 – Baltimore, MD @ Baltimore Soundstage
November 19 – Philadelphia, PA @ Union Transfer
November 20 – Asbury Park, NJ @ Asbury Lanes
November 21 – New York, NY @ Elsewhere
November 22 – New York, NY @ Elsewhere
November 23 – Hartford, CT @ Webster
November 24 – Montreal, QC @ Club Soda
November 25 – Toronto, ON @ Danforth Music Hall
November 26 – Detroit, MI @ The Majestic
November 27 – Chicago, IL @ The Metro
November 29 – Denver, CO @ Oriental Theater
November 30 – Salt Lake City, UT @ Metro Music Hall
December 2 – Seattle, WA @ Neumos
December 3 – Vancouver, BC @ The Rickshaw
December 4 – Portland, OR @ Wonder Ballroom
December 6 – Berkeley, CA @ The UC Theatre
December 7 – Los Angeles, CA @ The Regent

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Big metal news heading into the weekend as we learn from an oddly brief and very formal statement that NWOAHM hero Chris Adler is officially out of Lamb Of God. Best wishes to both camps moving forward. Art Cruz, who has been playing with the band live for awhile, will be on the next album. Adler’s precise and deadly drumming is a HUGE part of the band’s appeal to a lot of fans, though hardly the sum total of it. Still, this is a big blow to longtime fans, though as with Slayer and  Slipknot we know that even after an iconic drummer leaves a band can still potentially make good albums.

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Derrick Green vocal masterclass Europe tour in October

Posted by Morgan Ywain Evans on Thursday, July 11, 2019 at 5:35 PM (PST)

Personally, I believe Derrick Green of Sepultura to be one of the best vocalists in Metal. He has done a lot of killer work with the band since joining but since people are so stubbornly obsessed with the early Sep-mythology they often have somehow not realized that Machine Messiah, Against, A-lex and Dante XXI (to name my favorites with Green) also kick complete ass. Just because the band covered U2 once – and WELL – some idiots wrote off Green, who frankly has more talent in his charismatic demeanor than they could ever muster, and certainly a more powerful bellow or melodic voice than most of his haters. Green is a pro and unphased, kicking ass consistently. Hats off to the dude.

SEPULTURA’s Derrick Green will be on the road in Europe for a Vocal Masterclass Tour during the month of October (2019). Check below the dates and HERE for tickets.

10.10 – Duycker – Amsterdam, NL
11.10 – Ls Relais Des Artistes – Le Bioux, CH
12.10 – Legend Club – Milan, IT
13.10 – Pitcher – Dusseldorf, DE
14.10 – The Underground – London, UK

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Devourment photo by Paul Moseley

Hey there rockers and face eaters. Today I’ve got a handful of varied genre musical items for you (including news on my own next album). I assume everyone and their mother already heard the Slayer Final Tour news, so we are gonna focus on some other stuff for you today. Let’s start out with some engrossingly horrific new blood covered ear slaughter from a legendary death metal act.

 

Texas’ brutal death metal veterans DEVOURMENT are pleased to unleash “Narcissistic Paraphilia” via Metal Injection’s Dank Slams. The track comes by way of the band’s impending new full-length, Obscene Majesty, set for release via Relapse Records next month.

 

Comments DEVOURMENT, “This song focuses on the internal monologue of the archetypal serial killer’s psychology. One that is typified by pathological narcissism and auditory hallucinations. The kind that can compel a seemingly mild-mannered person to pursue a life filled with debased violence, mayhem, fear, and death.”

 

Writes Metal Injection, “…a DEVOURMENT listening experience is akin to being obliterated like a particle in the Large Hadron Collider and then devoured by a supermassive black hole.”

 

Stream “Narcissistic Paraphilia,” via Metal Injection’s Dank Slams, at THIS LOCATION.

Walking Bombs (aka yours truly)

In grungy/metal/industrial/punk weirdness news, my solo/collaborative project Walking Bombs has my second album of 2019 due out in August via Nefarious Industries. Sphinges, Sibling Selves And Queens is available to pre-order today HERE and the opening track “Pisces Rising Shine” is available, a kind of Melvins/STP-outer space stoner grunge jam featuring myself on bass and vocals, Jay Andersen (Surmiser) on drums and Dava She Wolf (Cycle Sluts From Hell, Star & Dagger, She Wolves) on guitars. While a lot of this album in particular deals with being non-binary, this first single is more of an examination of humanity’s push/pull drive between imagination and exploration or destructive tendencies.

Sphinges, Sibling Selves And Queens (Night variant) by Julie Catona

The twelve-song Sphinges, Sibling Selves And Queens was recorded late 2018 through early summer 2019 at Bohemesphere Studios in Saugerties, New York, engineered, mixed, and mastered by Jay Andersen, who performs the majority of the guitars on the album, as well as some drums and keyboards. The record also features guest performances from Dava She Wolf (Star & Dagger, Cycle Sluts From Hell), Alison Babylon (The Beautiful Bastards, Oblivion Grin), David Brenner (Gridfailure), Elizabeth “Le Fey” Gomez (Globelamp), Jem Violet, Nate Kelley (Shabutie, Laterals, PPSP), Kentro, and Justin Pierrot (Stormland), and is completed with cover art by Julie Catona (Future Illustrations).

Thanks a lot to anyone who has supported this project so far, now heading into (I think) my 12th year as Walking Bombs. Feels good to be building something, however humble, out of what was once just me and an acoustic guitar and some sheets of paper. Read more about the new release in full HERE. 

Wear Your Wounds are preparing to release one of the best things I have had my ears full of all year, Rust On The Gates Of Heaven. The record is out in a matter of days and is going to blow people’s minds, building on the natural strengths of the first record with a more organic confidence. This fascinating group is way too powerful to be stifled by the “post-rock” tag, creating immersive almost impressionistic songs that swallow you whole and can take the form of dream or nightmare. It is very exciting to hear Jacob Bannon expand this initial solo project into a band that really defies limitations and is doing stuff just as impressive as Converge while also pushing Bannon’s creative growth exponentially.

Suffice to say, I am really a fan of this record and you should all check out the new audio for “Rainbow Fades”, one of the more hallucinatory songs on the album that glides through a sort of sorrowful calm with moments that even recall Pink Floyd. Killer shit.

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Brooding that Bork & Mindy was not greenlit by Studio Execs, Borknagar return to writing dark and majestic metal.

The upcoming album by Norway’s avant-garde metal band, BORKNAGAR, entitled True North (Editor’s Note: No connection to that excellent recent Bad Religion album as far as we know), will be released by Century Media Records/Sony Music
on September 27th. Following 2016’s acclaimed album Winter Thrice, the new BORKNAGAR effort has once again been mixed and mastered by Jens Bogren at Fascination Street Studios in Sweden.

“This has indeed been a thunderous ride, and we are truly excited to finally start revealing some news about our upcoming album,” states BORKNAGAR founder and guitarist Øystein G. Brun. “We have spent almost 2 years writing, recording and producing True North and are extremely proud of what we have achieved this time around. On behalf of the whole band, I can firmly say that we have pushed the limits of our musical exploration, while our musical roots have grown even deeper into the northern ground. This is the most diverse, powerful and grandiose BORKNAGAR album to date! Let there be no doubt!
 

Yet again, we have been working with Thor Erik Dullum and Marcelo Vasco for the cover and layout design. From the very beginning of the process, we wanted to have a very clear, crisp and organic cover that spearheads the cold and northern essence of the album. So what could be more natural than basing it on our very own Nordic surroundings? Furthermore, we are also very happy to also reveal that we have extended our deal with Century Media Records.
 
Onwards!”

Cover and tour dates BELOW.
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