Search Results for "Alternative Metal"

Hard rockers ROYALTY KULT have a new video out for “Enjoying The End” that has Doc Coyle guesting on some vibey guitar parts and some full bore, maximum shred later on in the tune. The catchy but song will stick in your head and features Joshua Michael’s memorable alt metal influenced, impassioned vocals. Fans of Soul Searching Sun-era LOA or Crossfade will eat this up. Incidentally the video was also directed by Ron from the band Opiate For The Masses (still have that cd in my car).

MUDVAYNE reunion!

Posted by Morgan Y Evans - Walking Bombs on Monday, April 19, 2021 at 10:32 AM (PST)
They’re baaaaaaaaaaaack!

 

Groove/alt-metal fan types can thrill today as the long rumored and hoped for MUDVAYNE reunion becomes tangible fact!

Ryan was one of my favorite interviews years ago for Crusher Magazine and I saw the dudes destroy Ozzfest in Connecticut one year as a giant mud fight raged, one of the most memorable and intense live performances I ever saw at a large festival. Their odd aesthetic, intense musicianship and energy has been missed!

 

A cryptic message about evolving through shrooms (or something) was paired with some glitchy footage on the band’s Facebook.

And did I mention…show dates?!!

The brooding nu metal titans have announced that they’re indeed reuniting after a 12-year hiatus AND will be performing at all four Danny Wimmer Presents U.S. festivals in 2021

These symptoms suggested that our evolution, I suppose, from the animal kingdom into human kingdom itself was catalyzed or triggered by our encounter with these hallucinogenics, and… Yes, we are an ape with a symbiotic relationship to a mushroom, and that has given us self reflection, language, religion, and all the spectrum of effects that flow from these things And one can only wonder how these hallucinogens might effect our future evolution as well They have brought us to this point and as we make our relationship to them conscious, we may be able to take control of our future evolutionary path

 

~~ MudDvAyNe 2021 ~~
Inkcarceration
September 10 – 12

 

Aftershock
October 7 – 10

 

Louder Than Life
September 23 – 26

 

Welcome To Rockville
November 11 – 14

Mudvayne formed in 1996 and has sold over six million records worldwide, earning Gold certification for three albums (L.D. 50, The End Of All Things To Come, Lost and Found). The band is known for their sonic experimentation, innovative album art, face and body paint, masks and uniforms. Mudvayne is Chad Gray (vocals), Greg Tribbett (guitar, backing vocals), Matthew McDonough (drums, synthesizer) and Ryan Martinie (bass).

Danny Wimmer, founder of Danny Wimmer Presents recalls, “In our fan surveys, Mudvayne has consistently been one of the most requested bands – even though they weren’t an active band! We’ve been working for years to make this happen, so when I got the call that they’d finally take a meeting, [DWP Executive VP & Talent Buyer] Gary Spivack and I jumped at the chance to fly to Vegas. We sat down for dinner with Mudvayne, their lawyer Eric German, manager Diony Sepulveda and agent Ryan Harlacher – the band hadn’t even been in the same room together for 10 years – and pleaded our case for why the time was right for this to happen. We were hoping to announce this in 2020, we’re fortunate enough to be able to do it in 2021, and DWP is super pumped to have Mudvayne exclusively at all four of our festivals this year.”

The full list of Mudvayne performances at 2021 DWP festivals is as follows. Specific show dates and performance times will be announced later.

– Inkcarceration Music & Tattoo Festival, which takes place September 10-12 at Ohio State Reformatory in Mansfield, Ohio. Early bird passes are on sale now. Full lineup announcement coming Tuesday, April 20 at Noon ET.

– Louder Than Life, which takes place September 23-26, 2021 at Highland Festival Grounds at KY Expo Center in Louisville, Kentucky. Early bird passes are on sale now.

– Aftershock – revealed as the “mystery reunion band,” performing on Saturday, October 8 at Discovery Park in Sacramento, California. Weekend passes are sold out, but a very limited number of single day passes are still available.

– Welcome To Rockville, which takes place November 11-14 at Daytona International Speedway in Daytona Beach, Florida. Early bird passes are on sale now.

Metal News: Good, Bad and Ugly (3/19/21)

Posted by Metal Riot on Friday, March 19, 2021 at 1:14 PM (PST)

鬼 Photo credit: Robin Parsons

Greetings and happy Snyder Cut weekend. To say that the new, proper version of Justice League is better is a massive understatement. It is nice to actually see the POC in the movie have actual meaningful and important arcs. And so much better action! Bravo! The other version was way too focus grouped out of a soul and is one example (like Rise Of Skywalker) where a shorter run time and weird editing choices actually hurt the film. Snyder’s cut is literally 1,000x better and it has been awesome to see people fighting for more out of loving something rather than hating things for once. DC and Warner Bros. would be fools if they don’t make this the official canon version. Cue Wonder Woman hype theme!

But anyhow, we are here to talk metal. Lots of SHITTY stuff going on from Jon Schaffer being denied bond (that part is good, just shitty that he is a MAGA insurrectionist dipshit) to Stephen Carpenter sounding delusional enough that he could join Schaffer in Iced Earth at this rate. 9/11 happened and it is insulting af to New Yorkers to claim otherwise. I literally played CBGB’s the week it reopened and can remember the relief and catharsis of fearful New Yorkers glad to be out doing something positive after so much pain palpably.
WTF is going on where these musicians like these dudes or John Dolmayan (personally doing his best to make sure people rebrand his group System Of A Clown despite the rest of the band’s noble social justice efforts) have been all over the world and have so many opportunities to be educated but instead become conspiracy nuts, unforgivably compare BLM to the KKK or in Carpenter’s case likely smoke so much weed they literally can’t differentiate reality anymore? It is a god damn shame. I loved all those bands a lot at different points. Same for Ministry who have announced a new tour with Helmet and Front Line Assembly (more of my all time faves, sadly) but I am pretty sure Wikipedia still lists Sin Quirin in the band Ministry with no restorative justice reckoning so that is a hard pass. Some people didn’t forget about the grooming stuff just cuz everyone got distracted by Covid the last year. Everyone go watch the Woody Allen doc (God, Allen is utter gaslighting scum, IMO) if you don’t think media can’t help or harm when it comes to sweeping things aside.

Sometimes “cancel culture” (a right wing seeded talking point to focus shift) is actually about accountability, folks. I know you all want to feel super defensive because people don’t want you to tweet ableist shit or be morons or rape apologists anymore, but can everyone fuck right off?

On an even more somber note, Hearts go out today to the Underoath camp who are dealing with the tragic death of of old school guitarist Corey Steger. Our condolences and prayers go out to his surviving family and friends. He was very young and it is terribly sad. May his memory continue to shine for all those who loved him.

Man, that is a lot of depressing stuff. Let’s get to some music.

THE EMBER, THE ASH has today released “Becoming the Eidolon”, the third single to be taken from their upcoming album, Fixation. Accompanying the track, THE EMBER, THE ASH has also shared a lyric video – continuing the album’s highly stylized visual aesthetic. Born as a solo project from a musical polymath known only as 鬼, THE EMBER, THE ASH straddles the gulf between textured metalcore and symphonic black metal – not the most common combination of sub-genres. Love how confidently the track barrels in from the top.

In death metal news…April 16th, Cannibal Corpse will release their fifteenth studio album, Violence Unimagined, via Metal Blade Records. Fans can read an exclusive interview with Cannibal Corpse about Violence Unimagined and more in the May 2021 issue of Decibel Magazine, which features the band on the cover. To purchase your copy online now, please visit: https://store.decibelmagazine.com/products/may-2021-199 – or pick up an issue at newsstands starting April 7th!

Super stoked to hear a large body of material with these guys featuring Erik Rutan!

“I think the most noticeable difference on this record will be the addition of Erik to the band. He wrote three full songs for the record, music and lyrics, and his song writing and guitar playing have added something new, and I think his musical style integrated into ours very well,” Alex Webster enthuses. This is not all that he brings to the band. “He’s a great friend of ours, so on a personal level, he’s been a perfect fit, as we knew he would be. Beyond that, he’s one of the hardest working people I know, in music or otherwise, and he maintains a high energy, positive demeanor in challenging situations where other people might go in a negative direction. This energy and great attitude rubs off on the rest of us as well. That’s really a perfect situation to have when you add someone to a band, or any kind of team: someone who’s great at what they do, and also inspires the people around them.”


 

 

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Alternative metal underground forces of nature MY RUIN have released a new video for “Sacrosanctity” from their recent essential 40 track retrospective collection The Cathartic Collection. Massive, domineering grooves, a scorching guitar solo section and of course the can’t be replicated aggressive vocal stylings of Tairrie B. Murphy welcome the listener back to the world of the influential band. Man, I miss their intensity and unique sound compared to a lot of bands today who think they are so brutal but don’t have a similarly fiery spirit to put the musical connection over the top. The band remain unique, empaths overflowing with anger and creative passion, channeling impossible levels of feeling into a cyclone of sound.

“I met Mick Murphy on this day (February 5, 2000) at a party in the Hollywood Hills.
While sitting on a purple couch talking about music we felt a connection and I knew in that moment he would one day be my husband but first, he became my guitarist & musical partner in My Ruin. The rest is our rock story.
From the moment we met it was magick. We were drawn to each other the same way we were drawn to the music we have created together over the last two decades.
For some our music has been hellfire, for others holy water but for us, it has always been cathartic and something we consider sacrosanct.
 
On Christmas Eve 2020, Mick & I celebrated our 12 year wedding anniversary.
To commemorate our 20th anniversary and celebrate the music we have made in My Ruin,
we wanted to release something timeless, in loving memory for those who have followed us on our musical journey since the beginning and for those who may discover us at a later date…
Over the years we have been told how much our music has meant to so many and this has always meant so much to us.
As an underground band, we have no mainstream, radio friendly greatest hits but we have made music that connects,
resonates and offers solace with its catharsis to those who need it. Including us.
 
“The Cathartic Collection” is a set of 36 songs which we have remastered and thoughtfully curated into 3 chapters from our extensive discography spanning our 9-album history in My Ruin.
Each 12-song chapter represents 3 albums and is introduced by its own spoken word interlude.
 
Our magnum opus begins with a new and a final song which we recorded at our home studio in Knoxville, Tennessee during the pandemic in 2020. “Sacrosanctity” is a poetically passionate, raw throated and relentless 6-minute metallic lament meant to represent our band, past to present…”
❤️⚔❤️
Tairrie B. Murphy

Happy Friday, weirdos. I am still laughing from all the people on Twitter who thought that Pat Smear during the Foo Fighters inauguration performance was actually Obama. Can you imagine how crazy that must’ve seemed to them? Imagine the past four years he was just quietly biding his time and learning to shred on “Times Like These” to troll Trump with a superior inauguration for his pal Biden.

Anyway, here we are in the great big aftermath or messy diaper left behind from the Trump fiasco. Seems like a great time to get excited about some new music.

Tomahawk — the rock band featuring Duane Denison (The Jesus Lizard, Unsemble), Trevor Dunn (Mr. Bungle, Fantomas), Mike Patton (Faith No More, Mr. Bungle, etc.) and John Stanier (ex-Helmet, Battles) — are back with their first full-length album in eight years, titled Tonic Immobility and set to arrive on March 26 through Ipecac Recordings.

I had just recently busted out their debut and have been driving around frequently listening to that or Belly’s Star at like 6am as a good indicator of my daily mood, lol. So glad I have actually seen them live a few times and that the project isn’t dead in the water. The new Bungle line-up is certainly a supergroup but this one maybe even more so for snobs like me, haha. Stanier!!!

“Tonic Immobility could just be something in the air we’re feeling,” says Denison. “It’s been a rough year between the pandemic and everything else. A lot of people feel somewhat powerless and stuck as they’re not able to make a move without second guessing themselves or worrying about the outcomes. For as much as the record possibly reflects that, it’s also an escape from the realities of the world. We’re not wallowing in negativity or getting political. For me, rock has always been an alternate reality to everything else. I feel like this is yet another example.”

Interesting. Perhaps a strange, psychic cousin to DEP’s Option Paralysis?

The lead single can be heard below now and sounds as them as you’d expect.

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The cognitive dissonance of seeing Maga morons dance to YMCA has finally been topped as Tom Morello from RATM/Prophets Of Rage/Audioslave fame shared a deeply absurd and sad video of blue balls matters advocates dancing to Rage’s classic “Killing In The Name”. Did these absolute fucking dipshits not realize it is an anti racist cop anthem? They probably heard the part about those working forces burning crosses and thought ,”Cool! We Stan that! MAGA! A storm is coming!”

Thank God black voters overwhelmingly voted against Trump and helped topple this utter shitstain on Amerkkkan history. You can hold blue accountable and move the dial further left. That is not possible with the GOP. They constantly try to surpress black votes and downplay the Southern Strategy they implemented for decades to demonize blacks. They made a climate in America that made it impossible to even be elected in the USA as a Democrat unless you appeared ‘tough on crime’ too, for decades. Which thankfully many Dems now regret pandering too because it helped hurt people. The GOP also act like Dems think no minorites are allowed to be “free thinkers” rather than the fact that it is just super depressing to see them get gaslit and swindled.

GOP willingly cheer for Russian intrusions into elections then have the gall to have white privileged morons like the very Anchorman named Buck Sexton claim the DEMS did voter fraud? As if there isn’t already bi-partisan observation of the polls, always! And spare me your Dominion blue vote machine conspiracies. Why didn’t we win the Senate outright then? Make it make sense. And none of you cared about, say, Jeb Bush or GOP voter suppression before this election, I notice.

You are the same clowns who think white cis males haven’t been centered in all of modern history, the same motherfuckers who would hear “Down Rodeo” and be like ,”what’s wrong with not seeing a brown skin man since grandma bought one?”

Just because he slurred like a drunken wrestling fan doesn’t mean DONALD TRUMP was ever populist! He is a gilded, failed conman who grifted the country out of hundreds of millions of dollars and tried to destroy our sacred institutions and gaslight the fight against white supremacy and paint ANTI FASCISM as bad!

WELCOME BACK TO REALITY. Here’s a cold blue dousing. Biden won by the biggest general margin ever and yeah a lot of Dems mailed in votes cuz we didn’t want super spreader parties like you Rona Romancing White Supremacists. If we got rid of the electoral college we wouldn’t have these scary moments nearly as often. Reproductive rights wouldn’t always be on the chopping block.

Voting DOES matter. Look at Georgia. We can’t burn down the entire system in one day and not have countless marginalized people hurt in the process. We can reform and coalition build.

And for the left, stay vigilant and keep moving things more progressive. Stay active and keep voting to get progress made in local elections. And above all call out disinfo when you see it perpetuated and make MAGA types feel the social consequences. I don’t mean cancel everyone without trying to educate but if it is hopeless it is not just “cancelling”, it is called not having to do permanent emotional labor for idiots who can’t grasp the bare bone structures of human history despite more access to information than ever before. Some of them are just gullible bigots!

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DESTROY PLANETS release “Burn In Hell” video

Posted by Morgan Y Evans - Walking Bombs on Sunday, November 1, 2020 at 1:29 AM (PST)

Destroy Planets have released an alt metal sledgehammer of a track that rotates between bratty rap-esque chants and rumbling deathcore lows from vocalist Tanya over syncopated, dialed-up aggression from the band.

“This song means different things to us. Tanya composed the lyrics and to her the song is about betrayal and being able to move forward dealing with the struggles betrayal presents. Other band members feel the lyrics can represent two halves of the same person having an internal conflict or that there are two people where one person is living a fake lie and the other person is perhaps trying to escape this. The whole feel of the song could be seen as what goes around comes around or struggling with demons in your past that you can not escape from.”- Destroy Planets

Photo credit: Harvey Wallbanger

London based trap metal artist Mimi Barks has released a new video for attitude-filled fresh track “11.PLAGUE/666”. Fans of Concrete Dream, Otep, Killvein, Hollywood Undead and  Iggy Azalea might feel this new rager. Some of you might remember her Enter The Void EP from last year turning heads.

Photo by Buzz Osborne

Alt metal and snarky art rock legends Mr. Bungle have released a thrashterpiece of a track “Sudden Death” from The Raging Wrath Of The Easter Bunny Demo – out 10/30 on mighty Ipecac. You can definitely hear the old school vibes in these stomping and raging patterns (perfectly suited to new members Scott Ian and Dave Lombardo.

TICKETS & EXCLUSIVE MERCH FOR THE HALLOWEEN VIRTUAL LIVE CONCERT EXPERIENCE, “THE NIGHT THEY CAME HOME!,” ALSO AVAILABLE NOW

www.mrbungle.live

Portuguese metal bands are always some of the most passionate and talented and Inhuman are no exception. I am liking the new single “Chaotic Nothing” a lot and wanted to share it with you below. Reminds me a bit of the melodic side of new Sepultura mixed with dark alt rock and even some prog elements. The band have teamed with Moonspell’s famed vocalist Fernando Ribeiro for the release of their long awaited new album CONTRA on his Alma Mater records on Nov. 6th (I reaaallly like the purple vinyl limited option)! Bandcamp version HERE.

This news warms my heart and gets the blood charged with power. Produced by Daniel Cardoso (Anathema, Ava Inferi), the music sounds huge, distinctive and all encompassing.

Baltimore, Maryland’s audiovisual progressive/psychedelic duo DARSOMBRA will be headlining the 8th Annual Mushroom City Art Festival online this Sunday, October 4th, from 8-9pm EDT. The band has performed at Baltimore’s Mushroom City Art Festival in their local Leakin Park for the past four years, so this year, instead of a strict music performance for that hour of online entertainment, the band has created a TV show, A Trip With Darsombra, which serves as the first episode of their new channel, Darsombra TV.

 

Since forming in 2006, DARSOMBRA has released an extensive catalog of albums and smaller releases through a vast network of underground labels including At A Loss, Public Guilt, Exile On Mainstream, Translation Loss, and Noise Bombing, before releasing their fourth LP, Transmission, independently in 2019. Uniting Brian Daniloski on guitar, vocals, and effects, and Ann Everton on synthesizer, vocals, gong, and visuals, DARSOMBRA is a transcendental and emotive experience. Live, they create a symbiotic audio-video involvement that creates a temporary reality, woven by sight, sound, and movement. These psychedelic and transcendental characteristics are transferred to record as closely as possible. . . and live, it is a truly cinematic rock ‘n’ roll show.

 

Transmission consists of one continuous forty-one-minute flood ofsprawling, mind-expanding, musical exploration. Ranging from relentless, charged, and cinematic, to ephemeral, transcendent, and delicate, the song embraces its many qualities as it wraps itself into a thematic, uncompromising saga with a million different interpretations available to the listener.

 

The band offers with the launch of their new channel, “Darsombra TV is here! Performances, scenes of life around Maryland, and a first listen to some rapidly developing new tracks from DARSOMBRA are some of what fans can expect from our upcoming online performance for Baltimore’s 8th Annual Mushroom City Art Festival! A Trip With Darsombra is an hour-long variety show featuring the music of DARSOMBRA, as well as scenes from band members Ann Everton and Brian Daniloski’s adventures in Maryland. Come take a trip with Ann and Brian as they journey from Baltimore’s notorious Leakin Park and the original locations of their previous performances for Mushroom City Art Festival, to their garden in nearby West Baltimore for an intimate rooftop show, to A Day At The Beach With Darsombra at Assateague Island National Seashore, and finally ending up back in Leakin Park for a very special surprise performance! This action-packed hour of Darsombra TV also includes exercises for screen-weary eyeballs, a bawdy pony gatehouse adventure, and a Leakin Park Mushroom Extravaganza showing some fungal developments in the park since lockdown in March 2020. DARSOMBRA fans will also appreciate exclusive previews of upcoming tracks from the band. . . come and join us on A Trip With Darsombra!”

 

A Trip With Darsombra airs live this Sunday, October 4th at 8-9pm EDT at THIS LOCATION.
Transmission is out now on LP, CD, cassette, and digital download directly through DARSOMBRA. Each format of the album bears slightly different artwork and design elements than the others.

 

Find a wide array of options at the band’s webshop HERE and Bandcamp where the entire album is streaming HERE.

Korn and Yelawolf cover Charlie Daniels

Posted by Morgan Y Evans - Walking Bombs on Tuesday, July 28, 2020 at 8:40 AM (PST)

I am very very sick and so not posting much this week. Charlie Daniels believed some super dumb conservative shit later in life but “The Devil Went Down To Georgia” will always remain a bop. Here is an insane new version of it from Korn and Yelawolf at Bandcamp. Props to Korn for continuing their tradition to do oddball covers, not just metal. Seems to be for a good cause with Awakening Youth. I am too tired to read more about it right now. Ok, legit time to go throw up and tremble in weak sickly horror again. My ass sounds as flappy as Fieldy’s bass tone right now. Y’all boogie down to this now and I will hopefully see you soon.

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REVOLUTION, THE ONLY SOLUTION!!!

In which the now Trump bootlicking drummer of System Of A Down betrays all their material and tells me that Black Lives Matter are the same as the Brown Shirts. Serj Tankian, fuck this clown already. John Dolmayan (aka BYOBootlicker, my new name for him) has truly lost it. Ok, so every other basic armchair expert loves to say the “DemonCRats are thE reAl fashitz” yet COMPLETELY IGNORE the GOP SOUTHERN STRATEGY, but calling BLACK LIVES MATTER the new Brown Shirts is beyond revolting gaslighting. When I interviewed him years ago he was going through a McDonalds drive through. Not exactly ‘woke’ or helpful to the message.

John seems like a Seventh Kavalry Qanon moron who Ayn Rand and Steve Ditko spawned at a Nu Metal bakesale. What a god damn letdown! How fucking sad too that John has compared people fighting for freedom to not be MURDERED BY POLICE BRUTALITY to Hitler’s god damn Sturmabteilung ! While your band stood for the recognition of a covered up genocide you now spread HIDEOUS RACIST FALSE EQUIVALENCY! Fuck Off.

What happened to ,”Pushing little children with their fully automatics…”?

Serj, Daron, Shavo…fire this asshole or get him an intervention like YESTERDAY! For the love of God! Is this why you guys have been sorely needed as a band but haven’t released an album in forever? Just to humor this clown?!! Heartbreaking. One of the best political bands ever totally derailed by one member’s mind destroyed by money and conspiracy drivel. This is even worse than Korn jamming with utter homophobe Mike Huckabee. Seriously, WTF are you guys doing?!! Read the fucking room.

Seriously John, go P.L.U.C.K. yourself.

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It is our official opinion that the babes in Mantar were unfairly excluded from being featured in the 1993 Marc Jacobs grunge collection for Perry Ellis.

Mantar are one of the most righteous and raucous bands out there these days and now the German noise sludgers are delivering an all killer grunge tribute album Grungetown Hooligans II. The excellent Brutal Panda is releasing this slab on June 26th. It is directed towards lesser heralded acts who made some of the best music of that era and includes L7, Jesus Lizard, Babes In Toyland covers and more. The “100%” Sonic Youth cover is especially pitch perfect and adds a lot more snarl while capturing the sneer of the original. “Puss” the Jesus Lizard cover is not as booze soaked and blindly madcap Yow microphone swallowing as the original but retains the swing and glory of the riffing while adding more metallic roar to the vocals. And the drum break is still pure fucking payoff.

Check out the “Ghost Highway” fresh take on a Mazzy Star classic below. Kudos to the band for taking a slight left turn here from prior releases and doing something different.

Poppy ponders existence

Poppy has released a rad cover of t.A.T.u’s “All The Things She Said.” She has grown a lot on me as an artist and I think she is doing cool stuff. Nice to see her really spreading her wings and in a much better situation. I think this is also a good cover choice as t.A.T.u were also under-estimated when they were active by a lot of people. She writes:

This cover song was delivered to my label over two weeks ago, with the purpose of being released in time for Pride Month. Unfortunately, in the time elapsed since then, we’ve been faced with a tragedy that calls for our much needed attention. While we are still fighting for equality in the lgbtq+ community, we still have a long way to go, and there still remains an absurd amount of injustice for minorities in America.

I cannot adequately express my distain for how our government, and above all, our president is reacting to what’s happening in America right now.I encourage you to educate yourself, go out and protest, donate, and raise your voice to speak out against this injustice.

I’ll also be sharing a few links to donate to if you have the means to do so.

I stand with you in love

-Moriah

 

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KILLVEIN is one of those inspiring rare types of artists who seem fueled by a frenzy to create, a high level of passion that palpable in the air like when you know there will be a storm soon. The self-taught producer and multi-instrumentalist charges up everything with purposeful intent and has released a lot of material the last few years, drawing from a diverse pool of sounds ranging from hooky trap to black metal to rock.

Recently Tommy Lee of Mötley Crüe fame was impressed enough by the up and coming artist to feature KILLVEIN on two tracks from the forthcoming Tommy Lee solo release ANDRO. I heard a rowdy rock cut. “Knock Me Down” is so ripe with pent up, ready for the mosh pit bravado that it is more closely resembles an explosion than a song (while still, in actuality, being a good song).

Read our chat with KILLVEIN below.

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