Search Results for "Release"

With simply one listen to ’68’s thunderous opening track “The Knife, The Knife, The Knife” from new (third) record Give One Take One you will know you are not only witnessing a special moment in the band’s development into something even more formidable but it is also very obvious that this crowd pleaser in waiting for live shows is destined to be a complete free for all when people can enjoy raging to it safely.

Produced by Grammy-winner Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains) has managed to help coax the band into catchier territory that renders them even more anthemic without losing ANY of their immediacy. Few bands out right now could pull off what “Life And Debt” does without sounding overly earnest or self-conscious.

Give One Take One combines the band’s penchant for two man carnival showmanship with higher than ever octane Black Flag meets Blues Explosion spiritual adrenaline highs. The whole thing leaves competition in the dust and shows better than ever the insane chemistry of this duo.

Josh Scogin grew by leaps and bounds as an entertainer during the reign of the fabulous and chaotic post hardcore band The Chariot (who surpassed Norma Jean in quality quite rapidly). ’68 however continues to stake a claim for the most theatrical project from Scogin yet, which is saying something! Nikko Yamada is unstoppable, combining Lightning Bolt-esque jaw dropping feats of daring with finesse and groove and a very adept talent for knowing when less is more and more is even more.

Speaking on the album release, Scogin said:
“This album has been a long time coming. We recorded in the summer of 2019 and had to sit on them until now, the next step in to see these songs fulfilled live. I’m hoping that comes sooner than later.” 

He further commented on the creation of the documentary:
“While we sat in limbo during the 2020 shutdown, I gathered all my footage that I had and created a documentary. It was mostly done for fun, to keep me from losing my mind because I’m not good at sitting idle.  The end product shows a small glimpse into the world of ‘68 and how winging it by the seat of your pants can be a real adventurous way to live.”

Seriously, this record is pure rock’ n roll, about as good as it gets in 2021 or any year.


Columbian death metal act NO RAZA are respected and feared for their pummeling and dynamic death metal creations. Out today is a well curated compilation perfect for the newly curious or old fans of the group , released by Noble Demon (Humavoid, Mercury Circle). The band was formed in the late 90’s in Columbia but are now based in Florida and certain to make an even bigger dent in the scene when shows return!

Vocalist and guitarist Juan Cano states:

“‘The Best Of No Raza’ is a compilation that we have created with the most representative songs throughout our history, a journey through our entire discography with a select repertoire loaded with classic death metal sounds and intense lyrics, which have been constructed and marked an ideology that encompasses the human being in all its aspects, through its existence on this earthly plane.“

Crank the confident and menacing “Atrición” today or peep the video for it below.

 

The new release Void & Decay from WITHIN NOSTALGIA drops today, a well produced yet spirited blend of creative expression, oppressive musings and glimmers of hope. The five song effort is a cool late year addition to a 2020 that was stuffed with impressive material from many artists in the metal world, as worthy as anything else out there of your time and more so than many. The digital album is just $5 on Bandcamp and could appeal to fans of colder USBM or psych metal. I would kill to see them play a concert with Cardinal Wyrm, who also just released a super trippy and killer late 2020 effort.

There is a video for my favorite track from the release called “Desideratum” you can vibe with below.

Refusing to be restricted to a single sub-genre, Within Nostalgia flirts with a wide range of influences, including black, doom, and death. The band comments on the album:

“We’re very excited to put this release out. Not only for fans but for ourselves as well since we’ve really found our sound and direction. You can obviously tell there is a black metal influence but it’s so much more than that on this album. We’ve really embraced the strangeness of our sound and let go of any preconceived notation of what “metal” is to us.”

I am gonna be sure to crank this a bunch as I channel the weird energy building up to the important December 21st, 2020 Jupiter and Saturn conjunction, baby.

 

Powerful crossover act Extinction A.D. have released a menacing metallic EP of hardcore covers, their first music to be released since 2018’s excellent Decimation Treaty. The tracks are all covers of American Hardcore bands from the 1980s including DRI, Youth Brigade and The Dead Kennedys. I am especially liking the “Reaganomics” cover as a timely reminder of how trickle down has always been empty promises/so much piss.

“Early 80’s American hardcore is one of, if not my favorite era of music,” says vocalist and guitarist Rick Jimenez. “I’ve always wanted to pay homage to it. Doing it through the lens of Extinction A.D. was not just a lot of fun, but put focus on how much things haven’t changed since the Reagan era of the united states.”

Check out It’s About Time That We Had A Change. It is well worth your time as the election looms.

On October 16th, Rivers of Nihil will release LP re-issues of their sophomore album, 2015’s Monarchy, via Metal Blade Records. Pre-order your copy now at: https://www.metalblade.com/riversofnihil – where hoodie, t-shirt, guitar tab book and flag bundles are also available!

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FORETOKEN release debut album ‘Ruin’

Posted by Morgan Y Evans - Walking Bombs on Saturday, September 5, 2020 at 12:15 PM (PST)

Photo credit: Robert Escue

Prosthetic Records have teamed up with Virginia’s ambitious Foretoken to release Ruin, a blend of folk, death and black metal styles.

Dan Cooley commented:
“The record’s release brings an equal mix of excitement, anticipation, and anxiety. We’ve spent the last almost two years writing and obsessing over every detail of the album. There are definitely some things we’ve learned throughout that process which we will incorporate in the next record, but for now we’re confident our debut, Ruin, is everything we wanted it to be: cinematic, energetic, and at times melancholy. We hope everyone enjoys the album and we want to thank everyone who supported us early on through Bandcamp.”

Bandmate, Steve Redmond added:
“We’re super excited for everyone to hear the album. This project started as nothing more than a “bedroom studio project” that would’ve probably never seen the light of day and evolved into something much more. This is my first time writing a symphonic metal record and it has been incredibly fun. It has also been a learning experience. With Ruin we really want the listener to be able to go on a musical journey through these myths and legends. We hope we were able to capture that with this record. We hope everyone has as much fun listening to Ruin as we had making it. ”

During the creation of Ruin, the pair enlisted Hannes Grossmann (Triptykon, Hate Eternal, ex-Obscura, ex-Necrophagist) on drum duties. The album also features James Malone (Arsis) in a dueling guitar solo on the track A Deathless Prison, and was mixed by both Steve Redmond and Jacob Hansen; with mastering being done by Jacob Hansen at Hansen Studios. Jacob Hansen is a renowned producer/engineer who has worked on albums such as The Black Dahlia Murder’s Nightbringers and Fleshgod Apocalypse’s Veleno. The album’s art is a piece by Tomas Honz entitled Fallen Empires .

Eyes premiere “Distance” video over at Decibel Magazine

Posted by longhairedpoet on Wednesday, August 5, 2020 at 1:35 PM (PST)

Danish metallic hardcore noisemakers Eyes have released a video for their song “Distance” over at Decibel Magazine!

“Distance” comes off the band’s upcoming debut album Underperformer due out September via Indisciplinarian.

Eyes is made up by five young veterans from the Danish metal and hardcore scene, and the new album Underperformer reflects a combo that does not worry one bit about what fans, the scene, or people in general might think. One senses an artistic kinship with bands such as Daughters, Pissed Jeans, and Converge, all bands who started out with a particular sound and have changed and developed their musical vision significantly; something Eyes aims for as well, and succeeds in.

Barely over two years since the band’s eponymous debut EP saw the light of day, Eyes delivers their Underperformer. The record was produced by Tobias Munk Tønder (Église, Drukner), mastered by Jacob Bredahl (Lifesick, I Am Bones) who also contributes guest vocals to several songs on the record, and completed with artwork by Jon Gotlev/No Heroes.

The new video for “Distance” was directed by Ausrine Kurgonaite and Chey Long-Andersen.

Eyes lead singer Victor Kaas states about the “Distance” single:

“‘Distance’ is the shortest and most aggressive track on the record, by a small margin, as the whole record is pretty fucking aggressive. It was also one of the first songs we wrote for the album and it ended up being the song that really shaped the sound of Underperformer. Lyrically, the song is about discovering when something isn’t as it should be in your life. The feeling of reaching out, only to be met with dismissal and misunderstanding. If you’re depressed; don’t stop reaching out. Not everyone will understand; someone will.”

Head over to Decibel Magazine to see the video for “Distance.”

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Brazilian Death Metallers The Troops of Doom have released a video for their track “Between The Devil and the Deep Blue Sea.”

The track comes off the band’s forthcoming EP The Rise of Heresy due out October 9 via Blood Blast Distribution.

The Troops of Doom is led by guitarist Jairo “Tormentor” Guedz from the band The Mist and former member of Sepultura’s original lineup. The band also includes bassist/vocalist Alex Kafer (Enterro, Explicit Hate, ex-Necromancer), drummer Alexandre Oliveira (Southern Blacklist, Raising Conviction), and guitarist Marcelo Vasco (Patria, Mysteriis, acclaimed graphic artist for legendary bands such as Slayer, Kreator, Machine Head, Soulfly, and Hatebreed among many others).

The Rise Of Heresy features four original songs and two cover versions of Sepultura classics, “Bestial Devastation” and “Troops Of Doom.” In advance of the EP’s release, The Troops of Doom are pleased to unleash a lyric video for first single “Between The Devil And The Deep Blue Sea.”

Check out the lyric video for “Between The Devil and The Deep Blue Sea” as well as the album art for The Rise of Heresy here.

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Concrete streaming ‘Free Us From Existence’

Posted by longhairedpoet on Tuesday, August 4, 2020 at 9:12 AM (PST)

New York hardcore metallers Concrete are streaming their latest full-length, Free Us From Existence over at No Echo. Free Us From Existence is due out this Friday, August 7.

From vocalist Lenny Fletcher: “This record is about having the strength to break the shackles and truly be free by any and all means necessary. You can either learn to turn your anger and sadness into fuel or kill yourself trying. Whatever it may be, we need to be freed from this existence.”

Head over to No Echo to check out Free Us From Existence.

 

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Upon A Burning Body release “Extermination”

Posted by longhairedpoet on Friday, July 31, 2020 at 9:42 AM (PST)

Texas metallers Upon A Burning Body have released a new track “Extermination.”

The track comes off the band’s newest EP Built From War.

Check out the video for “Extermination” here.

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Halestorm announce ‘Reimagined EP’

Posted by longhairedpoet on Friday, July 31, 2020 at 7:58 AM (PST)

Pennsylvania rockers Halestorm have announced their newest EP Reimagined to be released in August.

The EP features a song with Amy Lee of Evanescence and will also include a cover of Dolly Parton’s “I Will Always Love You.”

Check out “Break In (Feat. Amy Lee)” here.

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Korn and Yelawolf cover Charlie Daniels

Posted by Morgan Y Evans - Walking Bombs on Tuesday, July 28, 2020 at 8:40 AM (PST)

I am very very sick and so not posting much this week. Charlie Daniels believed some super dumb conservative shit later in life but “The Devil Went Down To Georgia” will always remain a bop. Here is an insane new version of it from Korn and Yelawolf at Bandcamp. Props to Korn for continuing their tradition to do oddball covers, not just metal. Seems to be for a good cause with Awakening Youth. I am too tired to read more about it right now. Ok, legit time to go throw up and tremble in weak sickly horror again. My ass sounds as flappy as Fieldy’s bass tone right now. Y’all boogie down to this now and I will hopefully see you soon.

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US prog metal outfit OCEANS OF SLUMBER release the second single, “The Adorned Fathomless Creation”, today off their forthcoming self-titled album out September 4th via Century Media Records worldwide. The song opens with a chaotic tempest before the hypnotic clean vocals enter on top of a frantic riff for powerful effect. One of the most innovative band of songwriters on the planet.

“Violence, revenge, retribution, repeat. The adorned fathomless creation that is humanity, that is society, that is each of us. Warped and blinded by this eye for an eye mentality, we stumble along the path of this insidious and cyclical nature of violence and pain. Hate begets more hate. Fear a contagion. Compassion a lost art of emotional bending. Outcry, anger, rage, repeat. We long for the gentle embrace of compassion, hope to be soothed by a love that is no where to be found. So the machine churns, spewing smoke along a degenerative wasteland. Victim, valor, vengeance, repeat. Our only hope is to remember that among ourselves is an ability to connect, an ability to heal, an ability to grow. To break the machine and free ourselves from its corrosive and cancerous nature. Teach, acknowledge, heal, repeat,” states Oceans Of Slumber about the track relese.

Oceans Of Slumber is available as a standard CD jewelcase, gatefold black 2LP+CD, digital album. Pre-order the album HERE.

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An important new pro equality comp has been released today for metal fans. 31 tracks from Falls of Rauros, Woe, Panopticon, Outlaw Order, Cloud Rat, Krieg, Uprising, Throne Of Blood, Hag Graef, Nechochwen and many more. OVERGROW TO OVERTHROW is extensive and awesome. Plenty of music here to zone out to and feel like the world and metal want to be a better place. Very cool.

Love the Evil Queen Bavmorda pigs sample in the Thou song. Doom’s track is probably my favorite.

Between this and the ferocious new Of Wolves album , metal heads have a good start to an anti-4th partying soundtrack.

Voices from across the Metal and Punk spectrum have united to not only speak out against racism and in support of those who are in the streets actively demonstrating, but work to actively support a fight that all of us must take on.

Digital only. All proceeds to support:
• Black Lives Matter – Over-arching movement to combat racism and fight for social justice in the US and Canada.
• Life After Hate – A nonprofit in the US that seeks to combat racism by providing resources to help people leave racist movements, as well as help de-radicalize violent Far Right extremists.

PS While you are here, please also read this Jacobin article I found today about how we need to SHUT DOWN the School Of The Americas/WHINSEC permanently. 

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NYC extreme metallers Pyrrhon have released their earth shattering new full length Abscess Time via Willowtip. Some how they defy and embrace death at the same time. This is some of their most impressive technical and vivid songwriting yet. “Human Capital” is one of the most timely and savage songs of 2o2o in experimental death metal with killer lyrics about modern class inhumanity.

Throughout the entirety of Abscess Time, PYRRHON explore the turbulent and ripping darkness of everyday survival. “This album is about watching the human world slowly slide towards collapse while you’re too busy trying to survive until the next day to do anything about it,” comments PYRRHON vocalist Doug Moore. “The process seems to take forever, even though little things change every day. And since you’re constantly straining to keep your head above water, it’s all just the background against a foreground of more immediate dangers.”

PYRRHON entered Menegroth: The Thousand Caves studio in January 2020 with mastermind engineer, Colin Marston (Krallice, Gorguts, Dysrhythmia) at the helm. “Colin Marston has worked on every Pyrrhon record so far – he’s mastered all of them, and mixed our last three. We do a pretty unusual combination of things during our recording process, and he’s about the only engineer out there who’s got experience with all of them,” explains Moore.

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