Metal Riot’s Summer Shout Out (Stuff We Love)

Posted by Morgan Y Evans - Walking Bombs on Wednesday, July 6, 2022 at 12:30 PM (PST)

“Someone ate my Cashewtopia and I can’t go on” – Me, probably

Hello, friends.

While we watch liberal media get co-opted by right wing seeded transphobia and children lose their parents to 4chan shooters for lulz before our horrified and tired eyes, it is safe to say everyone needs some fucking good music to keep from not losing our minds right now.

I know that escapism is viewed as not as integral as direct action or whatever, but while we NEED direct action it is also ok to need mental health breaks or to dip into the new Coheed album or Stranger Things or The Priory Of The Orange Tree or literally whatever gets you through the night (as the song goes) right now. I alternate from deep twitter arguing for hours to writing to reading Natasha Lennard articles and weeping to Wishsong of Shannara and singing to my cat, so…thank god for estrogen and gaba.

Anyway, fucking don’t give up the fight and here are some ragers to help you… uh, stay calm is the wrong phrase. Get your fucking rage sharpened or bang yourself some cathartic release.

We all know the new Conjurer album PÁTHOS might be the heavy release of the Summer, so let’s just get that out of the way. The UK uprisers remain fully engaged with creating a completely savage but welcoming experience, ensuring no one will “Suffer Alone”. The top notch recording and balls out performances are remarkable. The artwork will make you meditate on existential shit and get emo. They also have sick tote bags now.

Revocation’s new Netherheaven has their best cover art yet (well, Deathless still has a special place in my bitter heart) courtesy of Paolo Girardi. While you have to wait til September to hear the whole shebang, you can certainly rage all Summer to the new thrashing single. For a first preview of the album, a video for the new single “Diabolical Majesty” (directed by David Brodsky // can be viewed at:

Revocation remain one of the very best in the game, just 100% at all times. Hitting album number eight is no easy task these days, especially when it is always hard to top yourself. A band that has always deserved the hype, they will be touring this Fall with w/ Krisiun, Alluvial and Inoculation.

Medusa comin’ at ya with the universal insights

Now for some non-metal: The 2021 Wavy Awards was an invite-only red carpet event celebrating historically excluded artists, such as women, non-binary, LGBTQ+, BIPOC, and artists who identify as having disabilities. Supported by The Mayor’s Office of Media and Entertainment (MOME), the Wavy Awards took place at the Abrons Arts Center in New York City on October 23rd, 2021. The event was the first awards show to fully incorporate self-description for low vision audience members. It also featured ASL interpreters, and live-closed captioning by SignNexus. 

Get Wavy Volume 1 is a compilation of songs which include several of the 2021 Wavy Award winners and nominees.
75% of proceeds go towards supporting the 2022 Wavy Awards this upcoming October 2022. 25% goes to Grimalkin Records.

Medusa is an artist on the comp I am digging. They combine an eclectic production style with meaningful lyricism and a fresh, colorful pop fluidity. “I Saw God In The Waiting Room” is a deep cleansing purge for anyone really sad right now who can relate to dealing with heavy shit and trying to shake off the numbness. It isn’t exactly “feel good’ but you’ll certainly feel something.

From Medusa about this song: In the spring of 2020, my partner’s mother was diagnosed with lung cancer. The first time I met her, she was going through chemotherapy; the next time I saw her, she was dead. We dug her grave, then spent the next year thousand-yard-staring because of earth shattering existential dread.
I Saw God in The Waiting Room” is the story of how we dealt with losing not only her, but also our youthful ignorance. The track is lyrically literal and sonically bare, a departure from my usual character voices and abrasive production. The only way I can think to explain this choice is by asking: in a film, what is the only thing more gut wrenching than hearing a scream? A cut to silence.

Ok, that wraps up my energy for today. Back to thrifting and Facebook Marketplace posting and waves of despair. Hang in there, heroes. You are loved and valuable to this world. Oh, support the Seed and Rong tour kicking off tonight! One love, pma.

Add Revocation to My Radar   Add to My Radar

Rob Halford of Judas Priest is considered the first openly gay heavy metal star, having come out in 1998.

Melodic death metal newcomers The Atrophic partnered with Invisible Oranges today to premiere a full stream of their upcoming debut release, Coagulating Mirth. This release features world-renowned drummer Robin Stone (Ashen Horde, Norse, etc.) on session drums. There is also a dark, beating heartbeat of melodic beaty amidst the onslaught at times that lends the guitar playing a next level edge. Coagulating Mirth drops this Friday, July 8th.

*You can listen to The Atrophic – Coagulating Mirth HERE


The Atrophic comments
“Our debut effort, Coagulating Mirth, is a snapshot and a surreal portrait of the times we’re facing today. The band was born during a global pandemic at a time when society is split across different ideological boundaries. We joined forces as a duo to develop music to challenge ourselves and share a vision of impending doom that consumes the zeitgeist. 

Musically, our goal was to create something with darkness and intensity, with a heavy focus on melody and musicality. Our songs are technical, with intense riffage and soaring solos, but not at the expense of the songwriting. For us, songwriting always comes first.”

The Atrophic – Coagulating Mirth Tracklist
1. Coagulating Mirth
2. Misery’s Grip
3. Vessels for the Oligarchs
4. Horrid Mortal Tendrils
The Atrophic-Coagulating Mirth Line-Up
Sean Irizarry – Vocals
Kyle Kuffermann – Guitars/Bass
Robin Stone – Drums (Ashen Horde, Norse, etc.)

AS I MAY reveal “Traitor” video

Posted by Morgan Y Evans - Walking Bombs on Thursday, June 30, 2022 at 11:56 AM (PST)

Alt-metallers As I May give us a big, catchy groove heavy hard rock tune today with “Traitor” and the song’s official video below. The Finnish band recall early Filter, Korn and even some Load-era Metallica on this Nu-anced and gnarly Nu-mber.

“Traitor” is accompanied by a colorful performance video to enhance the listening experience. You will want to jump up and down but also probably will experience too much neon-induced vertigo.

Directed by Kimmo Pulliainen, the music video for “Traitor” was shot at As I May’s rehearsal place, which is an old military bomb shelter. The band’s concept was to have cyberpunk feeling to compliment the use of synth on the single. Starring in the video as the character of “Milana” is band friend Leevis along with all the light work and atmosphere planned by the band’s own light engineer Mikko Harju.

As I May is:
Lasse Hiltunen – Vocals, Guitars
Jani Valhola – Guitars, Vocals
Tipi Nokelainen – Vocals, Bass
Leevi Räsänen – Drums

Atreyu’s ‘The Curse’ turns 18

Posted by Morgan Y Evans - Walking Bombs on Wednesday, June 29, 2022 at 3:09 PM (PST)

“I am so tired of bloodless emo boys”

Atreyu‘s sophomore record was a gateway album for a LOT of kids to get into melodic metalcore. Love it or tolerate it, this was an important release in scene history.  The band might be quite different these days, but this is a defining era for them and always will be. The Curse kicked things up a big step for Atreyu from the debut and still has plenty of songs on it that slap. You know you listen to “The Crimson” sometimes and soft cry whislt pining for Hot Topic immortality.

Add Atreyu to My Radar   Add to My Radar

New York based solo/collaborator projects GRIDFAILURE and MEGALOPHOBE unveil their third collaborative album together, Harbinger Winds, confirming the jazz-influenced record for early September release through Nefarious Industries.


Culminating nearly five years of unpredictable progression, regression, erosion, and transformation, Harbinger Winds was finally completed in February of 2022, a wide array of guest contributors helping shape this album’s post/avant lo-fi jazz direction. Engineered, recorded, and mixed by GRIDFAILURE’s David Brenner at The Compound in Rockland County and MEGALOPHOBE’s Benjamin Levitt at Forked Audio in Brooklyn, the two contribute a wide array of vocals, guitars and basses, keys and synth, drums and percussion, accordion, theremin, cello, harmonica, and more, electronics/effects, tape manipulation, nature recordings, and more.


Joining Brenner and Levitt on the album are platinum session musician/performer Mac Gollehon (Duran Duran, Chaka Khan, Buddy Rich, David Bowie, Blondie, Onyx, more), Leila Abdul-Rauf (Vastum, Ionophore), Sally Gates (Titan To Tachyons, ex-Orbweaver), Christian Molenaar (Those Darn Gnomes), Morgan Evans (Walking Bombs), Matt Bacon, Rosa Henriquez, Rob Levitt, and Denise Fillion. The cover art, photography, and videos for Harbinger Winds were created by Brenner, with additional photos and video by Levitt, the album then mastered by Dan Emery at Black Matter Mastering (Kool Keith, Lost Dog Street Band, Thetan).


Levitt writes, “This one was a long, long time in the making. We gathered up the original recordings and gathered them together because we heard something like a coherent record in there somewhere. Some years, and a whole other collaborative record later, we finally went back and listened to what we had. We stripped everything down and, for me at least, that was when the sound and the vibe of Harbinger Winds really emerged. Everything we added after that point — instruments, field recordings, vocals, all of it — was all chasing that vibe. Moody, sexy, dark with some shards of light piercing through. Then to have so many friends and collaborators add their sounds elevated the whole thing. We are so lucky to have these amazing musicians listen to these strange tracks and know just what they needed to do. We’re stoked to have them on the record and are incredibly excited to finally, after all this time, put this out into the world and have everyone else hear it.”


The fourteen-plus-minute title track closes Harbinger Winds with a massive amalgamation of sounds where all nine outside collaborators who appear on the album converge, the song presented to the masses through an intense, psychedelic video.


Watch GRIDFAILURE & MEGALOPHOBE’s “Harbinger Winds” video and find other streaming options for the single RIGHT HERE.

Harbinger Winds 
will see release September 9th through all digital providers and as a limited Opaque Red cassette. Find preorder/merch options at Nefarious Industries HERE.


Add Gridfailure to My Radar   Add to My Radar
RIVERS OF NIHIL will return to the road this Fall on a North American tour supporting The Contortionist. The month-long trek – which begins on September 11th in Dallas, Texas and runs through October 15th in Indianapolis, Indiana – will feature the band performing their latest full-length, The Work, in its entirety!


Comments guitarist Brody Uttley, “We can’t wait to hit the road with The Contortionist this September. On the heels of playing Where Owls Know My Name in its entirety in 2019, we’ve decided to offer our fans another full album live experience. The new songs that we’ve been playing from The Work have been going over in a huge way live, so we hope to make this one the most immersive live experiences that we’ve ever brought out. This one is sure to be one to remember. See you there.”


Preview and purchase The Work at


Tickets are on sale now! See all confirmed dates below.
RIVERS OF NIHIL w/ The Contortionist:
9/11/2022 The Granada Theater – Dallas, TX
9/13/2022 White Oak Music Hall – Houston, TX
9/14/2022 Come And Take It Live – Austin, TX
9/16/2022 Crescent Ballroom – Phoenix, AZ
9/17/2022 Brick By Brick – San Diego, CA
9/18/2022 El Rey Theater – Los Angeles, CA
9/20/2022 Bossanova – Portland, OR
9/21/2022 El Corazon – Seattle, WA
9/23/2022 Metro Music Hall -Salt Lake City, UT
9/24/2022 Summit Music Hall – Denver, CO
9/26/2022 Cabooze – Minneapolis, MN
9/27/2022 Bottom Lounge – Chicago, IL
9/28/2022 St. Andrews Hall – Detroit, MI
9/30/2022 Le Studio TD -Montreal, QC
10/01/2022 Opera House – Toronto, ON
10/02/2022 Beachland Ballroom – Cleveland, OH
10/04/2022 Mr. Smalls – Pittsburgh, PA
10/06/2022 Underground Arts – Philadelphia, PA
10/07/2022 Union Stage – Washington, DC
10/08/2022 Gramercy Theatre – New York, NY
10/09/2022 Paradise – Boston, MA
10/11/2022 Arizona Pete’s – Greensboro, NC
10/12/2022 Terminal West – Atlanta, GA
10/13/2022 Eastside Bowl – Nashville, TN
10/15/2022 Deluxe @ Old National Centre – Indianapolis, IN
Add Rivers Of Nihil to My Radar   Add to My Radar
QUEENSRŸCHE announce their 16th studio album, Digital Noise Alliance, which is set for release on October 7th. To celebrate the announcement the band have released their new song and music video “In Extremis” off the forthcoming release. The track is available on all digital platforms and the music video can be viewed, HERE.


“This song is about being on your deathbed surrounded by your loved ones. Clinging to the last sense available, letting them know you will still be hearing them after correspondence or perceived consciousness is visible. Other conceptual metaphors flash in and out, taking note of a world that will not bend to accommodate such suffering, a universe of mockery, and a universe void of such abilities,” states QUEENSRŸCHE about “In Extremis”.


With a career that not only spans, but has charted the course of multiple genres, QUEENSRŸCHE remains a force in their own right with the new release that continues the ever-evolving legacy the Bellevue, Washington born band began in 1982 when they first hit the scene with their well-received self-titled EP. Their recent U.S. tour with Judas Priest proved that the band’s time off the road and in the studio only stoked their ambition and fire.


Once again teaming up with producer Zeuss (Rob Zombie, Hatebreed), Digital Noise Alliance not only refracts QUEENSRŸCHE’s past accomplishments but also pushes into the band’s future. It is the band effortlessly moving from strength to strength: immediate and thought-provoking. Quintessentially QUEENSRŸCHE.


Right after the release of Digital Noise Alliance, the band will embark on another tour opening for the mighty Judas Priest on their “50 Heavy Metal Years” tour.


Opening for Judas Priest
Oct. 13 Wallingford, CT – Toyota Oakdale
Oct. 15 Albany, NY – MVP Arena
Oct. 16 Boston, MA – MGM Music Hall Fenway
Oct. 18 Uniondale, NY at Nassau Veterans
Oct. 19 Wilkes-Barre, PA – Mohegan Sun Arena at Casey Plaza
Oct. 21 Kalamazoo, MI at Wings Event Center
Oct. 22 Detroit, MI at Masonic Temple Theatre
Oct. 24 Cincinnati, OH – The Andrew J Brady Music Center
Oct. 25 Waukegan, IL – Genesee Theatre
Oct. 27 Green Bay, WI – Resch Center Theater
Oct. 29 Moline, IL – TaxSlayer Center Moline
Oct. 30 Mankato, MN – Mayo Clinic Event Center
Nov. 01 Sioux City, IA – Tyson Events Center
Nov. 02 Rapid City, SD – The Monument
Nov. 07 Ontario, CA – Toyota Center
Nov. 08 Tucson, AZ – TCC Arena
Nov. 10 Loveland, CO – Budweiser Events Center
Nov. 12 Park City (Wichita),KS -Hartman Arena
Nov. 13 St. Charles, MO – The Family Arena
Nov. 15 Corbin, KY – The Corbin Arena
Nov. 17 Southaven, MS – Landers Center
Nov. 18 Baton Rouge, LA – Raising Canes River Center
Nov. 20 Oklahoma City, OK – Paycom Center
Nov. 22 San Antonio, TX – Tech Port Center & Arena
Nov. 23 San Antonio, TX – Tech Port Center & Arena
Nov. 25 Dallas, TX – The Factory – Deep Ellum
Nov. 26 Corpus Christi, TX – Concrete Street
Nov. 28 Edinburg, TX – Burt Ogden Arena
Nov. 29 Houston, TX – 713 Music Hall
Add Queensrÿche to My Radar   Add to My Radar

European rock act DEAD EYED CREEK, featuring former members of Satyricon and Triptykon, have released their debut music video for “Set Me Free,” featuring American actress Ruby Modine.

In the fall of 2019, before anyone expected a global pandemic, Dutch guitarist Job Bos (Dark FortressThe Ruins of Beverast, ex-Satyricon) approached longtime friend and drummer Norman Lonhard (ex-Triptykon) with the idea of creating music together. The duo soon recruited Icelandic vocalist Einer Vilberg, notable for being one of the finalists in Stone Temple Pilot’s vocalist search in 2016, and bassist Max Blox, who proved to be the right fit on both a musical and personal level.

Tadrart Acacus

“I’ve been working with music for over half of my life. This time I felt the need to go far back to my roots, and play the kind of music I grew up with,” says Bos. “I never really played guitar, but I had all these ideas in my head, so the only way to realize these ideas was to pick up a guitar and start. It was such a natural and rewarding process and it turned out pretty damn good!” 

Having already recorded their upcoming debut album with German producer Michael Zech (Secrets of the MoonThe Ruins of Beverast), the international quartet’s yet-to-be-titled debut is wonderfully iconoclastic with heavy riffs, monstrous grooves, and tragic, yet beautiful, ballads.

Acclaimed American director Matt Mahurin (MetallicaU2Alice in Chains) has teamed up to craft the band’s music videos with the first featuring actress Ruby Modine (Shameless), daughter of film icon Matthew Modine.

The band is currently negotiating with labels on a release, so for now, familiarize yourself with “Set Me Free!”


Einar Vilberg – vocals
Job Bos – guitars
Max Blok – bass
Norman Lonhard – drums

PC: Florian Moritz

Melodeath-charged thrashers Katapult has dropped the video for the “Nihilism for the Gods” single. The track serves as the first preview of the Basel/Umeå outfit’s debut album, Play Stupid Games, Win Stupid Prizes, which arrives on 25 November 2022 digitally and on digipak CD via Discouraged Records [Pre-Orders Available AT THIS LOCATION].

Comments Florian Moritz (Guitars) on the track:
“‘Nihilism for the Gods’ started as a song about total exhaustion from fighting your everyday battles and being vulnerable. Then it turned into something bigger about the human duality and sheer disgust of people’s behavior and how the big picture is connected to our very own and personal battles we have each day.”

“Nihilism for the Gods” is available on DSPs RIGHT HERE.

Album Track Listing:
01. The End
02. Comfortably Numb
03. The Hands of the Devil
04. Sweetheart Come
05. The Arsonist
06. Nihilism for the Gods
07. Litany of Spirals
08. Invite the Sin
09. Schädel
10. All This Because of Greed
11. 21th Century Gladiator Boy
12. Bränn bilder och minnen (feat Fredrik Lindkvist)
13. Oh God for One More Breath

STORMLAND announce ‘The Human Cost’

Posted by Morgan Y Evans - Walking Bombs on Monday, June 20, 2022 at 5:32 AM (PST)

Canadian progressive technical death metal act Stormland has emerged from the COVID years with a new album, The Human Cost, set for release on September 30th, 2022.

The band made the announcement via a video released to social media and YouTube. This video includes parts of the songs “Marida,” “Test Subject,” “Rebuilt For Your Whims,” and “Esper.”

See teaser announcement below.

The Human Cost was written and recorded over the course of two years by Stormland’s Justin Pierrot and is the first of his albums to feature extended range guitar and bass.

The eight tracks continue the trend started on the prior Stormland offerings Songs of Future Wars and Incident Report: UC-0791227. The new album applies the lore of the Mobile Suit Gundam meta-series to inform its eight songs concerning the wide-ranging effects of war on a potential future.

The album also features guest appearances from Leda Paige (The Hallowed CatharsisJiseiSissyXO) on lead single “Test Subject” and Ross Sewage (ExhumedImpaledLudicra) on “Rebuilt For Your Whims.” The album mixed and mastered by Patrick Bruss of The Filth Chamber in Denver, Colorado.

This eight song album maintains the Gundam thematic lens, while bringing new tools, including eight string guitars and six string bass, to add new colors to the increasingly technical and progressive sound. Thus, with The Human Cost, Stormland fully makes the leap into the realm of progressive technical death metal. “This entire album is a massive leap forward for me,” said Pierrot “The 8-string guitar really helped me open up my songwriting due to the extra range. It forced me to really push myself so that I didn’t just rely on the low low E string but used every inch of the fretboard in an effort to create death metal that will make people feel something.”

Schuler Benson (@deathmetalradio on social media), the host of Gimme Radio’s “Malpractice” and co-host of the YouTube series “Symposium of Sickness,” stated, “The Human Cost is equal parts oath and monument, shedding blood in the service of Gundam lore while passionately navigating death metal subgenres with style-shifting fluidity. Come to see the damage the machine can do, stay to connect with the human face underneath.”


Conceived in 2003 by vocalist/guitarist/programmer Justin Pierrot, Stormland has been active at varying levels ever since. Primarily a studio project, this Canadian death metal act has seen its lyrical focus evolve from vague sociopolitical vitriol (Complaints and Grievances demo, 2009) to analyzing the more mundane and fantastical (True, North, Strong, and Cranky EP, 2015) before eventually coming to rest on the Gundam theme (Songs of Future Wars, 2018 and Incident Report: UC-0791227, 2019).

Add Stormland to My Radar   Add to My Radar

EP Review: The World Without Us – “Body Forth”

Posted by Morgan Y Evans - Walking Bombs on Saturday, June 18, 2022 at 1:09 PM (PST)

The World Without Us. What’s in a name?

I was at a spiritual Goddess-centric event the other day and was talking with someone about how the Earth will  likely survive humanity, even as we destroy ourselves. The sad part is we need more people to witness for the planet in thankfulness and kindness, reverence for creatures, etc.

So, Body Forth.

The band tries to compress a lot into 4 self-released songs and mostly succeed in both giving you a taste of their potential and leaving you wanting more, though some sections can be a little fatiguing. With even more dynamics ala Periphery, this group could really break out.

TWWU name made me at first think of The World We Knew, but this band is their own entity. I was actually startled to hear such prominent clean vocals first when “Eden” kicks in (after a Meshuggah-esque thuddy but sophisticated intro), expecting harsh vox the whole time. I actually like the cleans better in the case of this band. Screams aren’t bad but Mario excels as a clean singer in a way some bands can’t (and without it getting too whiny range-wise), so I would rather hear that. It kind of reminds me of how Veil of Maya just became so much more impactful the last few albums by dropping the tough guy shit as main emphasis over otherwise intelligent arrangements, lol.

Personal taste aside, this 4 songer is a banger. Complex arangements meet the excellent  Kevin Antreassian production and come out both intense AND polished to a fine point. “Cult” roars with faster and precise murderous intent. “Weeds” is not a Life Of Agony cover but rather a venemous and abrasive math-core bruiser that doesn’t let up, even while going interesting places. “Peril” clobbers in with an opening riff that hits like Coal Chamber /Acacia Strain, in some punishing weird way.

This record has some heavy moments but also will mainly appeal to fans of BTBAM, The Contortionist, Septa etc.

The World Without Us – Body Forth Tracklist
1, Eden
2. Cult
3. Weeds
4. Peril

The World Without Us – Body Forth Line-Up
Mario Paulo Canavarro – Vocals
Christopher Fenimore – Lead Guitar
James Sundwall – Rhythm Guitar
Zach Strouse – Bass (Burial In The Sky/Rivers of Nihil)
Drums- Stephen Campbell

*Additional bass guitar writing on some tracks by Tyler Capone-Vitale of Cognitive (Metal Blade Records)

Band Spotlight: Escuela Grind

Posted by Morgan Y Evans - Walking Bombs on Friday, June 17, 2022 at 6:06 PM (PST)

Escuela Grind is one of the most intense AND fun bands out right now in the extreme metal scene. Anyone who has seen the outfit live knows they put on a careening and death-defying show, blending elements of many of the heaviest sub genres into a world changing charge. It has been awesome discovering truly fired up and creative acts such as them, Habak or Hostilities this year, giving me hope for the next generation of ass kickers. When I heard Indoctrination I was hooked and feel blessed Escuela Grind were one of the first bands I caught live when shows revved up again. Long may they reign.

Add Escuela Grind to My Radar   Add to My Radar

June 17, 2022, PHOENIX – Grey Daze, the band that birthed a modern rock icon, Chester Bennington, release The Phoenix, today via Loma Vista Recordings (stream it here). The 10-song bookend to 2020’s Amends, the newly-recorded album is a celebration of both Bennington and a testament to both the tenacity and talent of the surviving band members.

As news of the album’s existence was shared, Grey Daze founder, drummer and songwriter Sean Dowdell said: “Amends was more emotional and reflective. We felt sad when we were writing it. Now that we’re a couple of years removed, it’s very clear what we were going through. We were at a different stage of grief. We went through the shock and the sadness. Now, we’re back to gratitude.”

Dowdell, accompanied by bass player Mace Beyers and guitar player Cristin Davis, with producer Esjay Jones, and with the blessing of Bennington’s family, reconvened in late 2020, re-recording, and re-working the songs which initially appeared, in a very different form, on the band’s largely unknown mid-‘90s releases. A group of special guests also played on the powerful new collection, with Dave Navarro and Richard Patrick featured on “Holding You” and “Believe Me” (respectively), and Bennington’s daughters, Lily and Lila, paying homage to their dad on “Hole.” The band documented the process via a YouTube series which can be seen here.

The Phoenix’s arrival is marked with the debut of a Heidi Gadd directed video for “Drag” ( Dowdell explains the themes behind the song: “’Drag’ is a very dark and droning heavy track, but the underlying message is really special. Chester is telling us, literally, that life is too short to be intoxicated, life is too short to be a drag. It is a song that gives any listener with a substance abuse past something to feel good about, something to help pull themselves out of that dark place.”

Reception for the newly released album reflects the band’s upbeat and joyful tone, with Brooklyn Vegan calling it a “’90s alt-metal banger that finds Chester’s voice as unmistakable as heavier, Revolver describing it as “soaring,” and Rolling Stone dubbing the single “Starting to Fly” a “rock anthem.”

Over the course of Grey Daze’s first incarnation, which ran 1994 to 1997, the group recorded and released two albums. It is those albums that serve as a foundation for both Amends and The Phoenix. Prior to Bennington’s passing he publicly announced the Grey Daze’s return, which included re-recording the band’s largely undiscovered discography. With Talinda Bennington’s blessing, and working with Producer Esjay Jones, the surviving band members: Dowdell, Beyers, and Davis, moved forward, as both a way to pay tribute to their fallen brother and bandmate, but also to expose his fans to another dimension of the dynamic singer. Amends arrived in 2020, with Rolling StoneRevolverBillboard, and Kerrang! praising the collection. NME summed it up best, saying Amends is “a great modern rock record fronted by one of the best vocalists in the game.”

WHITE HILLS and TELEKINETIC YETI to tour next month.

Posted by Morgan Y Evans - Walking Bombs on Thursday, June 16, 2022 at 5:25 PM (PST)


New York City-based psychedelic rock duo WHITE HILLS will return to the road next month on a North American tour with Iowa-based stoner doom duo Telekinetic Yeti. The journey will commence on July 19th in Charlotte, North Carolina and run through August 29th in Minneapolis, Minnesota. Suffice to say that these creative acts will both likely bring their A games to what is sure to be an inspired meeting of mind melting madcaps! See all confirmed dates below.

Death Metal wrecking ball force Tomb Mold have dropped Aperture Of Body today. “Prestige Of Rebirth” is worth the price of admission alone, but this whole three songer is a serious entry that shows the group continuing to flex and grow their sound since Planetary Clairvoyance.